Shots like this one
48 nearest shots across the atlas
Nearest by cosine distance between CLIP embeddings of the keyframes; shots immediately before or after this one in the same film are left out.
QUICKSAND (1950), 34:27 match 0.83
QUICKSAND (1950), 9:05 match 0.79
KILLERS FROM SPACE (1953), 16:57 match 0.79
QUICKSAND (1950), 8:14 match 0.77
KILLERS FROM SPACE (1953), 14:12 match 0.77
QUICKSAND (1950), 8:52 match 0.75
SUDDENLY (1954), 43:24 match 0.75
HIS GIRL FRIDAY (1939), 1:00:01 match 0.75
QUICKSAND (1950), 17:46 match 0.75
QUICKSAND (1950), 39:41 match 0.75
PENNY SERENADE (1941), 42:07 match 0.75
SUDDENLY (1954), 1:10:19 match 0.74
KILLERS FROM SPACE (1953), 58:23 match 0.74
PENNY SERENADE (1941), 41:38 match 0.74
SUDDENLY (1954), 39:51 match 0.74
SUDDENLY (1954), 1:06:50 match 0.74
SUDDENLY (1954), 39:34 match 0.74
PENNY SERENADE (1941), 39:55 match 0.74
INNER SANCTUM (1948), 15:25 match 0.74
PENNY SERENADE (1941), 50:17 match 0.74
INNER SANCTUM (1948), 33:55 match 0.73
HIS GIRL FRIDAY (1939), 59:51 match 0.73
QUICKSAND (1950), 7:10 match 0.73
PENNY SERENADE (1941), 42:54 match 0.73
THE STRANGER (1946), 1:08:36 match 0.73
SUDDENLY (1954), 56:20 match 0.73
IMPACT (1949), 1:02:38 match 0.72
SUDDENLY (1954), 41:21 match 0.72
INNER SANCTUM (1948), 34:51 match 0.72
THE STRANGER (1946), 1:08:40 match 0.72
IMPACT (1949), 1:03:02 match 0.72
DETOUR (1945), 45:10 match 0.72
SUDDENLY (1954), 1:05:44 match 0.72
SUDDENLY (1954), 1:02:23 match 0.72
THE STRANGER (1946), 51:25 match 0.72
SUDDENLY (1954), 1:02:58 match 0.72
IMPACT (1949), 1:26:15 match 0.72
QUICKSAND (1950), 1:16:55 match 0.72
SUDDENLY (1954), 1:07:24 match 0.72
THE STRANGER (1946), 1:20:32 match 0.72
PENNY SERENADE (1941), 43:00 match 0.72
INNER SANCTUM (1948), 50:01 match 0.72
SUDDENLY (1954), 1:02:12 match 0.72
THE STRANGER (1946), 31:35 match 0.71
SUDDENLY (1954), 1:07:39 match 0.71
KILLERS FROM SPACE (1953), 8:56 match 0.71
PENNY SERENADE (1941), 1:15:34 match 0.71
SUDDENLY (1954), 37:26 match 0.71