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like to know the reason why you're following me. Would I need a reason? You know, I'm beginning to think I might possibly have been mistaken about you. Perhaps it's your leer. It looks so genuine. It is. Yes, I can see it is. Well, you'll have to excuse me. I'm going in here and try and lose you.","shot_idx":10},{"idx":1,"start_s":150.0,"end_s":167.02,"text":"Brace yourself.","shot_idx":20},{"idx":2,"start_s":168.48,"end_s":170.98,"text":"Johnson?  Does Johnson have a purple face?","shot_idx":20},{"idx":3,"start_s":174.0,"end_s":179.4,"text":"You're a bit early, Bailey.  Am I?  I haven't quite made up my mind.  About what, Mr. Johnson?","shot_idx":21},{"idx":4,"start_s":180.0,"end_s":182.58,"text":"break your neck or merely to fire you.","shot_idx":21},{"idx":5,"start_s":183.81,"end_s":185.43,"text":"Well, take lots of time.","shot_idx":21},{"idx":6,"start_s":185.67,"end_s":201.25,"text":"you're paying for my wife just called me what's the idea of following her it's  what she wanted to know your instructions were clear go to Portland  where she's lived all her life frightened enough now without having private dicks  trailing her around right","shot_idx":21},{"idx":7,"start_s":201.57,"end_s":202.09,"text":"Why?","shot_idx":23},{"idx":8,"start_s":203.9,"end_s":208.34,"text":"Another one came yesterday.  Only this time it was addressed to Jane.  She read it.","shot_idx":23},{"idx":9,"start_s":221.48,"end_s":225.9,"text":"I figured she was frightened because when she read it, she laughed gaily.","shot_idx":25},{"idx":10,"start_s":226.29,"end_s":227.25,"text":"That's right, she did.","shot_idx":28},{"idx":11,"start_s":228.69,"end_s":234.27,"text":"And then she pointed out that being as your estate planning commissioner and chairman of the Civic Council,","shot_idx":29},{"idx":12,"start_s":234.3,"end_s":235.98,"text":"something of a public figure...","shot_idx":30},{"idx":13,"start_s":236.13,"end_s":237.79,"text":"That it was just a crank note?","shot_idx":30},{"idx":14,"start_s":237.9,"end_s":238.4,"text":"That's right.","shot_idx":30},{"idx":15,"start_s":238.77,"end_s":239.61,"text":"And I believe her.","shot_idx":30},{"idx":16,"start_s":239.85,"end_s":241.65,"text":"Because she pointed out something else, too.","shot_idx":30},{"idx":17,"start_s":242.28,"end_s":244.16,"text":"A lot of my old friends resent Jane.","shot_idx":30},{"idx":18,"start_s":244.62,"end_s":245.98,"text":"She's very withdrawn.","shot_idx":30},{"idx":19,"start_s":246.15,"end_s":247.59,"text":"Doesn't like to go out much.","shot_idx":30},{"idx":20,"start_s":247.92,"end_s":249.22,"text":"to meet too many people.","shot_idx":30},{"idx":21,"start_s":249.99,"end_s":252.21,"text":"Some of my friends would be capable of...","shot_idx":30},{"idx":22,"start_s":252.36,"end_s":255.6,"text":"Getting plastered and pulling a stunt just like that.","shot_idx":30},{"idx":23,"start_s":257.04,"end_s":262.0,"text":"That's a pretty rugged crowd you run with.  Rugged's a good enough name.","shot_idx":32},{"idx":24,"start_s":262.26,"end_s":263.46,"text":"some of my friends...","shot_idx":32},{"idx":25,"start_s":263.88,"end_s":265.36,"text":"I came up the hard way.","shot_idx":33},{"idx":26,"start_s":265.62,"end_s":266.16,"text":"In fact...","shot_idx":33},{"idx":27,"start_s":266.52,"end_s":267.6,"text":"And that's the trouble.","shot_idx":33},{"idx":28,"start_s":268.11,"end_s":269.81,"text":"I led a rough and tumble life.","shot_idx":33},{"idx":29,"start_s":270.12,"end_s":270.96,"text":"Jane hasn't.","shot_idx":33},{"idx":30,"start_s":271.62,"end_s":273.7,"text":"I was ready to judge her by my standards.","shot_idx":34},{"idx":31,"start_s":274.11,"end_s":277.87,"text":"That's probably why I was so quick to hire you when I got that first note.","shot_idx":35},{"idx":32,"start_s":278.43,"end_s":281.17,"text":"It was easy for me to think that Jane might be in trouble.","shot_idx":35},{"idx":33,"start_s":281.97,"end_s":282.73,"text":"Too easy.","shot_idx":35},{"idx":34,"start_s":284.4,"end_s":286.58,"text":"But her reaction to this second note...","shot_idx":35},{"idx":35,"start_s":286.65,"end_s":287.65,"text":"It was genuine.","shot_idx":35},{"idx":36,"start_s":289.26,"end_s":290.5,"text":"Made me realize that","shot_idx":35},{"idx":37,"start_s":290.79,"end_s":294.35,"text":"Jane wouldn't be capable of doing anything she had to hide.","shot_idx":35},{"idx":38,"start_s":295.59,"end_s":300.51,"text":"So, I think you can just forget about all this, Bailey.  You forget about it, Mr. Johnson.","shot_idx":36},{"idx":39,"start_s":300.99,"end_s":302.37,"text":"Your wife's in trouble.","shot_idx":37},{"idx":40,"start_s":303.12,"end_s":306.24,"text":"You've known her only since she killed more than a year ago.","shot_idx":37},{"idx":41,"start_s":306.84,"end_s":308.64,"text":"You've been married to her less than seven months.","shot_idx":37},{"idx":42,"start_s":309.18,"end_s":314.46,"text":"What do you really know about her, except that she was a nice, quiet sorority girl at UCLA?  Yeah.","shot_idx":37},{"idx":43,"start_s":314.52,"end_s":316.96,"text":"What are you trying to prove?  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She came out stuffing a roll of bills in her purse that would keep me for a month.","shot_idx":38},{"idx":51,"start_s":335.85,"end_s":336.81,"text":"Did you check on it?","shot_idx":40},{"idx":52,"start_s":336.96,"end_s":341.26,"text":"I tried to, but whatever business she was doing, it wasn't done under her own name.","shot_idx":40},{"idx":53,"start_s":341.79,"end_s":344.25,"text":"Either Mrs. Ralph Johnson or Miss Jane Brigger.","shot_idx":40},{"idx":54,"start_s":345.12,"end_s":347.92,"text":"And she dresses in a way that you can't definitely describe.","shot_idx":40},{"idx":55,"start_s":348.51,"end_s":349.53,"text":"I think it's deliberate.","shot_idx":40},{"idx":56,"start_s":350.91,"end_s":354.75,"text":"Look, there's a ticket in here.  Leaving for Portland at 6 tonight.","shot_idx":40},{"idx":57,"start_s":355.05,"end_s":356.35,"text":"Do I use it or not?","shot_idx":40},{"idx":58,"start_s":357.87,"end_s":360.07,"text":"I think you can use some discretion along with it.","shot_idx":40},{"idx":59,"start_s":364.69,"end_s":368.17,"text":"Mm-hmm. Jane Breger, class of '41.","shot_idx":41},{"idx":60,"start_s":369.0,"end_s":375.54,"text":"But, uh, we're not closing out information.  Well, all I want is her address, teacher.","shot_idx":41},{"idx":61,"start_s":378.81,"end_s":382.09,"text":"10476 Larrady.","shot_idx":41},{"idx":62,"start_s":382.83,"end_s":383.93,"text":"Mm-mm.","shot_idx":41},{"idx":63,"start_s":385.23,"end_s":389.55,"text":"She got a work permit to dance at Keller's Carousel down on South Broadway.","shot_idx":41},{"idx":64,"start_s":389.58,"end_s":391.2,"text":"You're an angel, Angel.","shot_idx":41},{"idx":65,"start_s":394.7,"end_s":416.56,"text":"Very funny.  Now tell me where you want to go.  What's the trouble?  Brother, that address hasn't meant anything for five, six years now.  That's why they built one of the shipyards.  What about Keller's Carousel, that little club down on South Broadway?  Oh, you're from out of town, huh?  Cops closed that joint up a long time ago.  It's a key room now.  Is Keller still around town?","shot_idx":42},{"idx":66,"start_s":418.0,"end_s":418.44,"text":"Keller?","shot_idx":42},{"idx":67,"start_s":419.58,"end_s":425.22,"text":"Look, pal, I just drive a hack.  Where do you want to go?  I'll leave that up to you, pal.","shot_idx":42},{"idx":68,"start_s":427.08,"end_s":431.32,"text":"Well, you don't want to find Keller.  Beyond ten bucks, I lose interest in him.","shot_idx":42},{"idx":69,"start_s":432.74,"end_s":436.84,"text":"Don't let Keller hear you say that.  He's a very sensitive guy.","shot_idx":42},{"idx":70,"start_s":453.28,"end_s":453.96,"text":"Thanks, Steve.","shot_idx":42},{"idx":71,"start_s":454.44,"end_s":461.28,"text":"It's a chip crib, brother. Illegal.  Just go up that ramp there and ask for Reno.  Tell them Gus brought you.  Thanks.","shot_idx":42},{"idx":72,"start_s":495.33,"end_s":497.25,"text":"What can I do for you?","shot_idx":42},{"idx":73,"start_s":497.28,"end_s":501.22,"text":"I'm looking for Reno.  You're lost. That's in Nevada.","shot_idx":42},{"idx":74,"start_s":502.76,"end_s":506.52,"text":"You remember here?  I'm a friend of Reno's.","shot_idx":42},{"idx":75,"start_s":506.82,"end_s":515.24,"text":"Home? Where's your transportation? Gus brought me down. Take him up to three. Okay, Mr. Reno.","shot_idx":42},{"idx":76,"start_s":517.86,"end_s":519.32,"text":"I bet you hardly remember me.","shot_idx":42},{"idx":77,"start_s":563.97,"end_s":567.51,"text":"Well, my way wouldn't help you.  But he is around.","shot_idx":43},{"idx":78,"start_s":576.91,"end_s":582.01,"text":"You approve of our layout?  No roulette.  People up this way don't go for roulette.","shot_idx":44},{"idx":79,"start_s":583.85,"end_s":593.33,"text":"What do you expect to get to your ten bucks, Keller?  I see everybody up here works together.  We try to.  I wanted to see Keller about a small matter.","shot_idx":44},{"idx":80,"start_s":594.18,"end_s":623.68,"text":"Small matters are my business. What's it about? A girl. A girl who used to work for. What girl might that be? Tell her it can't be that hard to see. The gentleman is right, Reno. He paid ten dollars for the privilege of talking with me. I'm really flattered. It'll go on my expense account. I didn't get your name. I didn't give it to you. I'll take it now. Bailey. We'll have some privacy.","shot_idx":44},{"idx":81,"start_s":629.2,"end_s":629.64,"text":"Oh, my God.","shot_idx":44},{"idx":82,"start_s":633.69,"end_s":635.15,"text":"Oh, oh.","shot_idx":44},{"idx":83,"start_s":637.98,"end_s":643.92,"text":"Now, about this girl, Mr. Bailey.  She may have taken a cozier name for your nightclub, but she was born Jane Breger.","shot_idx":44},{"idx":84,"start_s":645.81,"end_s":647.53,"text":"Well, this was a long time ago.","shot_idx":44},{"idx":85,"start_s":647.88,"end_s":651.3,"text":"What's he done?  Nothing, just missing.  I'm afraid I can't help you.","shot_idx":44},{"idx":86,"start_s":651.39,"end_s":652.47,"text":"Or whatever you know.","shot_idx":44},{"idx":87,"start_s":653.04,"end_s":657.54,"text":"She left Portland back in 1941 when I sold the carousel.","shot_idx":44},{"idx":88,"start_s":657.9,"end_s":660.16,"text":"She went to Los Angeles with a comic.","shot_idx":44},{"idx":89,"start_s":661.23,"end_s":661.79,"text":"Pájense.","shot_idx":44},{"idx":90,"start_s":661.89,"end_s":664.65,"text":"In 1941? You mean 1946, don't you?","shot_idx":44},{"idx":91,"start_s":664.71,"end_s":668.57,"text":"Sorry, I mean 9 till 41. Did you know her?  No, I never met her.","shot_idx":44},{"idx":92,"start_s":668.97,"end_s":672.55,"text":"Do you know anyone here or in Los Angeles who might have kept in touch with her?  Sorry.","shot_idx":44},{"idx":93,"start_s":672.81,"end_s":673.11,"text":"No.","shot_idx":44},{"idx":94,"start_s":675.15,"end_s":676.47,"text":"She was quite something.","shot_idx":44},{"idx":95,"start_s":677.25,"end_s":680.95,"text":"I tried to brush some dust off her shoulder I want, and she accused me of...","shot_idx":44},{"idx":96,"start_s":681.0,"end_s":682.24,"text":"more incurred.","shot_idx":44},{"idx":97,"start_s":683.76,"end_s":684.7,"text":"If you find her,","shot_idx":44},{"idx":98,"start_s":685.08,"end_s":686.22,"text":"Give her my regards.","shot_idx":44},{"idx":99,"start_s":686.61,"end_s":688.05,"text":"Would you have any pictures around?","shot_idx":44},{"idx":100,"start_s":688.5,"end_s":691.42,"text":"Maybe I have a room full of reddicks from the carousel","shot_idx":44},{"idx":101,"start_s":691.65,"end_s":693.37,"text":"Would you like to go through? - Yeah.","shot_idx":44},{"idx":102,"start_s":693.81,"end_s":695.17,"text":"Reno, you know the room?","shot_idx":44},{"idx":103,"start_s":695.67,"end_s":698.07,"text":"Thanks for letting me take your time, Mr. Keller.","shot_idx":44},{"idx":104,"start_s":699.54,"end_s":702.12,"text":"I'm sorry I was talking about the wrong girl.","shot_idx":44},{"idx":105,"start_s":767.48,"end_s":774.42,"text":"Which one is Buster Buffett?  Why don't you pick out Jane Brigham?  You told her boss you never met her.  I did say that, didn't I?","shot_idx":49},{"idx":106,"start_s":783.91,"end_s":785.15,"text":"Comes the menace again.","shot_idx":50},{"idx":107,"start_s":789.47,"end_s":803.29,"text":"Hey, you.  You can walk down.  I was thinking of calling a cab from the desk.  They cruise around. You can pick one up.  I think I'd better call one. I'm afraid of the dark.  We don't like cabs coming to this address.  It's a house rule.","shot_idx":50},{"idx":108,"start_s":805.11,"end_s":805.75,"text":"for this morning.","shot_idx":50},{"idx":109,"start_s":895.11,"end_s":924.51,"text":"What happened?","shot_idx":50},{"idx":110,"start_s":925.11,"end_s":949.27,"text":"is real around I haven't seen you mind if I use this go right ahead you seem to be very much at home","shot_idx":50},{"idx":111,"start_s":949.38,"end_s":950.16,"text":"Hotel Willamette?","shot_idx":50},{"idx":112,"start_s":950.73,"end_s":954.75,"text":"This is Bailey, room 517.  Get the houseman up to my room quick, will you?","shot_idx":50},{"idx":113,"start_s":955.35,"end_s":958.59,"text":"Tell him to take it easy, but hold anybody he finds there.","shot_idx":50},{"idx":114,"start_s":958.86,"end_s":959.36,"text":"I'll wait.","shot_idx":50},{"idx":115,"start_s":959.82,"end_s":962.56,"text":"What happened? Did you fold down the elevator chair?","shot_idx":50},{"idx":116,"start_s":963.09,"end_s":964.53,"text":"I thought maybe you could tell me.","shot_idx":50},{"idx":117,"start_s":964.71,"end_s":967.59,"text":"Don't you know?  It was supposed to look like a heist job.","shot_idx":50},{"idx":118,"start_s":967.71,"end_s":970.75,"text":"He emptied my wallet and put it carefully under my nose.","shot_idx":51},{"idx":119,"start_s":971.01,"end_s":977.07,"text":"Real subtle.  The boys who work these streets can afford to be casual.  Your man Reno told me I'd find a cab.","shot_idx":51},{"idx":120,"start_s":977.22,"end_s":978.36,"text":"You're from Cairn.","shot_idx":52},{"idx":121,"start_s":978.93,"end_s":982.41,"text":"I don't think Reno likes you, but he doesn't go in for petit terre.","shot_idx":52},{"idx":122,"start_s":982.56,"end_s":983.1,"text":"Yeah?","shot_idx":52},{"idx":123,"start_s":984.18,"end_s":985.36,"text":"The room isn't messed up.","shot_idx":52},{"idx":124,"start_s":986.37,"end_s":988.23,"text":"All right. Tell him to watch it a while.","shot_idx":52},{"idx":125,"start_s":990.69,"end_s":995.67,"text":"I thought you might be looking for something.  The hard way.  If I wanted anything from you, I'd get it.","shot_idx":52},{"idx":126,"start_s":996.39,"end_s":998.19,"text":"And I like the hard way.","shot_idx":53},{"idx":127,"start_s":1002.39,"end_s":1007.71,"text":"- Sorry, boss, I thought he'd gone. - He's just leaving.","shot_idx":55},{"idx":128,"start_s":1011.67,"end_s":1015.03,"text":"I just came back to use the phone. I got a nickel left.","shot_idx":57},{"idx":129,"start_s":1024.79,"end_s":1026.69,"text":"You know the way out. Take the stairs.","shot_idx":58},{"idx":130,"start_s":1029.61,"end_s":1035.45,"text":"Rain spots these jackets, doesn't it?  Hey, something holding you up?","shot_idx":58},{"idx":131,"start_s":1035.63,"end_s":1036.35,"text":"Not a thing.","shot_idx":58},{"idx":132,"start_s":1040.27,"end_s":1041.73,"text":"Nothing holding him up either.","shot_idx":58},{"idx":133,"start_s":1044.27,"end_s":1049.59,"text":"That puts her here here in Los Angeles six years ago instead of a year and a half as I thought I","shot_idx":58},{"idx":134,"start_s":1049.97,"end_s":1061.19,"text":"Incidentally, I'm being tailed.  Since when?  Since I got back from Portland.  Or rather, since this morning, he picked me up at my apartment.  And I'm probably being followed too. Can you find out who it is?  Well, I'm pretty sure this is from the Portland inn.","shot_idx":59},{"idx":135,"start_s":1061.34,"end_s":1066.32,"text":"I'll let him catch up with me the next time and we'll have a little talk.  And if he doesn't want to catch up?","shot_idx":59},{"idx":136,"start_s":1066.59,"end_s":1068.57,"text":"There are ways of arranging it.","shot_idx":59},{"idx":137,"start_s":1068.63,"end_s":1069.29,"text":"By the way,","shot_idx":60},{"idx":138,"start_s":1069.35,"end_s":1070.95,"text":"If this isn't a gag it ought to be,","shot_idx":60},{"idx":139,"start_s":1071.12,"end_s":1075.58,"text":"The Tetra agency says Buffen quit show business and bought himself a meat market or something down at the beach.","shot_idx":60},{"idx":140,"start_s":1076.04,"end_s":1077.66,"text":"Thanks, Vicks. I'll follow it up.","shot_idx":61},{"idx":141,"start_s":1078.68,"end_s":1080.16,"text":"I want you to fill in the gap.","shot_idx":61},{"idx":142,"start_s":1080.24,"end_s":1086.02,"text":"If she did come down here six years ago, I want to know what went on in the five years before I met her.  Well, that shouldn't be too tough.","shot_idx":61},{"idx":143,"start_s":1086.54,"end_s":1095.12,"text":"Here it is, Buster Buffon's buffet.","shot_idx":61},{"idx":144,"start_s":1179.78,"end_s":1180.42,"text":"Oh","shot_idx":77},{"idx":145,"start_s":1183.62,"end_s":1185.68,"text":"Honey, you see it's down front. Always room for one more.","shot_idx":79},{"idx":146,"start_s":1187.58,"end_s":1190.52,"text":"You killed me, Buster. See you later.  Okay, drop in again.","shot_idx":79},{"idx":147,"start_s":1193.19,"end_s":1198.15,"text":"Well, what'll it be, clam chowder or clam chowder?  You got any clam chowder?  Oh, that's special. It'll cost you extra.","shot_idx":79},{"idx":148,"start_s":1198.92,"end_s":1199.86,"text":"Any coffee?","shot_idx":79},{"idx":149,"start_s":1200.024,"end_s":1200.864,"text":"- Matt.","shot_idx":79},{"idx":150,"start_s":1202.864,"end_s":1203.484,"text":"- Ah.","shot_idx":80},{"idx":151,"start_s":1204.164,"end_s":1207.504,"text":"You wouldn't be a food inspector, would you?  Put it down, I might be hungry.","shot_idx":80},{"idx":152,"start_s":1207.824,"end_s":1210.364,"text":"You'll find it warmer than an old mate's feet, but not half as clammy.","shot_idx":80},{"idx":153,"start_s":1212.954,"end_s":1215.394,"text":"Mustard, this routine's better than the one you had in Portland.","shot_idx":80},{"idx":154,"start_s":1219.674,"end_s":1221.034,"text":"Do I know you?","shot_idx":81},{"idx":155,"start_s":1222.044,"end_s":1222.944,"text":"I hope not.","shot_idx":81},{"idx":156,"start_s":1223.604,"end_s":1225.884,"text":"A crack about Portland was supposed to mean something.","shot_idx":81},{"idx":157,"start_s":1226.484,"end_s":1227.024,"text":"What?","shot_idx":81},{"idx":158,"start_s":1227.354,"end_s":1229.994,"text":"A man in Portland died and left a small estate.","shot_idx":81},{"idx":159,"start_s":1230.294,"end_s":1231.194,"text":"What's that to me?","shot_idx":81},{"idx":160,"start_s":1232.034,"end_s":1233.894,"text":"Keller says she came down here with you.","shot_idx":81},{"idx":161,"start_s":1234.314,"end_s":1235.334,"text":"Oh.","shot_idx":82},{"idx":162,"start_s":1235.904,"end_s":1237.524,"text":"So you're trying to find Jane.","shot_idx":82},{"idx":163,"start_s":1237.704,"end_s":1238.184,"text":"Yeah.","shot_idx":82},{"idx":164,"start_s":1238.574,"end_s":1240.034,"text":"That was all of six years ago, chum.","shot_idx":82},{"idx":165,"start_s":1240.524,"end_s":1241.484,"text":"What's your angle on it?","shot_idx":82},{"idx":166,"start_s":1241.574,"end_s":1242.574,"text":"Just legwork.","shot_idx":83},{"idx":167,"start_s":1242.714,"end_s":1244.714,"text":"And the expense account is lean and hungry.","shot_idx":83},{"idx":168,"start_s":1245.684,"end_s":1246.984,"text":"What's the information worth?","shot_idx":84},{"idx":169,"start_s":1247.514,"end_s":1248.734,"text":"What's the information?","shot_idx":84},{"idx":170,"start_s":1253.904,"end_s":1254.984,"text":"What'll that buy?","shot_idx":84},{"idx":171,"start_s":1256.004,"end_s":1256.584,"text":"Okay.","shot_idx":84},{"idx":172,"start_s":1257.294,"end_s":1259.094,"text":"We came down in 41, together.","shot_idx":84},{"idx":173,"start_s":1259.124,"end_s":1260.144,"text":"Strictly photonic.","shot_idx":84},{"idx":174,"start_s":1260.404,"end_s":1262.124,"text":"She was one of those don't maul me types.","shot_idx":85},{"idx":175,"start_s":1262.334,"end_s":1264.894,"text":"She got up a routine with Bubble Bath or something and hit the nightclub circuit.","shot_idx":85},{"idx":176,"start_s":1265.334,"end_s":1266.634,"text":"I cornered in Long Beach.","shot_idx":85},{"idx":177,"start_s":1267.434,"end_s":1268.034,"text":"Pretty corny.","shot_idx":85},{"idx":178,"start_s":1268.424,"end_s":1269.744,"text":"That was about five years ago.","shot_idx":85},{"idx":179,"start_s":1270.254,"end_s":1272.014,"text":"Haven't given her a dime's worth of thought since.","shot_idx":86},{"idx":180,"start_s":1273.314,"end_s":1275.514,"text":"She still looked like that when you saw her last year?","shot_idx":86},{"idx":181,"start_s":1280.184,"end_s":1281.124,"text":"Where'd you get this?","shot_idx":87},{"idx":182,"start_s":1281.714,"end_s":1282.414,"text":"Keller?","shot_idx":87},{"idx":183,"start_s":1284.834,"end_s":1285.914,"text":"She dyed her hair?","shot_idx":87},{"idx":184,"start_s":1286.934,"end_s":1288.034,"text":"Maybe cut it a little short.","shot_idx":87},{"idx":185,"start_s":1288.794,"end_s":1290.034,"text":"What name was she using?","shot_idx":88},{"idx":186,"start_s":1292.664,"end_s":1294.104,"text":"I've been waiting for you to ask that.","shot_idx":88},{"idx":187,"start_s":1294.344,"end_s":1295.944,"text":"Yeah, I thought you were.","shot_idx":88},{"idx":188,"start_s":1298.844,"end_s":1299.444,"text":"That's ceiling.","shot_idx":88},{"idx":189,"start_s":1301.394,"end_s":1303.394,"text":"Make it 50 and I'll throw in the name of the club in Long Beach.","shot_idx":88},{"idx":190,"start_s":1306.554,"end_s":1307.934,"text":"Forty does it.","shot_idx":88},{"idx":191,"start_s":1312.314,"end_s":1315.234,"text":"Club Zorro, Long Beach Boulevard. She was calling herself","shot_idx":89},{"idx":192,"start_s":1315.914,"end_s":1317.114,"text":"Janie Joy.","shot_idx":89},{"idx":193,"start_s":1317.774,"end_s":1319.754,"text":"Club Zorro, Janie Joy.","shot_idx":90},{"idx":194,"start_s":1322.424,"end_s":1322.944,"text":"Hey!","shot_idx":91},{"idx":195,"start_s":1323.084,"end_s":1324.744,"text":"Only two bits for the chowder.","shot_idx":91},{"idx":196,"start_s":1327.014,"end_s":1356.994,"text":"Oh, my God.","shot_idx":91},{"idx":197,"start_s":1357.014,"end_s":1363.554,"text":"The door's open, Hanson, but we're closed.  It's right outside.  I guess you got something there.","shot_idx":91},{"idx":198,"start_s":1364.154,"end_s":1372.074,"text":"Mind if I go on with my work?  I'd rather you wouldn't.  Say, what is this?  I'm a guy with questions to ask.  Personal?  Personal?","shot_idx":91},{"idx":199,"start_s":1372.134,"end_s":1374.354,"text":"One of them. How long you worked around here?","shot_idx":91},{"idx":200,"start_s":1374.474,"end_s":1390.134,"text":"What's it to you?  Not a thing.  Were you around when Janie Joy worked here?  Who?  Janie Joy, 1942.  The name is vaguely familiar.  What about her?  She may have come into some cash.  An estate's trying to locate her.","shot_idx":91},{"idx":201,"start_s":1390.164,"end_s":1396.804,"text":"It's too bad. I mean, too bad. I can't help you. Ever hear of a man named Keller?","shot_idx":91},{"idx":202,"start_s":1396.824,"end_s":1398.304,"text":"No worry.","shot_idx":91},{"idx":203,"start_s":1398.624,"end_s":1408.184,"text":"Has anybody else been around asking for her?  Not that I know of.  Look, Lamb, I'm a busy woman.  If you have any more questions, just drop them in the suggestion box on your way out.","shot_idx":91},{"idx":204,"start_s":1408.554,"end_s":1411.054,"text":"Thank you, ma'am. You've helped me more than you know.","shot_idx":91},{"idx":205,"start_s":1426.974,"end_s":1432.934,"text":"Sorry to call you, but I thought you ought to know that a detective named Bailey is looking for your friend, Jamie Joy.","shot_idx":92},{"idx":206,"start_s":1438.554,"end_s":1468.354,"text":"You ever have a feeling you're being watched and followed?  Not nearly enough.","shot_idx":92},{"idx":207,"start_s":1469.214,"end_s":1474.434,"text":"Why, who's playing you for a mouse?  Mrs. Johnson.  Oh, did you talk to her?  No, no, I'll leave that to my client.","shot_idx":97},{"idx":208,"start_s":1475.184,"end_s":1478.964,"text":"You better phone Johnson right now and tell him his wife's downstairs.","shot_idx":97},{"idx":209,"start_s":1478.994,"end_s":1482.414,"text":"Keeping tabs on me in case he's thinking of dropping in.  I'm pretty...","shot_idx":97},{"idx":210,"start_s":1482.564,"end_s":1483.384,"text":"Josh.","shot_idx":98},{"idx":211,"start_s":1483.404,"end_s":1489.884,"text":"You'd think with her, though, she'd hire someone to watch you.  Well, people like her to keep people like us out of work.","shot_idx":98},{"idx":212,"start_s":1520.454,"end_s":1538.894,"text":"Come on up.","shot_idx":101},{"idx":213,"start_s":1550.454,"end_s":1557.374,"text":"Yeah, Martha.","shot_idx":102},{"idx":214,"start_s":1557.834,"end_s":1562.534,"text":"Oh, he thinks he's just too, too social since he joined the club. The automobile club.","shot_idx":103},{"idx":215,"start_s":1564.534,"end_s":1566.134,"text":"Well, come in.","shot_idx":103},{"idx":216,"start_s":1573.634,"end_s":1576.034,"text":"Is this love or were you looking for a detective?","shot_idx":104},{"idx":217,"start_s":1578.434,"end_s":1582.054,"text":"Isn't there any other alternative?  Yes, but I haven't got time for it.","shot_idx":104},{"idx":218,"start_s":1582.134,"end_s":1584.794,"text":"I understand you're looking for someone I know.","shot_idx":105},{"idx":219,"start_s":1585.434,"end_s":1586.334,"text":"Janie Joy.","shot_idx":105},{"idx":220,"start_s":1589.424,"end_s":1591.424,"text":"Sit down. Tell me more.","shot_idx":106},{"idx":221,"start_s":1597.424,"end_s":1599.484,"text":"Has something happened to her?","shot_idx":109},{"idx":222,"start_s":1600.864,"end_s":1602.664,"text":"She happens to be mine.","shot_idx":110},{"idx":223,"start_s":1602.804,"end_s":1603.564,"text":"Sister.","shot_idx":110},{"idx":224,"start_s":1606.704,"end_s":1614.424,"text":"You didn't tell me your name.  My name is Gretchen Brieger.  My sister's real name was Jane Brieger.","shot_idx":111},{"idx":225,"start_s":1616.104,"end_s":1625.824,"text":"When did you see her last?  When she first left Portland in 1941.  When did you come down here?  42.  Why didn't you look for her then?","shot_idx":114},{"idx":226,"start_s":1627.144,"end_s":1630.944,"text":"How do you know I didn't?  Because I covered every agency in this town.","shot_idx":114},{"idx":227,"start_s":1632.804,"end_s":1654.864,"text":"had ever been around looking for Janie Joy. The answer was always the same. No. I see. No, I didn't look for her, Mr. Bailey, because, you see, I happen to know she wasn't in Los Angeles. The last letter received from Jane was from Acapulco, Mexico. I never heard from her again. When was that?","shot_idx":114},{"idx":228,"start_s":1655.724,"end_s":1656.844,"text":"Just before I left Portland.","shot_idx":118},{"idx":229,"start_s":1658.644,"end_s":1660.784,"text":"Where did you live in Portland, Gretchen?","shot_idx":118},{"idx":230,"start_s":1662.924,"end_s":1680.084,"text":"10476 Larrabee Avenue.  That's quite a memory you've got.  I'm just looking for a cigarette, Miss...  Shannon.  Norma Shannon.  1205 Roxbury.  Who sent you up here, Miss...  Breger?","shot_idx":119},{"idx":231,"start_s":1681.644,"end_s":1685.264,"text":"Acute cynicism.  I suppose it's an occupational disease.","shot_idx":122},{"idx":232,"start_s":1685.724,"end_s":1713.824,"text":"Ah, it's the people I meet.  Who sent you up here?  I'm a model.  I just didn't care for the name Gretchen Brieger.  I changed it.  I didn't know models changed their names.  The ones named Gretchen Brieger do.  You're a highly improbable character, Mr. Bailey.  Did someone just dream you up?  No, you're good.  You're very good.  I'm surprised they didn't have your planter in Afghanistan.  Why stop at Acapulco?  May I go, please?","shot_idx":122},{"idx":233,"start_s":1715.724,"end_s":1717.644,"text":"How did you know I was looking for her?","shot_idx":126},{"idx":234,"start_s":1719.324,"end_s":1724.384,"text":"I went by my agency this afternoon and saw your card with Jamie Joy written across it.","shot_idx":127},{"idx":235,"start_s":1726.944,"end_s":1728.824,"text":"Now may I go, please?","shot_idx":127},{"idx":236,"start_s":1735.014,"end_s":1738.554,"text":"Well, I wouldn't have missed meeting you for all the world, Mr. Bailey.","shot_idx":128},{"idx":237,"start_s":1738.584,"end_s":1741.084,"text":"The first time I've gone slumming in years...","shot_idx":128},{"idx":238,"start_s":1760.244,"end_s":1765.544,"text":"Not with me, but there are still buses running.  Well, I'm going your way, Gretchen.  You can't turn down a ride.","shot_idx":128},{"idx":239,"start_s":1772.904,"end_s":1785.544,"text":"Don't tell me who lives here.  Let me guess.  Oh, too easy.  As long as I'm going out to Beverly Hills,  I thought I'd change my shirt and eat out that way.  Oh, Bailey, you're about as subtle as the Mickey Finn.  I'm not trying to be.","shot_idx":128},{"idx":240,"start_s":1788.324,"end_s":1792.324,"text":"If you're thirsty, you can come up while I change.  Or you can wait there.","shot_idx":128},{"idx":241,"start_s":1793.884,"end_s":1795.304,"text":"I think you mean it.","shot_idx":128},{"idx":242,"start_s":1814.264,"end_s":1819.544,"text":"Well, I thought detectives all lived in hall bedroom apartments.  I did, for ten years.","shot_idx":129},{"idx":243,"start_s":1826.664,"end_s":1846.444,"text":"where's going in there","shot_idx":130},{"idx":244,"start_s":1851.344,"end_s":1854.044,"text":"You have any bitters never touch this stuff.","shot_idx":135},{"idx":245,"start_s":1862.024,"end_s":1863.244,"text":"You go into a pen.","shot_idx":138},{"idx":246,"start_s":1863.684,"end_s":1867.684,"text":"She's an old flea. I'm a little sentimental about it.","shot_idx":139},{"idx":247,"start_s":1876.684,"end_s":1878.684,"text":"Your phone's ringing.","shot_idx":143},{"idx":248,"start_s":1884.684,"end_s":1885.944,"text":"Where are you?","shot_idx":144},{"idx":249,"start_s":1886.574,"end_s":1887.234,"text":"Around the corner.","shot_idx":144},{"idx":250,"start_s":1888.014,"end_s":1890.754,"text":"You forgot that report. I want you to pick it up right away.","shot_idx":144},{"idx":251,"start_s":1891.554,"end_s":1894.534,"text":"You know, there's something wrong with this phone.  Just like you said, I forgot a report.","shot_idx":144},{"idx":252,"start_s":1894.974,"end_s":1896.294,"text":"The latest one.","shot_idx":144},{"idx":253,"start_s":1897.284,"end_s":1898.224,"text":"Oh!","shot_idx":144},{"idx":254,"start_s":1898.304,"end_s":1901.664,"text":"Oh, the one in the size 9 nylons.","shot_idx":144},{"idx":255,"start_s":1901.754,"end_s":1904.334,"text":"Yeah. Yeah, I'll do that.","shot_idx":144},{"idx":256,"start_s":1910.684,"end_s":1918.324,"text":"You like my girl  She's very pretty like tight you think she's as pretty as your sister I","shot_idx":145},{"idx":257,"start_s":1918.794,"end_s":1919.614,"text":"It's a matter of taste.","shot_idx":145},{"idx":258,"start_s":1921.734,"end_s":1933.194,"text":"You know, you still haven't told me what I've been waiting to hear.  Come on, let's get out of here.  What's happened to Cheney? Why are you looking for her?  I just represent a client, Angel. I couldn't tell you that until I had permission.","shot_idx":145},{"idx":259,"start_s":1948.794,"end_s":1973.454,"text":"Now it's my turn to apologize.  You changed your shirt and brought me home.  And you left your motor running.  You put in a hard day. I thought you might be hungry.  I am. Perhaps I could whip up some dinner for us.  Do you like lamb chops?  Let's make it some other time, Angel.  All right. Some other time.","shot_idx":146},{"idx":260,"start_s":2017.794,"end_s":2019.514,"text":"This is a gun in my hand.","shot_idx":148},{"idx":261,"start_s":2020.434,"end_s":2021.874,"text":"Yeah, I've seen one before.","shot_idx":148},{"idx":262,"start_s":2022.144,"end_s":2023.684,"text":"Lay off Janie Joy.","shot_idx":148},{"idx":263,"start_s":2024.784,"end_s":2027.304,"text":"There ain't nothing in it for you but a Chicago overcoat.","shot_idx":148},{"idx":264,"start_s":2028.324,"end_s":2029.164,"text":"Really?","shot_idx":148},{"idx":265,"start_s":2029.254,"end_s":2030.754,"text":"Maybe you better count me out.","shot_idx":148},{"idx":266,"start_s":2031.714,"end_s":2032.674,"text":"We'll do that.","shot_idx":148},{"idx":267,"start_s":2033.034,"end_s":2035.074,"text":"Now hold out your hand, I've got something for you.","shot_idx":148},{"idx":268,"start_s":2037.084,"end_s":2037.684,"text":"Pick it up.","shot_idx":148},{"idx":269,"start_s":2042.754,"end_s":2045.034,"text":"You'll find $200 in there.","shot_idx":148},{"idx":270,"start_s":2045.154,"end_s":2046.334,"text":"for being smart.","shot_idx":148},{"idx":271,"start_s":2046.984,"end_s":2048.844,"text":"Next time we won't be so generous.","shot_idx":148},{"idx":272,"start_s":2048.964,"end_s":2054.384,"text":"Any other jobs you want me to lay off of, just let me know.  I might give you a reduced rate.  I'm in stitches.","shot_idx":148},{"idx":273,"start_s":2055.954,"end_s":2057.134,"text":"Now turn around.","shot_idx":148},{"idx":274,"start_s":2057.274,"end_s":2061.354,"text":"and start walking.","shot_idx":148},{"idx":275,"start_s":2078.094,"end_s":2079.814,"text":"This is a gun in my hand.","shot_idx":148},{"idx":276,"start_s":2082.314,"end_s":2085.894,"text":"So why didn't you use it?  Would that be nice? He's a cash client.","shot_idx":148},{"idx":277,"start_s":2087.274,"end_s":2094.274,"text":"get his license number I was afraid you wouldn't I expect 8m 2222","shot_idx":148},{"idx":278,"start_s":2118.634,"end_s":2123.654,"text":"You went off and left that last night. I took out a buck for the trouble of finding you and bringing it back","shot_idx":152},{"idx":279,"start_s":2124.994,"end_s":2136.034,"text":"The nice place you got here  What's caprio got to do with Janie Jones? I don't know you or what you're talking about. I?  Gather you won't mind if I talk it over with caprio. Oh","shot_idx":152},{"idx":280,"start_s":2136.294,"end_s":2137.834,"text":"You ask for trouble, you'll get it.","shot_idx":152},{"idx":281,"start_s":2138.034,"end_s":2139.354,"text":"I hired out for that job.","shot_idx":152},{"idx":282,"start_s":2139.414,"end_s":2140.374,"text":"Who hired you?","shot_idx":152},{"idx":283,"start_s":2140.794,"end_s":2142.534,"text":"You know what would happen if I told you?","shot_idx":153},{"idx":284,"start_s":2142.624,"end_s":2144.164,"text":"The guy's tough, huh?","shot_idx":153},{"idx":285,"start_s":2144.184,"end_s":2145.444,"text":"You can say that again.","shot_idx":154},{"idx":286,"start_s":2145.534,"end_s":2149.234,"text":"Whoever's behind you is about as dangerous as a badminton bird.","shot_idx":154},{"idx":287,"start_s":2149.284,"end_s":2153.124,"text":"Giving me that 200 bucks.  That's right out of Aunt Sadie's hope chest.","shot_idx":155},{"idx":288,"start_s":2153.214,"end_s":2155.134,"text":"You want to tell me about it?","shot_idx":156},{"idx":289,"start_s":2155.824,"end_s":2173.804,"text":"get in quick I'll talk to you is something the matter yes I'd like to talk with you police business  police I see the bin then","shot_idx":156},{"idx":290,"start_s":2174.934,"end_s":2176.414,"text":"Martin is a chauffeur.","shot_idx":159},{"idx":291,"start_s":2176.674,"end_s":2179.074,"text":"Beyond his duties as such, I know nothing about him.","shot_idx":159},{"idx":292,"start_s":2179.554,"end_s":2180.874,"text":"I give you my word on that.","shot_idx":159},{"idx":293,"start_s":2180.934,"end_s":2181.594,"text":"Fine.","shot_idx":159},{"idx":294,"start_s":2182.044,"end_s":2184.444,"text":"Then you won't mind when I bring charges against him.","shot_idx":160},{"idx":295,"start_s":2184.504,"end_s":2185.004,"text":"Oh, yes.","shot_idx":160},{"idx":296,"start_s":2185.764,"end_s":2187.144,"text":"I will mind.","shot_idx":160},{"idx":297,"start_s":2188.164,"end_s":2190.844,"text":"I'd rather you would not bring TARDIS against Martin.","shot_idx":160},{"idx":298,"start_s":2191.494,"end_s":2193.894,"text":"I shall discharge him, of course, if what you say is true.","shot_idx":160},{"idx":299,"start_s":2197.134,"end_s":2198.974,"text":"But she'll make it worthy a while.","shot_idx":161},{"idx":300,"start_s":2199.414,"end_s":2200.434,"text":"Okay.","shot_idx":161},{"idx":301,"start_s":2201.184,"end_s":2204.704,"text":"The price is cheap. Just tell me why you want me to drop it.","shot_idx":161},{"idx":302,"start_s":2205.954,"end_s":2207.634,"text":"If I told you, Mr. Bailey...","shot_idx":161},{"idx":303,"start_s":2208.084,"end_s":2210.044,"text":"I'm quite certain you wouldn't believe me.","shot_idx":161},{"idx":304,"start_s":2210.124,"end_s":2211.364,"text":"Go ahead and try me.","shot_idx":161},{"idx":305,"start_s":2212.134,"end_s":2213.854,"text":"You see, it's very simple.","shot_idx":161},{"idx":306,"start_s":2214.204,"end_s":2216.644,"text":"I have a passion for obscurity.","shot_idx":161},{"idx":307,"start_s":2217.384,"end_s":2218.884,"text":"is really a monster fear.","shot_idx":161},{"idx":308,"start_s":2219.694,"end_s":2222.274,"text":"I happen to believe rather deeply...","shot_idx":162},{"idx":309,"start_s":2222.634,"end_s":2225.534,"text":"that only the obscure are ever...","shot_idx":162},{"idx":310,"start_s":2226.504,"end_s":2227.704,"text":"Oh, Lisa.","shot_idx":162},{"idx":311,"start_s":2228.094,"end_s":2229.234,"text":"This is Mr. Bailey.","shot_idx":163},{"idx":312,"start_s":2229.654,"end_s":2230.714,"text":"Mr Bailey, my wife.","shot_idx":163},{"idx":313,"start_s":2231.304,"end_s":2233.944,"text":"Mr. Bailey has had some difficulty with your chauffeur.","shot_idx":163},{"idx":314,"start_s":2234.784,"end_s":2237.724,"text":"What is it, Linick?  I am sorry, sir, but I can't find Martin.","shot_idx":163},{"idx":315,"start_s":2238.054,"end_s":2239.414,"text":"Excuse me.","shot_idx":163},{"idx":316,"start_s":2239.674,"end_s":2241.934,"text":"What sort of difficulty, Mr. Bailey?","shot_idx":163},{"idx":317,"start_s":2242.134,"end_s":2248.554,"text":"I'm investigating an ex-showgirl named Janie Joy.  Martin's working for someone who'd like me to quit.  Tell me...","shot_idx":163},{"idx":318,"start_s":2248.614,"end_s":2250.154,"text":"Why didn't you report him?","shot_idx":164},{"idx":319,"start_s":2250.234,"end_s":2252.214,"text":"Why do you want to talk with us about it?","shot_idx":164},{"idx":320,"start_s":2252.814,"end_s":2254.594,"text":"I know something tougher than that, Nancy.","shot_idx":165},{"idx":321,"start_s":2255.544,"end_s":2257.104,"text":"Why haven't I been thrown out?","shot_idx":165},{"idx":322,"start_s":2257.404,"end_s":2262.384,"text":"I do not know. It is apparent my husband wishes to talk with you.","shot_idx":166},{"idx":323,"start_s":2263.224,"end_s":2266.404,"text":"Latin American women respect their husbands wishes.","shot_idx":166},{"idx":324,"start_s":2268.174,"end_s":2269.014,"text":"I've known.","shot_idx":166},{"idx":325,"start_s":2269.824,"end_s":2271.204,"text":"One or two that didn't.","shot_idx":166},{"idx":326,"start_s":2271.384,"end_s":2272.164,"text":"Really?","shot_idx":166},{"idx":327,"start_s":2272.434,"end_s":2274.754,"text":"That is an interesting observation, Mr. Bailey.","shot_idx":166},{"idx":328,"start_s":2275.434,"end_s":2277.334,"text":"Perhaps we should explore it further.","shot_idx":166},{"idx":329,"start_s":2277.984,"end_s":2279.304,"text":"Some at a time.","shot_idx":166},{"idx":330,"start_s":2280.444,"end_s":2282.584,"text":"Fine. My name's in the book, Stuart G.","shot_idx":166},{"idx":331,"start_s":2284.284,"end_s":2286.324,"text":"But now let's talk about Martin.","shot_idx":166},{"idx":332,"start_s":2287.524,"end_s":2289.744,"text":"Did he work for you in 1942?","shot_idx":166},{"idx":333,"start_s":2290.104,"end_s":2293.624,"text":"I was in a convent in Rio in 1942, Mr. Bailey.","shot_idx":166},{"idx":334,"start_s":2294.544,"end_s":2299.404,"text":"Perhaps this girl, uh, Jamie Joy, is the sweetheart of Martine.  That is harmless enough.","shot_idx":167},{"idx":335,"start_s":2300.514,"end_s":2302.194,"text":"Oh, what do you know about her?","shot_idx":167},{"idx":336,"start_s":2302.434,"end_s":2303.974,"text":"Enough to know she isn't.","shot_idx":168},{"idx":337,"start_s":2305.464,"end_s":2307.024,"text":"Why don't you sit down?","shot_idx":169},{"idx":338,"start_s":2321.454,"end_s":2323.174,"text":"May I fix you another drink?","shot_idx":170},{"idx":339,"start_s":2328.864,"end_s":2331.364,"text":"May I ask you a personal question?","shot_idx":170},{"idx":340,"start_s":2334.714,"end_s":2336.714,"text":"Martin will be here presently","shot_idx":170},{"idx":341,"start_s":2341.224,"end_s":2341.524,"text":"Come in.","shot_idx":171},{"idx":342,"start_s":2342.034,"end_s":2342.734,"text":"Yes, sir.","shot_idx":171},{"idx":343,"start_s":2342.784,"end_s":2343.744,"text":"Come in, come in.","shot_idx":171},{"idx":344,"start_s":2345.754,"end_s":2347.914,"text":"I'd like to hear your side of the story, Martins.","shot_idx":171},{"idx":345,"start_s":2348.334,"end_s":2349.274,"text":"What story, sir?","shot_idx":171},{"idx":346,"start_s":2349.834,"end_s":2352.394,"text":"You have seen this man before?","shot_idx":171},{"idx":347,"start_s":2352.834,"end_s":2353.094,"text":"Sure.","shot_idx":171},{"idx":348,"start_s":2353.824,"end_s":2356.104,"text":"About 10 minutes ago, he asked me who lived here.","shot_idx":171},{"idx":349,"start_s":2356.494,"end_s":2358.414,"text":"You have never seen him before, Dees?","shot_idx":171},{"idx":350,"start_s":2359.044,"end_s":2360.424,"text":"Not that I know of.","shot_idx":171},{"idx":351,"start_s":2360.934,"end_s":2363.434,"text":"Of course, he has the sort of face you might not remember.","shot_idx":171},{"idx":352,"start_s":2365.854,"end_s":2369.994,"text":"Okay, let him tell it to the law. Doesn't make any difference to me.  Mr. Bailey...","shot_idx":171},{"idx":353,"start_s":2370.414,"end_s":2373.234,"text":"When did this happen?  Last night.  Last night's...","shot_idx":171},{"idx":354,"start_s":2373.294,"end_s":2374.054,"text":"Are you sure?","shot_idx":171},{"idx":355,"start_s":2374.614,"end_s":2378.014,"text":"Then I know you are mistaken. My teen was here.","shot_idx":171},{"idx":356,"start_s":2378.304,"end_s":2379.604,"text":"and duty last night.","shot_idx":171},{"idx":357,"start_s":2379.954,"end_s":2382.854,"text":"Are you willing to tell that story to a police magistrate?","shot_idx":171},{"idx":358,"start_s":2383.074,"end_s":2383.854,"text":"Of course.","shot_idx":171},{"idx":359,"start_s":2384.514,"end_s":2385.954,"text":"It happens to be true.","shot_idx":171},{"idx":360,"start_s":2389.674,"end_s":2392.414,"text":"Thanks, Mrs. Caprio. That's all I wanted to know.","shot_idx":171},{"idx":361,"start_s":2392.854,"end_s":2393.934,"text":"Mr. Bailey,","shot_idx":171},{"idx":362,"start_s":2394.114,"end_s":2395.494,"text":"What about Martin?","shot_idx":171},{"idx":363,"start_s":2396.304,"end_s":2398.424,"text":"Forget it, Mr. Caprio. I know when I'm late.","shot_idx":171},{"idx":364,"start_s":2400.012,"end_s":2401.072,"text":"You may go, Martin.","shot_idx":171},{"idx":365,"start_s":2402.892,"end_s":2411.652,"text":"Leesha, I thought last night was Martin's night off.  No, I changed it a few weeks ago.","shot_idx":171},{"idx":366,"start_s":2437.532,"end_s":2438.652,"text":"Hello.","shot_idx":173},{"idx":367,"start_s":2438.862,"end_s":2444.482,"text":"Hiya, Sherlock.  You just called me Watson. How did you find me?  Easy, Watson.","shot_idx":174},{"idx":368,"start_s":2444.652,"end_s":2446.792,"text":"Hey, where you been the last two days?","shot_idx":174},{"idx":369,"start_s":2446.872,"end_s":2451.132,"text":"What's on your mind?  I got something for you, but it gives for cash.","shot_idx":174},{"idx":370,"start_s":2451.222,"end_s":2455.962,"text":"No small change like 40 bucks.  What kind of figures do you think I'll talk?","shot_idx":174},{"idx":371,"start_s":2456.202,"end_s":2463.682,"text":"For what I got, plenty, brother. Plenty.  You're wasting your time, Buffen.  I know where Jane Breger is and who she is.","shot_idx":174},{"idx":372,"start_s":2465.842,"end_s":2470.822,"text":"You'll kill me, Bailey.  If you're smart, you'll come down here now and be ready to talk turkey.","shot_idx":178},{"idx":373,"start_s":2486.202,"end_s":2510.422,"text":"What's that?  You see?  There he is.  He'll come in.","shot_idx":180},{"idx":374,"start_s":2511.842,"end_s":2514.322,"text":"I won't...  I won't talk.","shot_idx":185},{"idx":375,"start_s":2516.202,"end_s":2523.562,"text":"I'll give him a story.  What, sir?  See? He'll come in in a second.  I won't talk.","shot_idx":185},{"idx":376,"start_s":2606.202,"end_s":2611.722,"text":"I want to report a murder.  Buster Buffen's Buffet in Venice.","shot_idx":194},{"idx":377,"start_s":2626.182,"end_s":2635.862,"text":"Your phone's ringing.  I'm wondering why.  My, we're grumpy again.  I'm hungry. I haven't had my four pounds of raw beef today.","shot_idx":194},{"idx":378,"start_s":2636.202,"end_s":2649.802,"text":"That's what I called about. I want you to have dinner with me tonight. Where? Here, my apartment. Think you can find it again? That car you hear coming to a screeching stop is me.","shot_idx":194},{"idx":379,"start_s":2649.972,"end_s":2650.812,"text":"Open the door.","shot_idx":194},{"idx":380,"start_s":2653.312,"end_s":2657.452,"text":"How do you feel?  Fine.  Also curious.","shot_idx":194},{"idx":381,"start_s":2657.502,"end_s":2661.602,"text":"Yes, we've talked about everything except why you brought me up here","shot_idx":194},{"idx":382,"start_s":2663.962,"end_s":2666.302,"text":"Now we're going to talk about that","shot_idx":195},{"idx":383,"start_s":2667.882,"end_s":2669.682,"text":"I'd like to know why you're having me followed.","shot_idx":195},{"idx":384,"start_s":2672.562,"end_s":2682.662,"text":"It takes a very special kind of girl to spot the fact she's being followed when it's done right.  And what kind of a girl would that be?  One who peers over her shoulder while she walks.","shot_idx":196},{"idx":385,"start_s":2685.642,"end_s":2690.482,"text":"And that's the kind of a girl you think I am?  Well, remember my occupational disease.","shot_idx":199},{"idx":386,"start_s":2692.102,"end_s":2694.602,"text":"So you still don't believe what I told you about Janie?","shot_idx":199},{"idx":387,"start_s":2697.882,"end_s":2726.302,"text":"you. The one thing you had me followed. You can't expect me to ignore that. And for another  thing that was last night. You took me to your apartment. We had our drinks. You took  me home. No tired line. No phony preliminaries. I like that kind of guy. I was going to wait","shot_idx":200},{"idx":388,"start_s":2727.882,"end_s":2732.662,"text":"Get out right now instead.  You remember that picture you saw on my desk?","shot_idx":201},{"idx":389,"start_s":2732.712,"end_s":2762.692,"text":"yes that was your long-lost sister Jamie well they coached you well whatever  information I had you had but they forgot to show you what she looked like but  you're wrong Jamie had dark red hair she must have been wearing a wig in that picture what of it it wouldn't change her that much it's right it couldn't have changed her that much","shot_idx":201},{"idx":390,"start_s":2762.712,"end_s":2766.852,"text":"Your phone's ringing.","shot_idx":201},{"idx":391,"start_s":2770.452,"end_s":2770.852,"text":"Hello?","shot_idx":201},{"idx":392,"start_s":2773.132,"end_s":2773.912,"text":"It's for you.","shot_idx":202},{"idx":393,"start_s":2775.632,"end_s":2776.312,"text":"Excuse me.","shot_idx":202},{"idx":394,"start_s":2781.392,"end_s":2791.972,"text":"Don't say anything, Hazel.  Nothing to say. I just thought I'd go out and get a bite to eat as long as you were with her.  Nothing at all?  Nothing, except that she's being tailed.  Guy in the car, they haven't taken out of the crate yet.  What?","shot_idx":202},{"idx":395,"start_s":2792.712,"end_s":2805.632,"text":"One with a wooden side.  Oh, that's good news.  I was afraid you were slipping.  Look, after dinner, go see Jenkins in the news  and get all the dope you can on John Vega Caprio and his wife.  John Vega Caprio.  Right.","shot_idx":202},{"idx":396,"start_s":2809.752,"end_s":2818.172,"text":"You know, I didn't study the picture.  All I saw was a mass of curls and a rather bare back.  The face just didn't seem to register.  Didn't it?","shot_idx":203},{"idx":397,"start_s":2819.572,"end_s":2821.072,"text":"You know, it just hit me.","shot_idx":203},{"idx":398,"start_s":2822.712,"end_s":2824.372,"text":"you took me to your apartment last night.","shot_idx":204},{"idx":399,"start_s":2825.992,"end_s":2827.152,"text":"Just to see the photograph.","shot_idx":205},{"idx":400,"start_s":2828.562,"end_s":2831.202,"text":"Oh, something like that.","shot_idx":206},{"idx":401,"start_s":2831.532,"end_s":2835.312,"text":"And I thought she wanted to see what kind of a girl I was.","shot_idx":207},{"idx":402,"start_s":2835.462,"end_s":2837.382,"text":"I know what type of girl you are.","shot_idx":209},{"idx":403,"start_s":2838.972,"end_s":2843.512,"text":"No, you don't.  If that was Janie's picture,","shot_idx":210},{"idx":404,"start_s":2843.682,"end_s":2845.102,"text":"explain really.","shot_idx":210},{"idx":405,"start_s":2846.982,"end_s":2859.802,"text":"Maybe. I don't want to be sure. Why don't you just look at me? You might find your answer.","shot_idx":210},{"idx":406,"start_s":2859.822,"end_s":2860.602,"text":"Not a chief.","shot_idx":211},{"idx":407,"start_s":2861.412,"end_s":2864.292,"text":"The longer I look at you, the farther I get from the ratings.","shot_idx":211},{"idx":408,"start_s":2866.452,"end_s":2869.872,"text":"As I said once before, you're good.","shot_idx":211},{"idx":409,"start_s":2871.732,"end_s":2879.092,"text":"I suppose you meant that to be nasty. I found it rather nice. Come on, let's go. You mind telling me where?","shot_idx":212},{"idx":410,"start_s":2879.622,"end_s":2880.822,"text":"Your apartment, of course.","shot_idx":212},{"idx":411,"start_s":2881.802,"end_s":2885.602,"text":"Uh-uh. Thanks just the same.  Wrong again, Mr. Bailey.","shot_idx":212},{"idx":412,"start_s":2887.602,"end_s":2889.722,"text":"We're going to have another look at that picture.","shot_idx":212},{"idx":413,"start_s":2911.002,"end_s":2915.722,"text":"You're a great housekeeper, Bailey.","shot_idx":215},{"idx":414,"start_s":2920.512,"end_s":2922.232,"text":"Find what you were looking for, Lieutenant?","shot_idx":215},{"idx":415,"start_s":2922.912,"end_s":2924.352,"text":"This is just as we found it.","shot_idx":215},{"idx":416,"start_s":2925.162,"end_s":2926.322,"text":"Kind of messy, huh?","shot_idx":215},{"idx":417,"start_s":2926.422,"end_s":2930.282,"text":"I'm sorry, Angel. Someone beat us to it. The picture's gone.  I'll take you home.","shot_idx":215},{"idx":418,"start_s":2930.832,"end_s":2932.752,"text":"I don't like to spoil your tongue, Bailey.","shot_idx":215},{"idx":419,"start_s":2933.172,"end_s":2934.192,"text":"But this will keep...","shot_idx":215},{"idx":420,"start_s":2934.552,"end_s":2936.352,"text":"Sergeant Miller will take you home, miss.","shot_idx":215},{"idx":421,"start_s":2936.892,"end_s":2937.412,"text":"Do you mind?","shot_idx":215},{"idx":422,"start_s":2939.232,"end_s":2939.892,"text":"No.","shot_idx":215},{"idx":423,"start_s":2940.012,"end_s":2941.072,"text":"Not at all.","shot_idx":215},{"idx":424,"start_s":2941.602,"end_s":2946.022,"text":"Besides, I've always wanted to ride in the police car.  Give Muller a cup of coffee to go with the cake.","shot_idx":215},{"idx":425,"start_s":2950.152,"end_s":2951.952,"text":"You must be working for something hot.","shot_idx":215},{"idx":426,"start_s":2952.192,"end_s":2954.572,"text":"No, Lieutenant Clinton.  Nothing very hot.","shot_idx":215},{"idx":427,"start_s":2956.482,"end_s":2958.642,"text":"What did you have against Buck?","shot_idx":215},{"idx":428,"start_s":2958.912,"end_s":2961.672,"text":"His clan chowder was too cold.","shot_idx":215},{"idx":429,"start_s":2962.272,"end_s":2963.752,"text":"You're all through, Bailey.","shot_idx":215},{"idx":430,"start_s":2964.192,"end_s":2967.552,"text":"Ruffin made several calls for you.  Toll calls, so there's a record.","shot_idx":215},{"idx":431,"start_s":2968.242,"end_s":2970.102,"text":"An hour after the last call...","shot_idx":215},{"idx":432,"start_s":2970.972,"end_s":2975.192,"text":"He shot and someone who looked just like you was seen leaving his place.","shot_idx":215},{"idx":433,"start_s":2975.592,"end_s":2977.012,"text":"Now, if you expect the breaks...","shot_idx":216},{"idx":434,"start_s":2977.422,"end_s":2979.222,"text":"forget about being cagey.","shot_idx":216},{"idx":435,"start_s":2980.062,"end_s":2982.282,"text":"What are you working on and what did Buffon have to do with it?","shot_idx":217},{"idx":436,"start_s":2983.872,"end_s":2984.712,"text":"I wish I knew.","shot_idx":218},{"idx":437,"start_s":2985.822,"end_s":2987.442,"text":"Somebody else got to him first.","shot_idx":218},{"idx":438,"start_s":2988.072,"end_s":2989.092,"text":"Who are you working for?","shot_idx":219},{"idx":439,"start_s":2990.052,"end_s":2991.172,"text":"Give me time to...","shot_idx":220},{"idx":440,"start_s":2991.852,"end_s":2993.272,"text":"See my client, will you?","shot_idx":220},{"idx":441,"start_s":2993.502,"end_s":2995.062,"text":"This is murder, Bailey.","shot_idx":220},{"idx":442,"start_s":2995.962,"end_s":2997.502,"text":"Your client doesn't count.","shot_idx":221},{"idx":443,"start_s":2997.642,"end_s":2998.902,"text":"I'm afraid he does.","shot_idx":221},{"idx":444,"start_s":2999.532,"end_s":3002.812,"text":"He's not the kind of a client you can get over a barrel and stay in business.","shot_idx":221},{"idx":445,"start_s":3003.342,"end_s":3005.842,"text":"The DA knows him. If the DA says talk, I'll talk.","shot_idx":221},{"idx":446,"start_s":3006.012,"end_s":3009.852,"text":"You talk to me, you're a grand jury.  I don't get my orders from the DA's office.","shot_idx":221},{"idx":447,"start_s":3011.862,"end_s":3012.582,"text":"You're leaving?","shot_idx":221},{"idx":448,"start_s":3012.672,"end_s":3016.372,"text":"I'm going to check my office. I don't think the boys found what they want to come along.","shot_idx":221},{"idx":449,"start_s":3016.872,"end_s":3017.992,"text":"What would I get after?","shot_idx":221},{"idx":450,"start_s":3018.162,"end_s":3019.342,"text":"Let's go find out.","shot_idx":221},{"idx":451,"start_s":3019.482,"end_s":3021.602,"text":"Were you ever mixed up in a murder before?","shot_idx":221},{"idx":452,"start_s":3022.362,"end_s":3023.742,"text":"I'll let you in on something.","shot_idx":221},{"idx":453,"start_s":3024.162,"end_s":3028.122,"text":"To the Bunko Squad or the Vice Squad, that license of yours may mean something.","shot_idx":221},{"idx":454,"start_s":3028.602,"end_s":3030.282,"text":"To the Homicide Bureau.","shot_idx":221},{"idx":455,"start_s":3031.092,"end_s":3033.072,"text":"Just a scrap of paper.","shot_idx":221},{"idx":456,"start_s":3033.162,"end_s":3034.722,"text":"A pretty expensive scrap of paper.","shot_idx":221},{"idx":457,"start_s":3035.112,"end_s":3036.372,"text":"Well, I'll take that back.","shot_idx":221},{"idx":458,"start_s":3036.822,"end_s":3039.802,"text":"The license does carry certain obligations.","shot_idx":221},{"idx":459,"start_s":3041.202,"end_s":3044.502,"text":"Why didn't you report the body? How did you find it?","shot_idx":221},{"idx":460,"start_s":3044.712,"end_s":3046.792,"text":"Well, you know that call with no report.","shot_idx":221},{"idx":461,"start_s":3048.192,"end_s":3049.492,"text":"Anything else on your mind?","shot_idx":221},{"idx":462,"start_s":3049.632,"end_s":3052.892,"text":"If there was, you wouldn't be walking out that door.","shot_idx":221},{"idx":463,"start_s":3060.282,"end_s":3061.602,"text":"I got it all down, Lieutenant.","shot_idx":221},{"idx":464,"start_s":3062.502,"end_s":3063.582,"text":"Well, that's dandy.","shot_idx":221},{"idx":465,"start_s":3064.272,"end_s":3065.412,"text":"Now, fair enough.","shot_idx":221},{"idx":466,"start_s":3093.162,"end_s":3094.222,"text":"Let's talk","shot_idx":221},{"idx":467,"start_s":3095.142,"end_s":3098.722,"text":"Who are you? I'm a guy who wants to talk. I'm lonely.","shot_idx":221},{"idx":468,"start_s":3098.862,"end_s":3103.162,"text":"I gotta get out of here. I wouldn't do that. Your friend upstairs might see it.","shot_idx":221},{"idx":469,"start_s":3103.662,"end_s":3106.302,"text":"Let's go up and join him.  Maybe he's lonely, too.","shot_idx":221},{"idx":470,"start_s":3122.022,"end_s":3127.242,"text":"Hey.  This ain't your floor.  Elevator doors make noise.  Come on, we'll walk down.  Come on.","shot_idx":221},{"idx":471,"start_s":3127.872,"end_s":3142.492,"text":"I'm going to go.","shot_idx":221},{"idx":472,"start_s":3142.632,"end_s":3144.312,"text":"Going in behind your jughead.","shot_idx":221},{"idx":473,"start_s":3144.762,"end_s":3146.142,"text":"Do whatever you think is smart.","shot_idx":221},{"idx":474,"start_s":3148.932,"end_s":3156.612,"text":"Come on.","shot_idx":221},{"idx":475,"start_s":3157.812,"end_s":3158.532,"text":"Hey.","shot_idx":221},{"idx":476,"start_s":3158.742,"end_s":3159.742,"text":"It's me, Sharpie.","shot_idx":221},{"idx":477,"start_s":3160.512,"end_s":3161.472,"text":"Come on, open up.","shot_idx":221},{"idx":478,"start_s":3173.352,"end_s":3174.352,"text":"I'm all ears.","shot_idx":221},{"idx":479,"start_s":3174.762,"end_s":3176.362,"text":"What's the paper chase about?","shot_idx":221},{"idx":480,"start_s":3177.942,"end_s":3182.362,"text":"Get started. We got a long night. After we talk, we clean the place up.","shot_idx":221},{"idx":481,"start_s":3184.452,"end_s":3186.472,"text":"Maybe you'd rather tell it to the cops.","shot_idx":221},{"idx":482,"start_s":3189.792,"end_s":3195.152,"text":"What is it about me you guys aren't afraid of?  When you get to know me, I'm a very odious character.","shot_idx":223},{"idx":483,"start_s":3195.732,"end_s":3196.792,"text":"Me too, Bailey.","shot_idx":223},{"idx":484,"start_s":3196.932,"end_s":3200.872,"text":"A girl once told me I was the most odious guy she ever met.","shot_idx":223},{"idx":485,"start_s":3201.162,"end_s":3202.642,"text":"Can you imagine that?","shot_idx":223},{"idx":486,"start_s":3203.922,"end_s":3210.462,"text":"Better just drop the canister on the floor. You shoot Herbie, I shoot you. Where'll that get us?  Better just drop it.","shot_idx":224},{"idx":487,"start_s":3213.682,"end_s":3216.502,"text":"Car lights were on such a short time we didn't think it meant anything.","shot_idx":225},{"idx":488,"start_s":3216.522,"end_s":3217.962,"text":"What are we gonna do with them, Reno?","shot_idx":225},{"idx":489,"start_s":3218.172,"end_s":3220.152,"text":"We'll take him where we can talk.","shot_idx":225},{"idx":490,"start_s":3220.212,"end_s":3225.852,"text":"Well, we heard.  He won't be any trouble.  Pretty smart trick getting off the wrong floor.","shot_idx":225},{"idx":491,"start_s":3231.282,"end_s":3232.782,"text":"Look, Herbie, the guy's coming too.","shot_idx":225},{"idx":492,"start_s":3235.482,"end_s":3236.622,"text":"I told you you would.","shot_idx":225},{"idx":493,"start_s":3249.912,"end_s":3251.592,"text":"Thanks for putting me to bed.","shot_idx":226},{"idx":494,"start_s":3252.012,"end_s":3252.912,"text":"I've been sick.","shot_idx":226},{"idx":495,"start_s":3253.242,"end_s":3255.142,"text":"Lock the door, Sharpie.","shot_idx":226},{"idx":496,"start_s":3255.282,"end_s":3257.262,"text":"He wants to put in some overtime.","shot_idx":226},{"idx":497,"start_s":3259.302,"end_s":3260.022,"text":"You're awake.","shot_idx":226},{"idx":498,"start_s":3261.852,"end_s":3263.412,"text":"You okay now?","shot_idx":226},{"idx":499,"start_s":3267.702,"end_s":3268.422,"text":"Where is she?","shot_idx":226},{"idx":500,"start_s":3268.842,"end_s":3270.102,"text":"I wouldn't know.","shot_idx":227},{"idx":501,"start_s":3270.522,"end_s":3273.942,"text":"She's a missing person. That's why the guy hired me.","shot_idx":228},{"idx":502,"start_s":3274.542,"end_s":3275.982,"text":"You're a bad liar, Toots.","shot_idx":228},{"idx":503,"start_s":3276.792,"end_s":3279.492,"text":"This picture's got no name on it, but you picked it out of ten others.","shot_idx":228},{"idx":504,"start_s":3280.752,"end_s":3281.532,"text":"Where is she?","shot_idx":228},{"idx":505,"start_s":3282.612,"end_s":3285.232,"text":"I saw a picture before I went up to Portland.","shot_idx":229},{"idx":506,"start_s":3286.512,"end_s":3288.412,"text":"Fair enough. We'll settle for the name of your client.","shot_idx":229},{"idx":507,"start_s":3289.332,"end_s":3291.792,"text":"Don't be a hero, Bailey. You're gonna tell us now or later.","shot_idx":229},{"idx":508,"start_s":3292.452,"end_s":3293.812,"text":"Why don't you tell us now and...","shot_idx":229},{"idx":509,"start_s":3293.922,"end_s":3295.282,"text":"save yourself some teeth.","shot_idx":229},{"idx":510,"start_s":3296.712,"end_s":3298.412,"text":"I'll talk to my client tomorrow.","shot_idx":230},{"idx":511,"start_s":3299.352,"end_s":3302.892,"text":"Maybe he'll see it your way.  Quit stalling, sweetheart. Let's have it.","shot_idx":230},{"idx":512,"start_s":3303.672,"end_s":3307.572,"text":"I've been waiting for you to try that. What took you so long?","shot_idx":230},{"idx":513,"start_s":3314.852,"end_s":3316.692,"text":"Come on, talk to me.","shot_idx":231},{"idx":514,"start_s":3317.022,"end_s":3318.622,"text":"Talk to me!","shot_idx":231},{"idx":515,"start_s":3319.062,"end_s":3320.002,"text":"Okay.","shot_idx":231},{"idx":516,"start_s":3321.732,"end_s":3322.272,"text":"Okay.","shot_idx":231},{"idx":517,"start_s":3324.612,"end_s":3325.472,"text":"But I don't get it.","shot_idx":231},{"idx":518,"start_s":3327.042,"end_s":3329.322,"text":"Now, why is Keller looking for her now?","shot_idx":231},{"idx":519,"start_s":3330.312,"end_s":3332.632,"text":"Why didn't he look for us six years ago?","shot_idx":231},{"idx":520,"start_s":3332.982,"end_s":3339.102,"text":"She'd have been easy enough to find.  Are you going to talk or shall I watch you around some more?  All right, all right.  I'll make a deal.","shot_idx":231},{"idx":521,"start_s":3339.792,"end_s":3341.352,"text":"You tell me why he's looking.","shot_idx":232},{"idx":522,"start_s":3341.442,"end_s":3342.142,"text":"for","shot_idx":232},{"idx":523,"start_s":3342.522,"end_s":3344.202,"text":"Then I'll tell you who hired me.","shot_idx":232},{"idx":524,"start_s":3344.712,"end_s":3345.492,"text":"Okay.","shot_idx":232},{"idx":525,"start_s":3346.122,"end_s":3346.962,"text":"Who hired you?","shot_idx":232},{"idx":526,"start_s":3348.972,"end_s":3350.612,"text":"Why is he looking for her?","shot_idx":233},{"idx":527,"start_s":3350.802,"end_s":3353.162,"text":"You see, boys, the guy's a fanatic. He won't talk to me.","shot_idx":234},{"idx":528,"start_s":3354.402,"end_s":3358.102,"text":"Take it easy, Reno. 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Yes, to talk to someone in the morning.","shot_idx":236},{"idx":549,"start_s":3420.432,"end_s":3421.912,"text":"Don't worry about waking him up.","shot_idx":236},{"idx":550,"start_s":3422.322,"end_s":3423.882,"text":"I've got something for that, too.","shot_idx":236},{"idx":551,"start_s":3424.362,"end_s":3425.442,"text":"How soon does it work?","shot_idx":236},{"idx":552,"start_s":3426.342,"end_s":3429.862,"text":"Well, if he was wide awake, anywhere from 30 seconds to two minutes.","shot_idx":236},{"idx":553,"start_s":3430.122,"end_s":3437.562,"text":"Swell. Let's get some chow.  You stay here with him.  I'm just going downstairs to wrestle some food.  He starts to turn blue. Call me.  Come on, Herb.","shot_idx":236},{"idx":554,"start_s":3438.102,"end_s":3439.342,"text":"Hey, what about me?","shot_idx":236},{"idx":555,"start_s":3440.052,"end_s":3442.832,"text":"You heard what she said, stay here.  But Reno...","shot_idx":236},{"idx":556,"start_s":3443.292,"end_s":3446.712,"text":"All right, but be back here in ten minutes and lock him in just in case.","shot_idx":236},{"idx":557,"start_s":3572.592,"end_s":3581.392,"text":"Oh, my God.","shot_idx":239},{"idx":558,"start_s":3726.38,"end_s":3727.54,"text":"Good morning.","shot_idx":252},{"idx":559,"start_s":3729.0,"end_s":3729.84,"text":"Good morning.","shot_idx":252},{"idx":560,"start_s":3732.15,"end_s":3745.23,"text":"Say, what's happened to you?  Are you the drunk they told me you were sleeping it off upstairs?  Yeah, that's me.  I must have been hearing things. I thought they said it was a gal.","shot_idx":252},{"idx":561,"start_s":3745.74,"end_s":3749.68,"text":"When I drink, my voice gets high. It's a nice place you got here.","shot_idx":253},{"idx":562,"start_s":3749.91,"end_s":3752.91,"text":"What's it called again? Just 7:33.","shot_idx":253},{"idx":563,"start_s":3753.03,"end_s":3756.07,"text":"They don't have names for places like this.","shot_idx":253},{"idx":564,"start_s":3756.12,"end_s":3757.54,"text":"That's what you think.","shot_idx":253},{"idx":565,"start_s":3774.74,"end_s":3777.06,"text":"Just coffee, Millie.","shot_idx":255},{"idx":566,"start_s":3777.27,"end_s":3778.61,"text":"My name ain't Millie.","shot_idx":256},{"idx":567,"start_s":3784.71,"end_s":3787.33,"text":"Millie got fired. My name's...","shot_idx":257},{"idx":568,"start_s":3787.35,"end_s":3788.07,"text":"- Sammy.","shot_idx":257},{"idx":569,"start_s":3788.43,"end_s":3791.75,"text":"Fanny, would you remember...  I hate people that call me that.","shot_idx":257},{"idx":570,"start_s":3792.81,"end_s":3795.77,"text":"But you just said your name was...  My friends call me Jackie.","shot_idx":257},{"idx":571,"start_s":3798.0,"end_s":3799.1,"text":"Well, Jackie...","shot_idx":257},{"idx":572,"start_s":3799.2,"end_s":3803.28,"text":"Would you...  I said my friends call me Jackie, to you or Miss Phipps.","shot_idx":257},{"idx":573,"start_s":3803.58,"end_s":3805.14,"text":"Your name is Phipps.","shot_idx":257},{"idx":574,"start_s":3805.35,"end_s":3806.25,"text":"Certainly.","shot_idx":259},{"idx":575,"start_s":3807.3,"end_s":3809.62,"text":"You know, you ought to learn how to get along with people.","shot_idx":259},{"idx":576,"start_s":3810.39,"end_s":3812.19,"text":"I see somebody struck you.","shot_idx":259},{"idx":577,"start_s":3812.61,"end_s":3815.03,"text":"Miss Phipps, you're what I would call an observant woman.","shot_idx":260},{"idx":578,"start_s":3816.78,"end_s":3819.64,"text":"I'll bet you'll remember a woman who came in here last Monday morning.","shot_idx":260},{"idx":579,"start_s":3819.99,"end_s":3822.81,"text":"She sat at the table by the door watching people come into the building.","shot_idx":260},{"idx":580,"start_s":3824.07,"end_s":3825.27,"text":"How much do you bet?","shot_idx":260},{"idx":581,"start_s":3825.99,"end_s":3826.75,"text":"Five.","shot_idx":260},{"idx":582,"start_s":3833.13,"end_s":3835.77,"text":"Hugh Lowe's, I don't remember...","shot_idx":261},{"idx":583,"start_s":3836.4,"end_s":3837.6,"text":"Hello, Mr. Beast.","shot_idx":262},{"idx":584,"start_s":3843.54,"end_s":3845.2,"text":"You're a sight for sore eyes.","shot_idx":265},{"idx":585,"start_s":3845.76,"end_s":3847.5,"text":"Well, you're a sight, period.","shot_idx":265},{"idx":586,"start_s":3848.04,"end_s":3853.82,"text":"Betty, would you remember a woman spending a lot of time at this table the other morning?  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He just gave me that chip and said he wanted to see you.  He looked mean.","shot_idx":277},{"idx":651,"start_s":4070.61,"end_s":4071.63,"text":"All right, Eunice.","shot_idx":279},{"idx":652,"start_s":4071.66,"end_s":4072.42,"text":"Bring him out.","shot_idx":279},{"idx":653,"start_s":4072.62,"end_s":4081.68,"text":"Come on.","shot_idx":279},{"idx":654,"start_s":4092.2,"end_s":4094.16,"text":"Thanks for seeing me, Miss Nester.  Thank you.","shot_idx":284},{"idx":655,"start_s":4094.43,"end_s":4097.31,"text":"Please excuse my appearance. 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You did a nice job.","shot_idx":324},{"idx":737,"start_s":4317.0,"end_s":4317.9,"text":"very thorough.","shot_idx":324},{"idx":738,"start_s":4319.01,"end_s":4320.07,"text":"Don't change the subject.","shot_idx":324},{"idx":739,"start_s":4331.07,"end_s":4332.31,"text":"You know what I'm thinking?","shot_idx":324},{"idx":740,"start_s":4334.1,"end_s":4335.66,"text":"But it wasn't a coincidence...","shot_idx":324},{"idx":741,"start_s":4336.5,"end_s":4337.52,"text":"what wasn't a coincidence.","shot_idx":324},{"idx":742,"start_s":4338.27,"end_s":4341.51,"text":"my having dinner with you while my apartment was being rifled.","shot_idx":324},{"idx":743,"start_s":4344.63,"end_s":4345.57,"text":"What do you mean?","shot_idx":324},{"idx":744,"start_s":4345.98,"end_s":4347.16,"text":"and his clean-up job.","shot_idx":324},{"idx":745,"start_s":4347.33,"end_s":4356.95,"text":"Did you find what you were after? Oh, that really does it. 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More than I'd like to admit.","shot_idx":327},{"idx":753,"start_s":4394.61,"end_s":4406.95,"text":"Don't ask me why. If you want me to go away, say so. My hands have tender knuckles. Is it important?","shot_idx":327},{"idx":754,"start_s":4407.57,"end_s":4413.73,"text":"All things are relative. I can't answer that. It arrived special delivery.","shot_idx":328},{"idx":755,"start_s":4435.8,"end_s":4463.52,"text":"what's the matter  what's wrong things are going to be happening around here i don't want you mixed up in it  what things i'm being framed angel now you know as much as i do well i see you i'll call you but i  when did this arrive about a half hour ago that's the office gun isn't it yeah one shot fired is","shot_idx":332},{"idx":756,"start_s":4465.8,"end_s":4474.04,"text":"gun in the box that came in over to my lawyer. Tell him to call me every two hours here and at  the office until I tell him I'm in the clear. What if he can't get you when he tries to call you? He'll know.","shot_idx":333},{"idx":757,"start_s":4480.18,"end_s":4489.16,"text":"Someone downtown was having a joke. Said you had some information for me. Let's try that entrance  again. You knock and I'll open the door. The information wouldn't be about a Mrs. Ralph","shot_idx":333},{"idx":758,"start_s":4495.8,"end_s":4497.8,"text":"Answer your phone","shot_idx":333},{"idx":759,"start_s":4505.16,"end_s":4509.04,"text":"Hello is this my pigeon? I","shot_idx":334},{"idx":760,"start_s":4522.28,"end_s":4532.26,"text":"Only get her out of the water.  We don't like her in the water.  Sure, sure. We'll get her out of the water. Where?  Under the pier at Malibu.","shot_idx":334},{"idx":761,"start_s":4533.64,"end_s":4536.48,"text":"I wouldn't want for the tide to get her.","shot_idx":334},{"idx":762,"start_s":4539.24,"end_s":4554.72,"text":"Mrs. Johnson is my client's wife, Quint. What about her?  You can't raise a call if you let them hang up.  She's dead, Bailey.  Her body fell on the beach about a half hour ago.","shot_idx":334},{"idx":763,"start_s":4554.75,"end_s":4564.07,"text":"You're going down with us.  Mind if I take my own car?  Not if you don't mind my riding with you.  Bailey, been hunting rabbits lately?  Let's see that.","shot_idx":335},{"idx":764,"start_s":4566.27,"end_s":4566.89,"text":"Let's go.","shot_idx":335},{"idx":765,"start_s":4584.75,"end_s":4586.43,"text":"I'm sorry.","shot_idx":335},{"idx":766,"start_s":4594.91,"end_s":4602.45,"text":"You know her?  It's the right party.  Mrs. Ralph Johnson.  I can't say I know her.  How long has she been dead, Doc?  I don't know.","shot_idx":337},{"idx":767,"start_s":4602.9,"end_s":4605.06,"text":"You tell me, Lieutenant.","shot_idx":337},{"idx":768,"start_s":4605.42,"end_s":4606.98,"text":"Something for you, Chief.","shot_idx":337},{"idx":769,"start_s":4607.49,"end_s":4611.37,"text":"Found it up here, just about the spot she was tossed from.","shot_idx":337},{"idx":770,"start_s":4615.92,"end_s":4617.88,"text":"Well, what do you know?","shot_idx":337},{"idx":771,"start_s":4618.74,"end_s":4621.08,"text":"What's your middle name, Bailey?  George...","shot_idx":339},{"idx":772,"start_s":4621.11,"end_s":4622.67,"text":"It begins with G. Quinton.","shot_idx":339},{"idx":773,"start_s":4622.79,"end_s":4624.71,"text":"I'll save you some trouble. It's my pen.","shot_idx":339},{"idx":774,"start_s":4628.76,"end_s":4639.98,"text":"Have you any idea what caliber gun she was killed with?  That one I can't answer. 32.  I can save you some trouble there too, Quinn. She was probably killed with that gun.  It was sent back to me this afternoon by parcel post.","shot_idx":339},{"idx":775,"start_s":4640.01,"end_s":4643.05,"text":"It's too bad you didn't send yourself a pen, too.","shot_idx":339},{"idx":776,"start_s":4643.64,"end_s":4645.36,"text":"You any idea why I killed her?","shot_idx":339},{"idx":777,"start_s":4645.68,"end_s":4651.84,"text":"Give me time. She had a bank book in her purse, Lieutenant. An account in Westwood under a foamy name.","shot_idx":339},{"idx":778,"start_s":4651.89,"end_s":4653.51,"text":"She closed it out two days ago.","shot_idx":339},{"idx":779,"start_s":4655.85,"end_s":4668.09,"text":"Almost 40,000 bucks.  That'll do for motive.  Mother, take him downtown and throw the key away.  What about the car? Aren't you coming?  No, take his car. I'm tired. I'm going home.  I work an eight-hour shift and I've done 12 already.  Why lock me up?","shot_idx":339},{"idx":780,"start_s":4668.39,"end_s":4669.95,"text":"I'll be at headquarters in the morning.","shot_idx":340},{"idx":781,"start_s":4670.4,"end_s":4677.18,"text":"Can't you smell a frame up when it's hanging under your nose?  Not when you're the man who's hanging it there.  Go on, Muller, get going.  Let's go, Bailey.","shot_idx":340},{"idx":782,"start_s":4682.44,"end_s":4684.28,"text":"You drive.  And don't get cute.","shot_idx":341},{"idx":783,"start_s":4725.44,"end_s":4727.52,"text":"Why don't you what need any help?","shot_idx":341},{"idx":784,"start_s":4727.82,"end_s":4730.52,"text":"Hey. What gives?","shot_idx":341},{"idx":785,"start_s":4730.94,"end_s":4759.7,"text":"Where's Liverlip taking you?  I think it's a case of kidnapping.  Claims he's a cop, but I don't believe it.  In California, that's a very serious offense.  You two ought to keep that in mind.  I think he's right, Hazel. We ought to be sure.  You take him down to headquarters.  If he's a cop, okay.  If he isn't, you can prefer charges.  I can identify...  So you got my wallet, too, eh?  Oh, please. No, not that one.","shot_idx":341},{"idx":786,"start_s":4761.38,"end_s":4770.2,"text":"Come on, come on, come on, like a good boy.  I think it ought to take you about an hour to get him down there, don't you?  The car's in very bad shape.  I'll see what I can do.","shot_idx":341},{"idx":787,"start_s":4777.64,"end_s":4779.44,"text":"Come on, you drive.","shot_idx":341},{"idx":788,"start_s":4800.024,"end_s":4812.644,"text":"I have to come back. I want to help if I can. Thanks, Angel. All I can use now is luck.  But can I call the police or get you a lawyer? Okay, Angel, you got a pen?","shot_idx":342},{"idx":789,"start_s":4813.434,"end_s":4819.014,"text":"Uh-huh.  Park across the street.  If the cops start pouring in that door,  stick the pin in your horn and let it blast.","shot_idx":342},{"idx":790,"start_s":4839.594,"end_s":4840.794,"text":"Like mine, too.","shot_idx":342},{"idx":791,"start_s":4851.034,"end_s":4852.414,"text":"Got an aspirin on you?","shot_idx":342},{"idx":792,"start_s":4853.154,"end_s":4855.014,"text":"That is not very flattering.","shot_idx":342},{"idx":793,"start_s":4855.404,"end_s":4856.844,"text":"No offense, Mrs. Caprillo.","shot_idx":342},{"idx":794,"start_s":4857.684,"end_s":4859.444,"text":"I had the headache before I saw you.","shot_idx":342},{"idx":795,"start_s":4861.344,"end_s":4862.184,"text":"We'll be right back.","shot_idx":342},{"idx":796,"start_s":4869.234,"end_s":4870.434,"text":"Where's Martin?","shot_idx":342},{"idx":797,"start_s":4870.494,"end_s":4873.494,"text":"In the closet?  Martini's nice chauffeur.","shot_idx":342},{"idx":798,"start_s":4874.364,"end_s":4875.364,"text":"Nothing else.","shot_idx":342},{"idx":799,"start_s":4876.584,"end_s":4878.444,"text":"He's no chauffeur, Pat.","shot_idx":342},{"idx":800,"start_s":4879.314,"end_s":4882.854,"text":"Is that the only way you could pay him blackmail? By giving him a job?","shot_idx":342},{"idx":801,"start_s":4884.394,"end_s":4885.014,"text":"Mm-hmm.","shot_idx":342},{"idx":802,"start_s":4888.644,"end_s":4894.184,"text":"Shall we go into whatever it is you're afraid of, beautiful?  Or shall we have ourselves some gay repartee first?","shot_idx":342},{"idx":803,"start_s":4895.874,"end_s":4897.494,"text":"I am afraid of nothing.","shot_idx":342},{"idx":804,"start_s":4898.094,"end_s":4900.874,"text":"I am only terribly curious about something.","shot_idx":342},{"idx":805,"start_s":4901.184,"end_s":4903.764,"text":"You see, I know Jamie Joy.","shot_idx":342},{"idx":806,"start_s":4905.504,"end_s":4908.584,"text":"Just drop your ashes on the floor. There's a girl comes in once a month.","shot_idx":342},{"idx":807,"start_s":4910.964,"end_s":4913.544,"text":"Perhaps you do not know she spent some time in Brazil.","shot_idx":342},{"idx":808,"start_s":4914.234,"end_s":4916.154,"text":"We may be able to help each other.","shot_idx":342},{"idx":809,"start_s":4916.724,"end_s":4920.304,"text":"Well, let's start with what it's going to cost me. How?","shot_idx":342},{"idx":810,"start_s":4923.144,"end_s":4925.704,"text":"*thud*","shot_idx":342},{"idx":811,"start_s":4927.314,"end_s":4928.674,"text":"*Burps*","shot_idx":342},{"idx":812,"start_s":4933.224,"end_s":4933.884,"text":"Yeah?","shot_idx":342},{"idx":813,"start_s":4934.394,"end_s":4934.934,"text":"Bailey.","shot_idx":342},{"idx":814,"start_s":4935.414,"end_s":4937.394,"text":"I've just been notified that Jane...","shot_idx":342},{"idx":815,"start_s":4938.444,"end_s":4939.224,"text":"that James...","shot_idx":342},{"idx":816,"start_s":4939.614,"end_s":4940.634,"text":"Dead.","shot_idx":342},{"idx":817,"start_s":4940.904,"end_s":4944.264,"text":"Murdered yeah, I'm holding you accountable Bailey. Oh","shot_idx":342},{"idx":818,"start_s":4944.444,"end_s":4946.184,"text":"You bungled, disobeyed orders.","shot_idx":342},{"idx":819,"start_s":4946.604,"end_s":4951.044,"text":"You've stirred up...  Now, let's take it easy.  You'll never work again, Bailey.  Not in this town.","shot_idx":342},{"idx":820,"start_s":4951.494,"end_s":4953.054,"text":"All right, have it your way.","shot_idx":342},{"idx":821,"start_s":4953.504,"end_s":4956.724,"text":"I'm glad you called. I got a letter from your wife today.","shot_idx":342},{"idx":822,"start_s":4956.804,"end_s":4959.004,"text":"I wanted to check with you before I opened it.","shot_idx":342},{"idx":823,"start_s":4959.774,"end_s":4960.434,"text":"A letter?","shot_idx":342},{"idx":824,"start_s":4960.734,"end_s":4961.814,"text":"From Janne?","shot_idx":342},{"idx":825,"start_s":4961.844,"end_s":4962.604,"text":"Yeah.","shot_idx":342},{"idx":826,"start_s":4963.344,"end_s":4963.804,"text":"It's...","shot_idx":342},{"idx":827,"start_s":4963.884,"end_s":4968.564,"text":"Public property now, Bailey.  The police will open it, not you or I.  Have you got that straight?  No.","shot_idx":342},{"idx":828,"start_s":4968.684,"end_s":4969.044,"text":"Yeah.","shot_idx":342},{"idx":829,"start_s":4969.464,"end_s":4970.924,"text":"I'm glad you see it that way.","shot_idx":342},{"idx":830,"start_s":4975.134,"end_s":4978.554,"text":"Be patient, Angel. We can start needling each other again in a second, then.","shot_idx":343},{"idx":831,"start_s":5015.574,"end_s":5023.434,"text":"Where were we?  Oh, yeah, in Brazil.  What was she doing down there?  She was an entertainer.","shot_idx":343},{"idx":832,"start_s":5026.394,"end_s":5027.994,"text":"What's she hiding from?","shot_idx":343},{"idx":833,"start_s":5028.024,"end_s":5042.964,"text":"I do not know.  Why are you looking for her?  I'm not sure I know.  You know, it is really asking very little, and I think I could make it worse your while.","shot_idx":343},{"idx":834,"start_s":5049.924,"end_s":5055.664,"text":"Tell me, please.  Okay, gorgeous.  We'll get together, honey.","shot_idx":343},{"idx":835,"start_s":5058.024,"end_s":5065.984,"text":"don't hurry about it is it? I hate to be mauled. Hey, Janie.","shot_idx":343},{"idx":836,"start_s":5069.124,"end_s":5074.444,"text":"Okay, you can go now. I had to be sure you were Jane Breger before you got out that door.","shot_idx":343},{"idx":837,"start_s":5074.734,"end_s":5082.354,"text":"What are you saying?  I'm saying that you're Janie Joy, bubble dancer.  The same girl whose name was Jane Brieger when she left Portland six years ago with Buster Buffer.","shot_idx":343},{"idx":838,"start_s":5083.704,"end_s":5088.384,"text":"What does my aversion to being mauled have to do with Janey Joy?  Everything, Janey.","shot_idx":343},{"idx":839,"start_s":5088.474,"end_s":5090.734,"text":"It's the one thing they all remembered about you.","shot_idx":343},{"idx":840,"start_s":5091.024,"end_s":5096.184,"text":"You are not making sense.  Maybe you'd better go.  There might be some unpleasantness around here in a minute.","shot_idx":343},{"idx":841,"start_s":5096.964,"end_s":5098.884,"text":"Your old friend Keller is due.","shot_idx":343},{"idx":842,"start_s":5099.034,"end_s":5100.094,"text":"You are wrong.","shot_idx":343},{"idx":843,"start_s":5101.704,"end_s":5104.284,"text":"I do not know anyone named...","shot_idx":343},{"idx":844,"start_s":5104.344,"end_s":5105.044,"text":"Keller.","shot_idx":343},{"idx":845,"start_s":5107.044,"end_s":5107.744,"text":"Come in.","shot_idx":343},{"idx":846,"start_s":5111.514,"end_s":5113.314,"text":"Perhaps I should have called you up first.","shot_idx":343},{"idx":847,"start_s":5113.434,"end_s":5116.014,"text":"Where are Reno and the boys out in the corridor?","shot_idx":343},{"idx":848,"start_s":5116.224,"end_s":5117.304,"text":"I came alone.","shot_idx":343},{"idx":849,"start_s":5117.664,"end_s":5120.544,"text":"Do you want me to wait outside?  No, come on in.","shot_idx":343},{"idx":850,"start_s":5120.604,"end_s":5122.224,"text":"I want you to meet an old friend.","shot_idx":343},{"idx":851,"start_s":5125.674,"end_s":5126.934,"text":"Why, Chaney!","shot_idx":343},{"idx":852,"start_s":5129.184,"end_s":5130.444,"text":"It's been a long time.","shot_idx":343},{"idx":853,"start_s":5131.134,"end_s":5133.414,"text":"Believe me, not half long enough.","shot_idx":343},{"idx":854,"start_s":5133.474,"end_s":5134.394,"text":"It's been good to you.","shot_idx":343},{"idx":855,"start_s":5135.034,"end_s":5136.054,"text":"Time, I mean.","shot_idx":343},{"idx":856,"start_s":5137.914,"end_s":5138.434,"text":"You blossom.","shot_idx":343},{"idx":857,"start_s":5139.024,"end_s":5141.084,"text":"It appears you haven't changed a bit.","shot_idx":343},{"idx":858,"start_s":5143.484,"end_s":5145.384,"text":"Oh, I'm sorry.  Stuart, I...","shot_idx":344},{"idx":859,"start_s":5149.384,"end_s":5171.464,"text":"Jamie.  So it was you who hired him.  If I'd wanted to be found, if I'd wanted to see you, I'd have...  Jamie, you're wrong.  I had nothing to do with it.  Well, I...  I am sorry, ladies.  You'll have to excuse me.  I haven't all night.  I don't care some business to transact.  What was it, cops?  No, it was a man in a chauffeur uniform.  He started to come in the apartment, and when he saw this man, he hid.","shot_idx":345},{"idx":860,"start_s":5172.384,"end_s":5191.944,"text":"I saw him sneaking in the back way. Martin's getting nervous. What are his plans? I don't know. He's been gone all day. He's nearly crazy because of the way he handled this. Leave it. You're not really smart.","shot_idx":346},{"idx":861,"start_s":5192.244,"end_s":5193.684,"text":"You're just lucky. Come on in.","shot_idx":346},{"idx":862,"start_s":5197.194,"end_s":5203.534,"text":"This place is getting a little bit crowded for our conference, isn't it, Bailey?  Do we need privacy? Not at all.","shot_idx":347},{"idx":863,"start_s":5204.904,"end_s":5206.264,"text":"Tell me where she is and I'll go.","shot_idx":347},{"idx":864,"start_s":5207.994,"end_s":5209.094,"text":"Who is she killing?","shot_idx":347},{"idx":865,"start_s":5209.314,"end_s":5210.934,"text":"I ask you where she is.","shot_idx":347},{"idx":866,"start_s":5211.084,"end_s":5213.244,"text":"There is a price on the information","shot_idx":347},{"idx":867,"start_s":5213.364,"end_s":5213.964,"text":"Name it.","shot_idx":347},{"idx":868,"start_s":5217.804,"end_s":5219.664,"text":"You worked with her at the carousel.","shot_idx":347},{"idx":869,"start_s":5220.054,"end_s":5221.134,"text":"How well did you know her?","shot_idx":347},{"idx":870,"start_s":5221.884,"end_s":5223.244,"text":"What has she got to do with us?","shot_idx":347},{"idx":871,"start_s":5223.624,"end_s":5224.804,"text":"She was using your name.","shot_idx":347},{"idx":872,"start_s":5225.244,"end_s":5227.484,"text":"She was on the run.  Needed a place to hide.","shot_idx":347},{"idx":873,"start_s":5228.334,"end_s":5230.094,"text":"You mean you weren't looking for me at all?","shot_idx":347},{"idx":874,"start_s":5230.464,"end_s":5231.164,"text":"Who is she?","shot_idx":347},{"idx":875,"start_s":5232.234,"end_s":5233.094,"text":"Ellen Ellsworth.","shot_idx":347},{"idx":876,"start_s":5235.204,"end_s":5236.624,"text":"She married him.","shot_idx":347},{"idx":877,"start_s":5237.094,"end_s":5238.174,"text":"She's his wife.","shot_idx":347},{"idx":878,"start_s":5241.294,"end_s":5243.994,"text":"And then one day, about a year ago, she ran out on you.","shot_idx":347},{"idx":879,"start_s":5244.834,"end_s":5245.914,"text":"Tell me something, Keller.","shot_idx":347},{"idx":880,"start_s":5246.334,"end_s":5250.834,"text":"Is it your wife you want or your 40 grand?  I'll settle for the 40 grand.","shot_idx":347},{"idx":881,"start_s":5251.134,"end_s":5251.914,"text":"Where is she?","shot_idx":347},{"idx":882,"start_s":5252.724,"end_s":5253.064,"text":"Dead.","shot_idx":347},{"idx":883,"start_s":5253.534,"end_s":5257.614,"text":"Murdered.  Sometime this afternoon.","shot_idx":347},{"idx":884,"start_s":5257.764,"end_s":5261.424,"text":"Who killed her, Billy?","shot_idx":347},{"idx":885,"start_s":5262.144,"end_s":5263.764,"text":"I thought maybe you did.","shot_idx":348},{"idx":886,"start_s":5264.034,"end_s":5265.354,"text":"That's what I taught you to do it.","shot_idx":348},{"idx":887,"start_s":5266.994,"end_s":5268.074,"text":"Are the cops outside?","shot_idx":348},{"idx":888,"start_s":5269.454,"end_s":5271.174,"text":"If they are, they're looking for me.","shot_idx":348},{"idx":889,"start_s":5273.414,"end_s":5274.634,"text":"What's the next step, Keller?","shot_idx":348},{"idx":890,"start_s":5276.214,"end_s":5276.814,"text":"Portland.","shot_idx":348},{"idx":891,"start_s":5277.624,"end_s":5303.104,"text":"My plane lives in an hour. I thought you were after your 40 grand. That's what I wanted to believe. But it seems what I really wanted was... to have my wife back. What do you think of that? I'm having a rough time believing it. You didn't know her. She was...","shot_idx":348},{"idx":892,"start_s":5303.424,"end_s":5310.324,"text":"Well, she had a way of making a twisted guy like me. Believe in things again.","shot_idx":349},{"idx":893,"start_s":5317.284,"end_s":5321.224,"text":"Very touching little scene, but I'm going home now. Come, Martin.","shot_idx":349},{"idx":894,"start_s":5321.574,"end_s":5324.274,"text":"I've got a couple of nasty questions to ask first.","shot_idx":349},{"idx":895,"start_s":5324.784,"end_s":5326.824,"text":"Does your husband know about you?  No.","shot_idx":349},{"idx":896,"start_s":5327.544,"end_s":5328.444,"text":"And he mustn't ever.","shot_idx":349},{"idx":897,"start_s":5329.524,"end_s":5331.224,"text":"That's why I didn't keep in touch with my sister.","shot_idx":349},{"idx":898,"start_s":5331.684,"end_s":5335.484,"text":"That's why I sent Martin to pay you off the way I've been paying off that girl at the Club Zorro.","shot_idx":349},{"idx":899,"start_s":5336.154,"end_s":5339.534,"text":"So my husband wouldn't find out.  Maybe he knows more than you think.","shot_idx":349},{"idx":900,"start_s":5340.624,"end_s":5344.264,"text":"There's nothing you and your husband would like better than to have Janie Joy dead and buried.","shot_idx":349},{"idx":901,"start_s":5345.624,"end_s":5350.424,"text":"On the Los Angeles police records, this woman was born Jane Breger, alias Janie Joy.","shot_idx":349},{"idx":902,"start_s":5350.914,"end_s":5351.934,"text":"And now she's dead.","shot_idx":349},{"idx":903,"start_s":5352.894,"end_s":5354.694,"text":"I didn't know she was using my name.","shot_idx":349},{"idx":904,"start_s":5354.784,"end_s":5356.164,"text":"It's a little far-fetched.","shot_idx":349},{"idx":905,"start_s":5356.314,"end_s":5358.394,"text":"Murder is far-fetched too, Janie.","shot_idx":349},{"idx":906,"start_s":5358.744,"end_s":5362.224,"text":"But the killer went out of his way to call and tell me Janie Joy was dead.","shot_idx":349},{"idx":907,"start_s":5362.854,"end_s":5364.494,"text":"Now, why do you suppose he did that?","shot_idx":349},{"idx":908,"start_s":5364.714,"end_s":5369.274,"text":"When the dead woman wasn't Janie Joy.  Find yourself a fall guy somewhere else, chum.","shot_idx":349},{"idx":909,"start_s":5369.604,"end_s":5370.804,"text":"We're leaving. Just a minute.","shot_idx":349},{"idx":910,"start_s":5379.994,"end_s":5394.694,"text":"Killed my wife.  The police just told me and I'm going to kill you.  Take it easy, Johnson.  I didn't kill your wife.  I was trying to arrest you.  That's my story.  You resisted and I shot you.  There's one hitch.  There are witnesses that'll tell it differently.  Get over there.","shot_idx":349},{"idx":911,"start_s":5398.094,"end_s":5398.754,"text":"Go on.","shot_idx":351},{"idx":912,"start_s":5400.134,"end_s":5407.094,"text":"Killed my wife for a few thousand dirty dollars.  No jury on earth will convict me for shooting.  They'll do more than convict you, Johnson.","shot_idx":351},{"idx":913,"start_s":5408.874,"end_s":5436.474,"text":"You killed your wife.  You're smart, Bailey.  In front of witnesses, you accuse me of murder.  Now I don't dare pull this trigger.  Let's call in the police.  I'm afraid that won't help.  But this might be.  That's Jane's letter.  That's for the police to open.  It's addressed to me.  Not that I expect much from it.  Don't look at that.  I wouldn't do that, Johnson.  You've got a gun.  Brother, use it.  That gun in his hand is mine, and it isn't loaded.  He's kidding you, Johnson.","shot_idx":351},{"idx":914,"start_s":5441.254,"end_s":5444.494,"text":"I'll take that letter now, Bailey.  Get over there.","shot_idx":352},{"idx":915,"start_s":5453.014,"end_s":5458.634,"text":"I just used it as bait to bring you up here, Johnson.  I knew a letter from your wife would get you on the prowl for sure.","shot_idx":353},{"idx":916,"start_s":5460.374,"end_s":5466.014,"text":"You see, you outsmarted yourself when you made that phone call.  Get Janie Joy out from under the pier.","shot_idx":354},{"idx":917,"start_s":5468.874,"end_s":5494.974,"text":"weren't talking, Johnson. That was you trying to establish your wife had been killed by somebody  out of her dusty past. It was a good idea, except for one thing. It wasn't Janie Joy under the pier.  You get that, Johnson? Your wife wasn't Janie Joy. And everyone in this rat race knew that,  except you and me. What are you talking about? I told you it took a real name to get into a","shot_idx":354},{"idx":918,"start_s":5498.874,"end_s":5524.714,"text":"the name of a friend Jane Breger. And that's your case? Only part of it. The gun in your hands another part. And that box my gun came back in. The printing's the same as on those phony blackmail notes. Why did you write those notes Johnson? To scare her into admitting something? Well you forced her into the open where she had to kill. Only because of you. All right Bailey. I wrote the note. Well that's better.","shot_idx":355},{"idx":919,"start_s":5525.094,"end_s":5550.954,"text":"We're coming near the truth now, aren't we?  But I didn't kill her.  I was crazy about her.  Maybe you were crazy about her $40,000.  Yeah, and you got her money, Johnson.  But that isn't really why you killed her.  You killed her because you were crazy about her.  She had a way of making a twisted guy like you believe in things again.  Isn't that right, Johnson?  And she loved you.  You thought, until the truth came out.","shot_idx":356},{"idx":920,"start_s":5555.094,"end_s":5581.374,"text":"up with. You found out she was a liar and a thief. And now you know she was a bigamist.  But worse than that, she hadn't ever really loved you. You were a hideout. That's all  you ever meant to her. She was playing you for a sucker. And you let her crawl right  into your heart. And then she cut the heart right out of you. Stop it! Turn around, all  of you! No, use your head, Johnson. You're licked. But your wife was a killer, too. No","shot_idx":359},{"idx":921,"start_s":5585.094,"end_s":5593.114,"text":"talking if you want to. She did.  Still talking. Still lying.  Turn around.  Turn around.","shot_idx":360},{"idx":922,"start_s":5601.774,"end_s":5607.214,"text":"You certainly took your time about getting here.  I've been here.  You didn't have a case until a few seconds ago.","shot_idx":361},{"idx":923,"start_s":5609.214,"end_s":5613.414,"text":"Let's go, Johnson. We're paying a visit to an old friend of yours, the district attorney.","shot_idx":361},{"idx":924,"start_s":5616.204,"end_s":5633.204,"text":"You know, I'm the kind of a guy who can admit he's been a dope.  And I'm the kind of a gal that can go for a dope like you.  Hey, hey, I just saw Quint with your client on a short leash. What gives?  Murder.  Him? You mean we lose money on the case?  Well, just so it won't be a total loss.","shot_idx":362},{"idx":925,"start_s":5636.204,"end_s":5638.204,"text":"Well, well.","shot_idx":362},{"idx":926,"start_s":5640.204,"end_s":5642.584,"text":"I didn't think there'd be a lie.","shot_idx":362},{"idx":927,"start_s":5643.414,"end_s":5646.214,"text":"I've got news for you, dear.  This is the end of the line.","shot_idx":362}]},"beats":[{"idx":1,"start_s":0.0,"end_s":13.427857,"first_shot":0,"last_shot":2,"sequence":1,"keyframes":[{"t":3.9,"shot":0},{"t":8.2,"shot":1},{"t":11.1,"shot":2}],"boundary":{"reason":"start of film"},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"The opening titles of the 1948 film 'I Love Trouble' display the names Franchot Tone and Janet Blair over stylized visuals. The film's title card appears with the credit 'An S. Sylvan Simon Production'.","observations":{"place":{"value":null,"reason":"The frames show stylized title cards and graphics, not a physical location.","interior":null,"place_type":null},"events":[],"people":[],"period":null,"quotes":[],"objects":[{"name":"statue graphic","frame":1,"description":"a stylized female figure holding a radiant object aloft"},{"name":"title card","frame":2,"description":"text 'Franchot Tone' and 'Janet Blair' in script font"},{"name":"title card","frame":3,"description":"text 'I Love Trouble' and 'An S. Sylvan Simon Production' in stylized font"}],"time_of_day":null,"on_screen_text":[{"text":"Franchot Tone","frame":2},{"text":"Janet Blair","frame":2},{"text":"I Love Trouble","frame":3},{"text":"An S. Sylvan Simon Production","frame":3}]},"interpretations":{"mood":"dramatic and stylized","themes":[],"style_notes":"high-contrast black and white, graphic-heavy title sequence with dynamic lighting effects"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:39:46Z","flags":[],"checked":{"names":0,"quotes":0,"visible_claimed":0,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 08:45:27.854030+00:00","id":"I_Love_Trouble_movie:b1:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=0","transcript_segments":[],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":2,"start_s":13.427857,"end_s":34.15346,"first_shot":3,"last_shot":4,"sequence":2,"keyframes":[{"t":21.3,"shot":3},{"t":31.7,"shot":4}],"boundary":{"reason":"cutting rhythm changes","scores":{"ocr":0.0,"topic":0.0,"rhythm":0.29,"visual":0.251,"pause_s":0.0}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"The beat displays two title cards from the film's opening credits, identifying the screenwriter and the producer/director. No characters, actions, or settings are depicted in these frames.","observations":{"place":{"value":null,"reason":"The frames show only text on a stylized background with no identifiable physical location.","interior":null,"place_type":null},"events":[],"people":[],"period":null,"quotes":[],"objects":[],"time_of_day":null,"on_screen_text":["Screen Play by Roy Huggins","From his novel 'The Double Take'","Produced and Directed by S. Sylvan Simon"]},"interpretations":{"mood":"formal and introductory","themes":[],"style_notes":"static title cards with high-contrast lighting and stylized smoke background, typical of 1940s film credits"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:39:46Z","flags":[],"checked":{"names":0,"quotes":0,"visible_claimed":0,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 08:45:49.035422+00:00","id":"I_Love_Trouble_movie:b2:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=13","transcript_segments":[],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":3,"start_s":34.15346,"end_s":53.79483,"first_shot":5,"last_shot":7,"sequence":3,"keyframes":[{"t":41.3,"shot":5},{"t":49.3,"shot":6},{"t":52.0,"shot":7}],"boundary":{"reason":"picture changes","scores":{"ocr":0.0,"topic":0.0,"rhythm":0.22,"visual":0.378,"pause_s":0.0}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A woman exits a bank and walks down a street while a man in a suit carries a large white bundle across the sidewalk. The setting is an urban street with parked cars and storefronts visible.","observations":{"place":{"value":"street","evidence":"frame:1, frame:2, frame:3","interior":false,"place_type":"street"},"events":[{"t":41,"kind":"visible","text":"A woman exits the Bank of America and walks down the steps.","evidence":"frame:1"},{"t":49,"kind":"visible","text":"A woman stands on the sidewalk, looking back over her shoulder.","evidence":"frame:2"},{"t":52,"kind":"visible","text":"A man carries a large white bundle across the sidewalk while another man walks away.","evidence":"frame:3"}],"people":[{"id":"p1","name":null,"presence":["visible"],"appearance":"man in dark suit and fedora, seen from back"},{"id":"p2","name":null,"presence":["visible"],"appearance":"woman in dark coat and hat, carrying a bag, walking down steps"},{"id":"p3","name":null,"presence":["visible"],"appearance":"woman in dark coat and hat, standing on sidewalk, looking over shoulder"},{"id":"p4","name":null,"presence":["visible"],"appearance":"man in suit carrying large white bundle, walking across sidewalk"},{"id":"p5","name":null,"presence":["visible"],"appearance":"man in suit walking away from camera"}],"period":null,"quotes":[],"objects":[{"name":"Bank of America sign","frame":1},{"name":"parked cars","frame":2},{"name":"large white bundle","frame":3},{"name":"bus","frame":3}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"neutral, observational","themes":["urban life","movement","everyday activity"],"style_notes":"black-and-white, medium to long shots, static camera, urban setting"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:39:49Z","flags":[],"checked":{"names":5,"quotes":0,"visible_claimed":3,"visible_sampled":1},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 08:46:12.085617+00:00","id":"I_Love_Trouble_movie:b3:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=34","transcript_segments":[],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":4,"start_s":53.79483,"end_s":87.36447,"first_shot":8,"last_shot":9,"sequence":3,"keyframes":[{"t":55.3,"shot":8},{"t":72.1,"shot":9}],"boundary":{"reason":"picture changes","scores":{"ocr":0.0,"topic":0.0,"rhythm":0.09,"visual":0.14,"pause_s":0.0}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A woman in a dark coat and hat walks across a paved street intersection during daylight. A man in a suit walks ahead of her on the same sidewalk, and buildings and parked cars are visible in the background.","observations":{"place":{"value":"street","evidence":"frame:1, frame:2","interior":false,"place_type":"street"},"events":[{"t":55,"kind":"visible","text":"A woman in a dark coat and hat stands on a street corner.","evidence":"frame:1"},{"t":72,"kind":"visible","text":"The woman walks across a street intersection, following a man in a suit.","evidence":"frame:2"}],"people":[{"id":"p1","name":null,"presence":["visible"],"appearance":"woman, light hair, wearing a dark coat and a hat"},{"id":"p2","name":null,"presence":["visible"],"appearance":"man, wearing a suit"}],"period":null,"quotes":[],"objects":[{"name":"hat","evidence":"frame:1"},{"name":"dark coat","evidence":"frame:1"},{"name":"sidewalk","evidence":"frame:2"},{"name":"paved street","evidence":"frame:2"},{"name":"buildings","evidence":"frame:2"},{"name":"parked cars","evidence":"frame:2"}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"neutral","themes":["urban setting","movement through public space"],"style_notes":"black and white, medium and wide shots, natural daylight lighting, street-level framing"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:39:49Z","flags":[],"checked":{"names":2,"quotes":0,"visible_claimed":2,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 08:46:16.569944+00:00","id":"I_Love_Trouble_movie:b4:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=53","transcript_segments":[],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":5,"start_s":87.36447,"end_s":113.96998,"first_shot":10,"last_shot":16,"sequence":3,"keyframes":[{"t":89.3,"shot":10},{"t":98.8,"shot":12},{"t":105.1,"shot":14},{"t":111.4,"shot":16}],"boundary":{"reason":"cutting rhythm changes","scores":{"ocr":0.0,"topic":0.0,"rhythm":0.5,"visual":0.132,"pause_s":0.0}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A man and a woman converse on a city sidewalk; she accuses him of following her and plans to enter a building to lose him. The setting includes a theater marquee and pedestrians, with the interaction captured in medium and close-up shots.","observations":{"place":{"value":"sidewalk","evidence":"frame:1","interior":false,"place_type":"sidewalk"},"events":[{"t":90,"kind":"spoken","text":"The woman asks the man why he is following her.","evidence":"t:1:30"},{"t":99,"kind":"spoken","text":"The man replies that he might not need a reason.","evidence":"t:1:30"},{"t":105,"kind":"spoken","text":"The woman says she might have been mistaken about him, possibly because of his 'leer'.","evidence":"t:1:30"},{"t":111,"kind":"spoken","text":"The woman announces she will enter a building to lose the man.","evidence":"t:1:30"}],"people":[{"id":"p1","name":null,"presence":["visible","audible"],"appearance":"woman, mid-20s to 30s, wearing a dark hat and coat, visible in close-up"},{"id":"p2","name":null,"presence":["visible","audible"],"appearance":"man, mid-20s to 30s, wearing a dark suit, white shirt, tie, and fedora, visible in close-up and medium shot"}],"period":null,"quotes":[{"t":"1:30","text":"I'd like to know the reason why you're following me."},{"t":"1:30","text":"Would I need a reason?"},{"t":"1:30","text":"You know, I'm beginning to think I might possibly have been mistaken about you. Perhaps it's your leer. It looks so genuine."},{"t":"1:30","text":"Well, you'll have to excuse me. I'm going in here and try and lose you."}],"objects":[{"name":"theater marquee","frame":1,"description":"sign reading 'ONDS' above an awning"},{"name":"street lamp","frame":1,"description":"tall, ornate lamp post on sidewalk"},{"name":"fedora","frame":3,"description":"dark hat worn by the man"},{"name":"coat","frame":4,"description":"dark coat worn by the woman"}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"tense and flirtatious","themes":["pursuit","mistrust","urban encounter"],"style_notes":"black-and-white, medium and close-up shots, high-contrast lighting, classic film noir framing"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:39:49Z","flags":[],"checked":{"names":2,"quotes":4,"visible_claimed":0,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 08:47:02.260083+00:00","id":"I_Love_Trouble_movie:b5:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=87","transcript_segments":[0],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":6,"start_s":113.96998,"end_s":117.8065,"first_shot":17,"last_shot":17,"sequence":4,"keyframes":[{"t":115.9,"shot":17}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.97,"rhythm":0.72,"visual":0.131,"pause_s":6.0}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A street scene shows pedestrians and a parked car outside a building with a marquee reading 'ONDS'. No dialogue or named characters are present in this beat.","observations":{"place":{"value":"street","evidence":"frame:1","interior":false,"place_type":"street"},"events":[],"people":[],"period":null,"quotes":[],"objects":[{"name":"marquee with 'ONDS'","frame":1},{"name":"parked car","frame":1},{"name":"street lamp","frame":1},{"name":"clock tower","frame":1}],"time_of_day":null,"on_screen_text":"ONDS"},"interpretations":{"mood":"neutral","themes":[],"style_notes":"wide shot, black and white, street-level framing, natural daylight"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:39:49Z","flags":[],"checked":{"names":0,"quotes":0,"visible_claimed":0,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 08:47:02.262988+00:00","id":"I_Love_Trouble_movie:b6:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=113","transcript_segments":[],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":7,"start_s":117.8065,"end_s":135.02919,"first_shot":18,"last_shot":18,"sequence":5,"keyframes":[{"t":126.4,"shot":18}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.93,"rhythm":0.82,"visual":0.111,"pause_s":6.0}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A black car is parked on a street with other vehicles and buildings visible in the background. No people or dialogue are present in this beat.","observations":{"place":{"value":"street","evidence":"frame:1","interior":false,"place_type":"street"},"events":[],"people":[],"period":null,"quotes":[],"objects":[{"name":"black car","evidence":"frame:1"},{"name":"other parked cars","evidence":"frame:1"},{"name":"buildings in background","evidence":"frame:1"},{"name":"truck","evidence":"frame:1"}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"neutral","themes":[],"style_notes":"static wide shot, black-and-white, mid-century urban setting"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:39:49Z","flags":[],"checked":{"names":0,"quotes":0,"visible_claimed":0,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 08:47:02.264939+00:00","id":"I_Love_Trouble_movie:b7:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=117","transcript_segments":[],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":8,"start_s":135.02919,"end_s":139.90826,"first_shot":19,"last_shot":19,"sequence":6,"keyframes":[{"t":137.5,"shot":19}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.89,"rhythm":0.43,"visual":0.131,"pause_s":6.0}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A woman in a dark hat and coat is shown in a close-up, looking off-camera with a serious expression. The background is out of focus but suggests an outdoor setting with trees and a building.","observations":{"place":{"value":"other","reason":"Background shows trees and a building with arches, suggesting an outdoor public space, but not specific enough to assign a standard place_type.","evidence":"frame:1","interior":false,"place_type":"other"},"events":[],"people":[{"id":"p1","name":null,"presence":["visible"],"appearance":"Woman, light hair, wearing a dark hat and coat, medium build, appears to be in her 20s or 30s."}],"period":null,"quotes":[],"objects":[{"name":"hat","evidence":"frame:1","description":"Dark, rounded hat worn by p1."},{"name":"coat","evidence":"frame:1","description":"Dark coat worn by p1."}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"serious","themes":[],"style_notes":"Close-up shot with shallow depth of field; high-contrast black-and-white lighting; classic 1940s film framing."},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:39:49Z","flags":[],"checked":{"names":1,"quotes":0,"visible_claimed":0,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 08:47:09.393098+00:00","id":"I_Love_Trouble_movie:b8:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=135","transcript_segments":[],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":9,"start_s":139.90826,"end_s":173.10258,"first_shot":20,"last_shot":20,"sequence":7,"keyframes":[{"t":156.5,"shot":20}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.89,"rhythm":0.44,"visual":0.22,"pause_s":6.0}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A man in a dark suit and hat stands in a hallway near a glass door, looking toward a staircase. No names are spoken that can be attached to visible persons, and no time of day or period is established.","observations":{"place":{"value":"hallway","evidence":"frame:1","interior":true,"place_type":"other"},"events":[{"t":150,"kind":"visible","text":"A man stands in a hallway near a glass door.","evidence":"frame:1"},{"t":150,"kind":"spoken","text":"Someone says 'Brace yourself.'","evidence":"t:2:30"},{"t":168,"kind":"spoken","text":"Someone asks if Johnson has a purple face.","evidence":"t:2:48"}],"people":[{"id":"p1","name":null,"presence":["visible"],"appearance":"man in dark suit and fedora, seen from back"}],"period":null,"quotes":[{"t":"2:30","text":"Brace yourself."},{"t":"2:48","text":"Johnson?  Does Johnson have a purple face?"}],"objects":[{"name":"glass door","frame":1},{"name":"staircase","frame":1},{"name":"fedora hat","frame":1},{"name":"dark suit","frame":1}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"suspenseful","themes":["mystery","suspense"],"style_notes":"black-and-white, medium shot, high contrast lighting, static camera"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:39:49Z","flags":[],"checked":{"names":1,"quotes":2,"visible_claimed":1,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 08:47:30.336062+00:00","id":"I_Love_Trouble_movie:b9:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=139","transcript_segments":[1,2],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":10,"start_s":173.10258,"end_s":192.74396,"first_shot":21,"last_shot":21,"sequence":7,"keyframes":[{"t":182.9,"shot":21}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.99,"rhythm":0.13,"visual":0.201,"pause_s":3.0}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"Two men stand in an office; one is addressed as Mr. Johnson and speaks about following a woman to Portland. The dialogue suggests a conflict over instructions given to a private detective.","observations":{"place":{"value":"private_office","evidence":"frame:1","interior":true,"place_type":"private_office"},"events":[{"t":173,"kind":"visible","text":"A man in a dark suit stands near a desk while another man in a light suit faces him.","evidence":"frame:1"},{"t":174,"kind":"spoken","text":"Mr. Johnson is addressed by name and asked about his intentions.","evidence":"t:2:54"},{"t":180,"kind":"spoken","text":"Mr. Johnson is warned he may be fired or suffer injury.","evidence":"t:3:00"},{"t":183,"kind":"spoken","text":"Mr. Johnson is told to take his time.","evidence":"t:3:03"},{"t":185,"kind":"spoken","text":"Mr. Johnson is informed that his wife called to ask why he was following her.","evidence":"t:3:05"},{"t":190,"kind":"spoken","text":"Mr. Johnson is reminded that his instructions were to go to Portland, where his wife lived, and not to trail her.","evidence":"t:3:05"}],"people":[{"id":"p1","name":null,"presence":["visible"],"appearance":"man in dark suit and hat, standing near desk"},{"id":"p2","name":{"value":"Mr. Johnson","evidence":"t:2:54"},"presence":["visible","audible"],"appearance":"man in light suit, standing near chair, facing p1"}],"period":null,"quotes":[{"t":"2:54","text":"You're a bit early, Bailey.  Am I?  I haven't quite made up my mind.  About what, Mr. Johnson?"},{"t":"3:00","text":"break your neck or merely to fire you."},{"t":"3:03","text":"Well, take lots of time."},{"t":"3:05","text":"you're paying for my wife just called me what's the idea of following her it's  what she wanted to know your instructions were clear go to Portland  where she's lived all her life frightened enough now without having private dicks  trailing her around right"}],"objects":[{"name":"desk","frame":1},{"name":"chair","frame":1},{"name":"window with blinds","frame":1},{"name":"hat","frame":1}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"tense","themes":["conflict","deception","professional duty vs. personal life"],"style_notes":"medium shot, high-contrast lighting, static framing"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:39:49Z","flags":[],"checked":{"names":2,"quotes":4,"visible_claimed":1,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 08:48:03.609960+00:00","id":"I_Love_Trouble_movie:b10:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=173","transcript_segments":[3,4,5,6],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":11,"start_s":192.74396,"end_s":210.05005,"first_shot":22,"last_shot":23,"sequence":7,"keyframes":[{"t":196.7,"shot":22},{"t":205.3,"shot":23}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.94,"rhythm":0.47,"visual":0.246,"pause_s":6.0},"during_speech":"cut falls inside a spoken line: no pause was available without exceeding the length cap"},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"Two men in suits are in an office; one hands an object to the other while discussing a letter addressed to Jane. The scene is lit with studio lighting and includes a desk and window with blinds.","observations":{"place":{"name":"private_office","evidence":"frame:1, frame:2","interior":true,"place_type":"private_office"},"events":[{"t":197,"kind":"visible","text":"Man in light suit stands facing camera, expression serious.","evidence":"frame:1"},{"t":205,"kind":"visible","text":"Man in dark suit hands an object to man in light suit across a desk.","evidence":"frame:2"},{"t":193,"kind":"spoken","text":"Someone asks 'Why?'","evidence":"t:3:21"},{"t":203,"kind":"spoken","text":"Someone says another letter came yesterday, addressed to Jane, and she read it.","evidence":"t:3:23"}],"people":[{"id":"p1","name":null,"presence":["visible"],"appearance":"man in light suit, dark tie, pocket square, medium build, middle-aged"},{"id":"p2","name":null,"presence":["visible"],"appearance":"man in dark suit, tie, thin build, middle-aged"}],"period":null,"quotes":[{"t":"3:21","text":"Why?"},{"t":"3:23","text":"Another one came yesterday.  Only this time it was addressed to Jane.  She read it."}],"objects":[{"name":"desk","evidence":"frame:2"},{"name":"window with blinds","evidence":"frame:2"},{"name":"papers on desk","evidence":"frame:2"},{"name":"inkwell or pen holder","evidence":"frame:2"}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"tense","themes":["correspondence","mystery","office interaction"],"style_notes":"medium close-up and two-shot framing, high-contrast studio lighting, formal attire suggests professional setting"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:39:49Z","flags":[],"checked":{"names":2,"quotes":2,"visible_claimed":2,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 08:48:14.189215+00:00","id":"I_Love_Trouble_movie:b11:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=192","transcript_segments":[7,8],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":12,"start_s":210.05005,"end_s":221.10092,"first_shot":24,"last_shot":24,"sequence":8,"keyframes":[{"t":215.6,"shot":24}],"boundary":{"reason":"pause in speech","scores":{"ocr":1.0,"topic":0.91,"rhythm":0.72,"visual":0.646,"pause_s":6.0}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A handwritten note is shown, addressed to Mrs. Ralph Johnston, asking if she wants her husband to know about her past and how much it is worth to keep the writer quiet. The note ends with a threat to contact her later.","observations":{"place":{"value":null,"reason":"No environmental context is visible; only a hand holding a note is shown.","interior":null,"place_type":null},"events":[{"t":216,"kind":"visible","text":"A handwritten note is held in view.","evidence":"frame:1"}],"people":[{"id":"p1","name":null,"presence":["visible"],"appearance":"hand visible holding paper, no other features shown"}],"period":null,"quotes":[],"objects":[{"name":"handwritten note","evidence":"frame:1","description":"white paper with black handwritten text, held by a hand"}],"time_of_day":null,"on_screen_text":"MRS RALPH JOHNSTON DO YOU WANT YOUR HUSBAND TO KNOW ABOUT YOUR PAST? HOW MUCH IS IT WORTH TO KEEP ME QUIET? I WILL CONTACT YOU LATER."},"interpretations":{"mood":"threatening","themes":["blackmail","secrets","marital tension"],"style_notes":"close-up, high-contrast black and white, focused on text"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:39:49Z","flags":[],"checked":{"names":1,"quotes":0,"visible_claimed":1,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 08:48:26.022262+00:00","id":"I_Love_Trouble_movie:b12:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=210","transcript_segments":[],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":13,"start_s":221.10092,"end_s":232.94412,"first_shot":25,"last_shot":29,"sequence":9,"keyframes":[{"t":221.6,"shot":25},{"t":222.6,"shot":26},{"t":226.7,"shot":28},{"t":230.2,"shot":29}],"boundary":{"reason":"pause in speech","scores":{"ocr":1.0,"topic":0.92,"rhythm":0.94,"visual":0.722,"pause_s":6.0}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"No visual content is available for this beat; the frames are black or corrupted. The transcript contains dialogue referencing a woman's reaction to reading something and her roles as estate planning commissioner and Civic Council chairman.","observations":{"place":{"value":null,"reason":"All frames are black or corrupted; no visual cues about location or interior/exterior status are present.","interior":null,"place_type":null},"events":[{"t":221,"kind":"spoken","text":"A person speaks about a woman who laughed gaily after reading something.","evidence":"t:3:41"},{"t":226,"kind":"spoken","text":"Another person confirms the woman laughed.","evidence":"t:3:46"},{"t":228,"kind":"spoken","text":"The woman is mentioned as being estate planning commissioner and chairman of the Civic Council.","evidence":"t:3:48"}],"people":[{"id":"p1","name":null,"presence":["audible"],"appearance":"unknown"},{"id":"p2","name":{"value":"she","evidence":"t:3:41"},"presence":["audible","mentioned"],"appearance":"unknown"}],"period":null,"quotes":[{"t":"3:41","text":"I figured she was frightened because when she read it, she laughed gaily."},{"t":"3:46","text":"That's right, she did."},{"t":"3:48","text":"And then she pointed out that being as your estate planning commissioner and chairman of the Civic Council,"}],"objects":[],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"unclear due to lack of visual data","themes":[],"style_notes":"no visual style discernible from black frames"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:39:49Z","flags":[],"checked":{"names":2,"quotes":3,"visible_claimed":0,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 08:48:42.812483+00:00","id":"I_Love_Trouble_movie:b13:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=221","transcript_segments":[9,10,11],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":14,"start_s":232.94412,"end_s":254.33694,"first_shot":30,"last_shot":31,"sequence":10,"keyframes":[{"t":242.7,"shot":30},{"t":253.4,"shot":31}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.89,"rhythm":0.61,"visual":0.562,"pause_s":6.0},"during_speech":"cut falls inside a spoken line: no pause was available without exceeding the length cap"},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"Two men in suits are in a dimly lit room with blinds; one speaks about a woman named Jane and friends who might send crank notes. The second frame is black.","observations":{"place":{"value":"private_office","evidence":"frame:1","interior":true,"place_type":"private_office"},"events":[{"t":233,"kind":"spoken","text":"A man speaks about Jane being a public figure and friends resenting her.","evidence":"t:3:54"},{"t":243,"kind":"visible","text":"Two men face each other in a room with blinds.","evidence":"frame:1"},{"t":253,"kind":"visible","text":"The screen is black.","evidence":"frame:2"}],"people":[{"id":"p1","name":{"value":"Jane","evidence":"t:4:02"},"presence":["visible","audible"],"appearance":"man in light suit, tie, mid-40s, average build"},{"id":"p2","name":null,"presence":["visible","audible"],"appearance":"man in dark suit, back to camera, mid-40s"}],"period":null,"quotes":[{"t":"3:54","text":"something of a public figure..."},{"t":"4:02","text":"A lot of my old friends resent Jane."},{"t":"4:04","text":"She's very withdrawn."},{"t":"4:12","text":"Getting plastered and pulling a stunt just like that."}],"objects":[{"name":"blinds","frame":1},{"name":"suit","frame":1}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"tense and conversational","themes":["social isolation","suspicion","personal relationships"],"style_notes":"medium close-up, high contrast lighting, classic noir framing"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:39:51Z","flags":[],"checked":{"names":2,"quotes":4,"visible_claimed":2,"visible_sampled":1},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 08:48:57.471348+00:00","id":"I_Love_Trouble_movie:b14:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=232","transcript_segments":[12,13,14,15,16,17,18,19,20,21,22],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":15,"start_s":254.33694,"end_s":274.0617,"first_shot":32,"last_shot":34,"sequence":11,"keyframes":[{"t":259.0,"shot":32},{"t":267.3,"shot":33},{"t":272.5,"shot":34}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.89,"rhythm":0.2,"visual":0.62,"pause_s":4.8},"during_speech":"cut falls inside a spoken line: no pause was available without exceeding the length cap"},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"Two men are in a room; one speaks about his rough past and contrasts it with Jane's. A third man is seen smoking a cigarette in a chair.","observations":{"place":{"value":"private_office","evidence":"frame:1","interior":true,"place_type":"private_office"},"events":[{"t":259,"kind":"visible","text":"A man in a dark suit stands with his back to the camera while another man in a light suit faces him.","evidence":"frame:1"},{"t":267,"kind":"visible","text":"The man in the light suit is shown in a close-up, looking slightly upward.","evidence":"frame:2"},{"t":272,"kind":"visible","text":"A man in a dark suit sits in a chair with a cigarette in his mouth.","evidence":"frame:3"},{"t":254,"kind":"spoken","text":"A speaker says 'That's a pretty rugged crowd you run with. Rugged's a good enough name.'","evidence":"t:4:17"},{"t":259,"kind":"spoken","text":"The speaker mentions 'some of my friends... I came up the hard way.'","evidence":"t:4:22"},{"t":266,"kind":"spoken","text":"The speaker says 'And that's the trouble.'","evidence":"t:4:26"},{"t":268,"kind":"spoken","text":"The speaker says 'I led a rough and tumble life. Jane hasn't.'","evidence":"t:4:28"},{"t":271,"kind":"spoken","text":"The speaker says 'I was ready to judge her by my standards.'","evidence":"t:4:31"}],"people":[{"id":"p1","name":null,"presence":["visible"],"appearance":"man in dark suit, back to camera, visible in frame 1"},{"id":"p2","name":null,"presence":["visible","audible"],"appearance":"man in light suit, tie, pocket square, standing, visible in frames 1-2"},{"id":"p3","name":null,"presence":["visible"],"appearance":"man in dark suit, tie, smoking cigarette, seated in chair, visible in frame 3"}],"period":null,"quotes":[{"t":"4:17","text":"That's a pretty rugged crowd you run with.  Rugged's a good enough name."},{"t":"4:22","text":"some of my friends..."},{"t":"4:28","text":"I led a rough and tumble life."},{"t":"4:31","text":"I was ready to judge her by my standards."}],"objects":[{"name":"cigarette","evidence":"frame:3"},{"name":"suit","evidence":"frame:1"},{"name":"tie","evidence":"frame:2"},{"name":"pocket square","evidence":"frame:2"},{"name":"window blinds","evidence":"frame:1"},{"name":"chair","evidence":"frame:3"}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"serious, introspective","themes":["class contrast","personal reflection","moral judgment"],"style_notes":"black-and-white, medium and close-up shots, high-contrast lighting, static camera"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:39:55Z","flags":[],"checked":{"names":3,"quotes":4,"visible_claimed":3,"visible_sampled":1},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 08:49:40.289941+00:00","id":"I_Love_Trouble_movie:b15:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=254","transcript_segments":[23,24,25,26,27,28,29,30],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":16,"start_s":274.0617,"end_s":294.57883,"first_shot":35,"last_shot":35,"sequence":11,"keyframes":[{"t":284.3,"shot":35}],"boundary":{"reason":"topic shift in dialogue","scores":{"ocr":0.0,"topic":0.88,"rhythm":0.2,"visual":0.057,"pause_s":0.4}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A man speaks about hiring someone after receiving a note, reflecting on Jane's reaction to a second note as genuine and indicating she has nothing to hide. The scene is a close-up in a dimly lit interior.","observations":{"place":{"name":"private_office","evidence":"frame:1","interior":true,"place_type":"private_office"},"events":[{"t":274,"kind":"spoken","text":"A man explains he hired someone quickly after receiving a first note.","evidence":"t:4:34"},{"t":278,"kind":"spoken","text":"He admits it was easy to think Jane might be in trouble.","evidence":"t:4:38"},{"t":281,"kind":"spoken","text":"He calls that assumption 'too easy'.","evidence":"t:4:41"},{"t":284,"kind":"spoken","text":"He notes Jane's reaction to a second note was genuine.","evidence":"t:4:44"},{"t":286,"kind":"spoken","text":"He realizes Jane wouldn't be capable of hiding anything.","evidence":"t:4:49"}],"people":[{"id":"p1","name":{"value":"Jane","evidence":"t:4:38"},"presence":["visible","audible"],"appearance":"man, middle-aged, dark hair, wearing a suit and tie"}],"period":null,"quotes":[{"t":"4:34","text":"That's probably why I was so quick to hire you when I got that first note."},{"t":"4:38","text":"It was easy for me to think that Jane might be in trouble."},{"t":"4:41","text":"Too easy."},{"t":"4:49","text":"Jane wouldn't be capable of doing anything she had to hide."}],"objects":[{"name":"suit","evidence":"frame:1"},{"name":"tie","evidence":"frame:1"},{"name":"framed picture on wall","evidence":"frame:1"}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"reflective and slightly regretful","themes":["trust","misjudgment","realization"],"style_notes":"close-up shot, high contrast lighting, studio-bound composition"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:39:55Z","flags":[],"checked":{"names":1,"quotes":4,"visible_claimed":0,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 08:49:40.292461+00:00","id":"I_Love_Trouble_movie:b16:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=274","transcript_segments":[31,32,33,34,35,36,37],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":17,"start_s":294.57883,"end_s":335.6964,"first_shot":36,"last_shot":39,"sequence":11,"keyframes":[{"t":297.7,"shot":36},{"t":314.2,"shot":37},{"t":329.6,"shot":38},{"t":333.7,"shot":39}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.88,"rhythm":0.22,"visual":0.069,"pause_s":1.2}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"Two men in suits converse in an office; one is accused of following the other's wife, who is said to have withdrawn a large sum of money. The dialogue suggests suspicion and a recent marriage.","observations":{"place":{"name":"private_office","evidence":"frame:1, frame:2, frame:4","interior":true,"place_type":"private_office"},"events":[{"t":295,"kind":"spoken","text":"Mr. Johnson tells Bailey to forget about the matter.","evidence":"t:4:55"},{"t":300,"kind":"spoken","text":"Johnson states Bailey's wife is in trouble.","evidence":"t:5:00"},{"t":303,"kind":"spoken","text":"Johnson questions Bailey's knowledge of his wife, noting their short marriage and her past as a sorority girl.","evidence":"t:5:03"},{"t":314,"kind":"spoken","text":"Bailey claims he is hard to spot when following someone unless they are looking for it.","evidence":"t:5:17"},{"t":321,"kind":"spoken","text":"Johnson accuses Bailey's wife of looking for him, implying she knew she was being followed.","evidence":"t:5:21"},{"t":326,"kind":"spoken","text":"Johnson reveals Bailey's wife has a bank account in Westwood.","evidence":"t:5:26"},{"t":329,"kind":"spoken","text":"Bailey denies knowing about the account.","evidence":"t:5:29"},{"t":330,"kind":"spoken","text":"Johnson claims Bailey's wife withdrew a large sum of money.","evidence":"t:5:30"}],"people":[{"id":"p1","name":{"value":"Bailey","evidence":"t:4:55"},"presence":["visible","audible"],"appearance":"man in light-colored suit, back to camera, then facing p2; mid-adult, average build"},{"id":"p2","name":{"value":"Mr. Johnson","evidence":"t:4:55"},"presence":["visible","audible"],"appearance":"man in dark suit and tie, facing p1; mid-adult, average build"}],"period":null,"quotes":[{"t":"4:55","text":"So, I think you can just forget about all this, Bailey.  You forget about it, Mr. Johnson."},{"t":"5:00","text":"Your wife's in trouble."},{"t":"5:17","text":"You've known her only since she killed more than a year ago."},{"t":"5:30","text":"She has many money except what I give her.  She came out stuffing a roll of bills in her purse that would keep me for a month."}],"objects":[{"name":"bookshelf","evidence":"frame:2, frame:4"},{"name":"window with blinds","evidence":"frame:1, frame:2"},{"name":"small table with figurine","evidence":"frame:1"},{"name":"coffee pot","evidence":"frame:4"}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"tense and accusatory","themes":["suspicion","marital distrust","financial secrecy"],"style_notes":"medium close-ups and two-shots in a dimly lit office; high-contrast lighting typical of film noir; static camera"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:39:55Z","flags":[],"checked":{"names":2,"quotes":4,"visible_claimed":0,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 08:50:31.235909+00:00","id":"I_Love_Trouble_movie:b17:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=294","transcript_segments":[38,39,40,41,42,43,44,45,46,47,48,49,50],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":18,"start_s":335.6964,"end_s":360.55045,"first_shot":40,"last_shot":40,"sequence":11,"keyframes":[{"t":348.1,"shot":40}],"boundary":{"reason":"topic shift in dialogue","scores":{"ocr":0.0,"topic":0.94,"rhythm":0.93,"visual":0.086,"pause_s":0.2}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"Two men in suits discuss a woman's identity and a train ticket to Portland. One man asks if the ticket should be used, and the other suggests using discretion.","observations":{"place":{"value":"private_office","evidence":"frame:1","interior":true,"place_type":"private_office"},"events":[{"t":335,"kind":"spoken","text":"One man asks if the other checked on something.","evidence":"t:5:35"},{"t":336,"kind":"spoken","text":"The second man replies that the woman’s business was not under her own name.","evidence":"t:5:36"},{"t":341,"kind":"spoken","text":"He suggests two possible aliases: Mrs. Ralph Johnson or Miss Jane Brigger.","evidence":"t:5:41"},{"t":345,"kind":"spoken","text":"He notes her clothing is deliberately nondescript.","evidence":"t:5:45"},{"t":350,"kind":"spoken","text":"He finds a ticket for Portland at 6 PM.","evidence":"t:5:50"},{"t":355,"kind":"spoken","text":"He asks whether to use the ticket.","evidence":"t:5:55"},{"t":357,"kind":"spoken","text":"The other man advises using discretion.","evidence":"t:5:57"}],"people":[{"id":"p1","name":null,"presence":["visible","audible"],"appearance":"man in dark suit and tie, mid-30s to 40s, average build"},{"id":"p2","name":null,"presence":["visible","audible"],"appearance":"man in light suit, mid-30s to 40s, average build, balding"}],"period":null,"quotes":[{"t":"5:35","text":"Did you check on it?"},{"t":"5:41","text":"Either Mrs. Ralph Johnson or Miss Jane Brigger."},{"t":"5:50","text":"Look, there's a ticket in here.  Leaving for Portland at 6 tonight."},{"t":"5:57","text":"I think you can use some discretion along with it."}],"objects":[{"name":"suit","evidence":"frame:1"},{"name":"window blinds","evidence":"frame:1"},{"name":"ticket","evidence":"t:5:50"}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"tense and investigative","themes":["identity","deception","decision-making"],"style_notes":"medium two-shot, high-contrast lighting, formal attire, window blinds suggest office setting"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:39:55Z","flags":[],"checked":{"names":2,"quotes":4,"visible_claimed":0,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 08:50:31.239050+00:00","id":"I_Love_Trouble_movie:b18:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=335","transcript_segments":[51,52,53,54,55,56,57,58],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":19,"start_s":360.55045,"end_s":394.3286,"first_shot":41,"last_shot":41,"sequence":12,"keyframes":[{"t":377.4,"shot":41}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.94,"rhythm":0.87,"visual":0.112,"pause_s":4.6}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A man and a woman are in a conversation where the man requests information about Jane Breger, including her address and employment. The woman provides the address and mentions her job at Keller's Carousel, and the man thanks her.","observations":{"place":{"value":"private_office","evidence":"frame:1","interior":true,"place_type":"private_office"},"events":[{"t":364,"kind":"spoken","text":"The man asks for Jane Breger's address.","evidence":"t:6:09"},{"t":378,"kind":"spoken","text":"The woman provides the address 10476 Larrady.","evidence":"t:6:18"},{"t":385,"kind":"spoken","text":"The woman mentions Jane Breger has a work permit to dance at Keller's Carousel.","evidence":"t:6:25"},{"t":389,"kind":"spoken","text":"The man calls the woman 'Angel' and thanks her.","evidence":"t:6:29"}],"people":[{"id":"p1","name":null,"presence":["visible","audible"],"appearance":"man, middle-aged, wearing a suit, visible in profile"},{"id":"p2","name":null,"presence":["visible","audible"],"appearance":"woman, blonde, wearing a white blouse with a bow tie, holding a paper"}],"period":null,"quotes":[{"t":"6:04","text":"Mm-hmm. Jane Breger, class of '41."},{"t":"6:09","text":"But, uh, we're not closing out information.  Well, all I want is her address, teacher."},{"t":"6:18","text":"10476 Larrady."},{"t":"6:29","text":"You're an angel, Angel."}],"objects":[{"name":"paper","evidence":"frame:1"},{"name":"sign with partial text 'MOTEL' and 'FRA...'","evidence":"frame:1"}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"neutral to slightly tense, driven by information exchange","themes":["information gathering","urban nightlife","professional interaction"],"style_notes":"medium close-up, studio lighting, classic noir framing with shallow depth"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:39:55Z","flags":[],"checked":{"names":2,"quotes":4,"visible_claimed":0,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 08:50:58.429564+00:00","id":"I_Love_Trouble_movie:b19:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=360","transcript_segments":[59,60,61,62,63,64],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":20,"start_s":394.3286,"end_s":553.7114,"first_shot":42,"last_shot":42,"sequence":13,"keyframes":[{"t":474.0,"shot":42}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.88,"rhythm":0.67,"visual":0.161,"pause_s":3.5},"overrun":"159s: no speech-safe cut earlier"},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A man in a hat is seen in a dimly lit interior space. Dialogue indicates he is asking for directions to a closed club and is referred to a person named Reno at a location called a 'chip crib'.","observations":{"place":{"value":"vehicle_interior","evidence":"frame:1","interior":true,"place_type":"vehicle_interior"},"events":[{"t":394,"kind":"spoken","text":"A man asks for directions to a club that has been closed.","evidence":"t:6:34"},{"t":418,"kind":"spoken","text":"The driver says he will take the passenger wherever he wants to go.","evidence":"t:6:59"},{"t":427,"kind":"spoken","text":"The passenger is told he doesn't want to find Keller beyond ten dollars.","evidence":"t:7:07"},{"t":432,"kind":"spoken","text":"Someone warns not to let Keller hear that comment.","evidence":"t:7:12"},{"t":453,"kind":"spoken","text":"The passenger is directed to a 'chip crib' and told to ask for Reno.","evidence":"t:7:34"},{"t":495,"kind":"spoken","text":"The passenger arrives at a location and asks for Reno.","evidence":"t:8:15"},{"t":497,"kind":"spoken","text":"The person at the location says Reno is in Nevada.","evidence":"t:8:17"},{"t":502,"kind":"spoken","text":"The passenger claims to be a friend of Reno's.","evidence":"t:8:22"},{"t":506,"kind":"spoken","text":"The passenger is told to take his transportation up to three.","evidence":"t:8:26"},{"t":517,"kind":"spoken","text":"The passenger says he bets the person hardly remembers him.","evidence":"t:8:37"},{"t":474,"kind":"visible","text":"A man in a hat is visible in a dark interior.","evidence":"frame:1"}],"people":[{"id":"p1","name":null,"presence":["visible"],"appearance":"man wearing a hat, seen in silhouette"},{"id":"p2","name":{"value":"Steve","evidence":"t:7:33"},"presence":["audible","mentioned"],"appearance":"unseen, referred to as 'Steve' and 'Gus'"},{"id":"p3","name":{"value":"Reno","evidence":"t:8:15"},"presence":["audible","mentioned"],"appearance":"unseen, referred to as 'Reno'"}],"period":null,"quotes":[{"t":"6:34","text":"Very funny.  Now tell me where you want to go.  What's the trouble?  Brother, that address hasn't meant anything for five, six years now."},{"t":"7:34","text":"It's a chip crib, brother. Illegal.  Just go up that ramp there and ask for Reno.  Tell them Gus brought you."},{"t":"8:15","text":"What can I do for you?"},{"t":"8:37","text":"I bet you hardly remember me."}],"objects":[{"name":"hat","evidence":"frame:1"}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"noirish, tense","themes":["urban decay","criminal underworld","mistrust"],"style_notes":"low-key lighting, high contrast, silhouette framing"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:39:55Z","flags":[],"checked":{"names":3,"quotes":4,"visible_claimed":1,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 08:51:21.469011+00:00","id":"I_Love_Trouble_movie:b20:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=394","transcript_segments":[65,66,67,68,69,70,71,72,73,74,75,76],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":21,"start_s":553.7114,"end_s":572.68555,"first_shot":43,"last_shot":43,"sequence":14,"keyframes":[{"t":563.2,"shot":43}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.93,"rhythm":0.05,"visual":0.111,"pause_s":6.0}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A man and a woman face each other in conversation in a dimly lit interior. The woman is seated and wears a dark dress; the man stands in a suit. No names are spoken, and no objects or text are visible beyond their clothing and the background.","observations":{"place":{"value":"other","reason":"The setting is dimly lit with curtains and indistinct background figures, suggesting an indoor venue like a club or theater, but not clearly identifiable as any specific place type.","evidence":"frame:1","interior":true,"place_type":"other"},"events":[{"t":563,"kind":"visible","text":"A man and a woman face each other in conversation.","evidence":"frame:1"},{"t":563,"kind":"spoken","text":"The woman speaks, saying 'Well, my way wouldn't help you. But he is around.'","evidence":"t:9:23"}],"people":[{"id":"p1","name":null,"presence":["visible"],"appearance":"man, wearing a dark suit and tie, standing, mid-adult, average build"},{"id":"p2","name":null,"presence":["visible"],"appearance":"woman, seated, wearing a dark strapless dress, blonde hair styled up, mid-adult, slender"}],"period":null,"quotes":[{"t":"9:23","text":"Well, my way wouldn't help you.  But he is around."}],"objects":[{"name":"curtains","evidence":"frame:1"},{"name":"dark suit","evidence":"frame:1"},{"name":"strapless dress","evidence":"frame:1"}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"tense or conversational","themes":["dialogue-driven scene","mystery or intrigue"],"style_notes":"medium two-shot, high-contrast lighting, black-and-white film, focused on character interaction"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:39:58Z","flags":[],"checked":{"names":2,"quotes":1,"visible_claimed":1,"visible_sampled":1},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 08:51:21.516915+00:00","id":"I_Love_Trouble_movie:b21:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=553","transcript_segments":[77],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":22,"start_s":572.68555,"end_s":736.0717,"first_shot":44,"last_shot":44,"sequence":15,"keyframes":[{"t":654.4,"shot":44}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":1.0,"rhythm":0.13,"visual":0.12,"pause_s":6.0},"overrun":"163s: no speech-safe cut earlier"},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A man named Bailey speaks with Keller in an office about a woman named Jane Breger, who left Portland in 1941. Keller offers to show Bailey photos from a carousel he sold, and Bailey thanks him before leaving.","observations":{"place":{"value":"private_office","evidence":"frame:1","interior":true,"place_type":"private_office"},"events":[{"t":573,"kind":"spoken","text":"Bailey asks Keller about a girl named Jane Breger.","evidence":"t:9:54"},{"t":654,"kind":"spoken","text":"Keller offers to show Bailey photos from a carousel.","evidence":"t:11:28"},{"t":736,"kind":"spoken","text":"Bailey thanks Keller and prepares to leave.","evidence":"t:11:35"}],"people":[{"id":"p1","name":{"value":"Bailey","evidence":"t:9:54"},"presence":["visible","audible"],"appearance":"man in suit, standing, mid-adult"},{"id":"p2","name":{"value":"Keller","evidence":"t:9:43"},"presence":["visible","audible"],"appearance":"man in suit, seated at desk, older, balding"},{"id":"p3","name":{"value":"Reno","evidence":"t:9:54"},"presence":["visible"],"appearance":"man in tuxedo, standing in doorway, mid-adult"}],"period":null,"quotes":[{"t":"9:54","text":"Small matters are my business. What's it about? A girl. A girl who used to work for. What girl might that be? Tell her it can't be that hard to see. The gentleman is right, Reno. He paid ten dollars for the privilege of talking with me. I'm really flattered. It'll go on my expense account. I didn't get your name. I didn't give it to you. I'll take it now. Bailey. We'll have some privacy."},{"t":"10:37","text":"Now, about this girl, Mr. Bailey. She may have taken a cozier name for your nightclub, but she was born Jane Breger."},{"t":"11:28","text":"Maybe I have a room full of reddicks from the carousel"},{"t":"11:35","text":"Thanks for letting me take your time, Mr. Keller."}],"objects":[{"name":"desk","frame":1},{"name":"lamp","frame":1},{"name":"framed pictures on wall","frame":1},{"name":"chair","frame":1}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"tense and transactional","themes":["investigation","past relationships","urban mystery"],"style_notes":"medium shot, static framing, high-contrast lighting typical of 1940s noir"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:39:58Z","flags":[],"checked":{"names":3,"quotes":4,"visible_claimed":0,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 08:51:52.851795+00:00","id":"I_Love_Trouble_movie:b22:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=572","transcript_segments":[78,79,80,81,82,83,84,85,86,87,88,89,90,91,92,93,94,95,96,97,98,99,100,101,102,103,104],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":23,"start_s":736.0717,"end_s":741.8682,"first_shot":45,"last_shot":45,"sequence":16,"keyframes":[{"t":739.0,"shot":45}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.96,"rhythm":1.0,"visual":0.171,"pause_s":6.0}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A close-up shows a person in a light-colored hat and dark coat leaning forward near a sign with partial text. No dialogue or other actions are visible in this single frame.","observations":{"place":{"value":"other","reason":"The background is dark and indistinct; the sign is partially visible but does not establish a specific location type. Frame:1","interior":null,"place_type":"other"},"events":[],"people":[{"id":"p1","name":null,"presence":["visible"],"appearance":"wearing a light-colored hat and dark coat, seen from behind or side, leaning forward"}],"period":null,"quotes":[],"objects":[{"item":"sign with partial text 'THESE POPULAR FAVORITES' and other illegible script","frame":1},{"item":"light-colored hat","frame":1},{"item":"dark coat","frame":1}],"time_of_day":null,"on_screen_text":"THESE POPULAR FAVORITES"},"interpretations":{"mood":"neutral","themes":[],"style_notes":"close-up, high-contrast black-and-white, grainy film stock"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:39:58Z","flags":[],"checked":{"names":1,"quotes":0,"visible_claimed":0,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 08:51:52.854337+00:00","id":"I_Love_Trouble_movie:b23:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=736","transcript_segments":[],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":24,"start_s":741.8682,"end_s":749.4996,"first_shot":46,"last_shot":46,"sequence":17,"keyframes":[{"t":745.7,"shot":46}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.95,"rhythm":0.27,"visual":0.099,"pause_s":6.0}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A man in a light shirt and dark vest is visible in a dimly lit interior, leaning over and reaching toward a dark object or person. No names, dialogue, or clear time of day are established in this beat.","observations":{"place":{"value":"other","reason":"The setting is dark and indistinct; no features identify it as a known place type. Frame:1 shows a confined, dim space suggesting interior.","evidence":"frame:1","interior":true,"place_type":"other"},"events":[{"t":746,"kind":"visible","text":"A man leans forward and reaches toward a dark shape.","evidence":"frame:1"}],"people":[{"id":"p1","name":null,"presence":["visible"],"appearance":"man, wearing a light-colored shirt and dark vest, medium build, visible from side"}],"period":null,"quotes":[],"objects":[{"name":"dark shape or object","evidence":"frame:1","description":"indistinct dark form the man is reaching toward"},{"name":"man's clothing","evidence":"frame:1","description":"light shirt, dark vest"}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"tense or urgent","themes":["confrontation","mystery"],"style_notes":"low-key lighting, high contrast, tight framing on action"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:40:02Z","flags":[],"checked":{"names":1,"quotes":0,"visible_claimed":1,"visible_sampled":1},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 08:51:52.855785+00:00","id":"I_Love_Trouble_movie:b24:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=741","transcript_segments":[],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":25,"start_s":749.4996,"end_s":757.17267,"first_shot":47,"last_shot":47,"sequence":18,"keyframes":[{"t":753.3,"shot":47}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.98,"rhythm":0.22,"visual":0.062,"pause_s":6.0}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A single frame shows a woman in a glamorous costume with arms raised, visible in a close-up. No dialogue or additional context is provided in this beat.","observations":{"place":{"value":"other","reason":"The setting is indistinct; it appears to be a staged or studio setting with no identifiable real-world location. Frame:1 shows a close-up with no background context.","evidence":"frame:1","interior":true,"place_type":"other"},"events":[],"people":[{"id":"p1","name":null,"presence":["visible"],"appearance":"woman wearing a glamorous, possibly sequined or beaded costume with raised arms, visible in close-up"}],"period":null,"quotes":[],"objects":[{"name":"glamorous costume","evidence":"frame:1","description":"sparkling or beaded garment worn by p1"}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"dramatic","themes":["performance","glamour"],"style_notes":"close-up framing, high-contrast black-and-white lighting, theatrical costume"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:40:02Z","flags":[],"checked":{"names":1,"quotes":0,"visible_claimed":0,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 08:52:01.981364+00:00","id":"I_Love_Trouble_movie:b25:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=749","transcript_segments":[],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":26,"start_s":757.17267,"end_s":758.4654,"first_shot":48,"last_shot":48,"sequence":19,"keyframes":[{"t":757.8,"shot":48}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":1.0,"rhythm":0.07,"visual":0.072,"pause_s":6.0}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A man in a light shirt leans over a desk with papers and a rotary phone, looking down at a newspaper or magazine. The scene is dimly lit with high contrast, suggesting an indoor setting.","observations":{"place":{"value":"private_office","evidence":"frame:1","interior":true,"place_type":"private_office"},"events":[],"people":[{"id":"p1","name":null,"presence":["visible"],"appearance":"man, mid-adult, wearing a light-colored long-sleeve shirt, dark trousers, medium build"}],"period":null,"quotes":[],"objects":[{"name":"rotary telephone","evidence":"frame:1"},{"name":"newspaper or magazine with visible headline and image","evidence":"frame:1"},{"name":"desk","evidence":"frame:1"}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"focused, tense","themes":["investigation","solitude"],"style_notes":"high-contrast lighting, tight framing on subject, classic noir-style composition"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:40:02Z","flags":[],"checked":{"names":1,"quotes":0,"visible_claimed":0,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 08:52:06.564351+00:00","id":"I_Love_Trouble_movie:b26:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=757","transcript_segments":[],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":27,"start_s":758.4654,"end_s":772.22687,"first_shot":49,"last_shot":49,"sequence":20,"keyframes":[{"t":765.3,"shot":49}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":1.0,"rhythm":0.13,"visual":0.084,"pause_s":6.0}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A man in a light shirt leans over a woman seated at a desk in a dimly lit interior; the transcript includes dialogue about Buster Buffett and Jane Brigham. No names are assigned to the visible people as none are spoken in the lines while clearly referring to them.","observations":{"place":{"name":"private_office","evidence":"frame:1","interior":true,"place_type":"private_office"},"events":[{"t":765,"kind":"visible","text":"A man leans over a seated woman at a desk.","evidence":"frame:1"},{"t":767,"kind":"spoken","text":"The man is asked which one is Buster Buffett and to pick out Jane Brigham.","evidence":"t:12:47"},{"t":767,"kind":"spoken","text":"The man admits he told her boss he never met her.","evidence":"t:12:47"}],"people":[{"id":"p1","name":null,"presence":["visible"],"appearance":"man, light shirt, dark trousers, medium build, visible from side"},{"id":"p2","name":null,"presence":["visible"],"appearance":"woman, dark hair, seated, partially obscured, wearing dark clothing"}],"period":null,"quotes":[{"t":"12:47","text":"Which one is Buster Buffett?  Why don't you pick out Jane Brigham?"},{"t":"12:47","text":"You told her boss you never met her.  I did say that, didn't I?"}],"objects":[{"name":"desk","evidence":"frame:1"},{"name":"chair","evidence":"frame:1"},{"name":"sign with 'a Show' written on it","evidence":"frame:1"}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"tense and conversational","themes":["deception","identity","workplace interaction"],"style_notes":"low-key lighting, medium close-up, high contrast black-and-white, focused on character interaction"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:40:02Z","flags":[],"checked":{"names":2,"quotes":2,"visible_claimed":1,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 08:52:28.117905+00:00","id":"I_Love_Trouble_movie:b27:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=758","transcript_segments":[105],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":28,"start_s":772.22687,"end_s":977.1059,"first_shot":50,"last_shot":51,"sequence":21,"keyframes":[{"t":868.9,"shot":50},{"t":971.3,"shot":51}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.95,"rhythm":0.92,"visual":0.167,"pause_s":6.0},"overrun":"205s: no speech-safe cut earlier","during_speech":"cut falls inside a spoken line: no pause was available without exceeding the length cap"},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A man in a hat and coat is seen in dim lighting, speaking on the phone in a hotel room. He reports a theft and requests the houseman to detain anyone found in his room, mentioning a cab and a person named Reno.","observations":{"place":{"value":"hotel_lobby","evidence":"t:15:50","interior":true,"place_type":"hotel_lobby"},"events":[{"t":869,"kind":"visible","text":"A man in a hat and coat is visible in a dimly lit interior.","evidence":"frame:1"},{"t":971,"kind":"visible","text":"The man holds a phone to his ear, appearing concerned.","evidence":"frame:2"},{"t":950,"kind":"spoken","text":"Bailey calls the hotel desk, asking for the houseman to be sent to room 517.","evidence":"t:15:50"},{"t":955,"kind":"spoken","text":"Bailey instructs the houseman to detain anyone found in his room.","evidence":"t:15:55"},{"t":967,"kind":"spoken","text":"Bailey mentions that his wallet was emptied and placed under his nose.","evidence":"t:16:07"},{"t":967,"kind":"spoken","text":"Bailey refers to a person named Reno who told him he could find a cab.","evidence":"t:16:11"}],"people":[{"id":"p1","name":{"value":"Bailey","evidence":"t:15:50"},"presence":["visible","audible"],"appearance":"man wearing a hat, coat, and tie, holding a phone"}],"period":null,"quotes":[{"t":"15:50","text":"This is Bailey, room 517. Get the houseman up to my room quick, will you?"},{"t":"15:55","text":"Tell him to take it easy, but hold anybody he finds there."},{"t":"16:07","text":"He emptied my wallet and put it carefully under my nose."},{"t":"16:11","text":"Real subtle. The boys who work these streets can afford to be casual. Your man Reno told me I'd find a cab."}],"objects":[{"name":"telephone","frame":2},{"name":"hat","frame":2},{"name":"coat","frame":2},{"name":"tie","frame":2}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"tense and suspicious","themes":["crime","deception","urban danger"],"style_notes":"black-and-white, low-key lighting, close framing on the character's face, suggesting noir influence"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:40:05Z","flags":[],"checked":{"names":1,"quotes":4,"visible_claimed":2,"visible_sampled":1},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 08:52:43.025211+00:00","id":"I_Love_Trouble_movie:b28:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=772","transcript_segments":[106,107,108,109,110,111,112,113,114,115,116,117,118,119],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":29,"start_s":977.1059,"end_s":998.37366,"first_shot":52,"last_shot":53,"sequence":21,"keyframes":[{"t":985.3,"shot":52},{"t":996.0,"shot":53}],"boundary":{"reason":"cutting rhythm changes","scores":{"ocr":0.0,"topic":0.9,"rhythm":0.96,"visual":0.136,"pause_s":0.1}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"Two men are in a dimly lit office; one sits at a desk while the other stands near a doorway. One man speaks about not liking someone and preferring 'the hard way' to get what he wants.","observations":{"place":{"name":"private_office","evidence":"frame:1","interior":true,"place_type":"private_office"},"events":[{"t":985,"kind":"visible","text":"A man stands near a doorway holding a phone to his ear.","evidence":"frame:1"},{"t":996,"kind":"visible","text":"A seated man in a suit looks forward, expression neutral.","evidence":"frame:2"},{"t":977,"kind":"spoken","text":"One man says 'You're from Cairn.'","evidence":"t:16:17"},{"t":978,"kind":"spoken","text":"One man says 'I don't think Reno likes you, but he doesn't go in for petit terre.'","evidence":"t:16:18"},{"t":982,"kind":"spoken","text":"One man says 'Yeah?'","evidence":"t:16:22"},{"t":984,"kind":"spoken","text":"One man says 'The room isn't messed up.'","evidence":"t:16:24"},{"t":986,"kind":"spoken","text":"One man says 'All right. Tell him to watch it a while.'","evidence":"t:16:26"},{"t":990,"kind":"spoken","text":"One man says 'I thought you might be looking for something. The hard way. If I wanted anything from you, I'd get it.'","evidence":"t:16:30"},{"t":996,"kind":"spoken","text":"One man says 'And I like the hard way.'","evidence":"t:16:36"}],"people":[{"id":"p1","name":null,"presence":["visible"],"appearance":"man in dark suit and hat, standing, holding phone to ear"},{"id":"p2","name":null,"presence":["visible","audible"],"appearance":"man in light suit and tie, seated at desk, balding"}],"period":null,"quotes":[{"t":"16:17","text":"You're from Cairn."},{"t":"16:18","text":"I don't think Reno likes you, but he doesn't go in for petit terre."},{"t":"16:30","text":"I thought you might be looking for something.  The hard way.  If I wanted anything from you, I'd get it."},{"t":"16:36","text":"And I like the hard way."}],"objects":[{"name":"desk","evidence":"frame:1"},{"name":"lamp","evidence":"frame:1"},{"name":"bookshelf","evidence":"frame:1"},{"name":"telephone","evidence":"frame:1"},{"name":"hat","evidence":"frame:1"},{"name":"suit","evidence":"frame:1, frame:2"}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"tense","themes":["confrontation","power dynamics","mystery"],"style_notes":"black-and-white, high-contrast lighting, medium and close-up shots, static camera"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:40:09Z","flags":[],"checked":{"names":2,"quotes":4,"visible_claimed":2,"visible_sampled":1},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 08:53:17.916033+00:00","id":"I_Love_Trouble_movie:b29:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=977","transcript_segments":[120,121,122,123,124,125,126],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":30,"start_s":998.37366,"end_s":1018.8073,"first_shot":54,"last_shot":57,"sequence":21,"keyframes":[{"t":999.9,"shot":54},{"t":1003.5,"shot":55},{"t":1007.6,"shot":56},{"t":1014.3,"shot":57}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.92,"rhythm":0.77,"visual":0.102,"pause_s":4.2}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"Two men interact in an office; one enters from a doorway while the other sits at a desk. A third man in a tuxedo appears in the doorway and speaks with the man in the hat.","observations":{"place":{"value":"private_office","evidence":"frame:1","interior":true,"place_type":"private_office"},"events":[{"t":1000,"kind":"visible","text":"A man in a hat stands in an office while another sits at a desk.","evidence":"frame:1"},{"t":1004,"kind":"visible","text":"A man in a tuxedo appears in a doorway.","evidence":"frame:2"},{"t":1008,"kind":"visible","text":"The man in the hat remains standing in the office.","evidence":"frame:3"},{"t":1014,"kind":"visible","text":"The man in the tuxedo and the man in the hat face each other in the doorway.","evidence":"frame:4"},{"t":1000,"kind":"spoken","text":"The man in the tuxedo says he thought someone had gone and that he just came back to use the phone.","evidence":"t:16:42"},{"t":1009,"kind":"spoken","text":"The man in the tuxedo says he has a nickel left.","evidence":"t:16:51"}],"people":[{"id":"p1","name":null,"presence":["visible"],"appearance":"man wearing a fedora and overcoat, standing"},{"id":"p2","name":null,"presence":["visible"],"appearance":"man seated at a desk, wearing a suit, older, balding"},{"id":"p3","name":null,"presence":["visible","audible"],"appearance":"man in a tuxedo and bow tie, standing in doorway"}],"period":null,"quotes":[{"t":"16:42","text":"- Sorry, boss, I thought he'd gone. - He's just leaving."},{"t":"16:51","text":"I just came back to use the phone. I got a nickel left."}],"objects":[{"name":"desk","frame":1},{"name":"lamp","frame":1},{"name":"bookshelf","frame":1},{"name":"fedora","frame":1},{"name":"tuxedo","frame":2},{"name":"bow tie","frame":2}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"tense and conversational","themes":["confrontation","miscommunication","urban professionalism"],"style_notes":"black-and-white, medium shots, high-contrast lighting, static camera"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:40:11Z","flags":[],"checked":{"names":3,"quotes":2,"visible_claimed":4,"visible_sampled":1},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 08:53:26.446128+00:00","id":"I_Love_Trouble_movie:b30:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=998","transcript_segments":[127,128],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":31,"start_s":1018.8073,"end_s":1049.7915,"first_shot":58,"last_shot":58,"sequence":21,"keyframes":[{"t":1034.3,"shot":58}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.92,"rhythm":0.56,"visual":0.096,"pause_s":6.0}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"Two men stand in a hallway talking while a woman in a maid's uniform stands nearby. The dialogue suggests they are discussing someone's location and a misunderstanding about time.","observations":{"place":{"value":"hotel_lobby","evidence":"frame:1","interior":true,"place_type":"hotel_lobby"},"events":[{"t":1019,"kind":"spoken","text":"One man tells another to take the stairs.","evidence":"t:17:04"},{"t":1024,"kind":"spoken","text":"One man comments on rain spots on jackets and asks if something is holding the other up.","evidence":"t:17:09"},{"t":1030,"kind":"spoken","text":"The other man replies that nothing is holding him up.","evidence":"t:17:15"},{"t":1035,"kind":"spoken","text":"The first man says nothing is holding him up either.","evidence":"t:17:20"},{"t":1040,"kind":"spoken","text":"Someone mentions that a woman was in Los Angeles six years ago, not a year and a half as previously thought.","evidence":"t:17:24"}],"people":[{"id":"p1","name":null,"presence":["visible"],"appearance":"woman in a dark maid's uniform with white apron and headpiece, standing with arms crossed"},{"id":"p2","name":null,"presence":["visible","audible"],"appearance":"man in dark suit and tie, standing facing p3"},{"id":"p3","name":null,"presence":["visible","audible"],"appearance":"man in overcoat and hat, facing p2"}],"period":null,"quotes":[{"t":"17:04","text":"You know the way out. Take the stairs."},{"t":"17:09","text":"Rain spots these jackets, doesn't it?  Hey, something holding you up?"},{"t":"17:15","text":"Not a thing."},{"t":"17:24","text":"That puts her here here in Los Angeles six years ago instead of a year and a half as I thought I"}],"objects":[{"name":"maid's uniform","evidence":"frame:1"},{"name":"overcoat","evidence":"frame:1"},{"name":"hat","evidence":"frame:1"},{"name":"trash can","evidence":"frame:1"},{"name":"vase with flowers","evidence":"frame:1"}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"tense and conversational","themes":["miscommunication","mystery","urban setting"],"style_notes":"medium shot, studio lighting, static framing, classic noir composition with depth and shadow"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:40:11Z","flags":[],"checked":{"names":3,"quotes":4,"visible_claimed":0,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 08:54:07.044149+00:00","id":"I_Love_Trouble_movie:b31:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=1018","transcript_segments":[129,130,131,132,133],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":32,"start_s":1049.7915,"end_s":1075.8549,"first_shot":59,"last_shot":60,"sequence":22,"keyframes":[{"t":1059.2,"shot":59},{"t":1072.2,"shot":60}],"boundary":{"reason":"topic shift in dialogue","scores":{"ocr":0.0,"topic":0.92,"rhythm":0.04,"visual":0.167,"pause_s":0.4}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"Two men and a woman discuss being followed, suspecting a connection to Portland and a former show business figure named Buffen. The woman speaks about Buffen quitting show business to buy a meat market.","observations":{"place":{"value":"private_office","evidence":"frame:1","interior":true,"place_type":"private_office"},"events":[{"t":1050,"kind":"spoken","text":"A man mentions being tailed since returning from Portland.","evidence":"t:17:29"},{"t":1050,"kind":"spoken","text":"The man says he was picked up at his apartment this morning.","evidence":"t:17:29"},{"t":1050,"kind":"spoken","text":"The man suspects the tail is connected to the Portland inn.","evidence":"t:17:29"},{"t":1061,"kind":"spoken","text":"The man plans to let the tail catch up for a talk.","evidence":"t:17:41"},{"t":1066,"kind":"spoken","text":"The man suggests there are ways to arrange a meeting if the tail doesn't catch up.","evidence":"t:17:46"},{"t":1068,"kind":"spoken","text":"The woman comments that if this isn't a gag, it ought to be.","evidence":"t:17:49"},{"t":1071,"kind":"spoken","text":"The woman mentions the Tetra agency saying Buffen quit show business and bought a meat market.","evidence":"t:17:51"}],"people":[{"id":"p1","name":null,"presence":["visible"],"appearance":"man, middle-aged, wearing a dark suit and tie, standing near a window"},{"id":"p2","name":null,"presence":["visible"],"appearance":"man, middle-aged, wearing a light suit and tie, standing near a desk with a telephone"},{"id":"p3","name":null,"presence":["visible","audible"],"appearance":"woman, blonde, curly hair, wearing a light-colored jacket with a dark scarf or collar"}],"period":null,"quotes":[{"t":"17:29","text":"Incidentally, I'm being tailed. Since when? Since I got back from Portland."},{"t":"17:41","text":"I'll let him catch up with me the next time and we'll have a little talk."},{"t":"17:49","text":"If this isn't a gag it ought to be,"},{"t":"17:51","text":"The Tetra agency says Buffen quit show business and bought himself a meat market or something down at the beach."}],"objects":[{"name":"telephone","frame":1},{"name":"desk","frame":1},{"name":"window with blinds","frame":1},{"name":"jacket with dark scarf","frame":2}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"suspicious and conspiratorial","themes":["surveillance","mystery","show business","urban intrigue"],"style_notes":"black-and-white, medium shots, studio lighting, formal attire, classic film noir framing"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:40:11Z","flags":[],"checked":{"names":3,"quotes":4,"visible_claimed":0,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 08:54:22.867208+00:00","id":"I_Love_Trouble_movie:b32:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=1049","transcript_segments":[134,135,136,137,138,139],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":33,"start_s":1075.8549,"end_s":1097.4979,"first_shot":61,"last_shot":62,"sequence":23,"keyframes":[{"t":1085.3,"shot":61},{"t":1096.2,"shot":62}],"boundary":{"reason":"topic shift in dialogue","scores":{"ocr":0.0,"topic":0.9,"rhythm":0.22,"visual":0.231,"pause_s":0.5}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"Two men are in an office; one stands while the other leans over a desk. A car drives past an industrial site with towers and scaffolding. No names are spoken that identify the men.","observations":{"place":{"value":"private_office","evidence":"frame:1","interior":true,"place_type":"private_office"},"events":[{"t":1085,"kind":"visible","text":"One man stands while another leans over a desk in an office.","evidence":"frame:1"},{"t":1096,"kind":"visible","text":"A car drives past an industrial area with towers and scaffolding.","evidence":"frame:2"},{"t":1076,"kind":"spoken","text":"A speaker says 'Thanks, Vicks. I'll follow it up.'","evidence":"t:17:56"},{"t":1078,"kind":"spoken","text":"A speaker says 'I want you to fill in the gap.'","evidence":"t:17:58"},{"t":1080,"kind":"spoken","text":"A speaker says 'If she did come down here six years ago, I want to know what went on in the five years before I met her. Well, that shouldn't be too tough.'","evidence":"t:18:00"},{"t":1086,"kind":"spoken","text":"A speaker says 'Here it is, Buster Buffon's buffet.'","evidence":"t:18:06"}],"people":[{"id":"p1","name":null,"presence":["visible"],"appearance":"man in dark suit, standing, mid-adult, medium build"},{"id":"p2","name":null,"presence":["visible"],"appearance":"man in dark suit, leaning over desk, mid-adult, medium build"}],"period":null,"quotes":[{"t":"17:56","text":"Thanks, Vicks. I'll follow it up."},{"t":"17:58","text":"I want you to fill in the gap."},{"t":"18:00","text":"If she did come down here six years ago, I want to know what went on in the five years before I met her.  Well, that shouldn't be too tough."},{"t":"18:06","text":"Here it is, Buster Buffon's buffet."}],"objects":[{"name":"desk","evidence":"frame:1"},{"name":"telephone","evidence":"frame:1"},{"name":"lamp","evidence":"frame:1"},{"name":"car","evidence":"frame:2"},{"name":"industrial towers","evidence":"frame:2"},{"name":"scaffolding","evidence":"frame:2"}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"serious, investigative","themes":["investigation","industrial setting","dialogue-driven"],"style_notes":"black-and-white, medium shots, studio lighting in office, wide exterior shot with high contrast"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:40:11Z","flags":[],"checked":{"names":2,"quotes":4,"visible_claimed":2,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 08:54:55.205166+00:00","id":"I_Love_Trouble_movie:b33:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=1075","transcript_segments":[140,141,142,143],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":34,"start_s":1097.4979,"end_s":1105.3795,"first_shot":63,"last_shot":63,"sequence":24,"keyframes":[{"t":1101.4,"shot":63}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.0,"rhythm":0.42,"visual":0.206,"pause_s":6.0}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A black-and-white shot shows a vintage car parked on a roadside with utility poles and a stop sign in the background. No people are visible and no dialogue is present in this beat.","observations":{"place":{"value":"roadside","evidence":"frame:1","interior":false,"place_type":"road"},"events":[],"people":[],"period":null,"quotes":[],"objects":[{"name":"vintage car","evidence":"frame:1","description":"two-tone black and white sedan, parked"},{"name":"stop sign","evidence":"frame:1","description":"octagonal sign on pole"},{"name":"utility poles","evidence":"frame:1","description":"wooden poles with wires"}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"neutral","themes":[],"style_notes":"static wide shot, high-contrast black-and-white, mid-century automotive design"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:40:11Z","flags":[],"checked":{"names":0,"quotes":0,"visible_claimed":0,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 08:54:55.208499+00:00","id":"I_Love_Trouble_movie:b34:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=1097","transcript_segments":[],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":35,"start_s":1105.3795,"end_s":1125.3961,"first_shot":64,"last_shot":66,"sequence":24,"keyframes":[{"t":1107.5,"shot":64},{"t":1115.3,"shot":65},{"t":1123.2,"shot":66}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.0,"rhythm":0.29,"visual":0.119,"pause_s":6.0}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A man in a hat drives a car through an industrial area with towers and buildings. The car moves along a paved road past construction-like structures.","observations":{"place":{"value":"industrial area","evidence":"frame:2","interior":false,"place_type":"other"},"events":[{"t":1108,"kind":"visible","text":"A man sits behind the wheel of a car, looking forward.","evidence":"frame:1"},{"t":1115,"kind":"visible","text":"A car drives down a road past industrial towers and buildings.","evidence":"frame:2"},{"t":1123,"kind":"visible","text":"A car drives along a paved road with houses and construction in the background.","evidence":"frame:3"}],"people":[{"id":"p1","name":null,"presence":["visible"],"appearance":"man wearing a hat and suit, visible from chest up"}],"period":null,"quotes":[],"objects":[{"name":"car","evidence":"frame:1"},{"name":"industrial tower","evidence":"frame:2"},{"name":"paved road","evidence":"frame:3"},{"name":"house","evidence":"frame:3"}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"neutral","themes":["transportation","urban landscape"],"style_notes":"black-and-white, medium close-up and wide shots, high-contrast lighting"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:40:16Z","flags":[],"checked":{"names":1,"quotes":0,"visible_claimed":3,"visible_sampled":1},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 08:54:59.485995+00:00","id":"I_Love_Trouble_movie:b35:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=1105","transcript_segments":[],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":36,"start_s":1125.3961,"end_s":1131.2344,"first_shot":67,"last_shot":67,"sequence":25,"keyframes":[{"t":1128.3,"shot":67}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.98,"rhythm":0.36,"visual":0.079,"pause_s":6.0}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A man is visible inside a vehicle, looking out the window. No dialogue or on-screen text is present in this beat.","observations":{"place":{"value":"vehicle_interior","evidence":"frame:1","interior":true,"place_type":"vehicle_interior"},"events":[],"people":[{"id":"p1","name":null,"presence":["visible"],"appearance":"man wearing a hat and dark coat, visible from chest up"}],"period":null,"quotes":[],"objects":[{"name":"car interior","evidence":"frame:1","description":"steering wheel, window frame, dashboard visible"},{"name":"hat","evidence":"frame:1","description":"dark, wide-brimmed hat worn by man"}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"neutral","themes":[],"style_notes":"medium close-up, high contrast black-and-white, static framing"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:40:16Z","flags":[],"checked":{"names":1,"quotes":0,"visible_claimed":0,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 08:55:08.475071+00:00","id":"I_Love_Trouble_movie:b36:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=1125","transcript_segments":[],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":37,"start_s":1131.2344,"end_s":1136.0718,"first_shot":68,"last_shot":68,"sequence":26,"keyframes":[{"t":1133.7,"shot":68}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.94,"rhythm":0.3,"visual":0.059,"pause_s":6.0}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A car drives on a road past oil derricks under bright daylight. No people are visible or audible in this beat.","observations":{"place":{"value":"oil field","evidence":"frame:1","interior":false,"place_type":"field"},"events":[{"t":1134,"kind":"visible","text":"A car drives on a road past oil derricks.","evidence":"frame:1"}],"people":[],"period":null,"quotes":[],"objects":[{"name":"car","evidence":"frame:1"},{"name":"oil derricks","evidence":"frame:1"},{"name":"road","evidence":"frame:1"}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"industrial","themes":["industry","transportation"],"style_notes":"wide shot, high-contrast black-and-white, static camera"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:40:16Z","flags":[],"checked":{"names":0,"quotes":0,"visible_claimed":1,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 08:55:12.473390+00:00","id":"I_Love_Trouble_movie:b37:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=1131","transcript_segments":[],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":38,"start_s":1136.0718,"end_s":1138.7823,"first_shot":69,"last_shot":70,"sequence":27,"keyframes":[{"t":1136.7,"shot":69},{"t":1138.1,"shot":70}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.92,"rhythm":0.18,"visual":0.064,"pause_s":6.0}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A man in a cap sits in the driver's seat of a car, visible through the window. The car appears to be stationary or moving slowly in an urban setting with utility poles in the background.","observations":{"place":{"value":"vehicle_interior","evidence":"frame:1","interior":true,"place_type":"vehicle_interior"},"events":[],"people":[{"id":"p1","name":null,"presence":["visible"],"appearance":"man wearing a dark cap and jacket, mid-adult, average build"}],"period":null,"quotes":[],"objects":[{"name":"car","evidence":"frame:1"},{"name":"cap","evidence":"frame:2"},{"name":"utility poles","evidence":"frame:2"}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"neutral","themes":[],"style_notes":"medium close-up through car window, high-contrast black-and-white, static framing"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:40:16Z","flags":[],"checked":{"names":1,"quotes":0,"visible_claimed":0,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 08:55:21.345953+00:00","id":"I_Love_Trouble_movie:b38:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=1136","transcript_segments":[],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":39,"start_s":1138.7823,"end_s":1139.9917,"first_shot":71,"last_shot":71,"sequence":27,"keyframes":[{"t":1139.4,"shot":71}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.92,"rhythm":0.19,"visual":0.053,"pause_s":6.0}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A person is visible inside a vehicle as smoke or steam billows from the side. No dialogue or on-screen text is present in this beat.","observations":{"place":{"value":"vehicle_interior","evidence":"frame:1","interior":true,"place_type":"vehicle_interior"},"events":[{"t":1139,"kind":"visible","text":"Smoke or steam billows from the side of a vehicle while a person is visible inside.","evidence":"frame:1"}],"people":[{"id":"p1","name":null,"presence":["visible"],"appearance":"person visible inside a vehicle, wearing light-colored clothing, partially obscured by smoke"}],"period":null,"quotes":[],"objects":[{"name":"vehicle","frame":1,"description":"car with open window, visible from side angle"},{"name":"smoke or steam","frame":1,"description":"white cloud billowing from vehicle side, obscuring part of the scene"}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"tense or dramatic","themes":["mystery","suspense"],"style_notes":"high-contrast black-and-white, medium close-up on vehicle side, smoke creates visual obstruction"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:40:16Z","flags":[],"checked":{"names":1,"quotes":0,"visible_claimed":1,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 08:55:28.368901+00:00","id":"I_Love_Trouble_movie:b39:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=1138","transcript_segments":[],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":40,"start_s":1139.9917,"end_s":1157.2561,"first_shot":72,"last_shot":73,"sequence":27,"keyframes":[{"t":1144.8,"shot":72},{"t":1153.4,"shot":73}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.92,"rhythm":0.43,"visual":0.077,"pause_s":6.0}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A car is shown in motion near industrial structures, followed by a close-up of the car's front with a driver visible. No dialogue or on-screen text is present in these frames.","observations":{"place":{"value":"industrial area","reason":null,"evidence":"frame:1","interior":false,"place_type":"other"},"events":[{"t":1145,"kind":"visible","text":"a car drives past large industrial structures with smoke or steam rising","evidence":"frame:1"},{"t":1153,"kind":"visible","text":"close-up of the front of a car with a driver inside","evidence":"frame:2"}],"people":[{"id":"p1","name":null,"presence":["visible"],"appearance":"driver visible in car, wearing dark clothing, face partially obscured"}],"period":null,"quotes":[],"objects":[{"name":"car","evidence":"frame:1, frame:2"},{"name":"industrial structures","evidence":"frame:1"},{"name":"smoke or steam","evidence":"frame:1"},{"name":"building with sign","evidence":"frame:2"}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"tense or urgent","themes":["industrial setting","movement","automobile"],"style_notes":"high-contrast black-and-white, dynamic framing with motion blur in first shot, tight close-up in second shot"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:40:18Z","flags":[],"checked":{"names":1,"quotes":0,"visible_claimed":2,"visible_sampled":1},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 08:55:39.424002+00:00","id":"I_Love_Trouble_movie:b40:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=1139","transcript_segments":[],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":41,"start_s":1157.2561,"end_s":1175.5212,"first_shot":74,"last_shot":76,"sequence":27,"keyframes":[{"t":1159.5,"shot":74},{"t":1163.4,"shot":75},{"t":1170.3,"shot":76}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.0,"rhythm":0.1,"visual":0.12,"pause_s":6.0}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A car drives through a street with buildings and parked cars, then a man in a suit and hat is seen inside the car, followed by a shot of a large roller coaster structure under construction. No dialogue or on-screen text is present in these frames.","observations":{"place":{"value":"street","evidence":"frame:1","interior":false,"place_type":"street"},"events":[{"t":1160,"kind":"visible","text":"A car drives down a street lined with buildings and parked vehicles.","evidence":"frame:1"},{"t":1163,"kind":"visible","text":"A man in a suit and hat is visible inside the car, seated in the driver's position.","evidence":"frame:2"},{"t":1170,"kind":"visible","text":"A large roller coaster structure under construction is shown.","evidence":"frame:3"}],"people":[{"id":"p1","name":null,"presence":["visible"],"appearance":"man wearing a suit and a hat, seen from the side"}],"period":null,"quotes":[],"objects":[{"name":"car","frame":1},{"name":"buildings","frame":1},{"name":"parked cars","frame":1},{"name":"roller coaster structure","frame":3},{"name":"water tower","frame":3}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"neutral","themes":["urban environment","transportation","construction"],"style_notes":"black-and-white, medium to long shots, static framing, natural daylight"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:40:18Z","flags":[],"checked":{"names":1,"quotes":0,"visible_claimed":3,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 08:55:47.265349+00:00","id":"I_Love_Trouble_movie:b41:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=1157","transcript_segments":[],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":42,"start_s":1175.5212,"end_s":1201.3345,"first_shot":77,"last_shot":79,"sequence":27,"keyframes":[{"t":1177.7,"shot":77},{"t":1181.4,"shot":78},{"t":1192.2,"shot":79}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.0,"rhythm":0.25,"visual":0.171,"pause_s":6.0}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A man in a suit and fedora walks past a car and enters a diner where a cook stands behind a counter. Dialogue includes references to seating, clam chowder, coffee, and a character named Matt.","observations":{"place":{"value":"diner","evidence":"frame:2, frame:3","interior":true,"place_type":"restaurant"},"events":[{"t":1178,"kind":"visible","text":"Man in suit walks past a parked car.","evidence":"frame:1"},{"t":1181,"kind":"visible","text":"Man enters a building with an 'OPEN' sign.","evidence":"frame:2"},{"t":1192,"kind":"visible","text":"Man stands inside a diner facing a cook behind a counter.","evidence":"frame:3"},{"t":1183,"kind":"spoken","text":"Man says 'Honey, you see it's down front. Always room for one more.'","evidence":"t:19:43"},{"t":1187,"kind":"spoken","text":"Man says 'You killed me, Buster. See you later. Okay, drop in again.'","evidence":"t:19:47"},{"t":1193,"kind":"spoken","text":"Man asks for clam chowder and coffee.","evidence":"t:19:53, t:19:58"},{"t":1200,"kind":"spoken","text":"Man is addressed as 'Matt'.","evidence":"t:20:00"}],"people":[{"id":"p1","name":{"value":"Matt","evidence":"t:20:00"},"presence":["visible","audible"],"appearance":"man in dark suit, fedora, tie, medium build"},{"id":"p2","name":null,"presence":["visible"],"appearance":"man in light-colored cook's uniform, balding"}],"period":null,"quotes":[{"t":"19:43","text":"Honey, you see it's down front. Always room for one more."},{"t":"19:47","text":"You killed me, Buster. See you later.  Okay, drop in again."},{"t":"19:53","text":"Well, what'll it be, clam chowder or clam chowder?  You got any clam chowder?  Oh, that's special. It'll cost you extra."},{"t":"20:00","text":"- Matt."}],"objects":[{"name":"car","evidence":"frame:1"},{"name":"fedora","evidence":"frame:1, frame:2, frame:3"},{"name":"OPEN sign","evidence":"frame:2"},{"name":"cook's uniform","evidence":"frame:3"},{"name":"counter","evidence":"frame:3"},{"name":"diner interior","evidence":"frame:3"}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"casual, conversational","themes":["urban setting","diner culture","character introduction"],"style_notes":"black-and-white, medium shots, naturalistic lighting inside, high-contrast exterior"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:40:21Z","flags":[],"checked":{"names":2,"quotes":4,"visible_claimed":3,"visible_sampled":1},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 08:56:25.633223+00:00","id":"I_Love_Trouble_movie:b42:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=1175","transcript_segments":[144,145,146,147,148,149],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":43,"start_s":1201.3345,"end_s":1215.7214,"first_shot":80,"last_shot":80,"sequence":28,"keyframes":[{"t":1208.5,"shot":80}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.96,"rhythm":0.2,"visual":0.154,"pause_s":2.0}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"Two men are seated at a table in a dimly lit interior, one standing and leaning over the table while the other sits wearing a fedora. They exchange dialogue about food inspection and a routine in Portland, suggesting a familiar, possibly comedic rapport.","observations":{"place":{"name":"interior with window view","evidence":"frame:1","interior":true,"place_type":"other"},"events":[{"t":1208,"kind":"visible","text":"Two men interact at a table, one standing and leaning, the other seated.","evidence":"frame:1"},{"t":1204,"kind":"spoken","text":"One man asks if the other is a food inspector and jokes about being hungry.","evidence":"t:20:04"},{"t":1207,"kind":"spoken","text":"One man comments that something is warmer than an old mate's feet but not half as clammy.","evidence":"t:20:07"},{"t":1212,"kind":"spoken","text":"One man says the routine is better than the one in Portland.","evidence":"t:20:12"}],"people":[{"id":"p1","name":null,"presence":["visible"],"appearance":"balding, shirt-sleeved, standing, leaning over table"},{"id":"p2","name":null,"presence":["visible","audible"],"appearance":"wearing fedora and suit, seated at table"}],"period":null,"quotes":[{"t":"20:04","text":"You wouldn't be a food inspector, would you?  Put it down, I might be hungry."},{"t":"20:07","text":"You'll find it warmer than an old mate's feet, but not half as clammy."},{"t":"20:12","text":"Mustard, this routine's better than the one you had in Portland."}],"objects":[{"name":"fedora hat","frame":1},{"name":"table","frame":1},{"name":"window with outdoor view","frame":1}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"light-hearted, conversational","themes":["comedy","male camaraderie","routine banter"],"style_notes":"medium shot, high contrast lighting, classic film noir framing with window backlighting"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:40:21Z","flags":[],"checked":{"names":2,"quotes":3,"visible_claimed":1,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 08:56:25.636182+00:00","id":"I_Love_Trouble_movie:b43:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=1201","transcript_segments":[150,151,152,153],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":44,"start_s":1215.7214,"end_s":1260.3003,"first_shot":81,"last_shot":84,"sequence":28,"keyframes":[{"t":1224.8,"shot":81},{"t":1237.6,"shot":82},{"t":1243.0,"shot":83},{"t":1252.4,"shot":84}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.94,"rhythm":0.03,"visual":0.154,"pause_s":4.3}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"Two men sit at a table in a bar, discussing a past event involving a woman named Jane and a death in Portland. One man, wearing a fedora, questions the other, who is bald and in a bow tie, about his motives and the value of the information he seeks.","observations":{"place":{"name":"bar","evidence":"frame:2","interior":true,"place_type":"bar"},"events":[{"t":1219,"kind":"spoken","text":"One man asks if he knows the other.","evidence":"t:20:19"},{"t":1222,"kind":"spoken","text":"The other replies he hopes not.","evidence":"t:20:22"},{"t":1223,"kind":"spoken","text":"A reference is made to a crack about Portland meaning something.","evidence":"t:20:23"},{"t":1226,"kind":"spoken","text":"One man asks what the reference means.","evidence":"t:20:26"},{"t":1227,"kind":"spoken","text":"It is explained that a man in Portland died and left a small estate.","evidence":"t:20:27"},{"t":1230,"kind":"spoken","text":"One man asks what that has to do with him.","evidence":"t:20:30"},{"t":1232,"kind":"spoken","text":"Keller is mentioned as saying a woman came down with the man in the fedora.","evidence":"t:20:32"},{"t":1235,"kind":"spoken","text":"The man in the fedora is told he is trying to find Jane.","evidence":"t:20:35"},{"t":1237,"kind":"spoken","text":"The man in the fedora confirms he is trying to find Jane.","evidence":"t:20:37"},{"t":1238,"kind":"spoken","text":"It is noted that the event was six years ago.","evidence":"t:20:38"},{"t":1240,"kind":"spoken","text":"The man in the fedora asks what the other's angle is.","evidence":"t:20:40"},{"t":1241,"kind":"spoken","text":"The other replies it is just legwork.","evidence":"t:20:41"},{"t":1242,"kind":"spoken","text":"The expense account is described as lean and hungry.","evidence":"t:20:42"},{"t":1245,"kind":"spoken","text":"The man in the fedora asks what the information is worth.","evidence":"t:20:45"},{"t":1247,"kind":"spoken","text":"The other asks what the information is.","evidence":"t:20:47"},{"t":1253,"kind":"spoken","text":"The man in the fedora asks what the information will buy.","evidence":"t:20:53"},{"t":1256,"kind":"spoken","text":"The other agrees to proceed.","evidence":"t:20:56"},{"t":1257,"kind":"spoken","text":"It is stated they came down in 41 together.","evidence":"t:20:57"},{"t":1259,"kind":"spoken","text":"The relationship is described as strictly photonic.","evidence":"t:20:59"}],"people":[{"id":"p1","name":null,"presence":["visible","audible"],"appearance":"bald, wearing a light shirt and bow tie"},{"id":"p2","name":null,"presence":["visible","audible"],"appearance":"wearing a fedora, dark suit, and tie"}],"period":null,"quotes":[{"t":"20:19","text":"Do I know you?"},{"t":"20:22","text":"I hope not."},{"t":"20:35","text":"So you're trying to find Jane."},{"t":"20:57","text":"We came down in 41, together."}],"objects":[{"name":"fedora","evidence":"frame:3"},{"name":"bow tie","evidence":"frame:2"},{"name":"table","evidence":"frame:1"},{"name":"window","evidence":"frame:1"},{"name":"sign reading 'SOFT DRINKS ONLY'","evidence":"frame:2"},{"name":"bowl and spoon","evidence":"frame:4"}],"time_of_day":null,"on_screen_text":"SOFT DRINKS ONLY"},"interpretations":{"mood":"tense and interrogative","themes":["mystery","past relationships","information as currency"],"style_notes":"medium close-ups, high-contrast lighting, static framing, period costume"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:40:21Z","flags":[],"checked":{"names":2,"quotes":4,"visible_claimed":0,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 08:57:28.303706+00:00","id":"I_Love_Trouble_movie:b44:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=1215","transcript_segments":[154,155,156,157,158,159,160,161,162,163,164,165,166,167,168,169,170,171,172,173],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":45,"start_s":1260.3003,"end_s":1288.3236,"first_shot":85,"last_shot":87,"sequence":28,"keyframes":[{"t":1264.9,"shot":85},{"t":1272.3,"shot":86},{"t":1281.7,"shot":87}],"boundary":{"reason":"topic shift in dialogue","scores":{"ocr":0.0,"topic":0.91,"rhythm":0.02,"visual":0.053,"pause_s":0.3}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"Two men are in a dimly lit interior, one speaking about a woman he knew years ago. The speaker mentions her nightclub act and that he hasn't thought of her since, while the other man asks questions about her appearance.","observations":{"place":{"name":"bar","evidence":"frame:1","interior":true,"place_type":"bar"},"events":[{"t":1260,"kind":"spoken","text":"A man speaks about a woman who performed in nightclubs.","evidence":"t:21:00"},{"t":1265,"kind":"visible","text":"The man in the fedora listens to the speaker.","evidence":"frame:1"},{"t":1272,"kind":"visible","text":"The man in the fedora is shown in a close-up, looking attentive.","evidence":"frame:2"},{"t":1282,"kind":"visible","text":"The speaker continues talking while holding an object.","evidence":"frame:3"},{"t":1280,"kind":"spoken","text":"The man in the fedora asks where the speaker got something.","evidence":"t:21:20"}],"people":[{"id":"p1","name":null,"presence":["visible","audible"],"appearance":"bald man wearing a light shirt and bow tie, seated"},{"id":"p2","name":null,"presence":["visible"],"appearance":"man wearing a fedora and suit, facing p1"}],"period":null,"quotes":[{"t":"21:00","text":"She was one of those don't maul me types."},{"t":"21:02","text":"She got up a routine with Bubble Bath or something and hit the nightclub circuit."},{"t":"21:20","text":"Where'd you get this?"},{"t":"21:24","text":"She dyed her hair?"}],"objects":[{"name":"fedora hat","frame":2},{"name":"bow tie","frame":1},{"name":"sign reading 'SOFT DRINKS ONLY'","frame":1}],"time_of_day":null,"on_screen_text":"SOFT DRINKS ONLY"},"interpretations":{"mood":"conversational, slightly nostalgic","themes":["memory","past relationships","urban nightlife"],"style_notes":"black-and-white, medium close-ups, high-contrast lighting typical of 1940s film noir"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:40:21Z","flags":[],"checked":{"names":2,"quotes":4,"visible_claimed":3,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 08:57:28.308923+00:00","id":"I_Love_Trouble_movie:b45:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=1260","transcript_segments":[174,175,176,177,178,179,180,181,182,183,184],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":46,"start_s":1288.3236,"end_s":1308.4237,"first_shot":88,"last_shot":88,"sequence":29,"keyframes":[{"t":1298.4,"shot":88}],"boundary":{"reason":"topic shift in dialogue","scores":{"ocr":0.0,"topic":0.94,"rhythm":0.6,"visual":0.111,"pause_s":0.8}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"Two men negotiate over a name and a club in Long Beach while seated at a table with a beach visible through the window. One man holds money; the other wears a fedora and appears to be eating.","observations":{"place":{"value":"restaurant","evidence":"frame:1","interior":true,"place_type":"restaurant"},"events":[{"t":1288,"kind":"spoken","text":"One man asks what name she was using.","evidence":"t:21:28"},{"t":1292,"kind":"spoken","text":"The other man says he's been waiting for the question.","evidence":"t:21:32"},{"t":1294,"kind":"spoken","text":"The first man acknowledges he thought so.","evidence":"t:21:34"},{"t":1298,"kind":"spoken","text":"One man says 'That's ceiling.'","evidence":"t:21:38"},{"t":1301,"kind":"spoken","text":"One man offers to name a Long Beach club for 50.","evidence":"t:21:41"},{"t":1306,"kind":"spoken","text":"The other man agrees to 40.","evidence":"t:21:46"}],"people":[{"id":"p1","name":null,"presence":["visible"],"appearance":"bald, wearing a light shirt and bow tie, standing"},{"id":"p2","name":null,"presence":["visible"],"appearance":"wearing a fedora and suit, seated, holding food or utensil"}],"period":null,"quotes":[{"t":"21:28","text":"What name was she using?"},{"t":"21:32","text":"I've been waiting for you to ask that."},{"t":"21:41","text":"Make it 50 and I'll throw in the name of the club in Long Beach."},{"t":"21:46","text":"Forty does it."}],"objects":[{"name":"fedora","frame":1},{"name":"suit","frame":1},{"name":"bow tie","frame":1},{"name":"table","frame":1},{"name":"bowl and spoon","frame":1},{"name":"money","frame":1},{"name":"window showing beach","frame":1}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"tense negotiation","themes":["bargaining","mystery","urban noir"],"style_notes":"medium two-shot, high-contrast black-and-white, window backlighting creates silhouette effect"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:40:21Z","flags":[],"checked":{"names":2,"quotes":4,"visible_claimed":0,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 08:57:32.723845+00:00","id":"I_Love_Trouble_movie:b46:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=1288","transcript_segments":[185,186,187,188,189,190],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":47,"start_s":1308.4237,"end_s":1320.8507,"first_shot":89,"last_shot":90,"sequence":29,"keyframes":[{"t":1312.7,"shot":89},{"t":1318.9,"shot":90}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.92,"rhythm":0.38,"visual":0.096,"pause_s":4.4}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"Two men converse in a bar; one, in a bow tie and apron, is behind a counter, while the other, in a fedora and suit, stands before him. The transcript mentions 'Club Zorro' and 'Janie Joy', indicating a location and a person's alias.","observations":{"place":{"value":"bar","evidence":"frame:1","interior":true,"place_type":"bar"},"events":[{"t":1313,"kind":"visible","text":"A man in a bow tie and apron stands behind a bar counter, looking at another man.","evidence":"frame:1"},{"t":1319,"kind":"visible","text":"The man in the fedora gestures toward the man behind the counter while speaking.","evidence":"frame:2"},{"t":1312,"kind":"spoken","text":"The location 'Club Zorro, Long Beach Boulevard' is mentioned.","evidence":"t:21:52"},{"t":1315,"kind":"spoken","text":"The name 'Janie Joy' is mentioned as an alias.","evidence":"t:21:55"}],"people":[{"id":"p1","name":null,"presence":["visible"],"appearance":"bald man, wearing a bow tie and a light-colored apron over a shirt, standing behind a counter"},{"id":"p2","name":null,"presence":["visible"],"appearance":"man wearing a fedora and a dark suit, facing p1, partially visible from the side"}],"period":null,"quotes":[{"t":"21:52","text":"Club Zorro, Long Beach Boulevard. She was calling herself"},{"t":"21:55","text":"Janie Joy."},{"t":"21:57","text":"Club Zorro, Janie Joy."}],"objects":[{"name":"sign reading 'SOFT DRINKS ONLY'","frame":1},{"name":"bar counter with bottles and glasses","frame":1},{"name":"fedora hat","frame":2},{"name":"suit jacket","frame":2}],"time_of_day":null,"on_screen_text":"SOFT DRINKS ONLY"},"interpretations":{"mood":"tense and conversational","themes":["identity","investigation","urban nightlife"],"style_notes":"medium close-up shots, high-contrast black-and-white lighting, static camera framing"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:40:24Z","flags":[],"checked":{"names":2,"quotes":3,"visible_claimed":2,"visible_sampled":1},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 08:57:58.260248+00:00","id":"I_Love_Trouble_movie:b47:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=1308","transcript_segments":[191,192,193],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":48,"start_s":1320.8507,"end_s":1416.6805,"first_shot":91,"last_shot":91,"sequence":30,"keyframes":[{"t":1368.8,"shot":91}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.89,"rhythm":0.46,"visual":0.145,"pause_s":2.7}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A man in a fedora questions a woman in a ruffled top at a counter; she claims to be closed but engages in conversation about Janie Joy and Keller. The man thanks her, implying she provided useful information despite her reluctance.","observations":{"place":{"value":"bar","evidence":"frame:1","interior":true,"place_type":"bar"},"events":[{"t":1369,"kind":"visible","text":"A man leans over a counter toward a woman seated behind it.","evidence":"frame:1"},{"t":1323,"kind":"spoken","text":"The man says 'Hey!' to get attention.","evidence":"t:22:02"},{"t":1324,"kind":"spoken","text":"The man mentions 'two bits for the chowder.'","evidence":"t:22:03"},{"t":1327,"kind":"spoken","text":"The woman exclaims 'Oh, my God.'","evidence":"t:22:07"},{"t":1357,"kind":"spoken","text":"The woman says the door is open but they are closed, and notes the man has something there.","evidence":"t:22:37"},{"t":1364,"kind":"spoken","text":"The man asks if he can continue his work; she says she'd rather he wouldn't.","evidence":"t:22:44"},{"t":1372,"kind":"spoken","text":"The man asks how long she has worked there.","evidence":"t:22:52"},{"t":1374,"kind":"spoken","text":"She asks what it is to him; he says 'Not a thing.'","evidence":"t:22:54"},{"t":1374,"kind":"spoken","text":"He asks if she was around when Janie Joy worked there in 1942.","evidence":"t:22:54"},{"t":1380,"kind":"spoken","text":"He says Janie Joy may have come into some cash and an estate is trying to locate her.","evidence":"t:23:10"},{"t":1390,"kind":"spoken","text":"He asks if she ever heard of a man named Keller.","evidence":"t:23:10"},{"t":1396,"kind":"spoken","text":"She says 'No worry.'","evidence":"t:23:16"},{"t":1398,"kind":"spoken","text":"He asks if anyone else has been around asking for Janie Joy.","evidence":"t:23:18"},{"t":1408,"kind":"spoken","text":"She tells him to drop more questions in the suggestion box on his way out.","evidence":"t:23:28"},{"t":1417,"kind":"spoken","text":"He thanks her, saying she helped him more than she knows.","evidence":"t:23:28"}],"people":[{"id":"p1","name":null,"presence":["visible","audible"],"appearance":"man wearing a fedora and dark suit, mid-adult, average build"},{"id":"p2","name":{"value":"Lamb","evidence":"t:23:18"},"presence":["visible","audible"],"appearance":"woman with blonde curled hair, wearing a light-colored ruffled off-shoulder top, mid-adult"}],"period":null,"quotes":[{"t":"22:02","text":"Hey!"},{"t":"22:37","text":"The door's open, Hanson, but we're closed.  It's right outside.  I guess you got something there."},{"t":"23:18","text":"Look, Lamb, I'm a busy woman.  If you have any more questions, just drop them in the suggestion box on your way out."},{"t":"23:28","text":"Thank you, ma'am. You've helped me more than you know."}],"objects":[{"name":"fedora","frame":1},{"name":"ruffled off-shoulder top","frame":1},{"name":"counter","frame":1}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"tense and inquisitive","themes":["investigation","reluctant witness","past mystery"],"style_notes":"medium close-up, high-contrast black-and-white lighting, focused on character interaction at a counter"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:40:24Z","flags":[],"checked":{"names":2,"quotes":4,"visible_claimed":1,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 08:58:28.534425+00:00","id":"I_Love_Trouble_movie:b48:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=1320","transcript_segments":[194,195,196,197,198,199,200,201,202,203,204],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":49,"start_s":1416.6805,"end_s":1443.7448,"first_shot":92,"last_shot":92,"sequence":31,"keyframes":[{"t":1430.2,"shot":92}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.93,"rhythm":0.61,"visual":0.133,"pause_s":6.0}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A woman is on the phone in a dimly lit interior, receiving a warning about a detective seeking someone named Jamie Joy. She responds with a line suggesting she is accustomed to being watched.","observations":{"place":{"value":"private_office","evidence":"frame:1","interior":true,"place_type":"private_office"},"events":[{"t":1426,"kind":"spoken","text":"A woman is on the phone receiving a warning about a detective named Bailey seeking Jamie Joy.","evidence":"t:23:46"},{"t":1438,"kind":"spoken","text":"The woman responds with a line about being watched and followed.","evidence":"t:23:58"},{"t":1430,"kind":"visible","text":"A woman holds a telephone receiver to her ear while seated at a desk.","evidence":"frame:1"}],"people":[{"id":"p1","name":null,"presence":["visible","audible"],"appearance":"blonde woman, mid-20s to 30s, wearing a light-colored off-the-shoulder blouse, seated at a desk"}],"period":null,"quotes":[{"t":"23:46","text":"Sorry to call you, but I thought you ought to know that a detective named Bailey is looking for your friend, Jamie Joy."},{"t":"23:58","text":"You ever have a feeling you're being watched and followed?  Not nearly enough."}],"objects":[{"name":"telephone","evidence":"frame:1","description":"black rotary-dial telephone held to ear"},{"name":"desk","evidence":"frame:1","description":"dark wooden desk with papers and a lamp"},{"name":"blouse","evidence":"frame:1","description":"light-colored, off-the-shoulder, with ruffled sleeves"}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"suspenseful, intimate","themes":["surveillance","warning","mystery"],"style_notes":"low-key lighting, tight framing on the woman, high contrast shadows, classic noir visual tone"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:40:24Z","flags":[],"checked":{"names":1,"quotes":2,"visible_claimed":1,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 08:58:28.538218+00:00","id":"I_Love_Trouble_movie:b49:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=1416","transcript_segments":[205,206],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":50,"start_s":1443.7448,"end_s":1496.789,"first_shot":93,"last_shot":99,"sequence":32,"keyframes":[{"t":1444.8,"shot":93},{"t":1449.5,"shot":95},{"t":1470.2,"shot":97},{"t":1490.5,"shot":99}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.99,"rhythm":0.69,"visual":0.114,"pause_s":6.0},"during_speech":"cut falls inside a spoken line: no pause was available without exceeding the length cap"},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A woman sits at a table in a dimly lit room while a man enters and walks away. Dialogue references Mrs. Johnson and a client, suggesting a private conversation about surveillance or legal matters.","observations":{"place":{"value":"private_office","reason":null,"evidence":"frame:1","interior":true,"place_type":"private_office"},"events":[{"t":1445,"kind":"visible","text":"A woman sits at a table in a dimly lit room.","evidence":"frame:1"},{"t":1450,"kind":"visible","text":"The woman looks toward a window or doorway where a car is visible outside.","evidence":"frame:2"},{"t":1470,"kind":"visible","text":"A man in a suit and hat enters the room and walks past a seated woman.","evidence":"frame:3"},{"t":1490,"kind":"visible","text":"The man walks away from the camera, exiting the room.","evidence":"frame:4"},{"t":869,"kind":"spoken","text":"Someone asks who is playing someone else for a mouse and mentions Mrs. Johnson.","evidence":"t:24:29"},{"t":875,"kind":"spoken","text":"Someone tells another to phone Johnson and inform him his wife is downstairs.","evidence":"t:24:35"},{"t":878,"kind":"spoken","text":"Someone says they are keeping tabs on another person in case he drops in.","evidence":"t:24:38"},{"t":882,"kind":"spoken","text":"Someone says 'Josh.'","evidence":"t:24:42"},{"t":883,"kind":"spoken","text":"Someone comments that people like Mrs. Johnson hire others to keep people like them out of work.","evidence":"t:24:43"}],"people":[{"id":"p1","name":null,"presence":["visible"],"appearance":"woman with dark hair, wearing a dark coat and hat, seated at a table"},{"id":"p2","name":null,"presence":["visible"],"appearance":"man wearing a dark suit and fedora, entering and walking away"},{"id":"p3","name":null,"presence":["visible"],"appearance":"woman with blonde hair, seen from behind, seated at a desk"}],"period":null,"quotes":[{"t":"24:29","text":"Why, who's playing you for a mouse?  Mrs. Johnson.  Oh, did you talk to her?  No, no, I'll leave that to my client."},{"t":"24:35","text":"You better phone Johnson right now and tell him his wife's downstairs."},{"t":"24:38","text":"Keeping tabs on me in case he's thinking of dropping in.  I'm pretty..."},{"t":"24:43","text":"You'd think with her, though, she'd hire someone to watch you.  Well, people like her to keep people like us out of work."}],"objects":[{"name":"table with cup and saucer","frame":1},{"name":"car visible through window","frame":2},{"name":"desk with papers and telephone","frame":3},{"name":"fedora hat","frame":3}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"tense and conspiratorial","themes":["surveillance","legal intrigue","class tension"],"style_notes":"low-key lighting, medium close-ups and medium shots, static camera, period costume and set design"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:40:24Z","flags":[],"checked":{"names":3,"quotes":4,"visible_claimed":4,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 08:59:07.119180+00:00","id":"I_Love_Trouble_movie:b50:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=1443","transcript_segments":[207,208,209,210,211],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":51,"start_s":1496.789,"end_s":1500.1667,"first_shot":100,"last_shot":100,"sequence":33,"keyframes":[{"t":1498.5,"shot":100}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":1.0,"rhythm":0.28,"visual":0.071,"pause_s":6.0}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A woman in a nurse uniform is seen cleaning a surface in a dimly lit room. No dialogue or on-screen text is present in this beat.","observations":{"place":{"value":"hospital","evidence":"frame:1","interior":true,"place_type":"hospital"},"events":[{"t":1498,"kind":"visible","text":"A woman in a nurse uniform wipes a surface with a cloth.","evidence":"frame:1"}],"people":[{"id":"p1","name":null,"presence":["visible"],"appearance":"woman, wearing a nurse uniform with cap, light-colored dress, mid-adult age, average build"}],"period":null,"quotes":[],"objects":[{"name":"nurse uniform with cap","evidence":"frame:1"},{"name":"cloth","evidence":"frame:1"},{"name":"table or counter","evidence":"frame:1"},{"name":"bed or gurney in background","evidence":"frame:1"}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"neutral, clinical","themes":["medical setting","daily routine"],"style_notes":"medium shot, high-contrast lighting, black-and-white film, static camera"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:40:26Z","flags":[],"checked":{"names":1,"quotes":0,"visible_claimed":1,"visible_sampled":1},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 08:59:07.122040+00:00","id":"I_Love_Trouble_movie:b51:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=1496","transcript_segments":[],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":52,"start_s":1500.1667,"end_s":1549.1243,"first_shot":101,"last_shot":101,"sequence":34,"keyframes":[{"t":1524.6,"shot":101}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.98,"rhythm":0.28,"visual":0.104,"pause_s":6.0}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A man in a hat stands in a doorway looking into a room where another man is visible. A sign on the wall reads 'EXCLUSIVE'. The transcript contains the line 'Come on up.'","observations":{"place":{"value":"private_office","evidence":"frame:1","interior":true,"place_type":"private_office"},"events":[{"t":1525,"kind":"visible","text":"A man in a hat stands in a doorway looking into a room.","evidence":"frame:1"},{"t":25.2,"kind":"spoken","text":"Someone says 'Come on up.'","evidence":"t:25:20"}],"people":[{"id":"p1","name":null,"presence":["visible"],"appearance":"man wearing a hat, seen from behind"},{"id":"p2","name":null,"presence":["visible"],"appearance":"man in a suit, visible in the background"}],"period":null,"quotes":[{"t":"25:20","text":"Come on up."}],"objects":[{"name":"sign reading 'EXCLUSIVE'","frame":1},{"name":"hat","frame":1},{"name":"suit","frame":1}],"time_of_day":null,"on_screen_text":"EXCLUSIVE"},"interpretations":{"mood":"suspenseful","themes":["intrusion","private space"],"style_notes":"high-contrast black-and-white lighting, medium shot from behind a character, creating a sense of mystery"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:40:26Z","flags":[],"checked":{"names":2,"quotes":1,"visible_claimed":1,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 08:59:07.123168+00:00","id":"I_Love_Trouble_movie:b52:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=1500","transcript_segments":[212],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":53,"start_s":1549.1243,"end_s":1571.3511,"first_shot":102,"last_shot":103,"sequence":35,"keyframes":[{"t":1550.0,"shot":102},{"t":1561.1,"shot":103}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.98,"rhythm":0.38,"visual":0.114,"pause_s":6.0}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A woman in a suit and hat is shown in a close-up, followed by a scene in an office where a man in a fedora stands near a desk while a woman sits at the desk on the phone. The transcript includes dialogue mentioning someone joining an automobile club.","observations":{"place":{"value":"private_office","evidence":"frame:2","interior":true,"place_type":"private_office"},"events":[{"t":1550,"kind":"visible","text":"A woman in a suit and hat looks toward the camera.","evidence":"frame:1"},{"t":1561,"kind":"visible","text":"A man in a fedora stands near a desk while a woman sits at the desk holding a phone receiver.","evidence":"frame:2"},{"t":25.5,"kind":"spoken","text":"Someone says 'Yeah, Martha.'","evidence":"t:25:50"},{"t":25.97,"kind":"spoken","text":"Someone says 'Oh, he thinks he's just too, too social since he joined the club. The automobile club.'","evidence":"t:25:57"},{"t":26.04,"kind":"spoken","text":"Someone says 'Well, come in.'","evidence":"t:26:04"}],"people":[{"id":"p1","name":null,"presence":["visible"],"appearance":"woman, mid-20s to 30s, wearing a suit jacket, white collared shirt, and a dark hat; hair styled in waves"},{"id":"p2","name":null,"presence":["visible"],"appearance":"man, adult, wearing a light-colored suit and a fedora"},{"id":"p3","name":null,"presence":["visible"],"appearance":"woman, adult, blonde, seated at a desk, holding a phone receiver"}],"period":null,"quotes":[{"t":"25:50","text":"Yeah, Martha."},{"t":"25:57","text":"Oh, he thinks he's just too, too social since he joined the club. The automobile club."},{"t":"26:04","text":"Well, come in."}],"objects":[{"name":"desk","evidence":"frame:2"},{"name":"telephone","evidence":"frame:2"},{"name":"fedora","evidence":"frame:2"},{"name":"desk lamp","evidence":"frame:2"},{"name":"shelf with framed picture","evidence":"frame:2"}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"neutral to slightly tense","themes":["social status","office interaction","telephone communication"],"style_notes":"black-and-white, medium close-up and medium shot, studio lighting, mid-century office decor"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:40:29Z","flags":[],"checked":{"names":3,"quotes":3,"visible_claimed":2,"visible_sampled":2},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 08:59:32.276147+00:00","id":"I_Love_Trouble_movie:b53:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=1549","transcript_segments":[213,214,215],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":54,"start_s":1571.3511,"end_s":1594.6205,"first_shot":104,"last_shot":107,"sequence":35,"keyframes":[{"t":1576.7,"shot":104},{"t":1584.1,"shot":105},{"t":1588.7,"shot":106},{"t":1592.9,"shot":107}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.98,"rhythm":0.6,"visual":0.079,"pause_s":6.0}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A man and a woman are in an office; the woman asks if the man is looking for a detective or in love, and mentions Janie Joy. The man, holding a cigarette, tells her to sit down and tell him more.","observations":{"place":{"value":"private_office","evidence":"frame:1","interior":true,"place_type":"private_office"},"events":[{"t":1573,"kind":"spoken","text":"The woman asks if this is love or if the man was looking for a detective.","evidence":"t:26:13"},{"t":1578,"kind":"spoken","text":"The woman asks if there is any other alternative.","evidence":"t:26:18"},{"t":1582,"kind":"spoken","text":"The man replies that there is an alternative but he doesn't have time for it.","evidence":"t:26:18"},{"t":1585,"kind":"spoken","text":"The woman states she understands the man is looking for someone she knows.","evidence":"t:26:22"},{"t":1588,"kind":"spoken","text":"The woman names Janie Joy.","evidence":"t:26:25"},{"t":1591,"kind":"spoken","text":"The man tells the woman to sit down and tell him more.","evidence":"t:26:29"}],"people":[{"id":"p1","name":{"value":"Janie Joy","evidence":"t:26:25"},"presence":["visible","audible"],"appearance":"woman, mid-20s to 30s, wearing a light-colored suit with a white collar and a floral corsage"},{"id":"p2","name":null,"presence":["visible","audible"],"appearance":"man, 30s to 40s, wearing a dark suit and tie, holding a cigarette"}],"period":null,"quotes":[{"t":"26:13","text":"Is this love or were you looking for a detective?"},{"t":"26:18","text":"Isn't there any other alternative?  Yes, but I haven't got time for it."},{"t":"26:25","text":"Janie Joy."},{"t":"26:29","text":"Sit down. Tell me more."}],"objects":[{"name":"chair","evidence":"frame:1"},{"name":"cigarette","evidence":"frame:3"},{"name":"flower corsage","evidence":"frame:2"},{"name":"window with blinds","evidence":"frame:1"}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"tense and interrogative","themes":["mystery","romantic ambiguity","professional inquiry"],"style_notes":"high-contrast black-and-white lighting, medium close-ups on faces, static camera framing"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:40:29Z","flags":[],"checked":{"names":2,"quotes":4,"visible_claimed":0,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 08:59:37.397294+00:00","id":"I_Love_Trouble_movie:b54:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=1571","transcript_segments":[216,217,218,219,220],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":55,"start_s":1594.6205,"end_s":1597.1643,"first_shot":108,"last_shot":108,"sequence":36,"keyframes":[{"t":1595.9,"shot":108}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.91,"rhythm":0.39,"visual":0.061,"pause_s":6.0}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A man in a suit stands behind a desk in an interior setting. No dialogue or on-screen text is present in this beat.","observations":{"place":{"value":"private_office","evidence":"frame:1","interior":true,"place_type":"private_office"},"events":[],"people":[{"id":"p1","name":null,"presence":["visible"],"appearance":"man in dark suit and tie, middle-aged, average build"}],"period":null,"quotes":[],"objects":[{"name":"desk","evidence":"frame:1"},{"name":"round light fixture","evidence":"frame:1"},{"name":"wall with framed item","evidence":"frame:1"}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"neutral","themes":[],"style_notes":"medium shot, high-contrast black-and-white lighting, static framing"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:40:29Z","flags":[],"checked":{"names":1,"quotes":0,"visible_claimed":0,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 08:59:41.795139+00:00","id":"I_Love_Trouble_movie:b55:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=1594","transcript_segments":[],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":56,"start_s":1597.1643,"end_s":1616.0133,"first_shot":109,"last_shot":113,"sequence":36,"keyframes":[{"t":1598.9,"shot":109},{"t":1602.3,"shot":110},{"t":1611.6,"shot":112},{"t":1615.3,"shot":113}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.9,"rhythm":0.15,"visual":0.062,"pause_s":6.0}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A man and a woman are in a dimly lit interior, possibly an office, exchanging dialogue. The woman identifies herself as Gretchen Brieger and mentions her sister Jane Brieger.","observations":{"place":{"value":"private_office","evidence":"frame:1","interior":true,"place_type":"private_office"},"events":[{"t":1597,"kind":"spoken","text":"The man asks if something has happened to the woman.","evidence":"t:26:37"},{"t":1600,"kind":"spoken","text":"The woman states she is his.","evidence":"t:26:40"},{"t":1602,"kind":"spoken","text":"The woman clarifies she is his sister.","evidence":"t:26:42"},{"t":1610,"kind":"spoken","text":"The woman introduces herself as Gretchen Brieger and says her sister's real name was Jane Brieger.","evidence":"t:26:46"}],"people":[{"id":"p1","name":null,"presence":["visible"],"appearance":"man in dark suit and tie, mid-adult, average build"},{"id":"p2","name":{"value":"Gretchen Brieger","evidence":"t:26:46"},"presence":["visible","audible"],"appearance":"woman in light suit with white collar and flower pin, mid-adult, slender"}],"period":null,"quotes":[{"t":"26:37","text":"Has something happened to her?"},{"t":"26:40","text":"She happens to be mine."},{"t":"26:42","text":"Sister."},{"t":"26:46","text":"You didn't tell me your name.  My name is Gretchen Brieger.  My sister's real name was Jane Brieger."}],"objects":[{"name":"suit","evidence":"frame:1"},{"name":"flower pin on suit","evidence":"frame:2"},{"name":"bookshelf","evidence":"frame:1"}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"tense and personal","themes":["identity","family","mystery"],"style_notes":"medium close-ups, high-contrast lighting, static framing"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:40:29Z","flags":[],"checked":{"names":2,"quotes":4,"visible_claimed":0,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:00:04.730660+00:00","id":"I_Love_Trouble_movie:b56:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=1597","transcript_segments":[221,222,223,224],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":57,"start_s":1616.0133,"end_s":1636.9058,"first_shot":114,"last_shot":114,"sequence":36,"keyframes":[{"t":1626.5,"shot":114}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.89,"rhythm":0.43,"visual":0.077,"pause_s":1.7}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A man and a woman are in a dimly lit interior, discussing a missing person named Janie Joy; the man states he last heard from her in Acapulco, Mexico. No names are spoken that identify the visible people.","observations":{"place":{"value":"private_office","evidence":"frame:1","interior":true,"place_type":"private_office"},"events":[{"t":1616,"kind":"spoken","text":"A man asks when the woman last saw Janie Joy.","evidence":"t:26:56"},{"t":1627,"kind":"spoken","text":"The man states he last heard from Janie Joy in Acapulco, Mexico.","evidence":"t:27:12"}],"people":[{"id":"p1","name":null,"presence":["visible","audible"],"appearance":"man, mid-30s to 40s, wearing a dark suit and tie, standing"},{"id":"p2","name":null,"presence":["visible","audible"],"appearance":"woman, mid-30s to 40s, wearing a dark hat and coat, seated"}],"period":null,"quotes":[{"t":"26:56","text":"When did you see her last? When she first left Portland in 1941."},{"t":"27:07","text":"How do you know I didn't? Because I covered every agency in this town."},{"t":"27:12","text":"had ever been around looking for Janie Joy. The answer was always the same. No. I see. No, I didn't look for her, Mr. Bailey, because, you see, I happen to know she wasn't in Los Angeles. The last letter received from Jane was from Acapulco, Mexico. I never heard from her again. When was that?"}],"objects":[{"name":"desk","frame":1},{"name":"chair","frame":1},{"name":"window blinds","frame":1},{"name":"wall map","frame":1}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"tense and investigative","themes":["missing person","investigation","past correspondence"],"style_notes":"medium two-shot, high-contrast lighting, studio set with minimal props, period costume"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:40:29Z","flags":[],"checked":{"names":2,"quotes":3,"visible_claimed":0,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:00:08.103866+00:00","id":"I_Love_Trouble_movie:b57:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=1616","transcript_segments":[225,226,227],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":58,"start_s":1636.9058,"end_s":1660.9675,"first_shot":115,"last_shot":118,"sequence":36,"keyframes":[{"t":1639.5,"shot":115},{"t":1645.0,"shot":116},{"t":1651.1,"shot":117},{"t":1657.6,"shot":118}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.87,"rhythm":0.13,"visual":0.061,"pause_s":6.0},"during_speech":"cut falls inside a spoken line: no pause was available without exceeding the length cap"},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A woman named Gretchen is questioned about her residence in Portland. A man in a suit is present and appears to be speaking or reacting.","observations":{"place":{"value":"private_office","evidence":"frame:2","interior":true,"place_type":"private_office"},"events":[{"t":1637,"kind":"spoken","text":"A woman is asked where she lived in Portland.","evidence":"t:27:38"},{"t":1640,"kind":"visible","text":"The woman, Gretchen, is shown in a close-up, listening or about to speak.","evidence":"frame:1"},{"t":1645,"kind":"visible","text":"The woman walks past the man in a suit, who turns to watch her.","evidence":"frame:2"},{"t":1651,"kind":"visible","text":"The woman is shown again in a close-up, speaking or reacting.","evidence":"frame:3"},{"t":1658,"kind":"visible","text":"The man in the suit is shown in profile, speaking or reacting.","evidence":"frame:4"}],"people":[{"id":"p1","name":{"value":"Gretchen","evidence":"t:27:38"},"presence":["visible","audible"],"appearance":"woman, mid-30s, wearing a suit jacket with a flower corsage and a white collared shirt, dark hair styled in waves"},{"id":"p2","name":null,"presence":["visible","audible"],"appearance":"man, mid-40s, wearing a dark suit and tie, short dark hair"}],"period":null,"quotes":[{"t":"27:35","text":"Just before I left Portland."},{"t":"27:38","text":"Where did you live in Portland, Gretchen?"}],"objects":[{"name":"suit jacket with flower corsage","evidence":"frame:1"},{"name":"dark suit and tie","evidence":"frame:2"},{"name":"bookshelf","evidence":"frame:2"},{"name":"framed picture on wall","evidence":"frame:3"}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"tense, interrogative","themes":["interrogation","personal history","mystery"],"style_notes":"classic black-and-white film noir lighting with high contrast, medium close-ups and medium shots, static camera"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:40:31Z","flags":[],"checked":{"names":2,"quotes":2,"visible_claimed":4,"visible_sampled":1},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:00:30.871994+00:00","id":"I_Love_Trouble_movie:b58:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=1636","transcript_segments":[228,229],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":59,"start_s":1660.9675,"end_s":1698.4988,"first_shot":119,"last_shot":125,"sequence":36,"keyframes":[{"t":1662.8,"shot":119},{"t":1674.8,"shot":121},{"t":1691.2,"shot":123},{"t":1697.5,"shot":125}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.87,"rhythm":0.15,"visual":0.058,"pause_s":2.1}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A woman identifies herself as Norma Shannon and discusses her name change while being questioned by someone named Bailey. A letter addressed to her at the Ritz Plaza is shown.","observations":{"place":{"value":"private_office","evidence":"frame:1","interior":true,"place_type":"private_office"},"events":[{"t":1663,"kind":"visible","text":"A woman is shown in a medium close-up, speaking.","evidence":"frame:1"},{"t":1675,"kind":"visible","text":"A letter addressed to Miss Norma Shannon at the Ritz Plaza is shown.","evidence":"frame:2"},{"t":1691,"kind":"visible","text":"The woman smiles slightly while speaking.","evidence":"frame:3"},{"t":1698,"kind":"visible","text":"The woman continues speaking, looking slightly to her right.","evidence":"frame:4"},{"t":1663,"kind":"spoken","text":"The woman states her name is Norma Shannon and gives an address.","evidence":"t:27:42"},{"t":1681,"kind":"spoken","text":"The woman says she changed her name from Gretchen Brieger.","evidence":"t:28:05"},{"t":1685,"kind":"spoken","text":"The woman calls Mr. Bailey a highly improbable character.","evidence":"t:28:05"}],"people":[{"id":"p1","name":{"value":"Norma Shannon","evidence":"t:27:42"},"presence":["visible","audible"],"appearance":"woman, 30s, wearing a suit jacket with a flower pin and a dark hat, styled hair"},{"id":"p2","name":{"value":"Bailey","evidence":"t:28:05"},"presence":["audible","mentioned"],"appearance":"unseen, referred to as Mr. Bailey"}],"period":null,"quotes":[{"t":"27:42","text":"10476 Larrabee Avenue. That's quite a memory you've got. I'm just looking for a cigarette, Miss... Shannon. Norma Shannon. 1205 Roxbury. Who sent you up here, Miss... Breger?"},{"t":"28:01","text":"Acute cynicism. I suppose it's an occupational disease."},{"t":"28:05","text":"Ah, it's the people I meet. Who sent you up here? I'm a model. I just didn't care for the name Gretchen Brieger. I changed it. I didn't know models changed their names. The ones named Gretchen Brieger do. You're a highly improbable character, Mr. Bailey. Did someone just dream you up? No, you're good. You're very good. I'm surprised they didn't have your planter in Afghanistan. Why stop at Acapulco? May I go, please?"}],"objects":[{"name":"letter","frame":2,"description":"white envelope with printed address: 'MISS NORMA SHANNON, 1205 ROXBURY DRIVE, BEVERLY HILLS, CALIFORNIA' and 'RITZ PLAZA' at top"},{"name":"flower pin","frame":1,"description":"dark, textured flower-shaped pin on woman's suit lapel"},{"name":"hat","frame":1,"description":"dark, rounded hat worn by woman"}],"time_of_day":null,"on_screen_text":"RITZ PLAZA\n10476 FLAVER AVENUE\nMISS NORMA SHANNON\n1205 ROXBURY DRIVE\nBEVERLY HILLS\nCALIFORNIA"},"interpretations":{"mood":"tense and sardonic","themes":["identity","suspicion","name change"],"style_notes":"medium close-ups, high-contrast lighting, static framing"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:40:35Z","flags":[],"checked":{"names":2,"quotes":3,"visible_claimed":4,"visible_sampled":2},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:00:52.418457+00:00","id":"I_Love_Trouble_movie:b59:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=1660","transcript_segments":[230,231,232],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":60,"start_s":1698.4988,"end_s":1733.1526,"first_shot":126,"last_shot":127,"sequence":36,"keyframes":[{"t":1708.0,"shot":126},{"t":1725.4,"shot":127}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.93,"rhythm":0.82,"visual":0.103,"pause_s":6.0},"during_speech":"cut falls inside a spoken line: no pause was available without exceeding the length cap"},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A man and a woman stand facing each other in an interior space; the man speaks about seeing a card with 'Jamie Joy' written on it. The woman asks if she may leave.","observations":{"place":{"value":"private_office","evidence":"frame:1","interior":true,"place_type":"private_office"},"events":[{"t":1708,"kind":"visible","text":"Man and woman stand facing each other in an office.","evidence":"frame:1"},{"t":1708,"kind":"spoken","text":"Man asks how the woman knew he was looking for her.","evidence":"t:28:35"},{"t":1708,"kind":"spoken","text":"Man says he saw her card with 'Jamie Joy' written on it at his agency.","evidence":"t:28:39"},{"t":1725,"kind":"spoken","text":"Woman asks if she may go.","evidence":"t:28:46"}],"people":[{"id":"p1","name":null,"presence":["visible","audible"],"appearance":"man in suit and tie, mid-30s, medium build"},{"id":"p2","name":{"value":"Jamie Joy","evidence":"t:28:39"},"presence":["visible","audible"],"appearance":"woman in coat and hat, mid-30s, medium build"}],"period":null,"quotes":[{"t":"28:35","text":"How did you know I was looking for her?"},{"t":"28:39","text":"I went by my agency this afternoon and saw your card with Jamie Joy written across it."},{"t":"28:46","text":"Now may I go, please?"}],"objects":[{"name":"suit","frame":1},{"name":"hat","frame":2},{"name":"coat","frame":2},{"name":"desk","frame":1}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"tense","themes":["investigation","identity","confrontation"],"style_notes":"medium close-up, high-contrast lighting, static framing"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:40:35Z","flags":[],"checked":{"names":2,"quotes":3,"visible_claimed":1,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:01:02.768840+00:00","id":"I_Love_Trouble_movie:b60:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=1698","transcript_segments":[233,234,235],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":61,"start_s":1733.1526,"end_s":1808.6322,"first_shot":128,"last_shot":128,"sequence":37,"keyframes":[{"t":1770.9,"shot":128}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.92,"rhythm":0.45,"visual":0.149,"pause_s":6.0}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A man and a woman are in a car at night; she invites him to come up while she changes, or to wait. The setting is a dark street with a parked car and building entrance visible.","observations":{"place":{"value":"street","evidence":"frame:1","interior":false,"place_type":"street"},"events":[{"t":1771,"kind":"visible","text":"A car is parked on a dark street at night.","evidence":"frame:1"},{"t":1733,"kind":"spoken","text":"Gretchen tells Mr. Bailey she wouldn't have missed meeting him.","evidence":"t:28:55"},{"t":1736,"kind":"spoken","text":"Gretchen says she hasn't gone slumming in years.","evidence":"t:28:58"},{"t":1760,"kind":"spoken","text":"Gretchen offers Mr. Bailey a ride to Beverly Hills.","evidence":"t:29:20"},{"t":1772,"kind":"spoken","text":"Gretchen guesses who lives at the location and mentions changing her shirt.","evidence":"t:29:32"},{"t":1788,"kind":"spoken","text":"Gretchen invites Mr. Bailey to come up while she changes or to wait.","evidence":"t:29:48"},{"t":1793,"kind":"spoken","text":"Gretchen says she thinks Mr. Bailey means his invitation.","evidence":"t:29:53"}],"people":[{"id":"p1","name":null,"presence":["visible"],"appearance":"visible in car, silhouette only"},{"id":"p2","name":{"value":"Gretchen","evidence":"t:29:20"},"presence":["audible"],"appearance":"audible female voice, no visual"},{"id":"p3","name":{"value":"Mr. Bailey","evidence":"t:28:55"},"presence":["audible"],"appearance":"audible male voice, no visual"}],"period":null,"quotes":[{"t":"28:55","text":"Well, I wouldn't have missed meeting you for all the world, Mr. Bailey."},{"t":"29:20","text":"Well, I'm going your way, Gretchen. You can't turn down a ride."},{"t":"29:32","text":"Don't tell me who lives here. Let me guess. Oh, too easy. As long as I'm going out to Beverly Hills, I thought I'd change my shirt and eat out that way. Oh, Bailey, you're about as subtle as the Mickey Finn. I'm not trying to be."},{"t":"29:48","text":"If you're thirsty, you can come up while I change. Or you can wait there."}],"objects":[{"name":"car","evidence":"frame:1"},{"name":"building entrance","evidence":"frame:1"},{"name":"streetlight","evidence":"frame:1"}],"time_of_day":{"value":"night","evidence":"frame:1"},"on_screen_text":null},"interpretations":{"mood":"nocturnal, intimate, slightly tense","themes":["romantic tension","social class","urban nightlife"],"style_notes":"low-key lighting, high contrast, static frame, urban night setting"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:40:35Z","flags":[],"checked":{"names":3,"quotes":4,"visible_claimed":1,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:01:46.305582+00:00","id":"I_Love_Trouble_movie:b61:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=1733","transcript_segments":[236,237,238,239,240,241],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":62,"start_s":1808.6322,"end_s":1822.4353,"first_shot":129,"last_shot":129,"sequence":38,"keyframes":[{"t":1815.5,"shot":129}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.91,"rhythm":0.55,"visual":0.11,"pause_s":6.0}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A woman stands in a dimly lit room with furniture including a chair, a cabinet, and a desk. She is speaking about detectives living in hall bedroom apartments, referencing a ten-year period.","observations":{"place":{"value":"private_office","evidence":"frame:1","interior":true,"place_type":"private_office"},"events":[{"t":1814,"kind":"spoken","text":"The woman speaks about detectives living in hall bedroom apartments.","evidence":"t:30:14"},{"t":1814,"kind":"spoken","text":"She mentions having lived that way for ten years.","evidence":"t:30:14"}],"people":[{"id":"p1","name":null,"presence":["visible","audible"],"appearance":"woman, mid-20s to 30s, wearing a coat and hat, holding a handbag"}],"period":null,"quotes":[{"t":"30:14","text":"Well, I thought detectives all lived in hall bedroom apartments."},{"t":"30:14","text":"I did, for ten years."}],"objects":[{"name":"handbag","evidence":"frame:1"},{"name":"desk","evidence":"frame:1"},{"name":"cabinet","evidence":"frame:1"},{"name":"chair","evidence":"frame:1"},{"name":"picture frame","evidence":"frame:1"}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"wry, conversational","themes":["detective life","personal history","urban living"],"style_notes":"medium shot, high-contrast lighting, classic noir framing"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:40:35Z","flags":[],"checked":{"names":1,"quotes":2,"visible_claimed":0,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:01:46.308587+00:00","id":"I_Love_Trouble_movie:b62:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=1808","transcript_segments":[242],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":63,"start_s":1822.4353,"end_s":1846.5804,"first_shot":130,"last_shot":133,"sequence":38,"keyframes":[{"t":1824.6,"shot":130},{"t":1833.9,"shot":131},{"t":1842.2,"shot":132},{"t":1845.1,"shot":133}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.94,"rhythm":0.78,"visual":0.104,"pause_s":6.0}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A man in a suit enters a room where a woman stands near a closet; another man in a shirt is seen leaning over a desk. A woman later holds a framed picture near a window. The transcript includes the line 'where's going in there'.","observations":{"place":{"value":"bedroom","evidence":"frame:2","interior":true,"place_type":"bedroom"},"events":[{"t":1825,"kind":"visible","text":"man in suit enters room","evidence":"frame:1"},{"t":1834,"kind":"visible","text":"woman stands near closet while man in shirt enters from doorway","evidence":"frame:2"},{"t":1842,"kind":"visible","text":"man in shirt leans over desk","evidence":"frame:3"},{"t":1845,"kind":"visible","text":"woman holds framed picture near window","evidence":"frame:4"},{"t":1826,"kind":"spoken","text":"spoken line: 'where's going in there'","evidence":"t:30:26"}],"people":[{"id":"p1","name":null,"presence":["visible"],"appearance":"man in dark suit, medium build, short hair"},{"id":"p2","name":null,"presence":["visible"],"appearance":"woman in dark dress or suit, medium build, dark hair"},{"id":"p3","name":null,"presence":["visible"],"appearance":"man in light shirt and dark trousers, medium build, short hair"}],"period":null,"quotes":[{"t":"30:26","text":"where's going in there"}],"objects":[{"name":"dresser with framed photo","frame":2},{"name":"desk with lamps","frame":3},{"name":"framed picture","frame":4},{"name":"louvered closet doors","frame":2},{"name":"wall sconce","frame":1}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"tense, suspenseful","themes":["mystery","intrusion","domestic space as site of tension"],"style_notes":"medium shots, high-contrast lighting, static framing, noir-influenced composition"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:40:40Z","flags":[],"checked":{"names":3,"quotes":1,"visible_claimed":4,"visible_sampled":2},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:02:14.565508+00:00","id":"I_Love_Trouble_movie:b63:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=1822","transcript_segments":[243],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":64,"start_s":1846.5804,"end_s":1848.6655,"first_shot":134,"last_shot":134,"sequence":38,"keyframes":[{"t":1847.6,"shot":134}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":1.0,"rhythm":0.4,"visual":0.078,"pause_s":4.9}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A man in a light shirt and dark trousers leans forward over a desk in a dimly lit room with a lamp and a dresser visible. No dialogue or on-screen text is present in this beat.","observations":{"place":{"name":"private_office","evidence":"frame:1","interior":true,"place_type":"private_office"},"events":[],"people":[{"id":"p1","name":null,"presence":["visible"],"appearance":"man, middle-aged, balding, wearing light shirt and dark trousers"}],"period":null,"quotes":[],"objects":[{"name":"desk","evidence":"frame:1"},{"name":"lamp","evidence":"frame:1"},{"name":"dresser","evidence":"frame:1"},{"name":"picture frame","evidence":"frame:1"}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"tense","themes":["isolation","concentration"],"style_notes":"medium shot, high contrast lighting, shadowed background, focused on character's posture"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:40:40Z","flags":[],"checked":{"names":1,"quotes":0,"visible_claimed":0,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:02:14.568325+00:00","id":"I_Love_Trouble_movie:b64:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=1846","transcript_segments":[],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":65,"start_s":1848.6655,"end_s":1856.7139,"first_shot":135,"last_shot":135,"sequence":39,"keyframes":[{"t":1852.7,"shot":135}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":1.0,"rhythm":0.16,"visual":0.117,"pause_s":4.9}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A woman in a suit stands in a doorway while a man in a light shirt adjusts his collar nearby. The transcript includes a line about bitters and avoiding a substance.","observations":{"place":{"name":"private_office","evidence":"frame:1","interior":true,"place_type":"private_office"},"events":[{"t":1853,"kind":"visible","text":"A woman stands in a doorway while a man adjusts his collar.","evidence":"frame:1"},{"t":1851,"kind":"spoken","text":"A line is spoken about bitters and avoiding a substance.","evidence":"t:30:51"}],"people":[{"id":"p1","name":null,"presence":["visible"],"appearance":"woman, dark hair, wearing a tailored suit with a flower pin"},{"id":"p2","name":null,"presence":["visible"],"appearance":"man, light shirt, adjusting collar"}],"period":null,"quotes":[{"t":"30:51","text":"You have any bitters never touch this stuff."}],"objects":[{"name":"desk lamp","frame":1},{"name":"flower pin on suit","frame":1},{"name":"doorway with blinds","frame":1}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"tense","themes":["professional setting","personal tension"],"style_notes":"medium shot, high-contrast lighting, classic studio framing"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:40:42Z","flags":[],"checked":{"names":2,"quotes":1,"visible_claimed":1,"visible_sampled":1},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:02:35.461643+00:00","id":"I_Love_Trouble_movie:b65:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=1848","transcript_segments":[244],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":66,"start_s":1856.7139,"end_s":1859.0492,"first_shot":136,"last_shot":136,"sequence":40,"keyframes":[{"t":1857.9,"shot":136}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.98,"rhythm":0.41,"visual":0.148,"pause_s":6.0}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A woman in a suit and hat stands indoors near a window with blinds, holding a small object. No dialogue or other actions are visible in this single frame.","observations":{"place":{"value":"private_office","evidence":"frame:1","interior":true,"place_type":"private_office"},"events":[],"people":[{"id":"p1","name":null,"presence":["visible"],"appearance":"woman, mid-20s to 30s, wearing a suit jacket, white collared shirt, and a dark hat; medium build"}],"period":null,"quotes":[],"objects":[{"name":"window with horizontal blinds","evidence":"frame:1"},{"name":"small dark figurine or object held by woman","evidence":"frame:1"},{"name":"suit jacket and hat","evidence":"frame:1"}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"neutral, focused","themes":["professional setting","personal possession","mid-century fashion"],"style_notes":"medium close-up, studio lighting, high contrast black-and-white, static framing"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:40:42Z","flags":[],"checked":{"names":1,"quotes":0,"visible_claimed":0,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:02:35.464270+00:00","id":"I_Love_Trouble_movie:b66:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=1856","transcript_segments":[],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":67,"start_s":1859.0492,"end_s":1869.6831,"first_shot":137,"last_shot":140,"sequence":40,"keyframes":[{"t":1859.8,"shot":137},{"t":1861.9,"shot":138},{"t":1865.5,"shot":139},{"t":1868.6,"shot":140}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.98,"rhythm":0.09,"visual":0.091,"pause_s":6.0}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A man and a woman appear in alternating close-ups inside a room with window blinds; the man is visible in frames 1 and 3, the woman in frames 2 and 4. The transcript includes a line about entering a pen and a sentimental remark about an old flea.","observations":{"place":{"value":"private_office","evidence":"frame:2","interior":true,"place_type":"private_office"},"events":[{"t":1860,"kind":"visible","text":"The man looks off-camera with a serious expression.","evidence":"frame:1"},{"t":1862,"kind":"visible","text":"The woman smiles while holding a framed object.","evidence":"frame:2"},{"t":1866,"kind":"visible","text":"The man looks slightly upward with a neutral expression.","evidence":"frame:3"},{"t":1869,"kind":"visible","text":"The woman looks down at the framed object with a smile.","evidence":"frame:4"},{"t":1862,"kind":"spoken","text":"Someone says 'You go into a pen.'","evidence":"t:31:02"},{"t":1863,"kind":"spoken","text":"Someone says 'She's an old flea. I'm a little sentimental about it.'","evidence":"t:31:03"}],"people":[{"id":"p1","name":null,"presence":["visible"],"appearance":"man, middle-aged, short hair, wearing a light-colored collared shirt"},{"id":"p2","name":null,"presence":["visible"],"appearance":"woman, mid-20s to 30s, wearing a dark suit jacket, white collared shirt, and a beret"}],"period":null,"quotes":[{"t":"31:02","text":"You go into a pen."},{"t":"31:03","text":"She's an old flea. I'm a little sentimental about it."}],"objects":[{"name":"window blinds","frame":2},{"name":"framed object","frame":2},{"name":"beret","frame":2}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"mildly ironic or nostalgic","themes":["sentimentality","dialogue-driven interaction"],"style_notes":"close-up shots alternating between characters, high-contrast lighting, studio set with window blinds"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:40:42Z","flags":[],"checked":{"names":2,"quotes":2,"visible_claimed":4,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:03:09.407059+00:00","id":"I_Love_Trouble_movie:b67:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=1859","transcript_segments":[245,246],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":68,"start_s":1869.6831,"end_s":1874.1451,"first_shot":141,"last_shot":141,"sequence":41,"keyframes":[{"t":1871.9,"shot":141}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.98,"rhythm":0.78,"visual":0.159,"pause_s":6.0}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A man in a white shirt is seen from behind, raising his arms in a room with a mirror and a lamp. No dialogue or on-screen text is present in this beat.","observations":{"place":{"value":"private_office","evidence":"frame:1","interior":true,"place_type":"private_office"},"events":[{"t":1872,"kind":"visible","text":"A man raises both arms while standing in front of a mirror.","evidence":"frame:1"}],"people":[{"id":"p1","name":null,"presence":["visible"],"appearance":"man, wearing white shirt and dark trousers, seen from behind, medium build"}],"period":null,"quotes":[],"objects":[{"name":"mirror","evidence":"frame:1"},{"name":"lamp","evidence":"frame:1"},{"name":"hanger","evidence":"frame:1"}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"neutral","themes":[],"style_notes":"medium shot, black and white, studio lighting, static camera"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:40:42Z","flags":[],"checked":{"names":1,"quotes":0,"visible_claimed":1,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:03:09.410659+00:00","id":"I_Love_Trouble_movie:b68:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=1869","transcript_segments":[],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":69,"start_s":1874.1451,"end_s":1876.5638,"first_shot":142,"last_shot":142,"sequence":42,"keyframes":[{"t":1875.4,"shot":142}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.98,"rhythm":1.0,"visual":0.087,"pause_s":6.0}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A woman in a coat stands in a room with louvered shutters, holding a framed object. No dialogue or on-screen text is present in this beat.","observations":{"place":{"name":"private_office","evidence":"frame:1","interior":true,"place_type":"private_office"},"events":[],"people":[{"id":"p1","name":null,"presence":["visible"],"appearance":"woman, mid-20s to 40s, wearing a coat, dark hair styled up"}],"period":null,"quotes":[],"objects":[{"name":"framed object","evidence":"frame:1"},{"name":"louvered shutters","evidence":"frame:1"},{"name":"desk or table","evidence":"frame:1"}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"neutral","themes":[],"style_notes":"medium shot, high-contrast lighting, static framing"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:40:42Z","flags":[],"checked":{"names":1,"quotes":0,"visible_claimed":0,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:03:10.840917+00:00","id":"I_Love_Trouble_movie:b69:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=1874","transcript_segments":[],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":70,"start_s":1876.5638,"end_s":1884.1952,"first_shot":143,"last_shot":143,"sequence":43,"keyframes":[{"t":1880.4,"shot":143}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.97,"rhythm":1.0,"visual":0.11,"pause_s":6.0}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A man in a white shirt and dark trousers stands with his back to the camera, adjusting his collar or tie in a dimly lit room with a desk, lamp, and shelves. A voice says the phone is ringing.","observations":{"place":{"name":"private_office","evidence":"frame:1","interior":true,"place_type":"private_office"},"events":[{"t":1877,"kind":"visible","text":"A man adjusts his collar or tie while standing in a room.","evidence":"frame:1"},{"t":1877,"kind":"spoken","text":"A voice says the phone is ringing.","evidence":"t:31:16"}],"people":[{"id":"p1","name":null,"presence":["visible"],"appearance":"man, adult, wearing white shirt and dark trousers, seen from back"}],"period":null,"quotes":[{"t":"31:16","text":"Your phone's ringing."}],"objects":[{"name":"desk","evidence":"frame:1"},{"name":"lamp","evidence":"frame:1"},{"name":"shelves with objects","evidence":"frame:1"},{"name":"chair","evidence":"frame:1"}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"tense or urgent","themes":["communication","interruption"],"style_notes":"medium shot, backlit, high contrast black-and-white, studio lighting"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:40:42Z","flags":[],"checked":{"names":1,"quotes":1,"visible_claimed":1,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:03:27.173408+00:00","id":"I_Love_Trouble_movie:b70:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=1876","transcript_segments":[247],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":71,"start_s":1884.1952,"end_s":1907.5062,"first_shot":144,"last_shot":144,"sequence":44,"keyframes":[{"t":1895.9,"shot":144}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.96,"rhythm":1.0,"visual":0.125,"pause_s":6.0}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A man and a woman are on the phone in an office; the man reminds her to pick up a report, and she reacts to a detail about nylons. No names are spoken, and no external setting is visible.","observations":{"place":{"value":"private_office","evidence":"frame:1","interior":true,"place_type":"private_office"},"events":[{"t":1884,"kind":"spoken","text":"The man asks where the woman is.","evidence":"t:31:24"},{"t":1886,"kind":"spoken","text":"The woman replies she is around the corner.","evidence":"t:31:26"},{"t":1888,"kind":"spoken","text":"The man reminds her she forgot a report and tells her to pick it up.","evidence":"t:31:28"},{"t":1891,"kind":"spoken","text":"The woman comments the phone is acting up and admits she forgot the report.","evidence":"t:31:31"},{"t":1894,"kind":"spoken","text":"The man specifies it is the latest report.","evidence":"t:31:34"},{"t":1897,"kind":"spoken","text":"The woman reacts with surprise.","evidence":"t:31:37"},{"t":1898,"kind":"spoken","text":"The woman recalls the report is in size 9 nylons.","evidence":"t:31:38"},{"t":1901,"kind":"spoken","text":"The man confirms and says he will do it.","evidence":"t:31:41"}],"people":[{"id":"p1","name":null,"presence":["visible","audible"],"appearance":"man, mid-30s to 40s, wearing a light shirt and dark tie, holding a phone receiver"},{"id":"p2","name":null,"presence":["visible","audible"],"appearance":"woman, mid-30s to 40s, blonde, wearing a light jacket, holding papers and phone receiver"}],"period":null,"quotes":[{"t":"31:24","text":"Where are you?"},{"t":"31:28","text":"You forgot that report. I want you to pick it up right away."},{"t":"31:38","text":"Oh, the one in the size 9 nylons."},{"t":"31:41","text":"Yeah. Yeah, I'll do that."}],"objects":[{"name":"telephone receiver","frame":1},{"name":"papers","frame":1},{"name":"office desk and chair","frame":1},{"name":"wall picture","frame":1}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"tense and hurried","themes":["workplace urgency","miscommunication","gendered roles in office settings"],"style_notes":"medium two-shot, high-contrast black-and-white lighting, studio set with minimal background detail"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:40:42Z","flags":[],"checked":{"names":2,"quotes":4,"visible_claimed":0,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:03:46.907638+00:00","id":"I_Love_Trouble_movie:b71:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=1884","transcript_segments":[248,249,250,251,252,253,254,255],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":72,"start_s":1907.5062,"end_s":1933.3195,"first_shot":145,"last_shot":145,"sequence":45,"keyframes":[{"t":1920.4,"shot":145}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.92,"rhythm":0.81,"visual":0.171,"pause_s":6.0}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A man and a woman stand in a dimly lit interior, discussing a missing person named Cheney. The woman holds a framed photograph while the man, dressed in a white shirt, listens and responds.","observations":{"place":{"value":"private_office","evidence":"frame:1","interior":true,"place_type":"private_office"},"events":[{"t":1920,"kind":"visible","text":"A woman holds a framed photograph while speaking to a man in a doorway.","evidence":"frame:1"},{"t":1920,"kind":"spoken","text":"The man responds to the woman’s question about a missing person named Cheney.","evidence":"t:32:01"},{"t":1920,"kind":"spoken","text":"The man says he represents a client and cannot disclose information without permission.","evidence":"t:32:01"},{"t":1920,"kind":"spoken","text":"The woman asks if the man thinks her girl is as pretty as his sister.","evidence":"t:31:50"}],"people":[{"id":"p1","name":null,"presence":["visible"],"appearance":"woman, wearing a dark hat and coat, holding a framed photo"},{"id":"p2","name":{"value":"Angel","evidence":"t:32:01"},"presence":["visible","audible"],"appearance":"man, wearing a white shirt and dark trousers, standing near a doorway"}],"period":null,"quotes":[{"t":"31:50","text":"You like my girl  She's very pretty like tight you think she's as pretty as your sister I"},{"t":"31:58","text":"It's a matter of taste."},{"t":"32:01","text":"You know, you still haven't told me what I've been waiting to hear.  Come on, let's get out of here.  What's happened to Cheney? Why are you looking for her?  I just represent a client, Angel. I couldn't tell you that until I had permission."}],"objects":[{"name":"framed photograph","evidence":"frame:1"},{"name":"doorway","evidence":"frame:1"},{"name":"desk or table","evidence":"frame:1"}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"tense and interrogative","themes":["mystery","professional secrecy","personal relationships"],"style_notes":"black-and-white, medium shot, high contrast lighting, classic film noir framing"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:40:42Z","flags":[],"checked":{"names":2,"quotes":3,"visible_claimed":1,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:04:04.934567+00:00","id":"I_Love_Trouble_movie:b72:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=1907","transcript_segments":[256,257,258],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":73,"start_s":1933.3195,"end_s":2012.6772,"first_shot":146,"last_shot":146,"sequence":46,"keyframes":[{"t":1973.0,"shot":146}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.93,"rhythm":0.52,"visual":0.201,"pause_s":6.0}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A woman speaks to a man in a car at night; she offers to cook dinner, but he declines. The scene is set inside a vehicle with city lights visible outside.","observations":{"place":{"value":"vehicle_interior","evidence":"frame:1","interior":true,"place_type":"vehicle_interior"},"events":[{"t":1973,"kind":"visible","text":"A woman speaks to a man in a car.","evidence":"frame:1"},{"t":1973,"kind":"spoken","text":"The woman offers to cook dinner for them.","evidence":"t:32:28"},{"t":1973,"kind":"spoken","text":"The man declines the dinner offer.","evidence":"t:32:28"}],"people":[{"id":"p1","name":null,"presence":["visible","audible"],"appearance":"woman, light-colored hair, wearing a light top, visible in car interior"},{"id":"p2","name":null,"presence":["visible","audible"],"appearance":"man, dark suit, seen from side profile, partially visible in car"}],"period":null,"quotes":[{"t":"32:28","text":"Now it's my turn to apologize. You changed your shirt and brought me home."},{"t":"32:28","text":"And you left your motor running. You put in a hard day. I thought you might be hungry. I am."},{"t":"32:28","text":"Perhaps I could whip up some dinner for us. Do you like lamb chops?"},{"t":"32:28","text":"Let's make it some other time, Angel. All right. Some other time."}],"objects":[{"name":"car interior","evidence":"frame:1","description":"steering wheel, dashboard, seats visible"},{"name":"city lights","evidence":"frame:1","description":"blurred lights visible through car window"}],"time_of_day":{"value":"night","evidence":"frame:1"},"on_screen_text":null},"interpretations":{"mood":"intimate, slightly tense","themes":["romantic hesitation","post-work intimacy","urban night setting"],"style_notes":"close two-shot, high-contrast lighting, noir-style framing"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:40:42Z","flags":[],"checked":{"names":2,"quotes":4,"visible_claimed":1,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:04:33.972089+00:00","id":"I_Love_Trouble_movie:b73:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=1933","transcript_segments":[259],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":74,"start_s":2012.6772,"end_s":2096.789,"first_shot":147,"last_shot":148,"sequence":47,"keyframes":[{"t":2013.5,"shot":147},{"t":2055.6,"shot":148}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.0,"rhythm":0.15,"visual":0.203,"pause_s":6.0}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"Two men in hats face each other in a dimly lit interior; one holds a gun and offers money while speaking. The transcript includes threats, a payment of $200, and instructions to walk away.","observations":{"place":{"name":"interior","reason":"No specific room type visible; dark, indistinct background suggests an enclosed space.","evidence":"frame:1","interior":true,"place_type":"other"},"events":[{"t":2014,"kind":"visible","text":"A man holds a gun and speaks to another man.","evidence":"frame:1"},{"t":2014,"kind":"spoken","text":"A man says 'This is a gun in my hand.'","evidence":"t:33:37"},{"t":2056,"kind":"spoken","text":"The man with the gun offers $200 and tells the other to walk away.","evidence":"t:34:02, t:34:15"},{"t":2056,"kind":"spoken","text":"The man with the gun says 'So why didn't you use it?'","evidence":"t:34:42"}],"people":[{"id":"p1","name":null,"presence":["visible","audible"],"appearance":"man wearing a fedora, seen from behind, light-colored suit"},{"id":"p2","name":null,"presence":["visible","audible"],"appearance":"man wearing a dark hat and coat, facing p1, mustache visible"}],"period":null,"quotes":[{"t":"33:37","text":"This is a gun in my hand."},{"t":"34:02","text":"You'll find $200 in there."},{"t":"34:06","text":"Next time we won't be so generous."},{"t":"34:42","text":"So why didn't you use it?  Would that be nice? He's a cash client."}],"objects":[{"name":"gun","frame":1},{"name":"fedora hat","frame":1},{"name":"dark hat and coat","frame":1}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"tense","themes":["threat","bribery","confrontation"],"style_notes":"close-up framing, high contrast lighting, black-and-white film style"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:40:42Z","flags":[],"checked":{"names":2,"quotes":4,"visible_claimed":1,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:04:54.411717+00:00","id":"I_Love_Trouble_movie:b74:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=2012","transcript_segments":[260,261,262,263,264,265,266,267,268,269,270,271,272,273,274,275,276,277],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":75,"start_s":2096.789,"end_s":2112.3853,"first_shot":149,"last_shot":149,"sequence":48,"keyframes":[{"t":2104.6,"shot":149}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.92,"rhythm":0.75,"visual":0.162,"pause_s":6.0}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A man in a hat stands in the foreground facing a gated entrance with palm trees and a building in the background. No dialogue or on-screen text is present in this beat.","observations":{"place":{"value":"gated entrance to a property","evidence":"frame:1","interior":false,"place_type":"other"},"events":[],"people":[{"id":"p1","name":null,"presence":["visible"],"appearance":"man wearing a hat, seen from behind"}],"period":null,"quotes":[],"objects":[{"name":"gate","evidence":"frame:1"},{"name":"palm trees","evidence":"frame:1"},{"name":"building in background","evidence":"frame:1"},{"name":"hedge","evidence":"frame:1"}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"neutral, observational","themes":["entrance","observation","setting establishment"],"style_notes":"medium long shot, black and white, high contrast lighting, static framing"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:40:42Z","flags":[],"checked":{"names":1,"quotes":0,"visible_claimed":0,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:04:55.793612+00:00","id":"I_Love_Trouble_movie:b75:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=2096","transcript_segments":[],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":76,"start_s":2112.3853,"end_s":2114.095,"first_shot":150,"last_shot":150,"sequence":49,"keyframes":[{"t":2113.2,"shot":150}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.96,"rhythm":0.9,"visual":0.131,"pause_s":6.0}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A person in a uniform and cap stands beside a vintage car with license plate EW2222. Palm trees and a building are visible in the background.","observations":{"place":{"value":"street","evidence":"frame:1","interior":false,"place_type":"street"},"events":[],"people":[{"id":"p1","name":null,"presence":["visible"],"appearance":"wearing a dark uniform and cap, medium build, adult"}],"period":null,"quotes":[],"objects":[{"name":"vintage car","frame":1,"description":"black, with license plate EW2222"},{"name":"palm trees","frame":1},{"name":"building","frame":1}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"neutral","themes":[],"style_notes":"medium shot, black and white, natural daylight, static framing"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:40:42Z","flags":[],"checked":{"names":1,"quotes":0,"visible_claimed":0,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:05:13.513322+00:00","id":"I_Love_Trouble_movie:b76:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=2112","transcript_segments":[],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":77,"start_s":2114.095,"end_s":2116.0134,"first_shot":151,"last_shot":151,"sequence":50,"keyframes":[{"t":2115.1,"shot":151}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.96,"rhythm":0.81,"visual":0.148,"pause_s":6.0}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A man in a suit and hat walks on a paved surface near a parked car with trees in the background. No dialogue or on-screen text is present in this beat.","observations":{"place":{"value":"road","evidence":"frame:1","interior":false,"place_type":"road"},"events":[{"t":2115,"kind":"visible","text":"A man in a suit and hat walks forward while raising his right hand to his head.","evidence":"frame:1"}],"people":[{"id":"p1","name":null,"presence":["visible"],"appearance":"man wearing a dark suit, light-colored shirt, tie, and a fedora-style hat"}],"period":null,"quotes":[],"objects":[{"name":"car","evidence":"frame:1","description":"dark-colored vintage sedan parked on the side of the road"},{"name":"trees","evidence":"frame:1","description":"leafy trees in the background behind the car and man"}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"neutral","themes":[],"style_notes":"medium shot, black-and-white, natural outdoor lighting, shallow depth of field with background slightly out of focus"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:40:42Z","flags":[],"checked":{"names":1,"quotes":0,"visible_claimed":1,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:05:21.067286+00:00","id":"I_Love_Trouble_movie:b77:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=2114","transcript_segments":[],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":78,"start_s":2116.0134,"end_s":2140.4087,"first_shot":152,"last_shot":152,"sequence":51,"keyframes":[{"t":2128.2,"shot":152}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.96,"rhythm":0.41,"visual":0.19,"pause_s":6.0}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"Two men in hats converse outdoors near a building; one is in uniform. Dialogue suggests a dispute over a missing item and a mention of 'Caprio' and 'Janie Jones'.","observations":{"place":{"value":"sidewalk","evidence":"frame:1","interior":false,"place_type":"sidewalk"},"events":[{"t":2118,"kind":"spoken","text":"One man accuses the other of leaving something last night and mentions taking out a buck for trouble.","evidence":"t:35:18"},{"t":2124,"kind":"spoken","text":"The second man comments on the place and asks about Caprio and Janie Jones; the first denies knowing him.","evidence":"t:35:24"},{"t":2136,"kind":"spoken","text":"The first man warns that asking for trouble will result in getting it.","evidence":"t:35:36"},{"t":2138,"kind":"spoken","text":"The first man states he was hired for the job.","evidence":"t:35:38"},{"t":2139,"kind":"spoken","text":"The second man asks who hired the first man.","evidence":"t:35:39"}],"people":[{"id":"p1","name":null,"presence":["visible","audible"],"appearance":"man in uniform with peaked cap, dark tie, medium build"},{"id":"p2","name":null,"presence":["visible","audible"],"appearance":"man in fedora, light-colored jacket, facing p1"}],"period":null,"quotes":[{"t":"35:18","text":"You went off and left that last night. I took out a buck for the trouble of finding you and bringing it back"},{"t":"35:24","text":"The nice place you got here  What's caprio got to do with Janie Jones? I don't know you or what you're talking about. I?  Gather you won't mind if I talk it over with caprio. Oh"},{"t":"35:36","text":"You ask for trouble, you'll get it."},{"t":"35:39","text":"Who hired you?"}],"objects":[{"name":"peaked cap","frame":1},{"name":"fedora","frame":1},{"name":"uniform jacket","frame":1},{"name":"building with arches in background","frame":1}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"tense","themes":["confrontation","mystery","hired work"],"style_notes":"medium two-shot, high-contrast lighting, classic noir framing"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:40:42Z","flags":[],"checked":{"names":2,"quotes":4,"visible_claimed":0,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:05:51.760128+00:00","id":"I_Love_Trouble_movie:b78:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=2116","transcript_segments":[278,279,280,281,282],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":79,"start_s":2140.4087,"end_s":2170.4753,"first_shot":153,"last_shot":158,"sequence":51,"keyframes":[{"t":2142.3,"shot":153},{"t":2147.5,"shot":155},{"t":2155.5,"shot":156},{"t":2167.9,"shot":158}],"boundary":{"reason":"topic shift in dialogue","scores":{"ocr":0.0,"topic":0.91,"rhythm":0.8,"visual":0.076,"pause_s":0.4}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"Two men speak beside a car; one is in uniform, the other in a suit and fedora. The man in the suit mentions police business and references a 200-dollar payment from 'Aunt Sadie's hope chest.'","observations":{"place":{"value":"street","evidence":"frame:4","interior":false,"place_type":"street"},"events":[{"t":2140,"kind":"visible","text":"A man in a suit leans toward a man in uniform seated in a car.","evidence":"frame:1"},{"t":2148,"kind":"visible","text":"The man in the suit speaks to the man in uniform.","evidence":"frame:2"},{"t":2156,"kind":"visible","text":"The man in uniform looks up while seated in the car as the man in the suit stands beside him.","evidence":"frame:3"},{"t":2168,"kind":"visible","text":"The man in the suit stands between two cars on a street, speaking to the man in uniform who remains seated.","evidence":"frame:4"},{"t":2140,"kind":"spoken","text":"The man in the suit says, 'You know what would happen if I told you?'","evidence":"t:35:40"},{"t":2142,"kind":"spoken","text":"The man in the suit says, 'The guy's tough, huh?'","evidence":"t:35:42"},{"t":2144,"kind":"spoken","text":"The man in the suit says, 'You can say that again.'","evidence":"t:35:44"},{"t":2145,"kind":"spoken","text":"The man in the suit says, 'Whoever's behind you is about as dangerous as a badminton bird.'","evidence":"t:35:45"},{"t":2149,"kind":"spoken","text":"The man in the suit says, 'Giving me that 200 bucks. That's right out of Aunt Sadie's hope chest.'","evidence":"t:35:49"},{"t":2153,"kind":"spoken","text":"The man in the suit says, 'You want to tell me about it?'","evidence":"t:35:53"},{"t":2155,"kind":"spoken","text":"The man in the suit says, 'get in quick I'll talk to you is something the matter yes I'd like to talk with you police business police I see the bin then'","evidence":"t:35:55"}],"people":[{"id":"p1","name":null,"presence":["visible"],"appearance":"man in dark uniform cap and jacket, seated in a car"},{"id":"p2","name":null,"presence":["visible","audible"],"appearance":"man in light suit, white shirt, dark tie, and fedora, standing outside the car"}],"period":null,"quotes":[{"t":"35:40","text":"You know what would happen if I told you?"},{"t":"35:49","text":"Giving me that 200 bucks.  That's right out of Aunt Sadie's hope chest."},{"t":"35:53","text":"You want to tell me about it?"},{"t":"35:55","text":"get in quick I'll talk to you is something the matter yes I'd like to talk with you police business  police I see the bin then"}],"objects":[{"name":"car","evidence":"frame:1"},{"name":"fedora hat","evidence":"frame:1"},{"name":"uniform cap","evidence":"frame:1"},{"name":"suit jacket","evidence":"frame:1"},{"name":"tie","evidence":"frame:2"},{"name":"street with buildings and trees","evidence":"frame:4"}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"tense and conversational","themes":["suspicion","police involvement","money as leverage"],"style_notes":"medium close-ups and two-shots, high-contrast black-and-white lighting, period costume and car design"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:40:47Z","flags":[],"checked":{"names":2,"quotes":4,"visible_claimed":4,"visible_sampled":1},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:06:18.650965+00:00","id":"I_Love_Trouble_movie:b79:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=2140","transcript_segments":[283,284,285,286,287,288,289],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":80,"start_s":2170.4753,"end_s":2194.12,"first_shot":159,"last_shot":160,"sequence":52,"keyframes":[{"t":2175.7,"shot":159},{"t":2187.5,"shot":160}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.89,"rhythm":0.53,"visual":0.194,"pause_s":6.0},"during_speech":"cut falls inside a spoken line: no pause was available without exceeding the length cap"},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A man in a suit stands in a formally furnished room while a conversation about a chauffeur named Martin unfolds. The dialogue indicates disagreement over bringing charges against Martin, with one speaker offering to discharge him if allegations are true.","observations":{"place":{"value":"private_office","evidence":"frame:1","interior":true,"place_type":"private_office"},"events":[{"t":2176,"kind":"visible","text":"A man in a suit stands in a room with ornate furniture.","evidence":"frame:1"},{"t":2188,"kind":"visible","text":"The man looks directly at the camera with a serious expression.","evidence":"frame:2"},{"t":2174,"kind":"spoken","text":"Someone states that Martin is a chauffeur and they know nothing else about him.","evidence":"t:36:14"},{"t":2176,"kind":"spoken","text":"A speaker gives their word about not knowing more about Martin.","evidence":"t:36:16"},{"t":2182,"kind":"spoken","text":"Another speaker says they will mind if charges are brought against Martin.","evidence":"t:36:25"},{"t":2188,"kind":"spoken","text":"A speaker prefers that charges not be brought against Martin.","evidence":"t:36:28"},{"t":2191,"kind":"spoken","text":"A speaker says they will discharge Martin if the allegations are true.","evidence":"t:36:31"}],"people":[{"id":"p1","name":{"value":"Martin","evidence":"t:36:14"},"presence":["visible","audible"],"appearance":"man in dark suit, tie, and white shirt; middle-aged, mustache, curly hair"}],"period":null,"quotes":[{"t":"36:14","text":"Martin is a chauffeur."},{"t":"36:16","text":"Beyond his duties as such, I know nothing about him."},{"t":"36:28","text":"I'd rather you would not bring TARDIS against Martin."},{"t":"36:31","text":"I shall discharge him, of course, if what you say is true."}],"objects":[{"name":"ornate chair","frame":1},{"name":"curtained window","frame":1},{"name":"lamp","frame":1},{"name":"dark suit","frame":1},{"name":"tie","frame":1}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"tense and formal","themes":["authority","allegations","employment","personal accountability"],"style_notes":"medium shots, high-contrast lighting, static framing, period costume and set design"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:40:47Z","flags":[],"checked":{"names":1,"quotes":4,"visible_claimed":2,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:06:35.559210+00:00","id":"I_Love_Trouble_movie:b80:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=2170","transcript_segments":[290,291,292,293,294,295,296,297,298],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":81,"start_s":2194.12,"end_s":2219.0994,"first_shot":161,"last_shot":161,"sequence":53,"keyframes":[{"t":2206.6,"shot":161}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.87,"rhythm":0.17,"visual":0.112,"pause_s":3.2}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A man in a suit stands in a dimly lit room with ornate furniture while speaking to someone seated off-camera. The dialogue suggests a negotiation or confrontation about dropping a matter, with the speaker citing a 'passion for obscurity' as his motive.","observations":{"place":{"value":"living_room","evidence":"frame:1","interior":true,"place_type":"living_room"},"events":[{"t":2207,"kind":"visible","text":"A man in a suit stands and speaks to a seated person in a decorated room.","evidence":"frame:1"},{"t":2207,"kind":"spoken","text":"The man says he has a 'passion for obscurity' and that it is 'really a monster fear.'","evidence":"t:36:54"},{"t":2207,"kind":"spoken","text":"The seated person challenges the man to explain why he wants the matter dropped.","evidence":"t:36:41"},{"t":2207,"kind":"spoken","text":"The man says the price is cheap and that the other person wouldn't believe his reason if he told it.","evidence":"t:36:45"}],"people":[{"id":"p1","name":{"value":"Mr. Bailey","evidence":"t:36:45"},"presence":["visible","audible"],"appearance":"man in dark suit, medium build, mid-adult, standing"},{"id":"p2","name":null,"presence":["visible","audible"],"appearance":"partially visible seated figure, dark clothing, gender unclear"}],"period":null,"quotes":[{"t":"36:41","text":"The price is cheap. Just tell me why you want me to drop it."},{"t":"36:45","text":"If I told you, Mr. Bailey..."},{"t":"36:48","text":"I'm quite certain you wouldn't believe me."},{"t":"36:54","text":"I have a passion for obscurity."}],"objects":[{"name":"ornate armchair","evidence":"frame:1"},{"name":"curtained doorway","evidence":"frame:1"},{"name":"statue or sculpture","evidence":"frame:1"},{"name":"dark suit","evidence":"frame:1"}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"tense and cryptic","themes":["secrecy","negotiation","fear of exposure"],"style_notes":"medium shot, high-contrast lighting, static framing, period decor"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:40:47Z","flags":[],"checked":{"names":2,"quotes":4,"visible_claimed":1,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:06:53.579813+00:00","id":"I_Love_Trouble_movie:b81:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=2194","transcript_segments":[299,300,301,302,303,304,305,306,307],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":82,"start_s":2219.0994,"end_s":2252.7522,"first_shot":162,"last_shot":164,"sequence":53,"keyframes":[{"t":2222.9,"shot":162},{"t":2237.3,"shot":163},{"t":2250.4,"shot":164}],"boundary":{"reason":"topic shift in dialogue","scores":{"ocr":0.0,"topic":0.89,"rhythm":0.13,"visual":0.119,"pause_s":0.8}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A man introduces himself as Mr. Bailey to a couple, mentioning an investigation involving a chauffeur named Martin and an ex-showgirl named Janie Joy. The woman, addressed as Lisa, questions why he is discussing this with them.","observations":{"place":{"value":"living_room","evidence":"frame:2","interior":true,"place_type":"living_room"},"events":[{"t":2223,"kind":"visible","text":"Mr. Bailey is seated and speaking.","evidence":"frame:1"},{"t":2237,"kind":"visible","text":"Mr. Bailey is introduced to Lisa and her husband in a living room.","evidence":"frame:2"},{"t":2250,"kind":"visible","text":"Lisa looks down, appearing concerned or thoughtful.","evidence":"frame:3"},{"t":2223,"kind":"spoken","text":"Mr. Bailey states he is investigating an ex-showgirl named Janie Joy.","evidence":"t:37:22"},{"t":2237,"kind":"spoken","text":"Lisa asks why Mr. Bailey wants to talk with them about the difficulty with the chauffeur.","evidence":"t:37:19"},{"t":2237,"kind":"spoken","text":"Linick reports he cannot find Martin.","evidence":"t:37:14"}],"people":[{"id":"p1","name":null,"presence":["visible"],"appearance":"man with curly hair and beard, wearing dark suit and tie, seated in ornate chair"},{"id":"p2","name":{"value":"Lisa","evidence":"t:37:06"},"presence":["visible"],"appearance":"woman with dark hair, wearing dark dress with high collar and necklace, standing"},{"id":"p3","name":{"value":"Mr. Bailey","evidence":"t:37:08"},"presence":["visible"],"appearance":"man in dark suit, standing, partially visible"},{"id":"p4","name":{"value":"Linick","evidence":"t:37:14"},"presence":["visible"],"appearance":"man in dark suit, standing in background"}],"period":null,"quotes":[{"t":"37:08","text":"This is Mr. Bailey."},{"t":"37:09","text":"Mr Bailey, my wife."},{"t":"37:11","text":"Mr. Bailey has had some difficulty with your chauffeur."},{"t":"37:22","text":"I'm investigating an ex-showgirl named Janie Joy.  Martin's working for someone who'd like me to quit.  Tell me..."}],"objects":[{"name":"ornate chair","frame":1},{"name":"curtains","frame":2},{"name":"table with flowers","frame":2},{"name":"vase","frame":3}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"tense and inquisitive","themes":["mystery","social class","investigation"],"style_notes":"medium close-ups and two-shots, high-contrast lighting, formal framing"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:40:47Z","flags":[],"checked":{"names":4,"quotes":4,"visible_claimed":3,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:07:17.594203+00:00","id":"I_Love_Trouble_movie:b82:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=2219","transcript_segments":[308,309,310,311,312,313,314,315,316,317,318,319],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":83,"start_s":2252.7522,"end_s":2293.9534,"first_shot":165,"last_shot":166,"sequence":54,"keyframes":[{"t":2255.0,"shot":165},{"t":2275.6,"shot":166}],"boundary":{"reason":"topic shift in dialogue","scores":{"ocr":0.0,"topic":0.9,"rhythm":0.06,"visual":0.131,"pause_s":0.6}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A man and a woman converse in a formal interior setting; the man is identified as Mr. Bailey and mentions a name, Stuart G. The woman states she was in a convent in Rio in 1942.","observations":{"place":{"value":"private_office","evidence":"frame:1","interior":true,"place_type":"private_office"},"events":[{"t":2253,"kind":"spoken","text":"Mr. Bailey speaks to Nancy about something tougher than what was previously discussed.","evidence":"t:37:32"},{"t":2255,"kind":"visible","text":"Mr. Bailey is visible in a medium shot, adjusting his collar or ear.","evidence":"frame:1"},{"t":2276,"kind":"visible","text":"Mr. Bailey and Nancy face each other in conversation; he holds a glass.","evidence":"frame:2"},{"t":2287,"kind":"spoken","text":"Nancy mentions being in a convent in Rio in 1942.","evidence":"t:38:10"}],"people":[{"id":"p1","name":{"value":"Mr. Bailey","evidence":"t:37:52"},"presence":["visible","audible"],"appearance":"man, mid-30s, medium build, wearing dark suit and tie, neat hair"},{"id":"p2","name":{"value":"Nancy","evidence":"t:37:32"},"presence":["visible","audible"],"appearance":"woman, mid-30s, medium build, dark curly hair with white ribbon, wearing patterned dress with high collar"}],"period":null,"quotes":[{"t":"37:32","text":"I know something tougher than that, Nancy."},{"t":"37:52","text":"That is an interesting observation, Mr. Bailey."},{"t":"38:00","text":"Fine. My name's in the book, Stuart G."},{"t":"38:10","text":"I was in a convent in Rio in 1942, Mr. Bailey."}],"objects":[{"name":"glass","frame":2},{"name":"dark suit","frame":1},{"name":"patterned dress with high collar","frame":2},{"name":"white ribbon in hair","frame":2}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"tense and formal","themes":["class","gender roles","interrogation","identity"],"style_notes":"medium close-ups, high-contrast lighting, static framing, period costume"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:40:47Z","flags":[],"checked":{"names":2,"quotes":4,"visible_claimed":2,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:07:27.150338+00:00","id":"I_Love_Trouble_movie:b83:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=2252","transcript_segments":[320,321,322,323,324,325,326,327,328,329,330,331,332,333],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":84,"start_s":2293.9534,"end_s":2316.055,"first_shot":167,"last_shot":169,"sequence":54,"keyframes":[{"t":2298.2,"shot":167},{"t":2303.3,"shot":168},{"t":2310.1,"shot":169}],"boundary":{"reason":"topic shift in dialogue","scores":{"ocr":0.0,"topic":0.92,"rhythm":0.27,"visual":0.054,"pause_s":0.9}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A woman and a man are in a room; the man holds a glass and speaks while the woman listens. The transcript mentions a character named Jamie Joy and Martine, and the man invites the woman to sit down.","observations":{"place":{"value":"living_room","evidence":"frame:3","interior":true,"place_type":"living_room"},"events":[{"t":2298,"kind":"visible","text":"Woman looks toward the man, listening.","evidence":"frame:1"},{"t":2303,"kind":"visible","text":"Man speaks while holding a glass.","evidence":"frame:2"},{"t":2310,"kind":"visible","text":"Man stands behind the seated woman, holding a glass.","evidence":"frame:3"},{"t":2294,"kind":"spoken","text":"Speaker suggests Jamie Joy might be Martine's sweetheart, calling it harmless.","evidence":"t:38:14"},{"t":2300,"kind":"spoken","text":"Speaker asks what the other knows about her.","evidence":"t:38:20"},{"t":2302,"kind":"spoken","text":"Speaker replies that they know enough to know she isn't.","evidence":"t:38:22"},{"t":2305,"kind":"spoken","text":"Speaker invites the other to sit down.","evidence":"t:38:25"}],"people":[{"id":"p1","name":null,"presence":["visible"],"appearance":"woman, dark hair styled up, wearing a dark top with a high collar and a necklace"},{"id":"p2","name":null,"presence":["visible","audible"],"appearance":"man, wearing a suit and tie, holding a glass"}],"period":null,"quotes":[{"t":"38:14","text":"Perhaps this girl, uh, Jamie Joy, is the sweetheart of Martine.  That is harmless enough."},{"t":"38:20","text":"Oh, what do you know about her?"},{"t":"38:22","text":"Enough to know she isn't."},{"t":"38:25","text":"Why don't you sit down?"}],"objects":[{"name":"glass","evidence":"frame:2"},{"name":"necklace","evidence":"frame:1"},{"name":"furniture (sofa, table)","evidence":"frame:3"}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"tense, conversational","themes":["romantic suspicion","social interaction"],"style_notes":"black-and-white, medium close-ups and two-shots, studio lighting with soft shadows"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:40:47Z","flags":[],"checked":{"names":2,"quotes":4,"visible_claimed":3,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:07:47.998077+00:00","id":"I_Love_Trouble_movie:b84:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=2293","transcript_segments":[334,335,336,337],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":85,"start_s":2316.055,"end_s":2336.447,"first_shot":170,"last_shot":170,"sequence":54,"keyframes":[{"t":2326.3,"shot":170}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.92,"rhythm":0.41,"visual":0.125,"pause_s":6.0}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A woman stands holding a glass while speaking to a seated man in a dimly lit room with heavy drapes and a closed door. The dialogue suggests an offer of a drink and a forthcoming arrival named Martin.","observations":{"place":{"value":"private_office","evidence":"frame:1","interior":true,"place_type":"private_office"},"events":[{"t":2321,"kind":"spoken","text":"The woman offers to fix another drink.","evidence":"t:38:41"},{"t":2328,"kind":"spoken","text":"The woman asks a personal question.","evidence":"t:38:48"},{"t":2334,"kind":"spoken","text":"The woman states that Martin will arrive soon.","evidence":"t:38:54"}],"people":[{"id":"p1","name":null,"presence":["visible","audible"],"appearance":"woman, mid-adult, wearing a dark jacket or robe, standing"},{"id":"p2","name":null,"presence":["visible","audible"],"appearance":"man, mid-adult, wearing a suit and tie, seated"}],"period":null,"quotes":[{"t":"38:41","text":"May I fix you another drink?"},{"t":"38:48","text":"May I ask you a personal question?"},{"t":"38:54","text":"Martin will be here presently"}],"objects":[{"name":"glass","evidence":"frame:1"},{"name":"heavy drapes","evidence":"frame:1"},{"name":"closed door","evidence":"frame:1"},{"name":"armchair","evidence":"frame:1"}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"tense and anticipatory","themes":["personal inquiry","waiting","social ritual"],"style_notes":"medium shot, high-contrast lighting, static framing, classic noir interior"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:40:47Z","flags":[],"checked":{"names":2,"quotes":3,"visible_claimed":0,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:07:50.318663+00:00","id":"I_Love_Trouble_movie:b85:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=2316","transcript_segments":[338,339,340],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":86,"start_s":2336.447,"end_s":2423.4778,"first_shot":171,"last_shot":171,"sequence":54,"keyframes":[{"t":2380.0,"shot":171}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.9,"rhythm":0.22,"visual":0.183,"pause_s":6.0},"during_speech":"cut falls inside a spoken line: no pause was available without exceeding the length cap"},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A man in a suit speaks with two others in a room while a woman sits nearby; the dialogue concerns a man named Martin and an event that allegedly occurred the previous night. The speaker concludes by dismissing Martin and thanking Mrs. Caprio.","observations":{"place":{"value":"living_room","evidence":"frame:1","interior":true,"place_type":"living_room"},"events":[{"t":2380,"kind":"visible","text":"Mr. Bailey speaks to Martin and Mrs. Caprio in a living room.","evidence":"frame:1"},{"t":2341,"kind":"spoken","text":"Mr. Bailey asks Martin to tell his side of the story.","evidence":"t:39:05"},{"t":2348,"kind":"spoken","text":"Martin says he saw a man 10 minutes ago who asked who lived there.","evidence":"t:39:13"},{"t":2359,"kind":"spoken","text":"Mrs. Caprio confirms she was on duty last night and says her teen was there.","evidence":"t:39:34"},{"t":2389,"kind":"spoken","text":"Mr. Bailey thanks Mrs. Caprio and dismisses Martin.","evidence":"t:39:49"}],"people":[{"id":"p1","name":{"value":"Mr. Bailey","evidence":"t:39:25"},"presence":["visible","audible"],"appearance":"man in dark suit, standing, medium build"},{"id":"p2","name":{"value":"Martin","evidence":"t:39:05"},"presence":["visible","audible"],"appearance":"man in dark suit, standing, medium build, facing p1"},{"id":"p3","name":{"value":"Mrs. Caprio","evidence":"t:39:49"},"presence":["visible","audible"],"appearance":"woman seated, wearing patterned dress and necklace, older"},{"id":"p4","name":null,"presence":["visible"],"appearance":"man in dark suit, standing, partially visible on left"}],"period":null,"quotes":[{"t":"39:05","text":"I'd like to hear your side of the story, Martins."},{"t":"39:13","text":"About 10 minutes ago, he asked me who lived here."},{"t":"39:34","text":"Then I know you are mistaken. My teen was here."},{"t":"39:49","text":"Thanks, Mrs. Caprio. That's all I wanted to know."}],"objects":[{"name":"flower arrangement","frame":1},{"name":"armchair","frame":1},{"name":"curtains","frame":1},{"name":"wall sconce","frame":1}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"tense and interrogative","themes":["interrogation","alibi","authority"],"style_notes":"medium shot, static framing, high-contrast lighting typical of 1940s noir, characters arranged in a triangular composition"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:40:47Z","flags":[],"checked":{"names":4,"quotes":4,"visible_claimed":1,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:08:23.586132+00:00","id":"I_Love_Trouble_movie:b86:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=2336","transcript_segments":[341,342,343,344,345,346,347,348,349,350,351,352,353,354,355,356,357,358,359,360,361,362,363,364,365],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":87,"start_s":2423.4778,"end_s":2433.2778,"first_shot":172,"last_shot":172,"sequence":55,"keyframes":[{"t":2428.4,"shot":172}],"boundary":{"reason":"pause in speech","scores":{"ocr":1.0,"topic":0.94,"rhythm":0.59,"visual":0.196,"pause_s":6.0}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A close-up of a typed letter is shown, featuring an illustration of an eye and lips above text that mentions Joe Miller and a confession about killing Vanderville. No people are visible or audible in this beat.","observations":{"place":{"value":"private_office","evidence":"frame:1","interior":true,"place_type":"private_office"},"events":[],"people":[],"period":null,"quotes":[],"objects":[{"name":"typed letter","frame":1,"description":"paper with typewritten text and a drawing of an eye and lips"}],"time_of_day":null,"on_screen_text":"Gene to out of you from\nCome to lunch. A character out of Joe Miller\nhas been calling you from the beach. I think\nhe's ready to confess who killed Vanderville.\n(signed) Six"},"interpretations":{"mood":"mysterious","themes":["mystery","correspondence","crime"],"style_notes":"close-up, high-contrast lighting on paper, noir-style illustration"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:40:47Z","flags":[],"checked":{"names":0,"quotes":0,"visible_claimed":0,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:08:23.590310+00:00","id":"I_Love_Trouble_movie:b87:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=2423","transcript_segments":[],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":88,"start_s":2433.2778,"end_s":2464.095,"first_shot":173,"last_shot":177,"sequence":56,"keyframes":[{"t":2435.8,"shot":173},{"t":2448.7,"shot":174},{"t":2461.5,"shot":176},{"t":2463.4,"shot":177}],"boundary":{"reason":"pause in speech","scores":{"ocr":1.0,"topic":0.92,"rhythm":0.72,"visual":0.257,"pause_s":6.0}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"Two men are on the phone in an office; one identifies the other as 'Watson' and claims to know the location and identity of Jane Breger. The conversation involves a demand for cash in exchange for information.","observations":{"place":{"value":"private_office","evidence":"frame:1","interior":true,"place_type":"private_office"},"events":[{"t":2437,"kind":"spoken","text":"A man in a suit answers the phone and is addressed as 'Watson'.","evidence":"t:40:38"},{"t":2444,"kind":"spoken","text":"The caller asks where the man has been for two days.","evidence":"t:40:44"},{"t":2446,"kind":"spoken","text":"The caller says he has something for the man but wants cash for it.","evidence":"t:40:46"},{"t":2451,"kind":"spoken","text":"The caller specifies he wants more than 40 dollars.","evidence":"t:40:51"},{"t":2456,"kind":"spoken","text":"The caller, identified as Buffen, claims to know where Jane Breger is and who she is.","evidence":"t:40:56"}],"people":[{"id":"p1","name":null,"presence":["visible","audible"],"appearance":"man in dark suit and fedora, standing, holding phone receiver"},{"id":"p2","name":{"value":"Buffen","evidence":"t:40:56"},"presence":["visible","audible"],"appearance":"bald man in light shirt and bow tie, seated, holding phone receiver"}],"period":null,"quotes":[{"t":"40:38","text":"Hiya, Sherlock. You just called me Watson. How did you find me? Easy, Watson."},{"t":"40:44","text":"Hey, where you been the last two days?"},{"t":"40:46","text":"What's on your mind? I got something for you, but it gives for cash."},{"t":"40:56","text":"You're wasting your time, Buffen. I know where Jane Breger is and who she is."}],"objects":[{"name":"telephone","frame":2},{"name":"file cabinet","frame":1},{"name":"wall clock","frame":2}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"tense and transactional","themes":["negotiation","mystery","identity"],"style_notes":"black-and-white, medium shots, high-contrast lighting, static camera"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:40:47Z","flags":[],"checked":{"names":2,"quotes":4,"visible_claimed":0,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:08:35.062947+00:00","id":"I_Love_Trouble_movie:b88:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=2433","transcript_segments":[366,367,368,369,370,371],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":89,"start_s":2464.095,"end_s":2484.1118,"first_shot":178,"last_shot":178,"sequence":57,"keyframes":[{"t":2474.1,"shot":178}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.91,"rhythm":0.11,"visual":0.249,"pause_s":2.2}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A man in a suit and fedora stands indoors holding a pistol, speaking to someone named Bailey. He demands that Bailey come down to talk.","observations":{"place":{"value":"private_office","evidence":"frame:1","interior":true,"place_type":"private_office"},"events":[{"t":2465,"kind":"spoken","text":"A man holds a pistol and speaks to someone named Bailey.","evidence":"t:41:05"},{"t":2474,"kind":"visible","text":"A man in a suit and fedora stands holding a pistol in a room with striped curtains.","evidence":"frame:1"}],"people":[{"id":"p1","name":{"value":"Bailey","evidence":"t:41:05"},"presence":["visible","audible"],"appearance":"man in dark suit, white shirt, tie, and fedora hat, holding a pistol"}],"period":null,"quotes":[{"t":"41:05","text":"You'll kill me, Bailey.  If you're smart, you'll come down here now and be ready to talk turkey."}],"objects":[{"name":"pistol","frame":1},{"name":"fedora hat","frame":1},{"name":"striped curtains","frame":1}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"tense","themes":["confrontation","threat","negotiation"],"style_notes":"medium shot, high-contrast lighting, noir-style framing with shadows and vertical lines from curtains"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:40:47Z","flags":[],"checked":{"names":1,"quotes":1,"visible_claimed":1,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:08:42.819063+00:00","id":"I_Love_Trouble_movie:b89:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=2464","transcript_segments":[372],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":90,"start_s":2484.1118,"end_s":2485.738,"first_shot":179,"last_shot":179,"sequence":58,"keyframes":[{"t":2484.9,"shot":179}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.91,"rhythm":0.38,"visual":0.196,"pause_s":6.0}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A black car is parked in front of a roadside diner named 'Betty's Buffet' under bright daylight. No people are visible in the frame, and no dialogue is provided.","observations":{"place":{"value":"Betty's Buffet","evidence":"frame:1","interior":false,"place_type":"restaurant"},"events":[],"people":[],"period":null,"quotes":[],"objects":[{"name":"black car","evidence":"frame:1"},{"name":"Betty's Buffet sign","evidence":"frame:1"}],"time_of_day":null,"on_screen_text":"FOOD BETTY'S BUFFET"},"interpretations":{"mood":"neutral","themes":["roadside Americana","automobile culture"],"style_notes":"static wide shot, high-contrast black-and-white, clear signage, mid-century roadside architecture"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:40:47Z","flags":[],"checked":{"names":0,"quotes":0,"visible_claimed":0,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:08:52.044205+00:00","id":"I_Love_Trouble_movie:b90:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=2484","transcript_segments":[],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":91,"start_s":2485.738,"end_s":2505.4211,"first_shot":180,"last_shot":183,"sequence":59,"keyframes":[{"t":2487.4,"shot":180},{"t":2491.8,"shot":181},{"t":2498.7,"shot":182},{"t":2504.2,"shot":183}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.91,"rhythm":0.1,"visual":0.151,"pause_s":6.0}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A man in a suit and hat enters a closed establishment, passing a sign that reads 'Closed OPEN 4 PM'. The interior is dimly lit with windows showing daylight outside. The final frame is black.","observations":{"place":{"name":"shop","evidence":"frame:1, frame:3","interior":true,"place_type":"shop"},"events":[{"t":2487,"kind":"visible","text":"A man approaches a door with a 'Closed OPEN 4 PM' sign.","evidence":"frame:1"},{"t":2492,"kind":"visible","text":"The man enters the establishment.","evidence":"frame:2"},{"t":2499,"kind":"visible","text":"The man stands inside the dimly lit interior, near windows showing daylight.","evidence":"frame:3"},{"t":2504,"kind":"visible","text":"The screen cuts to black.","evidence":"frame:4"},{"t":2486,"kind":"spoken","text":"Someone asks 'What's that? You see? There he is. He'll come in.'","evidence":"t:41:26"}],"people":[{"id":"p1","name":null,"presence":["visible"],"appearance":"man wearing a suit and fedora hat"}],"period":null,"quotes":[{"t":"41:26","text":"What's that?  You see?  There he is.  He'll come in."}],"objects":[{"name":"sign reading 'Closed OPEN 4 PM'","frame":1},{"name":"door with glass panel","frame":1},{"name":"windows showing daylight","frame":3},{"name":"counter or table with items","frame":3}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"suspenseful","themes":["intrusion","anticipation","secrecy"],"style_notes":"black-and-white, medium shots, high contrast lighting, static camera"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:40:50Z","flags":[],"checked":{"names":1,"quotes":1,"visible_claimed":4,"visible_sampled":1},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:09:32.742504+00:00","id":"I_Love_Trouble_movie:b91:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=2485","transcript_segments":[373],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":92,"start_s":2505.4211,"end_s":2524.145,"first_shot":184,"last_shot":185,"sequence":60,"keyframes":[{"t":2506.3,"shot":184},{"t":2515.7,"shot":185}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.88,"rhythm":0.32,"visual":0.17,"pause_s":6.0},"during_speech":"cut falls inside a spoken line: no pause was available without exceeding the length cap"},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A man in a white shirt and bow tie stands in a room with shelves and equipment, while another man in a coat is seen from behind near a coat rack. The transcript indicates a refusal to talk and a plan to give someone a story.","observations":{"place":{"value":"kitchen","evidence":"frame:1","interior":true,"place_type":"kitchen"},"events":[{"t":2505,"kind":"spoken","text":"A man refuses to talk.","evidence":"t:41:51"},{"t":2510,"kind":"spoken","text":"A man says he will give someone a story.","evidence":"t:41:56"},{"t":2516,"kind":"visible","text":"A bald man in a white shirt and bow tie stands in a room.","evidence":"frame:2"},{"t":2506,"kind":"visible","text":"A man in a coat is seen from behind near a coat rack.","evidence":"frame:1"}],"people":[{"id":"p1","name":null,"presence":["visible"],"appearance":"man in dark coat, seen from behind"},{"id":"p2","name":null,"presence":["visible","audible"],"appearance":"bald man in white shirt and bow tie, standing"}],"period":null,"quotes":[{"t":"41:51","text":"I won't...  I won't talk."},{"t":"41:56","text":"I'll give him a story.  What, sir?  See? He'll come in in a second.  I won't talk."}],"objects":[{"name":"coat rack","evidence":"frame:1"},{"name":"shelves with equipment","evidence":"frame:1"},{"name":"bow tie","evidence":"frame:2"}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"tense","themes":["refusal","confrontation","narrative control"],"style_notes":"black-and-white, medium shots, high contrast lighting, static framing"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:40:54Z","flags":[],"checked":{"names":2,"quotes":2,"visible_claimed":2,"visible_sampled":1},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:09:36.512407+00:00","id":"I_Love_Trouble_movie:b92:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=2505","transcript_segments":[374,375],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":93,"start_s":2524.145,"end_s":2533.8198,"first_shot":186,"last_shot":187,"sequence":60,"keyframes":[{"t":2527.0,"shot":186},{"t":2531.8,"shot":187}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.0,"rhythm":0.16,"visual":0.117,"pause_s":6.0}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A man in a suit and fedora is seen in a cluttered interior space, then holding a pistol near a doorway. No dialogue or on-screen text is present in this beat.","observations":{"place":{"value":"private_office","evidence":"frame:1","interior":true,"place_type":"private_office"},"events":[{"t":2527,"kind":"visible","text":"A man in a suit stands in a cluttered office, facing a desk or counter.","evidence":"frame:1"},{"t":2532,"kind":"visible","text":"The same man stands in profile near a doorway, holding a pistol in his right hand.","evidence":"frame:2"}],"people":[{"id":"p1","name":null,"presence":["visible"],"appearance":"man in a dark suit, white shirt, tie, and fedora hat"}],"period":null,"quotes":[],"objects":[{"name":"fedora hat","evidence":"frame:1"},{"name":"suit","evidence":"frame:1"},{"name":"pistol","evidence":"frame:2"},{"name":"chairs","evidence":"frame:1"},{"name":"shelves with jars and bottles","evidence":"frame:1"}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"tense","themes":["suspense","crime"],"style_notes":"black-and-white, medium shots, high-contrast lighting casting strong shadows"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:40:54Z","flags":[],"checked":{"names":1,"quotes":0,"visible_claimed":2,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:09:59.666942+00:00","id":"I_Love_Trouble_movie:b93:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=2524","transcript_segments":[],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":94,"start_s":2533.8198,"end_s":2551.668,"first_shot":188,"last_shot":189,"sequence":61,"keyframes":[{"t":2539.9,"shot":188},{"t":2548.8,"shot":189}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.0,"rhythm":0.27,"visual":0.123,"pause_s":6.0}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A man in a hat stands near a window in a dim room, then walks down outdoor stairs near a beach. No dialogue or on-screen text is present in these frames.","observations":{"place":{"value":"beach","evidence":"frame:2","interior":false,"place_type":"beach"},"events":[{"t":2540,"kind":"visible","text":"A man stands silhouetted near a window in a dim room.","evidence":"frame:1"},{"t":2549,"kind":"visible","text":"The same man walks down outdoor stairs beside a sandy area.","evidence":"frame:2"}],"people":[{"id":"p1","name":null,"presence":["visible"],"appearance":"man wearing a hat and dark coat"}],"period":null,"quotes":[],"objects":[{"name":"hat","evidence":"frame:1"},{"name":"stairs","evidence":"frame:2"},{"name":"window","evidence":"frame:1"}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"somber","themes":["isolation","transition"],"style_notes":"high-contrast lighting, silhouetted figure, wide shot on beach"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:40:54Z","flags":[],"checked":{"names":1,"quotes":0,"visible_claimed":2,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:09:59.669080+00:00","id":"I_Love_Trouble_movie:b94:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=2533","transcript_segments":[],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":95,"start_s":2551.668,"end_s":2572.894,"first_shot":190,"last_shot":190,"sequence":62,"keyframes":[{"t":2562.3,"shot":190}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":1.0,"rhythm":0.45,"visual":0.064,"pause_s":6.0}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A man in a fedora and suit kneels beside a bed in a dimly lit room, handling an object. The setting appears to be a bedroom with period furnishings.","observations":{"place":{"value":"bedroom","evidence":"frame:1","interior":true,"place_type":"bedroom"},"events":[{"t":2562,"kind":"visible","text":"A man kneels beside a bed and handles an object.","evidence":"frame:1"}],"people":[{"id":"p1","name":null,"presence":["visible"],"appearance":"man wearing a fedora hat and dark suit, kneeling"}],"period":null,"quotes":[],"objects":[{"name":"fedora hat","frame":1},{"name":"bed with patterned cover","frame":1},{"name":"wooden headboard","frame":1},{"name":"window with light coming through","frame":1}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"quiet, focused","themes":["private moment","period interior"],"style_notes":"medium shot, high contrast lighting, static framing"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:40:54Z","flags":[],"checked":{"names":1,"quotes":0,"visible_claimed":1,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:10:16.701742+00:00","id":"I_Love_Trouble_movie:b95:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=2551","transcript_segments":[],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":96,"start_s":2572.894,"end_s":2587.5312,"first_shot":191,"last_shot":192,"sequence":63,"keyframes":[{"t":2578.4,"shot":191},{"t":2585.8,"shot":192}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":1.0,"rhythm":0.34,"visual":0.098,"pause_s":6.0}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A man in a suit and hat stands inside a building near a window; a door with a 'Closed OPEN 4 PM' sign and a 'SOFT DRINKS' sign is shown. No dialogue or on-screen text beyond the signs is present in this beat.","observations":{"place":{"value":"shop","reason":null,"evidence":"frame:2","interior":true,"place_type":"shop"},"events":[],"people":[{"id":"p1","name":null,"presence":["visible"],"appearance":"man wearing a suit and fedora hat, seen in profile"}],"period":null,"quotes":[],"objects":[{"name":"sign reading 'Closed OPEN 4 PM'","frame":2},{"name":"sign reading 'SOFT DRINKS'","frame":2},{"name":"door with glass panel","frame":2},{"name":"window with daylight visible outside","frame":1}],"time_of_day":null,"on_screen_text":[{"text":"Closed OPEN 4 PM","frame":2},{"text":"SOFT DRINKS","frame":2}]},"interpretations":{"mood":"neutral","themes":["business closure","urban commerce"],"style_notes":"static medium shots, high-contrast black-and-white lighting, typical of 1940s studio production"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:40:54Z","flags":[],"checked":{"names":1,"quotes":0,"visible_claimed":0,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:10:19.148541+00:00","id":"I_Love_Trouble_movie:b96:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=2572","transcript_segments":[],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":97,"start_s":2587.5312,"end_s":2601.1677,"first_shot":193,"last_shot":193,"sequence":64,"keyframes":[{"t":2594.3,"shot":193}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.0,"rhythm":0.27,"visual":0.177,"pause_s":6.0}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A man in a dark suit and hat walks along a paved path beside a rocky shoreline. A building with signage is visible to the left, and the sea is in the background.","observations":{"place":{"name":"sidewalk beside rocky shore","evidence":"frame:1","interior":false,"place_type":"sidewalk"},"events":[{"t":2594,"kind":"visible","text":"A man walks briskly along a paved path beside a rocky shoreline.","evidence":"frame:1"}],"people":[{"id":"p1","name":null,"presence":["visible"],"appearance":"man wearing dark suit, fedora hat, and dark shoes"}],"period":null,"quotes":[],"objects":[{"name":"building with signage","evidence":"frame:1"},{"name":"rocky shoreline","evidence":"frame:1"},{"name":"sea","evidence":"frame:1"}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"solitary, purposeful","themes":["solitude","movement","urban coastal edge"],"style_notes":"medium long shot, high-contrast black-and-white, strong shadows, static camera"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:40:54Z","flags":[],"checked":{"names":1,"quotes":0,"visible_claimed":1,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:10:31.814372+00:00","id":"I_Love_Trouble_movie:b97:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=2587","transcript_segments":[],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":98,"start_s":2601.1677,"end_s":2662.135,"first_shot":194,"last_shot":194,"sequence":65,"keyframes":[{"t":2631.7,"shot":194}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.0,"rhythm":0.2,"visual":0.27,"pause_s":6.0}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A man and a woman are on the phone in a room; the woman reports a murder at Buster Buffen's Buffet in Venice, and the man invites her to dinner at his apartment. The man arrives by car, and they meet at the door, where she expresses curiosity about his motives.","observations":{"place":{"value":"private_office","evidence":"frame:1","interior":true,"place_type":"private_office"},"events":[{"t":2606,"kind":"spoken","text":"The woman reports a murder at Buster Buffen's Buffet in Venice.","evidence":"t:43:26"},{"t":2626,"kind":"spoken","text":"The man notes the phone is ringing and comments on being hungry.","evidence":"t:43:46"},{"t":2636,"kind":"spoken","text":"The man invites the woman to dinner at his apartment and says his car is arriving.","evidence":"t:43:56"},{"t":2649,"kind":"spoken","text":"The man tells the woman to open the door.","evidence":"t:44:09"},{"t":2653,"kind":"spoken","text":"The woman asks how the man feels; he replies 'Fine' and 'curious'.","evidence":"t:44:13"},{"t":2657,"kind":"spoken","text":"The woman notes they have talked about everything except why he brought her up there.","evidence":"t:44:17"}],"people":[{"id":"p1","name":null,"presence":["visible","audible"],"appearance":"woman with wavy hair, wearing a light-colored blouse, visible holding a phone receiver"},{"id":"p2","name":null,"presence":["visible","audible"],"appearance":"man in dark suit and fedora, holding phone receiver, standing near window with shutters"}],"period":null,"quotes":[{"t":"43:26","text":"I want to report a murder.  Buster Buffen's Buffet in Venice."},{"t":"43:56","text":"That's what I called about. I want you to have dinner with me tonight. Where? Here, my apartment. Think you can find it again? That car you hear coming to a screeching stop is me."},{"t":"44:09","text":"Open the door."},{"t":"44:17","text":"Yes, we've talked about everything except why you brought me up here"}],"objects":[{"name":"telephone","frame":1},{"name":"window with shutters","frame":1},{"name":"desk or table with objects","frame":1}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"tense and conversational","themes":["mystery","romantic tension","telephone communication"],"style_notes":"black-and-white, medium two-shot, studio lighting, static framing"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:40:54Z","flags":[],"checked":{"names":2,"quotes":4,"visible_claimed":0,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:10:59.805781+00:00","id":"I_Love_Trouble_movie:b98:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=2601","transcript_segments":[376,377,378,379,380,381],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":99,"start_s":2662.135,"end_s":2683.1526,"first_shot":195,"last_shot":198,"sequence":66,"keyframes":[{"t":2666.2,"shot":195},{"t":2674.0,"shot":196},{"t":2678.9,"shot":197},{"t":2681.6,"shot":198}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.92,"rhythm":0.62,"visual":0.173,"pause_s":2.4}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A woman and a man sit at a table with candles, engaged in a tense conversation about being followed. The man questions the woman's ability to notice surveillance, and she reacts with visible concern.","observations":{"place":{"value":"restaurant","evidence":"frame:1","interior":true,"place_type":"restaurant"},"events":[{"t":2662,"kind":"spoken","text":"The woman begins to speak about being followed.","evidence":"t:44:23"},{"t":2666,"kind":"visible","text":"The woman is shown seated at a candlelit table, looking directly ahead.","evidence":"frame:1"},{"t":2674,"kind":"visible","text":"The man is shown seated across from her, partially obscured by smoke.","evidence":"frame:2"},{"t":2679,"kind":"visible","text":"The woman reacts with a hand to her chin, appearing startled or thoughtful.","evidence":"frame:3"},{"t":2682,"kind":"visible","text":"The man holds a cigarette and looks toward the woman, speaking.","evidence":"frame:4"},{"t":2683,"kind":"spoken","text":"The man questions the woman's ability to detect being followed.","evidence":"t:44:32"}],"people":[{"id":"p1","name":null,"presence":["visible"],"appearance":"woman, light-colored dress, styled hair, seated"},{"id":"p2","name":null,"presence":["visible"],"appearance":"man, dark suit, tie, seated, holding cigarette"}],"period":null,"quotes":[{"t":"44:23","text":"Now we're going to talk about that"},{"t":"44:27","text":"I'd like to know why you're having me followed."},{"t":"44:32","text":"It takes a very special kind of girl to spot the fact she's being followed when it's done right."},{"t":"44:32","text":"And what kind of a girl would that be?  One who peers over her shoulder while she walks."}],"objects":[{"name":"candles","frame":1},{"name":"cigarette","frame":4},{"name":"table","frame":1},{"name":"lamp","frame":4}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"tense, interrogative","themes":["surveillance","suspicion","gendered observation"],"style_notes":"close-up shots, chiaroscuro lighting with candles and lamp, intimate framing"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:40:56Z","flags":[],"checked":{"names":2,"quotes":4,"visible_claimed":4,"visible_sampled":1},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:11:17.058117+00:00","id":"I_Love_Trouble_movie:b99:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=2662","transcript_segments":[382,383,384],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":100,"start_s":2683.1526,"end_s":2723.1025,"first_shot":199,"last_shot":200,"sequence":66,"keyframes":[{"t":2688.5,"shot":199},{"t":2708.4,"shot":200}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.86,"rhythm":0.26,"visual":0.065,"pause_s":3.0}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A woman stands in a room speaking to a seated man; she references being followed and a prior evening at his apartment. The man listens, holding a cigarette, in a dimly lit interior with furniture and a lamp visible.","observations":{"place":{"value":"living_room","evidence":"frame:1","interior":true,"place_type":"living_room"},"events":[{"t":2688,"kind":"visible","text":"A woman stands facing a seated man in a room.","evidence":"frame:1"},{"t":2708,"kind":"visible","text":"The woman turns slightly, revealing more of the room's interior.","evidence":"frame:2"},{"t":2685,"kind":"spoken","text":"The woman says, 'And that's the kind of a girl you think I am? Well, remember my occupational disease.'","evidence":"t:44:45"},{"t":2692,"kind":"spoken","text":"The woman asks, 'So you still don't believe what I told you about Janie?'","evidence":"t:44:52"},{"t":2697,"kind":"spoken","text":"The woman says, 'you. The one thing you had me followed. You can't expect me to ignore that. And for another thing that was last night. You took me to your apartment. We had our drinks. You took me home. No tired line. No phony preliminaries. I like that kind of guy. I was going to wait'","evidence":"t:44:57"}],"people":[{"id":"p1","name":null,"presence":["visible","audible"],"appearance":"woman, dark hair, wearing a light-colored blouse and dark skirt, standing"},{"id":"p2","name":null,"presence":["visible","audible"],"appearance":"man, wearing a suit and tie, seated, holding a cigarette"}],"period":null,"quotes":[{"t":"44:45","text":"And that's the kind of a girl you think I am?  Well, remember my occupational disease."},{"t":"44:52","text":"So you still don't believe what I told you about Janie?"},{"t":"44:57","text":"you. The one thing you had me followed. You can't expect me to ignore that. And for another  thing that was last night. You took me to your apartment. We had our drinks. You took  me home. No tired line. No phony preliminaries. I like that kind of guy. I was going to wait"}],"objects":[{"name":"cigarette","evidence":"frame:1"},{"name":"lamp","evidence":"frame:2"},{"name":"striped sofa","evidence":"frame:2"},{"name":"table","evidence":"frame:2"},{"name":"candles","evidence":"frame:1"},{"name":"flower arrangement","evidence":"frame:1"}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"tense, conversational","themes":["mistrust","romantic tension","personal revelation"],"style_notes":"black-and-white, medium shots, studio lighting with soft shadows, period furnishings"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:41:02Z","flags":[],"checked":{"names":2,"quotes":3,"visible_claimed":2,"visible_sampled":1},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:11:58.724585+00:00","id":"I_Love_Trouble_movie:b100:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=2683","transcript_segments":[385,386,387],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":101,"start_s":2723.1025,"end_s":2772.602,"first_shot":201,"last_shot":201,"sequence":67,"keyframes":[{"t":2747.9,"shot":201}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.88,"rhythm":0.34,"visual":0.092,"pause_s":6.0},"during_speech":"cut falls inside a spoken line: no pause was available without exceeding the length cap"},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A man and a woman are in a room; the man speaks about a picture and a sister named Jamie, then answers a ringing phone. The woman listens with a concerned expression.","observations":{"place":{"value":"private_office","evidence":"frame:1","interior":true,"place_type":"private_office"},"events":[{"t":2723,"kind":"spoken","text":"The man tells the woman to get out and references a picture on his desk.","evidence":"t:45:27"},{"t":2728,"kind":"spoken","text":"The man claims the woman is mistaken about Jamie’s appearance, noting Jamie had dark red hair and may have worn a wig.","evidence":"t:45:32"},{"t":2762,"kind":"spoken","text":"Someone says the phone is ringing.","evidence":"t:46:02"},{"t":2770,"kind":"spoken","text":"The man answers the phone.","evidence":"t:46:10"}],"people":[{"id":"p1","name":null,"presence":["visible","audible"],"appearance":"man, dark suit, tie, short dark hair, medium build"},{"id":"p2","name":{"value":"Jamie","evidence":"t:45:32"},"presence":["visible"],"appearance":"woman, light blouse, shoulder-length wavy hair, fair complexion"}],"period":null,"quotes":[{"t":"45:27","text":"Get out right now instead. You remember that picture you saw on my desk?"},{"t":"45:32","text":"yes that was your long-lost sister Jamie well they coached you well whatever information I had you had but they forgot to show you what she looked like but you're wrong Jamie had dark red hair she must have been wearing a wig in that picture what of it it wouldn't change her that much it's right it couldn't have changed her that much"},{"t":"46:02","text":"Your phone's ringing."},{"t":"46:10","text":"Hello?"}],"objects":[{"name":"telephone","evidence":"frame:1"},{"name":"desk","evidence":"t:45:27"}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"tense","themes":["identity","deception","confrontation"],"style_notes":"medium two-shot, studio lighting, black-and-white, mid-century costume design"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:41:02Z","flags":[],"checked":{"names":2,"quotes":4,"visible_claimed":0,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:12:00.713290+00:00","id":"I_Love_Trouble_movie:b101:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=2723","transcript_segments":[388,389,390,391],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":102,"start_s":2772.602,"end_s":2793.6196,"first_shot":202,"last_shot":202,"sequence":67,"keyframes":[{"t":2783.1,"shot":202}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.9,"rhythm":0.25,"visual":0.05,"pause_s":2.3}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A man on the phone tells a woman named Hazel that someone is being tailed by a man in a car with a wooden side, and instructs her to see Jenkins after dinner for information on John Vega Caprio and his wife. The scene takes place indoors, likely in a private office or newsroom, with both individuals visible and engaged in conversation.","observations":{"place":{"name":"private_office","evidence":"frame:1","interior":true,"place_type":"private_office"},"events":[{"t":2783,"kind":"visible","text":"Man speaks on telephone while woman listens intently.","evidence":"frame:1"},{"t":2773,"kind":"spoken","text":"Man says 'It's for you.'","evidence":"t:46:13"},{"t":2775,"kind":"spoken","text":"Man says 'Excuse me.'","evidence":"t:46:15"},{"t":2781,"kind":"spoken","text":"Man tells Hazel not to say anything and mentions someone being tailed by a man in a car with a wooden side.","evidence":"t:46:21"},{"t":2794,"kind":"spoken","text":"Man instructs Hazel to see Jenkins after dinner for information on John Vega Caprio and his wife.","evidence":"t:46:32"}],"people":[{"id":"p1","name":null,"presence":["visible","audible"],"appearance":"man in suit, holding telephone receiver, mid-30s to 40s, average build"},{"id":"p2","name":{"value":"Hazel","evidence":"t:46:21"},"presence":["visible","audible"],"appearance":"woman with curly blonde hair, wearing coat or suit jacket, mid-30s, slender"}],"period":null,"quotes":[{"t":"46:13","text":"It's for you."},{"t":"46:21","text":"Don't say anything, Hazel. Nothing to say. I just thought I'd go out and get a bite to eat as long as you were with her. Nothing at all? Nothing, except that she's being tailed. Guy in the car, they haven't taken out of the crate yet. What?"},{"t":"46:32","text":"One with a wooden side. Oh, that's good news. I was afraid you were slipping. Look, after dinner, go see Jenkins in the news and get all the dope you can on John Vega Caprio and his wife. John Vega Caprio. Right."}],"objects":[{"name":"telephone receiver","frame":1},{"name":"desk or counter","frame":1},{"name":"column or pillar in background","frame":1}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"tense, conspiratorial","themes":["surveillance","secrecy","professional intrigue"],"style_notes":"medium two-shot, black-and-white, studio lighting, formal attire suggests mid-century setting"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:41:02Z","flags":[],"checked":{"names":2,"quotes":3,"visible_claimed":1,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:12:48.700855+00:00","id":"I_Love_Trouble_movie:b102:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=2772","transcript_segments":[392,393,394,395],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":103,"start_s":2793.6196,"end_s":2828.065,"first_shot":203,"last_shot":205,"sequence":67,"keyframes":[{"t":2806.9,"shot":203},{"t":2822.2,"shot":204},{"t":2826.2,"shot":205}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.91,"rhythm":0.54,"visual":0.054,"pause_s":6.0},"during_speech":"cut falls inside a spoken line: no pause was available without exceeding the length cap"},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A man and a woman are in a room; the man speaks on the phone and then faces the woman, who responds. The woman is later shown alone, looking toward the camera.","observations":{"place":{"value":"living_room","evidence":"frame:1","interior":true,"place_type":"living_room"},"events":[{"t":2807,"kind":"visible","text":"man holds telephone receiver to ear","evidence":"frame:1"},{"t":2822,"kind":"visible","text":"man and woman stand facing each other","evidence":"frame:2"},{"t":2826,"kind":"visible","text":"woman stands alone, looking forward","evidence":"frame:3"},{"t":2794,"kind":"spoken","text":"man says he didn't study the picture, only saw curls and a bare back","evidence":"t:46:49"},{"t":2802,"kind":"spoken","text":"man says it just hit him","evidence":"t:46:59"},{"t":2805,"kind":"spoken","text":"man says woman took him to her apartment last night","evidence":"t:47:02"},{"t":2808,"kind":"spoken","text":"man says it was just to see the photograph","evidence":"t:47:05"}],"people":[{"id":"p1","name":null,"presence":["visible","audible"],"appearance":"man in suit, short hair, medium build"},{"id":"p2","name":null,"presence":["visible","audible"],"appearance":"woman with curled hair, wearing a blouse with bare shoulders"}],"period":null,"quotes":[{"t":"46:49","text":"You know, I didn't study the picture.  All I saw was a mass of curls and a rather bare back.  The face just didn't seem to register.  Didn't it?"},{"t":"46:59","text":"You know, it just hit me."},{"t":"47:02","text":"you took me to your apartment last night."},{"t":"47:05","text":"Just to see the photograph."}],"objects":[{"name":"telephone receiver","frame":1},{"name":"lamp with white shade","frame":3},{"name":"framed pictures on wall","frame":3}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"tense, conversational","themes":["misunderstanding","romantic tension","memory and perception"],"style_notes":"medium close-ups, studio lighting, black-and-white, static framing"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:41:02Z","flags":[],"checked":{"names":2,"quotes":4,"visible_claimed":3,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:12:48.703716+00:00","id":"I_Love_Trouble_movie:b103:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=2793","transcript_segments":[396,397,398,399],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":104,"start_s":2828.065,"end_s":2838.1985,"first_shot":206,"last_shot":209,"sequence":67,"keyframes":[{"t":2828.9,"shot":206},{"t":2830.7,"shot":207},{"t":2833.4,"shot":208},{"t":2836.6,"shot":209}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.88,"rhythm":0.66,"visual":0.058,"pause_s":1.4}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A woman and a man are shown in alternating shots inside a room with framed pictures and a lamp. The transcript includes dialogue where one speaker reflects on another's intentions and makes a judgment about her character.","observations":{"place":{"value":"living_room","reason":null,"evidence":"frame:1","interior":true,"place_type":"living_room"},"events":[{"t":2829,"kind":"visible","text":"Woman stands in a room with framed pictures and a lamp.","evidence":"frame:1"},{"t":2831,"kind":"visible","text":"Man in suit stands in front of a large painting.","evidence":"frame:2"},{"t":2833,"kind":"visible","text":"Woman adjusts something in her hands near a lamp.","evidence":"frame:3"},{"t":2837,"kind":"visible","text":"Man remains standing, facing forward.","evidence":"frame:4"},{"t":2828,"kind":"spoken","text":"Speaker says 'Oh, something like that.'","evidence":"t:47:08"},{"t":2831,"kind":"spoken","text":"Speaker says 'And I thought she wanted to see what kind of a girl I was.'","evidence":"t:47:11"},{"t":2835,"kind":"spoken","text":"Speaker says 'I know what type of girl you are.'","evidence":"t:47:15"}],"people":[{"id":"p1","name":null,"presence":["visible"],"appearance":"woman, light-colored blouse with puffed sleeves, dark belt, styled hair"},{"id":"p2","name":null,"presence":["visible"],"appearance":"man, dark suit, white shirt, dark tie, neat haircut"}],"period":null,"quotes":[{"t":"47:08","text":"Oh, something like that."},{"t":"47:11","text":"And I thought she wanted to see what kind of a girl I was."},{"t":"47:15","text":"I know what type of girl you are."}],"objects":[{"name":"lamp","evidence":"frame:1"},{"name":"framed pictures","evidence":"frame:1"},{"name":"large painting","evidence":"frame:2"},{"name":"dark suit","evidence":"frame:2"},{"name":"puffed sleeve blouse","evidence":"frame:1"}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"tense","themes":["character judgment","interpersonal confrontation"],"style_notes":"medium close-ups, studio lighting, static framing, black-and-white film"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:41:02Z","flags":[],"checked":{"names":2,"quotes":3,"visible_claimed":4,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:13:35.287183+00:00","id":"I_Love_Trouble_movie:b104:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=2828","transcript_segments":[400,401,402],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":105,"start_s":2838.1985,"end_s":2870.2668,"first_shot":210,"last_shot":211,"sequence":67,"keyframes":[{"t":2847.1,"shot":210},{"t":2863.1,"shot":211}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.91,"rhythm":0.78,"visual":0.18,"pause_s":1.6}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A man and a woman stand facing each other in an interior setting; the man speaks while the woman listens. The man later turns his head slightly as if reacting to something off-screen.","observations":{"place":{"value":"private_office","evidence":"frame:1","interior":true,"place_type":"private_office"},"events":[{"t":2847,"kind":"visible","text":"A man and a woman stand facing each other in a room.","evidence":"frame:1"},{"t":2863,"kind":"visible","text":"The man turns his head slightly to his right, looking away from the woman.","evidence":"frame:2"},{"t":2838,"kind":"spoken","text":"The man says, 'No, you don't. If that was Janie's picture, explain really.'","evidence":"t:47:18"},{"t":2841,"kind":"spoken","text":"The man says, 'Maybe. I don't want to be sure. Why don't you just look at me? You might find your answer.'","evidence":"t:47:26"},{"t":2859,"kind":"spoken","text":"The man says, 'Not a chief.'","evidence":"t:47:39"},{"t":2861,"kind":"spoken","text":"The man says, 'The longer I look at you, the farther I get from the ratings.'","evidence":"t:47:41"},{"t":2866,"kind":"spoken","text":"The man says, 'As I said once before, you're good.'","evidence":"t:47:46"}],"people":[{"id":"p1","name":null,"presence":["visible","audible"],"appearance":"man in dark suit and tie, mid-adult, average build"},{"id":"p2","name":null,"presence":["visible"],"appearance":"woman with shoulder-length dark hair, wearing light-colored blouse, mid-adult"}],"period":null,"quotes":[{"t":"47:18","text":"No, you don't. If that was Janie's picture,"},{"t":"47:26","text":"Maybe. I don't want to be sure. Why don't you just look at me? You might find your answer."},{"t":"47:41","text":"The longer I look at you, the farther I get from the ratings."},{"t":"47:46","text":"As I said once before, you're good."}],"objects":[{"name":"microphone","evidence":"frame:1"},{"name":"striped sofa","evidence":"frame:1"},{"name":"wall sconce","evidence":"frame:1"}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"tense and conversational","themes":["interpersonal tension","media or ratings context","dialogue-driven scene"],"style_notes":"medium close-up shots, high-contrast black-and-white lighting, studio set with minimal props"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:41:02Z","flags":[],"checked":{"names":2,"quotes":4,"visible_claimed":2,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:13:38.468766+00:00","id":"I_Love_Trouble_movie:b105:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=2838","transcript_segments":[403,404,405,406,407,408],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":106,"start_s":2870.2668,"end_s":2898.165,"first_shot":212,"last_shot":212,"sequence":68,"keyframes":[{"t":2884.2,"shot":212}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.87,"rhythm":0.48,"visual":0.205,"pause_s":1.9}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A woman declines to go to Mr. Bailey's apartment and insists they revisit a picture instead. The scene is dimly lit and appears to be indoors, with a partial view of a figure and architectural elements.","observations":{"place":{"name":"interior with architectural elements","evidence":"frame:1","interior":true,"place_type":"other"},"events":[{"t":2884,"kind":"spoken","text":"A woman declines to go to Mr. Bailey's apartment.","evidence":"t:48:01"},{"t":2884,"kind":"spoken","text":"The woman insists they revisit a picture.","evidence":"t:48:07"}],"people":[{"id":"p1","name":null,"presence":["visible"],"appearance":"partially visible figure, possibly female, in dark attire, standing near architectural elements"},{"id":"p2","name":{"value":"Mr. Bailey","evidence":"t:48:01"},"presence":["mentioned"],"appearance":"unseen, referred to as Mr. Bailey"}],"period":null,"quotes":[{"t":"47:51","text":"I suppose you meant that to be nasty. I found it rather nice. Come on, let's go. You mind telling me where?"},{"t":"47:59","text":"Your apartment, of course."},{"t":"48:01","text":"Uh-uh. Thanks just the same. Wrong again, Mr. Bailey."},{"t":"48:07","text":"We're going to have another look at that picture."}],"objects":[{"name":"architectural elements (columns, railing)","frame":1}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"tense, resistant","themes":["refusal","mystery","pursuit"],"style_notes":"high-contrast black-and-white, partial framing, shadowy lighting"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:41:02Z","flags":[],"checked":{"names":2,"quotes":4,"visible_claimed":0,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:14:06.619584+00:00","id":"I_Love_Trouble_movie:b106:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=2870","transcript_segments":[409,410,411,412],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":107,"start_s":2898.165,"end_s":2899.583,"first_shot":213,"last_shot":213,"sequence":69,"keyframes":[{"t":2898.9,"shot":213}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.9,"rhythm":0.12,"visual":0.132,"pause_s":6.0}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"No visual or textual content is present in this beat. The frame is entirely black, indicating a transition or cut.","observations":{"place":{"value":null,"reason":"Frame is entirely black; no visual cues to determine location or environment.","interior":null,"place_type":null},"events":[],"people":[],"period":null,"quotes":[],"objects":[],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"neutral or transitional","themes":[],"style_notes":"black screen, likely a cut or fade; no framing, scale, or lighting details available"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:41:02Z","flags":[],"checked":{"names":0,"quotes":0,"visible_claimed":0,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:14:06.621564+00:00","id":"I_Love_Trouble_movie:b107:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=2898","transcript_segments":[],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":108,"start_s":2899.583,"end_s":2906.005,"first_shot":214,"last_shot":214,"sequence":70,"keyframes":[{"t":2902.8,"shot":214}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.9,"rhythm":0.16,"visual":0.201,"pause_s":6.0}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A man in a suit and hat walks through a dimly lit interior space while another figure stands in shadow to the left. No dialogue or on-screen text is present in this beat.","observations":{"place":{"value":"private_office","evidence":"frame:1","interior":true,"place_type":"private_office"},"events":[],"people":[{"id":"p1","name":null,"presence":["visible"],"appearance":"man wearing a suit and fedora hat, medium build"},{"id":"p2","name":null,"presence":["visible"],"appearance":"silhouetted figure, possibly female, standing near a table"}],"period":null,"quotes":[],"objects":[{"name":"table with objects","evidence":"frame:1"},{"name":"doorway","evidence":"frame:1"},{"name":"hat","evidence":"frame:1"}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"suspenseful","themes":["mystery","noir"],"style_notes":"high-contrast lighting, deep shadows, medium shot framing"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:41:02Z","flags":[],"checked":{"names":2,"quotes":0,"visible_claimed":0,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:14:06.899648+00:00","id":"I_Love_Trouble_movie:b108:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=2899","transcript_segments":[],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":109,"start_s":2906.005,"end_s":2975.563,"first_shot":215,"last_shot":215,"sequence":71,"keyframes":[{"t":2940.8,"shot":215}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.91,"rhythm":0.1,"visual":0.219,"pause_s":6.0}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A group of people, including a woman and men in hats and suits, stand in a room while dialogue reveals a missing picture and a police officer arranging for the woman to be taken home. A man named Bailey is accused of being involved in a shooting after making toll calls.","observations":{"place":{"value":"private_office","evidence":"frame:1","interior":true,"place_type":"private_office"},"events":[{"t":2941,"kind":"visible","text":"Four people stand in a room, one man holding an object while speaking to a woman.","evidence":"frame:1"},{"t":2926,"kind":"spoken","text":"Someone says Bailey is a great housekeeper.","evidence":"t:48:31"},{"t":2928,"kind":"spoken","text":"A lieutenant asks if someone found what they were looking for.","evidence":"t:48:40"},{"t":2930,"kind":"spoken","text":"Someone states the room is as they found it.","evidence":"t:48:42"},{"t":2931,"kind":"spoken","text":"Someone comments the room is messy.","evidence":"t:48:45"},{"t":2932,"kind":"spoken","text":"Someone tells Angel the picture is gone and offers to take her home.","evidence":"t:48:46"},{"t":2934,"kind":"spoken","text":"Someone says they don't like to spoil Bailey's tongue.","evidence":"t:48:50"},{"t":2935,"kind":"spoken","text":"Someone says 'this will keep'.","evidence":"t:48:53"},{"t":2934,"kind":"spoken","text":"Sergeant Miller is instructed to take the woman home.","evidence":"t:48:54"},{"t":2936,"kind":"spoken","text":"Someone asks if the woman minds being taken home.","evidence":"t:48:56"},{"t":2939,"kind":"spoken","text":"The woman says she doesn't mind and has always wanted to ride in a police car.","evidence":"t:48:59"},{"t":2940,"kind":"spoken","text":"Someone tells Muller to get coffee with cake.","evidence":"t:49:01"},{"t":2950,"kind":"spoken","text":"Someone says Lieutenant Clinton must be working for something hot.","evidence":"t:49:10"},{"t":2952,"kind":"spoken","text":"Lieutenant Clinton says nothing very hot.","evidence":"t:49:12"},{"t":2956,"kind":"spoken","text":"Someone asks what Bailey had against Buck.","evidence":"t:49:16"},{"t":2958,"kind":"spoken","text":"Bailey says Buck's clan chowder was too cold.","evidence":"t:49:18"},{"t":2962,"kind":"spoken","text":"Someone tells Bailey he is all through.","evidence":"t:49:22"},{"t":2964,"kind":"spoken","text":"Someone says Ruffin made several toll calls for Bailey.","evidence":"t:49:24"},{"t":2968,"kind":"spoken","text":"Someone says an hour after the last call, Buck was shot and someone who looked like Bailey was seen leaving.","evidence":"t:49:28"}],"people":[{"id":"p1","name":null,"presence":["visible"],"appearance":"man in dark suit and fedora, holding something small in hand"},{"id":"p2","name":{"value":"Angel","evidence":"t:48:46"},"presence":["visible","audible"],"appearance":"woman with styled hair, wearing dark dress or coat"},{"id":"p3","name":null,"presence":["visible"],"appearance":"man in light suit and fedora, standing behind woman"},{"id":"p4","name":{"value":"Bailey","evidence":"t:48:31"},"presence":["visible","audible"],"appearance":"older man in overcoat and hat, standing to right"},{"id":"p5","name":{"value":"Lieutenant","evidence":"t:48:40"},"presence":["audible"],"appearance":"unseen speaker"},{"id":"p6","name":{"value":"Sergeant Miller","evidence":"t:48:54"},"presence":["audible"],"appearance":"unseen speaker"},{"id":"p7","name":{"value":"Lieutenant Clinton","evidence":"t:49:10"},"presence":["audible"],"appearance":"unseen speaker"},{"id":"p8","name":{"value":"Ruffin","evidence":"t:49:24"},"presence":["audible"],"appearance":"unseen speaker"}],"period":null,"quotes":[{"t":"48:31","text":"You're a great housekeeper, Bailey."},{"t":"48:46","text":"I'm sorry, Angel. Someone beat us to it. The picture's gone.  I'll take you home."},{"t":"49:01","text":"Besides, I've always wanted to ride in the police car.  Give Muller a cup of coffee to go with the cake."},{"t":"49:28","text":"An hour after the last call... He shot and someone who looked just like you was seen leaving his place."}],"objects":[{"name":"fedora hat","frame":1},{"name":"overcoat","frame":1},{"name":"small object held by man","frame":1}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"tense and accusatory","themes":["suspicion","police investigation","misdirection","gender roles in 1940s crime drama"],"style_notes":"black-and-white, medium shot, studio lighting, formal attire, static framing"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:41:02Z","flags":[],"checked":{"names":8,"quotes":4,"visible_claimed":1,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:15:36.190583+00:00","id":"I_Love_Trouble_movie:b109:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=2906","transcript_segments":[413,414,415,416,417,418,419,420,421,422,423,424,425,426,427,428,429,430,431,432],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":110,"start_s":2975.563,"end_s":2989.533,"first_shot":216,"last_shot":219,"sequence":72,"keyframes":[{"t":2976.5,"shot":216},{"t":2979.9,"shot":217},{"t":2985.1,"shot":218},{"t":2988.6,"shot":219}],"boundary":{"reason":"cutting rhythm changes","scores":{"ocr":0.0,"topic":0.84,"rhythm":0.93,"visual":0.217,"pause_s":0.4}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"Two men in suits and hats are shown in a dimly lit interior, one standing and one seated on a couch, during a conversation about an investigation and someone named Buffon. The transcript reveals questions about who is being worked for and who got to Buffon first.","observations":{"place":{"value":"private_office","evidence":"frame:1, frame:2","interior":true,"place_type":"private_office"},"events":[{"t":2976,"kind":"visible","text":"A man in a suit and hat stands facing forward.","evidence":"frame:1"},{"t":2980,"kind":"visible","text":"A man in a suit and hat sits on a couch holding a glass.","evidence":"frame:2"},{"t":2985,"kind":"visible","text":"The standing man turns his head to the side.","evidence":"frame:3"},{"t":2989,"kind":"visible","text":"The seated man speaks while holding a glass.","evidence":"frame:4"},{"t":2976,"kind":"spoken","text":"A voice says, 'Now, if you expect the breaks...'","evidence":"t:49:35"},{"t":2978,"kind":"spoken","text":"A voice says, 'forget about being cagey.'","evidence":"t:49:37"},{"t":2980,"kind":"spoken","text":"A voice asks, 'What are you working on and what did Buffon have to do with it?'","evidence":"t:49:40"},{"t":2983,"kind":"spoken","text":"A voice says, 'I wish I knew.'","evidence":"t:49:43"},{"t":2985,"kind":"spoken","text":"A voice says, 'Somebody else got to him first.'","evidence":"t:49:45"},{"t":2988,"kind":"spoken","text":"A voice asks, 'Who are you working for?'","evidence":"t:49:48"}],"people":[{"id":"p1","name":null,"presence":["visible"],"appearance":"man in dark suit, white shirt, dark tie, fedora hat, medium build, appears middle-aged"},{"id":"p2","name":null,"presence":["visible","audible"],"appearance":"man in light-colored suit, bow tie, fedora hat, seated on couch, appears older, holding a glass"}],"period":null,"quotes":[{"t":"49:35","text":"Now, if you expect the breaks..."},{"t":"49:40","text":"What are you working on and what did Buffon have to do with it?"},{"t":"49:45","text":"Somebody else got to him first."},{"t":"49:48","text":"Who are you working for?"}],"objects":[{"name":"fedora hat","evidence":"frame:1"},{"name":"suit and tie","evidence":"frame:1"},{"name":"couch","evidence":"frame:2"},{"name":"lamp","evidence":"frame:2"},{"name":"glass","evidence":"frame:2"},{"name":"picture frame","evidence":"frame:1"},{"name":"wall sconce","evidence":"frame:1"}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"tense and interrogative","themes":["investigation","mystery","interrogation"],"style_notes":"high-contrast black-and-white lighting, medium close-ups, static camera, period costumes"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:41:06Z","flags":[],"checked":{"names":2,"quotes":4,"visible_claimed":4,"visible_sampled":2},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:15:36.194518+00:00","id":"I_Love_Trouble_movie:b110:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=2975","transcript_segments":[433,434,435,436,437,438],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":111,"start_s":2989.533,"end_s":3187.7815,"first_shot":220,"last_shot":221,"sequence":72,"keyframes":[{"t":2991.6,"shot":220},{"t":3090.7,"shot":221}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.87,"rhythm":0.48,"visual":0.064,"pause_s":1.0},"overrun":"198s: no speech-safe cut earlier"},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A man in a suit and hat sits in an office holding a gun while speaking with someone off-screen. Later, a dark, indistinct scene shows a figure moving in a vehicle or dim interior, suggesting departure or pursuit.","observations":{"place":{"value":"private_office","evidence":"frame:1","interior":true,"place_type":"private_office"},"events":[{"t":2992,"kind":"visible","text":"A man in a suit and hat sits in an office holding a gun.","evidence":"frame:1"},{"t":3091,"kind":"visible","text":"A figure moves in a dark interior, possibly a vehicle.","evidence":"frame:2"},{"t":2990,"kind":"spoken","text":"A man asks for time to see his client.","evidence":"t:49:50"},{"t":2993,"kind":"spoken","text":"Someone calls the situation murder and addresses Bailey.","evidence":"t:49:53"},{"t":3006,"kind":"spoken","text":"The man says he is going to check his office.","evidence":"t:50:12"},{"t":3018,"kind":"spoken","text":"A man says he will let someone in on something about the license.","evidence":"t:50:22"},{"t":3033,"kind":"spoken","text":"Someone says the license is a pretty expensive scrap of paper.","evidence":"t:50:33"},{"t":3041,"kind":"spoken","text":"A man asks why the body wasn't reported and how it was found.","evidence":"t:50:41"},{"t":3049,"kind":"spoken","text":"Someone says if there was something else on their mind, the other person wouldn't be walking out.","evidence":"t:50:49"},{"t":3060,"kind":"spoken","text":"A man says he has it all down, Lieutenant.","evidence":"t:51:00"},{"t":3075,"kind":"spoken","text":"A man says he is a guy who wants to talk and is lonely.","evidence":"t:51:35"},{"t":3083,"kind":"spoken","text":"Someone warns not to go out because a friend upstairs might see it.","evidence":"t:51:38"},{"t":3122,"kind":"spoken","text":"Someone says this isn't the person's floor and suggests walking down.","evidence":"t:52:02"},{"t":3127,"kind":"spoken","text":"A man says he is going to go.","evidence":"t:52:07"},{"t":3138,"kind":"spoken","text":"Someone says they are going in behind the other person's jughead.","evidence":"t:52:22"},{"t":3140,"kind":"spoken","text":"Someone says to do whatever they think is smart.","evidence":"t:52:24"},{"t":3157,"kind":"spoken","text":"Someone says 'Hey.'","evidence":"t:52:37"},{"t":3158,"kind":"spoken","text":"Someone says 'It's me, Sharpie.'","evidence":"t:52:38"},{"t":3160,"kind":"spoken","text":"Someone says 'Come on, open up.'","evidence":"t:52:40"},{"t":3173,"kind":"spoken","text":"Someone says 'I'm all ears.'","evidence":"t:52:53"},{"t":3174,"kind":"spoken","text":"Someone asks what the paper chase is about.","evidence":"t:52:54"},{"t":3177,"kind":"spoken","text":"Someone says to get started because they have a long night.","evidence":"t:52:57"},{"t":3184,"kind":"spoken","text":"Someone suggests telling it to the cops.","evidence":"t:53:04"}],"people":[{"id":"p1","name":null,"presence":["visible","audible"],"appearance":"man in suit, tie, and fedora hat, holding a gun, seated"},{"id":"p2","name":null,"presence":["audible","mentioned"],"appearance":"unseen person speaking off-screen, later implied to be in a vehicle or dark space"}],"period":null,"quotes":[{"t":"49:53","text":"This is murder, Bailey."},{"t":"50:12","text":"I'm going to check my office. I don't think the boys found what they want to come along."},{"t":"50:33","text":"A pretty expensive scrap of paper."},{"t":"52:38","text":"It's me, Sharpie."}],"objects":[{"item":"gun","frame":1},{"item":"fedora hat","frame":1},{"item":"suit and tie","frame":1},{"item":"office chair","frame":1},{"item":"desk","frame":1},{"item":"file cabinet","frame":1},{"item":"dark vehicle interior or dim room","frame":2}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"tense and confrontational","themes":["crime investigation","legal obligation vs. personal risk","power dynamics in interrogation"],"style_notes":"black-and-white, medium close-up framing, high-contrast lighting emphasizing shadows and facial expressions, suggesting film noir"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:41:10Z","flags":[],"checked":{"names":2,"quotes":4,"visible_claimed":2,"visible_sampled":1},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:16:28.215002+00:00","id":"I_Love_Trouble_movie:b111:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=2989","transcript_segments":[439,440,441,442,443,444,445,446,447,448,449,450,451,452,453,454,455,456,457,458,459,460,461,462,463,464,465,466,467,468,469,470,471,472,473,474,475,476,477,478,479,480,481],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":112,"start_s":3187.7815,"end_s":3203.211,"first_shot":222,"last_shot":223,"sequence":72,"keyframes":[{"t":3188.5,"shot":222},{"t":3196.2,"shot":223}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.95,"rhythm":0.48,"visual":0.09,"pause_s":3.3}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A man in a fedora and suit speaks while three other men stand nearby in a dimly lit interior. The dialogue suggests self-deprecating humor about being perceived as odious.","observations":{"place":{"value":"private_office","evidence":"frame:2","interior":true,"place_type":"private_office"},"events":[{"t":3188,"kind":"visible","text":"A man in a fedora speaks directly to others.","evidence":"frame:1"},{"t":3196,"kind":"visible","text":"Four men stand in a group in an interior space, one speaking.","evidence":"frame:2"},{"t":3189,"kind":"spoken","text":"A man asks why others aren't afraid of him, calling himself odious.","evidence":"t:53:09"},{"t":3195,"kind":"spoken","text":"Another man agrees, saying 'Me too, Bailey.'","evidence":"t:53:15"},{"t":3196,"kind":"spoken","text":"The first man recalls a girl calling him the most odious guy she ever met.","evidence":"t:53:16"},{"t":3201,"kind":"spoken","text":"The man expresses disbelief at the girl's comment.","evidence":"t:53:21"}],"people":[{"id":"p1","name":null,"presence":["visible","audible"],"appearance":"man wearing fedora and suit, light-colored tie, medium build, appears middle-aged"},{"id":"p2","name":null,"presence":["visible"],"appearance":"man in dark suit and fedora, standing center, visible from waist up"},{"id":"p3","name":null,"presence":["visible"],"appearance":"man in fedora and dark suit, partially visible behind p2"},{"id":"p4","name":null,"presence":["visible"],"appearance":"man in fedora and light coat, profile view, facing p1"}],"period":null,"quotes":[{"t":"53:09","text":"What is it about me you guys aren't afraid of?  When you get to know me, I'm a very odious character."},{"t":"53:15","text":"Me too, Bailey."},{"t":"53:16","text":"A girl once told me I was the most odious guy she ever met."},{"t":"53:21","text":"Can you imagine that?"}],"objects":[{"name":"fedora hat","evidence":"frame:1"},{"name":"suit and tie","evidence":"frame:1"},{"name":"wooden chair","evidence":"frame:2"},{"name":"doorway or doorway frame","evidence":"frame:2"}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"wry and conversational","themes":["self-deprecation","male camaraderie","identity and perception"],"style_notes":"tight framing on speaker, medium shot for group, high-contrast lighting typical of film noir, shadows on faces"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:41:10Z","flags":[],"checked":{"names":4,"quotes":4,"visible_claimed":2,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:16:28.219210+00:00","id":"I_Love_Trouble_movie:b112:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=3187","transcript_segments":[482,483,484,485],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":113,"start_s":3203.211,"end_s":3243.3694,"first_shot":224,"last_shot":225,"sequence":73,"keyframes":[{"t":3206.2,"shot":224},{"t":3226.3,"shot":225}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.92,"rhythm":0.51,"visual":0.093,"pause_s":1.3}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A man in a suit and fedora is shown in a close-up, followed by a black screen. Dialogue suggests a tense standoff involving a canister and a character named Herbie, with plans to move someone to a location for discussion.","observations":{"place":{"value":"private_office","evidence":"frame:1","interior":true,"place_type":"private_office"},"events":[{"t":3203,"kind":"visible","text":"A man in a suit and fedora is shown in a close-up, looking serious.","evidence":"frame:1"},{"t":3226,"kind":"visible","text":"The screen cuts to black.","evidence":"frame:2"},{"t":3203,"kind":"spoken","text":"A character suggests dropping a canister to avoid a shootout.","evidence":"t:53:23"},{"t":3213,"kind":"spoken","text":"Someone notes car lights were on briefly and seemed unimportant.","evidence":"t:53:33"},{"t":3216,"kind":"spoken","text":"A character asks Reno what to do with 'them'.","evidence":"t:53:36"},{"t":3218,"kind":"spoken","text":"Reno says they will take someone to a place to talk.","evidence":"t:53:38"},{"t":3220,"kind":"spoken","text":"Someone comments that they heard and that the person won't be trouble, praising a trick of getting off the wrong floor.","evidence":"t:53:40"},{"t":3231,"kind":"spoken","text":"Someone tells Herbie that the guy is coming to.","evidence":"t:53:51"},{"t":3235,"kind":"spoken","text":"Someone says they told Herbie he would.","evidence":"t:53:55"}],"people":[{"id":"p1","name":null,"presence":["visible"],"appearance":"man, adult, medium build, wearing a suit, patterned tie, and fedora"},{"id":"p2","name":{"value":"Herbie","evidence":"t:53:23"},"presence":["audible","mentioned"],"appearance":"unseen"},{"id":"p3","name":{"value":"Reno","evidence":"t:53:36"},"presence":["audible","mentioned"],"appearance":"unseen"}],"period":null,"quotes":[{"t":"53:23","text":"Better just drop the canister on the floor. You shoot Herbie, I shoot you. Where'll that get us?  Better just drop it."},{"t":"53:36","text":"What are we gonna do with them, Reno?"},{"t":"53:38","text":"We'll take him where we can talk."},{"t":"53:51","text":"Look, Herbie, the guy's coming too."}],"objects":[{"name":"fedora","frame":1},{"name":"suit","frame":1},{"name":"patterned tie","frame":1},{"name":"canister","frame":null,"evidence":"t:53:23"}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"tense and suspenseful","themes":["confrontation","negotiation under threat","deception"],"style_notes":"close-up framing, high-contrast lighting, abrupt cut to black"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:41:10Z","flags":[],"checked":{"names":3,"quotes":4,"visible_claimed":2,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:17:26.205072+00:00","id":"I_Love_Trouble_movie:b113:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=3203","transcript_segments":[486,487,488,489,490,491,492],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":114,"start_s":3243.3694,"end_s":3270.4753,"first_shot":226,"last_shot":227,"sequence":74,"keyframes":[{"t":3256.1,"shot":226},{"t":3269.6,"shot":227}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.93,"rhythm":0.7,"visual":0.097,"pause_s":6.0}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A man is seen leaning over a bed where another person lies, while a third man stands nearby holding a gun; a separate shot shows a hand holding a photograph of a woman. Dialogue includes references to being sick, locking a door, and asking about a woman's whereabouts.","observations":{"place":{"value":"bedroom","evidence":"frame:1","interior":true,"place_type":"bedroom"},"events":[{"t":3243,"kind":"spoken","text":"A man thanks someone for putting him to bed.","evidence":"t:54:09"},{"t":3246,"kind":"spoken","text":"The same person says he has been sick.","evidence":"t:54:12"},{"t":3247,"kind":"spoken","text":"Someone tells 'Sharpie' to lock the door.","evidence":"t:54:13"},{"t":3249,"kind":"spoken","text":"Someone says 'He wants to put in some overtime.'","evidence":"t:54:15"},{"t":3259,"kind":"spoken","text":"Someone says 'You're awake.'","evidence":"t:54:19"},{"t":3261,"kind":"spoken","text":"Someone asks 'You okay now?'","evidence":"t:54:21"},{"t":3267,"kind":"spoken","text":"Someone asks 'Where is she?'","evidence":"t:54:27"},{"t":3268,"kind":"spoken","text":"Someone replies 'I wouldn't know.'","evidence":"t:54:28"},{"t":3256,"kind":"visible","text":"A man leans over a bed where another person lies, while a third man stands nearby holding a gun.","evidence":"frame:1"},{"t":3270,"kind":"visible","text":"A hand holds a photograph of a woman.","evidence":"frame:2"}],"people":[{"id":"p1","name":null,"presence":["visible"],"appearance":"man in suit and fedora, leaning over a bed"},{"id":"p2","name":null,"presence":["visible"],"appearance":"man in suit and fedora, standing with gun"},{"id":"p3","name":null,"presence":["visible"],"appearance":"person lying in bed, covered"},{"id":"p4","name":null,"presence":["visible"],"appearance":"woman in photograph, curly hair, smiling"},{"id":"p5","name":null,"presence":["visible"],"appearance":"hand holding photograph"}],"period":null,"quotes":[{"t":"54:09","text":"Thanks for putting me to bed."},{"t":"54:12","text":"I've been sick."},{"t":"54:27","text":"Where is she?"},{"t":"54:28","text":"I wouldn't know."}],"objects":[{"name":"gun","frame":1},{"name":"bed","frame":1},{"name":"photograph","frame":2},{"name":"fedora","frame":1}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"tense and mysterious","themes":["suspicion","illness","absence","threat"],"style_notes":"high-contrast black-and-white lighting, medium close-ups, static framing emphasizing character interaction"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:41:15Z","flags":[],"checked":{"names":5,"quotes":4,"visible_claimed":2,"visible_sampled":2},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:17:26.610196+00:00","id":"I_Love_Trouble_movie:b114:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=3243","transcript_segments":[493,494,495,496,497,498,499,500],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":115,"start_s":3270.4753,"end_s":3295.663,"first_shot":228,"last_shot":229,"sequence":74,"keyframes":[{"t":3275.6,"shot":228},{"t":3288.2,"shot":229}],"boundary":{"reason":"topic shift in dialogue","scores":{"ocr":0.0,"topic":0.88,"rhythm":0.03,"visual":0.111,"pause_s":0.4}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"Three men are in a dimly lit room; one is seated and being confronted by two standing men. One standing man holds a microphone and demands information about a missing person and a client's name.","observations":{"place":{"value":"private_office","evidence":"frame:1","interior":true,"place_type":"private_office"},"events":[{"t":3276,"kind":"visible","text":"A man in a fedora confronts a seated man while another man holds a microphone.","evidence":"frame:1"},{"t":3288,"kind":"visible","text":"The man in the fedora leans in close to the seated man's face.","evidence":"frame:2"},{"t":3270,"kind":"spoken","text":"Someone says the seated man is a bad liar and that he picked a picture out of ten others.","evidence":"t:54:34"},{"t":3270,"kind":"spoken","text":"Someone asks where a missing person is.","evidence":"t:54:40"},{"t":3270,"kind":"spoken","text":"Someone demands the name of the client.","evidence":"t:54:46"},{"t":3270,"kind":"spoken","text":"Someone warns Bailey not to be a hero and threatens him with violence.","evidence":"t:54:49"}],"people":[{"id":"p1","name":null,"presence":["visible","audible"],"appearance":"man wearing fedora, suit, and patterned tie, standing"},{"id":"p2","name":null,"presence":["visible","audible"],"appearance":"man in dark suit, standing, holding microphone"},{"id":"p3","name":{"value":"Bailey","evidence":"t:54:49"},"presence":["visible","audible"],"appearance":"man in light jacket, seated, head down"}],"period":null,"quotes":[{"t":"54:34","text":"You're a bad liar, Toots."},{"t":"54:36","text":"This picture's got no name on it, but you picked it out of ten others."},{"t":"54:49","text":"Don't be a hero, Bailey. You're gonna tell us now or later."},{"t":"54:53","text":"save yourself some teeth."}],"objects":[{"name":"microphone","evidence":"frame:1"},{"name":"fedora hat","evidence":"frame:1"},{"name":"suit","evidence":"frame:1"},{"name":"patterned tie","evidence":"frame:1"},{"name":"light jacket","evidence":"frame:1"}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"tense and confrontational","themes":["interrogation","deception","threat"],"style_notes":"low-key lighting, tight framing on faces, high contrast shadows, classic film noir visual style"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:41:18Z","flags":[],"checked":{"names":3,"quotes":4,"visible_claimed":2,"visible_sampled":1},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:17:59.540695+00:00","id":"I_Love_Trouble_movie:b115:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=3270","transcript_segments":[501,502,503,504,505,506,507,508,509],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":116,"start_s":3295.663,"end_s":3347.331,"first_shot":230,"last_shot":232,"sequence":74,"keyframes":[{"t":3300.3,"shot":230},{"t":3322.2,"shot":231},{"t":3343.4,"shot":232}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.88,"rhythm":0.07,"visual":0.142,"pause_s":1.4}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A man is confronted and pressured by others to reveal information about why someone named Keller is looking for a woman. He agrees to make a deal in exchange for answering a question about who hired him.","observations":{"place":{"value":"private_office","evidence":"frame:2","interior":true,"place_type":"private_office"},"events":[{"t":3300,"kind":"spoken","text":"A man speaks about talking to his client tomorrow.","evidence":"t:54:56"},{"t":3322,"kind":"visible","text":"Two men physically confront a third man in a suit.","evidence":"frame:2"},{"t":3343,"kind":"spoken","text":"The man in the suit agrees to make a deal after being pressured.","evidence":"t:55:32"},{"t":3343,"kind":"spoken","text":"The man in the suit demands to know why Keller is looking for her.","evidence":"t:55:27"}],"people":[{"id":"p1","name":null,"presence":["visible","audible"],"appearance":"man in suit and tie, mid-30s, average build, visible in all frames"},{"id":"p2","name":null,"presence":["visible"],"appearance":"man in fedora and suit, visible in frame 2 and 3, holding p1"},{"id":"p3","name":null,"presence":["visible"],"appearance":"man in fedora, visible in frame 2 and 3, standing close to p1"}],"period":null,"quotes":[{"t":"54:56","text":"I'll talk to my client tomorrow."},{"t":"55:03","text":"I've been waiting for you to try that. What took you so long?"},{"t":"55:27","text":"Now, why is Keller looking for her now?"},{"t":"55:42","text":"Then I'll tell you who hired me."}],"objects":[{"name":"fedora hats","evidence":"frame:2"},{"name":"suits","evidence":"frame:2"},{"name":"tie","evidence":"frame:1"}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"tense","themes":["confrontation","negotiation","mystery"],"style_notes":"close-up framing, high-contrast lighting, noir-style shadows"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:41:18Z","flags":[],"checked":{"names":3,"quotes":4,"visible_claimed":1,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:17:59.543205+00:00","id":"I_Love_Trouble_movie:b116:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=3295","transcript_segments":[510,511,512,513,514,515,516,517,518,519,520,521,522,523,524,525],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":117,"start_s":3347.331,"end_s":3370.0583,"first_shot":233,"last_shot":234,"sequence":74,"keyframes":[{"t":3349.0,"shot":233},{"t":3360.4,"shot":234}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.89,"rhythm":0.36,"visual":0.074,"pause_s":2.0}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"Three men in suits and hats are in a dimly lit interior; one is being restrained while others speak about him being a fanatic who won't talk. The transcript indicates concern about his condition and an order to put him on a bed.","observations":{"place":{"value":"private_office","reason":null,"evidence":"frame:1","interior":true,"place_type":"private_office"},"events":[{"t":3348,"kind":"spoken","text":"A man asks why someone is looking for a woman.","evidence":"t:55:48"},{"t":3350,"kind":"spoken","text":"Someone says the guy is a fanatic and won't talk.","evidence":"t:55:50"},{"t":3354,"kind":"spoken","text":"Someone tells Reno to take it easy, asking if he's trying to kill the man.","evidence":"t:55:54"},{"t":3358,"kind":"spoken","text":"Someone says the man must be in condition to talk.","evidence":"t:55:58"},{"t":3360,"kind":"spoken","text":"Someone repeats that the guy is a fanatic.","evidence":"t:56:00"},{"t":3362,"kind":"spoken","text":"Someone says you can't do nothing with fanatics.","evidence":"t:56:02"},{"t":3364,"kind":"spoken","text":"Someone says fanatics won't talk.","evidence":"t:56:04"},{"t":3368,"kind":"spoken","text":"Someone orders to put him on the bed.","evidence":"t:56:08"}],"people":[{"id":"p1","name":null,"presence":["visible","audible"],"appearance":"man in light suit and fedora, mid-30s, medium build, visible in frame:1 and frame:2"},{"id":"p2","name":null,"presence":["visible"],"appearance":"man in dark suit and fedora, mid-30s, medium build, visible in frame:2"},{"id":"p3","name":{"value":"Reno","evidence":"t:55:54"},"presence":["visible"],"appearance":"man in light suit and fedora, mid-30s, medium build, visible in frame:2, being restrained"}],"period":null,"quotes":[{"t":"55:50","text":"You see, boys, the guy's a fanatic. He won't talk to me."},{"t":"55:54","text":"Take it easy, Reno. You're trying to kill him?"},{"t":"55:58","text":"He's got to be in condition to talk."},{"t":"56:08","text":"Put him on the bed."}],"objects":[{"name":"fedora hats","evidence":"frame:1"},{"name":"suits","evidence":"frame:1"},{"name":"bed (mentioned)","evidence":"t:56:08"}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"tense","themes":["interrogation","conflict","restraint"],"style_notes":"black-and-white, medium close-ups, high-contrast lighting, studio set with minimal background detail"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:41:18Z","flags":[],"checked":{"names":3,"quotes":4,"visible_claimed":0,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:18:43.439570+00:00","id":"I_Love_Trouble_movie:b117:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=3347","transcript_segments":[526,527,528,529,530,531,532,533],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":118,"start_s":3370.0583,"end_s":3403.0442,"first_shot":235,"last_shot":235,"sequence":75,"keyframes":[{"t":3386.6,"shot":235}],"boundary":{"reason":"topic shift in dialogue","scores":{"ocr":0.0,"topic":0.91,"rhythm":0.53,"visual":0.201,"pause_s":0.9}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A man in a fedora leans over a person lying down in a dimly lit interior. The transcript indicates a group is discussing tying someone up and mentions a woman named Gracie who will give a bromide.","observations":{"place":{"value":"private_office","evidence":"frame:1","interior":true,"place_type":"private_office"},"events":[{"t":3387,"kind":"visible","text":"A man in a fedora leans over a person lying down.","evidence":"frame:1"},{"t":3370,"kind":"spoken","text":"Someone suggests tying a person up and asks for rope.","evidence":"t:56:10"},{"t":3377,"kind":"spoken","text":"Someone suggests getting Gracie to give the person a bromide.","evidence":"t:56:17"},{"t":3379,"kind":"spoken","text":"Someone tells Gracie the person thinks he's tough.","evidence":"t:56:19"},{"t":3387,"kind":"spoken","text":"Someone says 'You asked for this, chum.'","evidence":"t:56:27"},{"t":3390,"kind":"spoken","text":"Someone accuses the person of evading them.","evidence":"t:56:30"},{"t":3392,"kind":"spoken","text":"Someone says the person won't carry anything revealing.","evidence":"t:56:32"},{"t":3397,"kind":"spoken","text":"Someone says they'll have to get information the hard way.","evidence":"t:56:37"}],"people":[{"id":"p1","name":null,"presence":["visible"],"appearance":"man wearing a fedora and suit, middle-aged, medium build"},{"id":"p2","name":null,"presence":["visible"],"appearance":"person lying down, face partially visible, wearing dark clothing"},{"id":"p3","name":{"value":"Gracie","evidence":"t:56:17"},"presence":["mentioned"],"appearance":"unseen, referenced as 'Gracie'"}],"period":null,"quotes":[{"t":"56:10","text":"Why don't we tie him up?  What do you suggest we tie him with?  Have we got any rope?  Guys, get out of ropes."},{"t":"56:17","text":"Get Gracie up here, she'll give him a bromide."},{"t":"56:19","text":"Tell her the guy thinks he's tough."},{"t":"56:27","text":"You asked for this, chum."}],"objects":[{"name":"fedora hat","evidence":"frame:1"},{"name":"lamp","evidence":"frame:1"},{"name":"bed or couch","evidence":"frame:1"}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"tense","themes":["confrontation","interrogation","power imbalance"],"style_notes":"low-key lighting, close framing, noir aesthetic"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:41:18Z","flags":[],"checked":{"names":3,"quotes":4,"visible_claimed":1,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:18:46.850534+00:00","id":"I_Love_Trouble_movie:b118:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=3370","transcript_segments":[534,535,536,537,538,539,540],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":119,"start_s":3403.0442,"end_s":3493.7864,"first_shot":236,"last_shot":236,"sequence":76,"keyframes":[{"t":3448.4,"shot":236}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.87,"rhythm":0.41,"visual":0.193,"pause_s":3.5}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"Two men leave a room where a third man has been rendered unconscious; one man is instructed to stay and watch him. The dialogue suggests they have drugged or incapacitated the man and plan to return soon.","observations":{"place":{"value":"living_room","reason":null,"evidence":"frame:1","interior":true,"place_type":"living_room"},"events":[{"t":3448,"kind":"visible","text":"Two men in suits and hats walk away from the camera toward a doorway in a dimly lit room.","evidence":"frame:1"},{"t":3403,"kind":"spoken","text":"A woman says 'There he is, Gracie.'","evidence":"t:56:43"},{"t":3406,"kind":"spoken","text":"Someone asks if the man is out, comparing him to 'a string of Christmas lights.'","evidence":"t:56:46"},{"t":3409,"kind":"spoken","text":"A plan is discussed to give the man 'half' of something to keep him unconscious for the night or a week.","evidence":"t:56:49"},{"t":3410,"kind":"spoken","text":"Someone says not to worry about waking him up and that they have something for that too.","evidence":"t:57:00"},{"t":3414,"kind":"spoken","text":"The effect time is estimated at 30 seconds to two minutes if he was awake.","evidence":"t:57:06"},{"t":3418,"kind":"spoken","text":"One man says he's going downstairs to get food and tells another to stay with the unconscious man.","evidence":"t:57:10"},{"t":3420,"kind":"spoken","text":"Someone asks 'Hey, what about me?'","evidence":"t:57:18"},{"t":3423,"kind":"spoken","text":"The man named Reno is told to stay and lock the unconscious man in if necessary.","evidence":"t:57:23"}],"people":[{"id":"p1","name":null,"presence":["visible","audible"],"appearance":"man wearing a light-colored suit and fedora, walking away from camera"},{"id":"p2","name":null,"presence":["visible","audible"],"appearance":"man wearing a dark suit and fedora, walking away from camera"},{"id":"p3","name":null,"presence":["mentioned"],"appearance":"man lying or slumped, not clearly visible in frame, mentioned in dialogue"},{"id":"p4","name":{"value":"Gracie","evidence":"t:56:43"},"presence":["audible"],"appearance":"unseen speaker, likely female, referred to as 'Gracie' in dialogue"},{"id":"p5","name":{"value":"Herb","evidence":"t:57:10"},"presence":["audible"],"appearance":"unseen speaker, referred to as 'Herb' in dialogue"},{"id":"p6","name":{"value":"Reno","evidence":"t:57:23"},"presence":["audible"],"appearance":"unseen speaker, referred to as 'Reno' in dialogue"}],"period":null,"quotes":[{"t":"56:43","text":"There he is, Gracie."},{"t":"56:46","text":"Is he out?  Like a string of Christmas lights."},{"t":"57:10","text":"I'll give him half. That'll keep him out for the rest of the night."},{"t":"57:18","text":"Hey, what about me?"}],"objects":[{"name":"fedora hats","evidence":"frame:1"},{"name":"suit jackets","evidence":"frame:1"},{"name":"fireplace mantel with framed pictures","evidence":"frame:1"},{"name":"armchair","evidence":"frame:1"},{"name":"wall sconce lamp","evidence":"frame:1"}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"tense and conspiratorial","themes":["deception","crime","gender roles in dialogue"],"style_notes":"black-and-white, medium shot, low-key lighting with strong shadows, static camera, period costumes"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:41:21Z","flags":[],"checked":{"names":6,"quotes":4,"visible_claimed":1,"visible_sampled":1},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:19:42.712474+00:00","id":"I_Love_Trouble_movie:b119:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=3403","transcript_segments":[541,542,543,544,545,546,547,548,549,550,551,552,553,554,555,556],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":120,"start_s":3493.7864,"end_s":3506.2551,"first_shot":237,"last_shot":237,"sequence":76,"keyframes":[{"t":3500.0,"shot":237}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.0,"rhythm":0.06,"visual":0.192,"pause_s":6.0}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A person in dark clothing stands near a doorway with a white garment hanging on a chair in the foreground. No dialogue or on-screen text is present in this beat.","observations":{"place":{"value":"living_room","evidence":"frame:1","interior":true,"place_type":"living_room"},"events":[],"people":[{"id":"p1","name":null,"presence":["visible"],"appearance":"dark clothing, silhouette, standing"}],"period":null,"quotes":[],"objects":[{"item":"white garment on chair","frame":1},{"item":"hat on chair","frame":1},{"item":"doorway with vertical panels","frame":1}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"suspenseful","themes":["mystery","domestic space"],"style_notes":"high-contrast lighting, silhouette framing, static medium shot"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:41:21Z","flags":[],"checked":{"names":1,"quotes":0,"visible_claimed":0,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:19:42.715865+00:00","id":"I_Love_Trouble_movie:b120:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=3493","transcript_segments":[],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":121,"start_s":3506.2551,"end_s":3537.7397,"first_shot":238,"last_shot":238,"sequence":76,"keyframes":[{"t":3522.0,"shot":238}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.0,"rhythm":0.11,"visual":0.118,"pause_s":6.0}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A man in dark clothing is visible in a dimly lit interior, leaning forward with one arm extended. No dialogue or on-screen text is present in this beat.","observations":{"place":{"value":"private_office","evidence":"frame:1","interior":true,"place_type":"private_office"},"events":[],"people":[{"id":"p1","name":null,"presence":["visible"],"appearance":"man, dark clothing, medium build, visible in profile"}],"period":null,"quotes":[],"objects":[{"name":"man's dark suit","evidence":"frame:1"},{"name":"light-colored object held by man (possibly hat or paper)","evidence":"frame:1"},{"name":"clothing hanging on rack or hook in background","evidence":"frame:1"}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"tense or contemplative","themes":[],"style_notes":"high-contrast black-and-white lighting, medium close-up, static framing"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:41:21Z","flags":[],"checked":{"names":1,"quotes":0,"visible_claimed":0,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:19:42.717249+00:00","id":"I_Love_Trouble_movie:b121:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=3506","transcript_segments":[],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":122,"start_s":3537.7397,"end_s":3586.322,"first_shot":239,"last_shot":239,"sequence":77,"keyframes":[{"t":3562.0,"shot":239}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.0,"rhythm":0.32,"visual":0.128,"pause_s":6.0}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A single blurry frame at 3562s shows indistinct shapes in darkness; a voice exclaims 'Oh, my God' at 59:32. No identifiable place, people, or objects are visible.","observations":{"place":{"value":null,"reason":"The frame is too blurry and dark to identify any location or architectural features.","interior":null,"place_type":null},"events":[{"t":3592,"kind":"spoken","text":"A voice exclaims 'Oh, my God.'","evidence":"t:59:32"}],"people":[],"period":null,"quotes":[{"t":"59:32","text":"Oh, my God."}],"objects":[],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"uncertain","themes":[],"style_notes":"extremely low visibility, high contrast, possibly intentional obscurity"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:41:21Z","flags":[],"checked":{"names":0,"quotes":1,"visible_claimed":0,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:19:42.718706+00:00","id":"I_Love_Trouble_movie:b122:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=3537","transcript_segments":[557],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":123,"start_s":3586.322,"end_s":3626.6055,"first_shot":240,"last_shot":240,"sequence":78,"keyframes":[{"t":3606.5,"shot":240}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.0,"rhythm":0.59,"visual":0.098,"pause_s":6.0}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A man in a suit stands beside a bed where another person lies. The scene is dimly lit and appears to be indoors.","observations":{"place":{"value":"bedroom","evidence":"frame:1","interior":true,"place_type":"bedroom"},"events":[],"people":[{"id":"p1","name":null,"presence":["visible"],"appearance":"man in dark suit and tie, medium build, standing"},{"id":"p2","name":null,"presence":["visible"],"appearance":"person lying on bed, back visible, no clothing details discernible"}],"period":null,"quotes":[],"objects":[{"name":"bed","evidence":"frame:1"},{"name":"lamp","evidence":"frame:1"},{"name":"curtains","evidence":"frame:1"}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"tense","themes":["confrontation","intimacy","suspense"],"style_notes":"medium shot, high contrast lighting, static framing"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:41:21Z","flags":[],"checked":{"names":2,"quotes":0,"visible_claimed":0,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:19:42.720006+00:00","id":"I_Love_Trouble_movie:b123:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=3586","transcript_segments":[],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":124,"start_s":3626.6055,"end_s":3634.6538,"first_shot":241,"last_shot":242,"sequence":79,"keyframes":[{"t":3628.4,"shot":241},{"t":3632.5,"shot":242}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.0,"rhythm":1.0,"visual":0.091,"pause_s":6.0}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A man in a suit holds an open case displaying a document with typed text and a seal. The setting appears to be an interior room with patterned wallpaper and a window.","observations":{"place":{"value":"private_office","evidence":"frame:2","interior":true,"place_type":"private_office"},"events":[],"people":[{"id":"p1","name":null,"presence":["visible"],"appearance":"man in dark suit and tie, mid-adult, average build"}],"period":null,"quotes":[],"objects":[{"name":"open case with document","frame":1},{"name":"suit","frame":2},{"name":"patterned wallpaper","frame":2},{"name":"window with curtain","frame":2}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"serious","themes":["document examination","formal setting"],"style_notes":"medium shot, high contrast black and white, studio lighting"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:41:21Z","flags":[],"checked":{"names":1,"quotes":0,"visible_claimed":0,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:19:54.028308+00:00","id":"I_Love_Trouble_movie:b124:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=3626","transcript_segments":[],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":125,"start_s":3634.6538,"end_s":3652.2102,"first_shot":243,"last_shot":244,"sequence":79,"keyframes":[{"t":3635.7,"shot":243},{"t":3644.5,"shot":244}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.0,"rhythm":0.64,"visual":0.073,"pause_s":6.0}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A hand holds a small round object in darkness. A man in a suit stands in a dimly lit room with patterned wallpaper and a window behind him.","observations":{"place":{"value":"living_room","evidence":"frame:2","interior":true,"place_type":"living_room"},"events":[],"people":[{"id":"p1","name":null,"presence":["visible"],"appearance":"man in dark suit, white shirt, dark tie, short hair"}],"period":null,"quotes":[],"objects":[{"name":"hand holding small round object","frame":1},{"name":"man in suit","frame":2},{"name":"patterned wallpaper","frame":2},{"name":"window with curtain","frame":2},{"name":"furniture (partial)","frame":2}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"tense","themes":["suspense","mystery"],"style_notes":"close-up on hand, medium shot of man; high contrast lighting, shadows, black and white film"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:41:21Z","flags":[],"checked":{"names":1,"quotes":0,"visible_claimed":0,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:19:56.143680+00:00","id":"I_Love_Trouble_movie:b125:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=3634","transcript_segments":[],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":126,"start_s":3652.2102,"end_s":3669.7249,"first_shot":245,"last_shot":247,"sequence":80,"keyframes":[{"t":3653.7,"shot":245},{"t":3659.7,"shot":246},{"t":3667.0,"shot":247}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.0,"rhythm":0.3,"visual":0.167,"pause_s":6.0}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A woman lies in bed while a man stands near a window in a dimly lit room; a close-up shows writing on a pillow. No dialogue or on-screen text is present in the frames.","observations":{"place":{"value":"bedroom","evidence":"frame:2","interior":true,"place_type":"bedroom"},"events":[{"t":3654,"kind":"visible","text":"A woman lies in bed, looking toward the camera.","evidence":"frame:1"},{"t":3660,"kind":"visible","text":"A man stands near a window in a dimly lit room.","evidence":"frame:2"},{"t":3667,"kind":"visible","text":"A close-up shows the words 'Kilroy was' written on a pillow.","evidence":"frame:3"}],"people":[{"id":"p1","name":null,"presence":["visible"],"appearance":"woman with blonde hair, wearing dark top, lying in bed"},{"id":"p2","name":null,"presence":["visible"],"appearance":"man in dark suit, seen from behind, standing near window"}],"period":null,"quotes":[],"objects":[{"name":"pillow","evidence":"frame:3"},{"name":"window","evidence":"frame:2"},{"name":"curtains","evidence":"frame:2"},{"name":"bed","evidence":"frame:1"}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"suspenseful","themes":["mystery","intrusion","personal space"],"style_notes":"high-contrast black-and-white lighting, tight close-ups, static framing"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:41:21Z","flags":[],"checked":{"names":2,"quotes":0,"visible_claimed":3,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:20:13.386815+00:00","id":"I_Love_Trouble_movie:b126:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=3652","transcript_segments":[],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":127,"start_s":3669.7249,"end_s":3687.8232,"first_shot":248,"last_shot":249,"sequence":81,"keyframes":[{"t":3677.5,"shot":248},{"t":3686.6,"shot":249}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.0,"rhythm":0.31,"visual":0.083,"pause_s":6.0}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A woman with blonde hair lies in bed, appearing to be asleep or resting. The scene is dimly lit, with no other people or objects clearly visible.","observations":{"place":{"value":"bedroom","evidence":"frame:2","interior":true,"place_type":"bedroom"},"events":[],"people":[{"id":"p1","name":null,"presence":["visible"],"appearance":"blonde woman, wearing dark lingerie, lying down"}],"period":null,"quotes":[],"objects":[{"name":"pillow","evidence":"frame:2"},{"name":"bed","evidence":"frame:2"}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"quiet, still","themes":["rest","intimacy","solitude"],"style_notes":"close-up, low-key lighting, black-and-white film"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:41:21Z","flags":[],"checked":{"names":1,"quotes":0,"visible_claimed":0,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:20:13.389317+00:00","id":"I_Love_Trouble_movie:b127:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=3669","transcript_segments":[],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":128,"start_s":3687.8232,"end_s":3695.6213,"first_shot":250,"last_shot":250,"sequence":82,"keyframes":[{"t":3691.7,"shot":250}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.0,"rhythm":0.39,"visual":0.169,"pause_s":6.0}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A man in a dark coat stands in a doorway inside a dimly lit room. The scene is shot in black and white with high contrast lighting.","observations":{"place":{"value":"living_room","evidence":"frame:1","interior":true,"place_type":"living_room"},"events":[{"t":3692,"kind":"visible","text":"A man stands in a doorway, partially silhouetted.","evidence":"frame:1"}],"people":[{"id":"p1","name":null,"presence":["visible"],"appearance":"man wearing dark coat and hat, medium build"}],"period":null,"quotes":[],"objects":[{"name":"doorway with curtains","evidence":"frame:1"},{"name":"lamp with shade","evidence":"frame:1"},{"name":"chair","evidence":"frame:1"}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"tense","themes":["mystery","suspense"],"style_notes":"high-contrast noir lighting, medium shot, static camera"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:41:21Z","flags":[],"checked":{"names":1,"quotes":0,"visible_claimed":1,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:20:17.702538+00:00","id":"I_Love_Trouble_movie:b128:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=3687","transcript_segments":[],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":129,"start_s":3695.6213,"end_s":3717.6396,"first_shot":251,"last_shot":251,"sequence":83,"keyframes":[{"t":3706.6,"shot":251}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.0,"rhythm":0.35,"visual":0.172,"pause_s":6.0}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A man in a dark suit stands beside a piano in a dimly lit room with strong shadows from a window. No dialogue or on-screen text is present in this beat.","observations":{"place":{"value":"living_room","evidence":"frame:1","interior":true,"place_type":"living_room"},"events":[],"people":[{"id":"p1","name":null,"presence":["visible"],"appearance":"man in dark suit, seen from behind, medium build"}],"period":null,"quotes":[],"objects":[{"name":"piano","evidence":"frame:1"},{"name":"window with strong light","evidence":"frame:1"}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"quiet, contemplative","themes":["solitude","musical setting"],"style_notes":"high-contrast lighting, silhouette framing, static shot"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:41:21Z","flags":[],"checked":{"names":1,"quotes":0,"visible_claimed":0,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:20:24.713164+00:00","id":"I_Love_Trouble_movie:b129:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=3695","transcript_segments":[],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":130,"start_s":3717.6396,"end_s":3735.4045,"first_shot":252,"last_shot":252,"sequence":83,"keyframes":[{"t":3726.5,"shot":252}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.0,"rhythm":0.07,"visual":0.166,"pause_s":6.0}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A man in a suit is seen bending over a table in a room with a chandelier and large window. Dialogue suggests he is being mistaken for a woman who was reportedly sleeping off drunkenness upstairs.","observations":{"place":{"value":"private_office","evidence":"frame:1","interior":true,"place_type":"private_office"},"events":[{"t":3726,"kind":"visible","text":"A man in a suit bends over a table in a room with a chandelier.","evidence":"frame:1"},{"t":3726,"kind":"spoken","text":"Someone asks the man if he is the drunk they told them was sleeping upstairs.","evidence":"t:62:12"},{"t":3726,"kind":"spoken","text":"The man confirms he is the one they are referring to.","evidence":"t:62:12"},{"t":3726,"kind":"spoken","text":"The speaker says they thought it was a woman.","evidence":"t:62:12"}],"people":[{"id":"p1","name":null,"presence":["visible"],"appearance":"man in dark suit, short hair, medium build"}],"period":null,"quotes":[{"t":"62:06","text":"Good morning."},{"t":"62:09","text":"Good morning."},{"t":"62:12","text":"Say, what's happened to you?  Are you the drunk they told me you were sleeping it off upstairs?"},{"t":"62:12","text":"Yeah, that's me.  I must have been hearing things. I thought they said it was a gal."}],"objects":[{"name":"chandelier","frame":1},{"name":"large window","frame":1},{"name":"table","frame":1},{"name":"suit","frame":1}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"mildly comedic, with a tone of mistaken identity","themes":["mistaken identity","gender confusion","office setting"],"style_notes":"medium shot, high-contrast lighting, classic studio framing with visible set dressing"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:41:23Z","flags":[],"checked":{"names":1,"quotes":4,"visible_claimed":1,"visible_sampled":1},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:20:45.844661+00:00","id":"I_Love_Trouble_movie:b130:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=3717","transcript_segments":[558,559,560],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":131,"start_s":3735.4045,"end_s":3759.9666,"first_shot":253,"last_shot":253,"sequence":84,"keyframes":[{"t":3747.7,"shot":253}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.91,"rhythm":0.02,"visual":0.167,"pause_s":6.0},"during_speech":"cut falls inside a spoken line: no pause was available without exceeding the length cap"},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"Two men stand facing each other in an interior space with curtains and a floral arrangement visible in the background. One man speaks about drinking and the name of the place, while the other responds that such places don't have names.","observations":{"place":{"value":"private_office","evidence":"frame:1","interior":true,"place_type":"private_office"},"events":[{"t":3748,"kind":"spoken","text":"One man speaks about his voice changing when he drinks and comments on the place.","evidence":"t:62:25"},{"t":3748,"kind":"spoken","text":"The other man asks what the place is called.","evidence":"t:62:29"},{"t":3748,"kind":"spoken","text":"The first man replies that places like this don't have names.","evidence":"t:62:33"},{"t":3748,"kind":"spoken","text":"The second man contradicts him, implying it does have a name.","evidence":"t:62:36"}],"people":[{"id":"p1","name":null,"presence":["visible","audible"],"appearance":"man wearing a fedora, vest, and tie, medium build, mid-adult"},{"id":"p2","name":null,"presence":["visible","audible"],"appearance":"man in a suit jacket, clean-shaven, mid-adult"}],"period":null,"quotes":[{"t":"62:25","text":"When I drink, my voice gets high. It's a nice place you got here."},{"t":"62:29","text":"What's it called again? Just 7:33."},{"t":"62:33","text":"They don't have names for places like this."},{"t":"62:36","text":"That's what you think."}],"objects":[{"name":"fedora","evidence":"frame:1"},{"name":"curtains","evidence":"frame:1"},{"name":"floral arrangement","evidence":"frame:1"}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"tense and conversational","themes":["identity of place","social interaction","dialogue-driven scene"],"style_notes":"medium two-shot, high-contrast black-and-white lighting, studio set with draped curtains"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:41:23Z","flags":[],"checked":{"names":2,"quotes":4,"visible_claimed":0,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:20:58.238684+00:00","id":"I_Love_Trouble_movie:b131:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=3735","transcript_segments":[561,562,563,564],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":132,"start_s":3759.9666,"end_s":3766.639,"first_shot":254,"last_shot":254,"sequence":85,"keyframes":[{"t":3763.3,"shot":254}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.93,"rhythm":0.25,"visual":0.117,"pause_s":6.0}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A white car is parked in front of a building with a 'CAFE' sign. Several people are visible inside the cafe through the windows.","observations":{"place":{"value":"cafe","evidence":"frame:1","interior":true,"place_type":"restaurant"},"events":[],"people":[],"period":null,"quotes":[],"objects":[{"name":"white car","evidence":"frame:1"},{"name":"CAFE sign","evidence":"frame:1"}],"time_of_day":null,"on_screen_text":"CAFE"},"interpretations":{"mood":"neutral","themes":[],"style_notes":"black-and-white, medium shot, exterior framing with interior visible through windows"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:41:23Z","flags":[],"checked":{"names":0,"quotes":0,"visible_claimed":0,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:20:58.268188+00:00","id":"I_Love_Trouble_movie:b132:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=3759","transcript_segments":[],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":133,"start_s":3766.639,"end_s":3779.358,"first_shot":255,"last_shot":256,"sequence":86,"keyframes":[{"t":3771.9,"shot":255},{"t":3778.2,"shot":256}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.94,"rhythm":0.27,"visual":0.146,"pause_s":6.0}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A man in a suit and hat stands in a doorway while a woman in a uniform with a name tag reading 'Millie' speaks. The man requests coffee, and the woman corrects him about her name.","observations":{"place":{"value":"restaurant","evidence":"frame:1","interior":true,"place_type":"restaurant"},"events":[{"t":3772,"kind":"visible","text":"A man in a suit and hat stands in a doorway.","evidence":"frame:1"},{"t":3778,"kind":"visible","text":"A woman in a waitress uniform speaks to the man.","evidence":"frame:2"},{"t":3774,"kind":"spoken","text":"The man says 'Just coffee, Millie.'","evidence":"t:62:54"},{"t":3777,"kind":"spoken","text":"The woman replies 'My name ain't Millie.'","evidence":"t:62:57"}],"people":[{"id":"p1","name":null,"presence":["visible"],"appearance":"man, mid-30s to 40s, wearing a dark suit, tie, and fedora"},{"id":"p2","name":{"value":"Millie","evidence":"t:62:57"},"presence":["visible","audible"],"appearance":"woman, 20s to 30s, wearing a waitress uniform with a name tag and a white hat"}],"period":null,"quotes":[{"t":"62:54","text":"Just coffee, Millie."},{"t":"62:57","text":"My name ain't Millie."}],"objects":[{"name":"waitress uniform with name tag","frame":2},{"name":"fedora hat","frame":1},{"name":"doorway with glass panels","frame":1},{"name":"potted plant","frame":1}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"mildly confrontational","themes":["misidentification","service industry interaction"],"style_notes":"medium shots, high-contrast lighting, studio set with visible props"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:41:23Z","flags":[],"checked":{"names":2,"quotes":2,"visible_claimed":2,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:21:52.482291+00:00","id":"I_Love_Trouble_movie:b133:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=3766","transcript_segments":[565,566],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":134,"start_s":3779.358,"end_s":3805.338,"first_shot":257,"last_shot":258,"sequence":87,"keyframes":[{"t":3791.6,"shot":257},{"t":3804.5,"shot":258}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.91,"rhythm":0.04,"visual":0.111,"pause_s":6.0}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A woman in a waitress uniform speaks to a man in a suit and fedora at a counter; he gestures while seated. The dialogue reveals the woman's name is Jackie (not Fanny) and the man's name is Sammy, and she corrects him about how she is addressed.","observations":{"place":{"value":"restaurant","evidence":"frame:1","interior":true,"place_type":"restaurant"},"events":[{"t":3792,"kind":"visible","text":"A woman in a waitress uniform stands at a counter speaking to a seated man.","evidence":"frame:1"},{"t":3804,"kind":"visible","text":"The man gestures with his hand while seated at the counter.","evidence":"frame:2"},{"t":3792,"kind":"spoken","text":"The woman says her name is Jackie, not Fanny, and that only her friends call her Jackie.","evidence":"t:63:08"},{"t":3792,"kind":"spoken","text":"The man says his name is Sammy.","evidence":"t:63:07"}],"people":[{"id":"p1","name":{"value":"Jackie","evidence":"t:63:12"},"presence":["visible","audible"],"appearance":"woman, mid-20s to 30s, wearing a waitress uniform with a cap, standing"},{"id":"p2","name":{"value":"Sammy","evidence":"t:63:07"},"presence":["visible","audible"],"appearance":"man, 30s to 40s, wearing a suit, tie, and fedora, seated"}],"period":null,"quotes":[{"t":"63:07","text":"- Sammy."},{"t":"63:08","text":"Fanny, would you remember...  I hate people that call me that."},{"t":"63:12","text":"But you just said your name was...  My friends call me Jackie."},{"t":"63:19","text":"I said my friends call me Jackie, to you or Miss Phipps."}],"objects":[{"item":"counter","evidence":"frame:1"},{"item":"coffee pot","evidence":"frame:1"},{"item":"coffee cup and saucer","evidence":"frame:1"},{"item":"fedora hat","evidence":"frame:2"},{"item":"suit and tie","evidence":"frame:2"}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"tense and confrontational","themes":["identity","social roles","personal boundaries"],"style_notes":"medium close-up shots, high-contrast black-and-white lighting, static camera framing"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:41:23Z","flags":[],"checked":{"names":2,"quotes":4,"visible_claimed":2,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:22:04.258239+00:00","id":"I_Love_Trouble_movie:b134:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=3779","transcript_segments":[567,568,569,570,571,572,573],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":135,"start_s":3805.338,"end_s":3829.358,"first_shot":259,"last_shot":260,"sequence":87,"keyframes":[{"t":3808.8,"shot":259},{"t":3820.9,"shot":260}],"boundary":{"reason":"topic shift in dialogue","scores":{"ocr":0.0,"topic":0.86,"rhythm":0.13,"visual":0.072,"pause_s":0.2}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A woman in a uniform speaks with a man in a hat at a counter; the man asks her about a woman who sat by the door last Monday. The woman responds with a bet of five dollars.","observations":{"place":{"value":"restaurant","evidence":"frame:2","interior":true,"place_type":"restaurant"},"events":[{"t":3809,"kind":"visible","text":"A woman in a uniform stands and speaks to a man in a hat.","evidence":"frame:1"},{"t":3821,"kind":"visible","text":"The man sits at a counter, gesturing while speaking to the woman.","evidence":"frame:2"},{"t":3805,"kind":"spoken","text":"The man says, 'You know, you ought to learn how to get along with people.'","evidence":"t:63:27"},{"t":3807,"kind":"spoken","text":"The man observes that someone struck the woman.","evidence":"t:63:30"},{"t":3812,"kind":"spoken","text":"The man calls the woman 'Miss Phipps' and calls her observant.","evidence":"t:63:32"},{"t":3816,"kind":"spoken","text":"The man asks if she remembers a woman who sat by the door last Monday morning.","evidence":"t:63:36"},{"t":3824,"kind":"spoken","text":"The woman asks, 'How much do you bet?'","evidence":"t:63:44"},{"t":3825,"kind":"spoken","text":"The woman says, 'Five.'","evidence":"t:63:45"}],"people":[{"id":"p1","name":null,"presence":["visible","audible"],"appearance":"woman, mid-20s to 30s, wearing a light-colored uniform with a distinctive hat, standing"},{"id":"p2","name":null,"presence":["visible","audible"],"appearance":"man, mid-30s to 50s, wearing a fedora and suit, seated at a counter"}],"period":null,"quotes":[{"t":"63:27","text":"You know, you ought to learn how to get along with people."},{"t":"63:30","text":"I see somebody struck you."},{"t":"63:32","text":"Miss Phipps, you're what I would call an observant woman."},{"t":"63:45","text":"Five."}],"objects":[{"name":"uniform","evidence":"frame:1","description":"light-colored, with a distinctive hat"},{"name":"fedora","evidence":"frame:2","description":"dark, worn by the man"},{"name":"counter","evidence":"frame:2","description":"dark surface with cups and containers"},{"name":"wall painting","evidence":"frame:2","description":"framed artwork on the wall behind the counter"}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"tense and conversational","themes":["observation","betting","interpersonal conflict"],"style_notes":"medium close-up and two-shot framing, high-contrast black-and-white lighting, typical of 1940s studio production"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:41:23Z","flags":[],"checked":{"names":2,"quotes":4,"visible_claimed":2,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:22:31.350810+00:00","id":"I_Love_Trouble_movie:b135:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=3805","transcript_segments":[574,575,576,577,578,579,580,581],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":136,"start_s":3829.358,"end_s":3838.5737,"first_shot":261,"last_shot":262,"sequence":87,"keyframes":[{"t":3832.7,"shot":261},{"t":3837.3,"shot":262}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.88,"rhythm":0.41,"visual":0.052,"pause_s":6.0}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A woman in a nurse's uniform speaks to a man in a hat seated at a counter. The setting appears to be a diner or drugstore with a counter and shelves visible.","observations":{"place":{"value":"shop","evidence":"frame:2","interior":true,"place_type":"shop"},"events":[{"t":3833,"kind":"visible","text":"A woman in a nurse's uniform is speaking.","evidence":"frame:1"},{"t":3837,"kind":"visible","text":"A man in a hat sits at a counter while a woman in a nurse's uniform stands behind it.","evidence":"frame:2"},{"t":3833,"kind":"spoken","text":"The woman says she doesn't remember Hugh Lowe.","evidence":"t:63:53"},{"t":3836,"kind":"spoken","text":"The woman greets the man as 'Mr. Beast'.","evidence":"t:63:56"}],"people":[{"id":"p1","name":null,"presence":["visible","audible"],"appearance":"woman, mid-adult, wearing a nurse's uniform with a cap and a name tag"},{"id":"p2","name":{"value":"Mr. Beast","evidence":"t:63:56"},"presence":["visible"],"appearance":"man, mid-adult, wearing a suit and a fedora hat, seated at a counter"}],"period":null,"quotes":[{"t":"63:53","text":"Hugh Lowe's, I don't remember..."},{"t":"63:56","text":"Hello, Mr. Beast."}],"objects":[{"name":"nurse's uniform","evidence":"frame:1"},{"name":"fedora hat","evidence":"frame:2"},{"name":"counter","evidence":"frame:2"},{"name":"shelves with products","evidence":"frame:2"},{"name":"name tag on uniform","evidence":"frame:1"}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"neutral, conversational","themes":["encounter","identity","service setting"],"style_notes":"medium close-up on the woman, then a wider shot showing the man at the counter; black-and-white, studio-lit"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:41:23Z","flags":[],"checked":{"names":2,"quotes":2,"visible_claimed":2,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:22:31.353396+00:00","id":"I_Love_Trouble_movie:b136:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=3829","transcript_segments":[582,583],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":137,"start_s":3838.5737,"end_s":3840.4504,"first_shot":263,"last_shot":263,"sequence":88,"keyframes":[{"t":3839.5,"shot":263}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.88,"rhythm":0.24,"visual":0.063,"pause_s":5.9}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A woman in a uniform smiles at the camera in an outdoor setting with a vehicle and building in the background. No dialogue or on-screen text is present in this beat.","observations":{"place":{"value":"street","evidence":"frame:1","interior":false,"place_type":"street"},"events":[],"people":[{"id":"p1","name":null,"presence":["visible"],"appearance":"woman, mid-20s to 30s, wearing a light-colored uniform with a collar and a name tag reading 'Mary', dark hair styled in a bun with a headband"}],"period":null,"quotes":[],"objects":[{"name":"uniform","evidence":"frame:1","description":"light-colored, collared, with a name tag reading 'Mary'"},{"name":"vehicle","evidence":"frame:1","description":"light-colored vintage car, partially visible in background"},{"name":"building","evidence":"frame:1","description":"large structure with multiple windows, possibly industrial or institutional"}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"neutral to pleasant","themes":[],"style_notes":"medium close-up, high-contrast black-and-white lighting, static framing"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:41:23Z","flags":[],"checked":{"names":1,"quotes":0,"visible_claimed":0,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:22:44.265366+00:00","id":"I_Love_Trouble_movie:b137:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=3838","transcript_segments":[],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":138,"start_s":3840.4504,"end_s":3842.202,"first_shot":264,"last_shot":264,"sequence":89,"keyframes":[{"t":3841.3,"shot":264}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.86,"rhythm":0.25,"visual":0.08,"pause_s":5.9}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A man in a suit and hat stands at a counter in a dimly lit interior space with shelves and objects behind him. No dialogue or on-screen text is present in this beat.","observations":{"place":{"name":"bar","evidence":"frame:1","interior":true,"place_type":"bar"},"events":[],"people":[{"id":"p1","name":null,"presence":["visible"],"appearance":"man wearing dark suit, tie, and fedora hat, medium build, appears middle-aged"}],"period":null,"quotes":[],"objects":[{"name":"counter","evidence":"frame:1"},{"name":"shelves with bottles and containers","evidence":"frame:1"},{"name":"hat","evidence":"frame:1"},{"name":"cup and saucer","evidence":"frame:1"},{"name":"framed picture on wall","evidence":"frame:1"}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"noirish, tense","themes":["urban nightlife","solitude","mystery"],"style_notes":"high-contrast lighting, medium shot, shallow depth of field, classic black-and-white film noir framing"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:41:23Z","flags":[],"checked":{"names":1,"quotes":0,"visible_claimed":0,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:22:44.269313+00:00","id":"I_Love_Trouble_movie:b138:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=3840","transcript_segments":[],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":139,"start_s":3842.202,"end_s":3860.05,"first_shot":265,"last_shot":267,"sequence":90,"keyframes":[{"t":3847.1,"shot":265},{"t":3853.2,"shot":266},{"t":3857.3,"shot":267}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.86,"rhythm":0.14,"visual":0.068,"pause_s":5.9}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A man and a woman speak at a diner counter while another man looks on; the woman recalls a customer in black who left a large tip. The setting is a diner with a visible street outside.","observations":{"place":{"value":"diner","evidence":"frame:1","interior":true,"place_type":"restaurant"},"events":[{"t":3847,"kind":"visible","text":"A man and a woman stand at a diner counter while another man looks on.","evidence":"frame:1"},{"t":3853,"kind":"visible","text":"A man in a suit and hat looks off to the side with a serious expression.","evidence":"frame:2"},{"t":3857,"kind":"visible","text":"A woman in a diner uniform looks toward the camera with a slight smile.","evidence":"frame:3"},{"t":3843,"kind":"spoken","text":"One person says to another, 'You're a sight for sore eyes.'","evidence":"t:64:03"},{"t":3845,"kind":"spoken","text":"One person replies, 'Well, you're a sight, period.'","evidence":"t:64:05"},{"t":3848,"kind":"spoken","text":"A man asks Betty if she remembers a woman in black who watched the entrance.","evidence":"t:64:08"},{"t":3854,"kind":"spoken","text":"Betty confirms she remembers the woman.","evidence":"t:64:14"},{"t":3855,"kind":"spoken","text":"Betty says the woman bought coffee and gave a dollar tip.","evidence":"t:64:15"},{"t":3858,"kind":"spoken","text":"Betty adds that the woman should come in more often.","evidence":"t:64:18"}],"people":[{"id":"p1","name":null,"presence":["visible"],"appearance":"man in dark suit and fedora, medium build, 30s-40s"},{"id":"p2","name":null,"presence":["visible"],"appearance":"man in light suit and fedora, medium build, 30s-40s"},{"id":"p3","name":{"value":"Betty","evidence":"t:64:08"},"presence":["visible","audible"],"appearance":"woman in diner uniform with name tag, dark hair, 20s-30s"}],"period":null,"quotes":[{"t":"64:03","text":"You're a sight for sore eyes."},{"t":"64:05","text":"Well, you're a sight, period."},{"t":"64:08","text":"Betty, would you remember a woman spending a lot of time at this table the other morning? She was dressed in black and kept watching the entrance."},{"t":"64:18","text":"She should come in more often."}],"objects":[{"name":"diner counter","evidence":"frame:1"},{"name":"fedora hats","evidence":"frame:1, frame:2"},{"name":"diner uniform with name tag","evidence":"frame:3"},{"name":"street with parked cars and building sign","evidence":"frame:1, frame:3"}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"light, conversational with a hint of mystery","themes":["urban encounter","memory and observation","diner as social space"],"style_notes":"medium shots, high-contrast black-and-white, classic 1940s framing with depth of field showing street through window"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:41:30Z","flags":[],"checked":{"names":3,"quotes":4,"visible_claimed":3,"visible_sampled":2},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:23:26.967247+00:00","id":"I_Love_Trouble_movie:b139:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=3842","transcript_segments":[584,585,586,587,588,589],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":140,"start_s":3860.05,"end_s":3871.3093,"first_shot":268,"last_shot":270,"sequence":90,"keyframes":[{"t":3860.7,"shot":268},{"t":3862.9,"shot":269},{"t":3867.9,"shot":270}],"boundary":{"reason":"topic shift in dialogue","scores":{"ocr":0.0,"topic":0.92,"rhythm":0.84,"visual":0.073,"pause_s":0.3}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A man in a suit and hat speaks indoors while a woman in a uniform is shown outdoors near a street with cars. The dialogue discusses a woman who was present for two hours and left with a funny-looking little bald man.","observations":{"place":{"value":"private_office","evidence":"frame:1","interior":true,"place_type":"private_office"},"events":[{"t":3860,"kind":"spoken","text":"A man asks if a woman was present for a long time.","evidence":"t:64:20"},{"t":3863,"kind":"spoken","text":"The woman confirms the duration was about two hours.","evidence":"t:64:23"},{"t":3864,"kind":"spoken","text":"The man describes a funny little man arriving and leaving with the woman.","evidence":"t:64:24"},{"t":3868,"kind":"spoken","text":"The man asks if the man was funny-looking and bald.","evidence":"t:64:28"},{"t":3869,"kind":"spoken","text":"The woman confirms yes.","evidence":"t:64:29"}],"people":[{"id":"p1","name":null,"presence":["visible","audible"],"appearance":"man, mid-30s to 40s, wearing dark suit, white shirt, dark tie, fedora hat"},{"id":"p2","name":null,"presence":["visible","audible"],"appearance":"woman, 20s to 30s, wearing light-colored uniform with collar, hair styled up"}],"period":null,"quotes":[{"t":"64:20","text":"Was she here long?"},{"t":"64:23","text":"Two hours?"},{"t":"64:24","text":"So a funny little man came in and they went away together."},{"t":"64:28","text":"A funny-looking little bald man?"}],"objects":[{"name":"fedora hat","frame":1},{"name":"dark suit","frame":1},{"name":"uniform with collar","frame":2},{"name":"car","frame":2},{"name":"building facade","frame":2}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"suspenseful","themes":["mystery","investigation","unreliable witness"],"style_notes":"black-and-white, medium close-ups, studio lighting, period costume"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:41:30Z","flags":[],"checked":{"names":2,"quotes":4,"visible_claimed":0,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:23:26.970467+00:00","id":"I_Love_Trouble_movie:b140:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=3860","transcript_segments":[590,591,592,593,594,595],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":141,"start_s":3871.3093,"end_s":3898.2068,"first_shot":271,"last_shot":271,"sequence":91,"keyframes":[{"t":3884.8,"shot":271}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.92,"rhythm":0.96,"visual":0.118,"pause_s":2.5}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A man and a woman stand in an office, speaking; the woman holds papers and the man wears a hat and suit. The dialogue suggests a search occurred and a phone call to Johnson or Keller is being arranged.","observations":{"place":{"value":"private_office","evidence":"frame:1","interior":true,"place_type":"private_office"},"events":[{"t":3885,"kind":"visible","text":"A man and a woman stand facing each other in an office.","evidence":"frame:1"},{"t":3872,"kind":"spoken","text":"The man asks, \"What's this for?\"","evidence":"t:64:32"},{"t":3874,"kind":"spoken","text":"The woman replies, \"You wouldn't understand.\"","evidence":"t:64:34"},{"t":3878,"kind":"spoken","text":"The man asks, \"Where have you been? They searched the whole office.\"","evidence":"t:64:38"},{"t":3881,"kind":"spoken","text":"The man asks, \"What happened?\"","evidence":"t:64:41"},{"t":3883,"kind":"spoken","text":"The man mentions jujitsu lessons spent on money.","evidence":"t:64:43"},{"t":3887,"kind":"spoken","text":"The man asks the woman to call Johnson and offers to have him in person.","evidence":"t:64:47"},{"t":3892,"kind":"spoken","text":"The man instructs to call a number, ask for Keller or Reno, and say it's important.","evidence":"t:64:52"}],"people":[{"id":"p1","name":null,"presence":["visible","audible"],"appearance":"man, wearing a suit and fedora hat, medium build"},{"id":"p2","name":null,"presence":["visible","audible"],"appearance":"woman, wearing a suit jacket and skirt, holding papers, medium build"}],"period":null,"quotes":[{"t":"64:32","text":"What's this for?"},{"t":"64:34","text":"You wouldn't understand."},{"t":"64:47","text":"Get Johnson on the phone, will you? How'd you like to have him in person?"},{"t":"64:52","text":"Call this number. Ask for Keller. If that doesn't work, tell him you want Reno. And tell him it's important."}],"objects":[{"name":"fedora hat","frame":1},{"name":"suit jacket","frame":1},{"name":"papers","frame":1},{"name":"office desk or counter","frame":1}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"tense, urgent","themes":["miscommunication","urgent errand","office intrigue"],"style_notes":"medium two-shot, high-contrast lighting, studio set with minimal props, typical of 1940s noir-influenced comedies"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:41:30Z","flags":[],"checked":{"names":2,"quotes":4,"visible_claimed":1,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:23:56.602365+00:00","id":"I_Love_Trouble_movie:b141:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=3871","transcript_segments":[596,597,598,599,600,601,602],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":142,"start_s":3898.2068,"end_s":3992.5354,"first_shot":272,"last_shot":274,"sequence":91,"keyframes":[{"t":3937.4,"shot":272},{"t":3980.3,"shot":273},{"t":3988.2,"shot":274}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.91,"rhythm":0.46,"visual":0.138,"pause_s":2.0}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"Two men in suits discuss a murder accusation involving a woman named Jane, with one demanding she be brought in while the other insists on legal defense. The setting appears to be an indoor office with blinds casting shadows on the wall.","observations":{"place":{"value":"private_office","evidence":"frame:1, frame:2, frame:3","interior":true,"place_type":"private_office"},"events":[{"t":3937,"kind":"visible","text":"Two men stand facing each other in an office, one wearing a fedora.","evidence":"frame:1"},{"t":3980,"kind":"visible","text":"One man in a suit looks directly at the camera with a serious expression.","evidence":"frame:2"},{"t":3988,"kind":"visible","text":"The man in the fedora gestures with his hand while speaking.","evidence":"frame:3"},{"t":3900,"kind":"spoken","text":"One man accuses the other's wife of killing Buster Buffen.","evidence":"t:65:19"},{"t":3900,"kind":"spoken","text":"The man named Johnson is told to bring his wife to the office.","evidence":"t:65:06"},{"t":3900,"kind":"spoken","text":"The man in the fedora says he will not cover up a murder even for his client.","evidence":"t:66:13"}],"people":[{"id":"p1","name":null,"presence":["visible","audible"],"appearance":"man wearing a suit, tie, and fedora hat; medium build; appears middle-aged"},{"id":"p2","name":{"value":"Johnson","evidence":"t:65:03"},"presence":["visible","audible"],"appearance":"man wearing a suit and tie, no hat; medium build; appears middle-aged"}],"period":null,"quotes":[{"t":"65:03","text":"You're just the man I wanted to see, Mr. Johnson."},{"t":"65:19","text":"One of the answers is that your wife killed Buster Buffen."},{"t":"66:13","text":"I can't dummy up on murder even with you for a client."},{"t":"66:20","text":"You've got to give me time to get her a lawyer, to get her defensed."}],"objects":[{"name":"fedora hat","evidence":"frame:1, frame:3"},{"name":"suit and tie","evidence":"frame:1, frame:2, frame:3"},{"name":"blinds casting shadows","evidence":"frame:1, frame:2, frame:3"},{"name":"desk or table","evidence":"frame:1, frame:3"}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"tense and confrontational","themes":["moral dilemma","accusation","legal defense","marital tension"],"style_notes":"black-and-white film noir style; medium close-ups; high-contrast lighting with shadows from blinds; static camera framing"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:41:32Z","flags":[],"checked":{"names":2,"quotes":4,"visible_claimed":3,"visible_sampled":1},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:24:12.496141+00:00","id":"I_Love_Trouble_movie:b142:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=3898","transcript_segments":[603,604,605,606,607,608,609,610,611,612,613,614,615,616,617,618,619,620,621,622,623,624,625,626,627,628,629,630,631,632],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":143,"start_s":3992.5354,"end_s":4009.4246,"first_shot":275,"last_shot":276,"sequence":91,"keyframes":[{"t":3999.1,"shot":275},{"t":4007.6,"shot":276}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.95,"rhythm":0.2,"visual":0.1,"pause_s":3.8}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A man in a suit is shown in two frames, standing indoors near a window with blinds. The transcript includes dialogue about someone named Bailey, a missing car, and clothes, and states the matter is now for the police.","observations":{"place":{"value":"private_office","evidence":"frame:1","interior":true,"place_type":"private_office"},"events":[{"t":3993,"kind":"visible","text":"A man is standing indoors, facing slightly away from the camera.","evidence":"frame:1"},{"t":4008,"kind":"visible","text":"The man turns to face the camera, standing upright.","evidence":"frame:2"},{"t":3996,"kind":"spoken","text":"Someone says 'You haven't proved a thing, Bailey.'","evidence":"t:66:36"},{"t":3999,"kind":"spoken","text":"Someone says 'James gone.'","evidence":"t:66:42"},{"t":4000,"kind":"spoken","text":"Someone says 'I drove home to take you to lunch.'","evidence":"t:66:45"},{"t":4001,"kind":"spoken","text":"Someone says 'Her car was missing.'","evidence":"t:66:47"},{"t":4003,"kind":"spoken","text":"Someone says 'A couple of bags and some clothes. Well, that's out of my hands from now on. It's a police show from here on in.'","evidence":"t:66:49"}],"people":[{"id":"p1","name":null,"presence":["visible"],"appearance":"man, middle-aged, medium build, wearing a suit with a tie and pocket square"}],"period":null,"quotes":[{"t":"66:36","text":"You haven't proved a thing, Bailey."},{"t":"66:42","text":"James gone."},{"t":"66:45","text":"I drove home to take you to lunch."},{"t":"66:49","text":"A couple of bags and some clothes.  Well, that's out of my hands from now on.  It's a police show from here on in."}],"objects":[{"name":"suit","frame":1},{"name":"window blinds","frame":1},{"name":"pocket square","frame":2}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"tense","themes":["suspicion","legal consequence","disappearance"],"style_notes":"medium close-up, high-contrast lighting, static framing"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:41:32Z","flags":[],"checked":{"names":1,"quotes":4,"visible_claimed":2,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:24:32.941795+00:00","id":"I_Love_Trouble_movie:b143:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=3992","transcript_segments":[633,634,635,636,637],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":144,"start_s":4009.4246,"end_s":4061.3428,"first_shot":277,"last_shot":277,"sequence":92,"keyframes":[{"t":4035.4,"shot":277}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.91,"rhythm":0.18,"visual":0.191,"pause_s":6.0},"during_speech":"cut falls inside a spoken line: no pause was available without exceeding the length cap"},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A man in a suit and hat sits at a desk in an office, speaking with someone off-screen. The dialogue references police involvement, a Lieutenant Quint, and a girlfriend named Maisie, suggesting a crime-related plot point.","observations":{"place":{"value":"private_office","evidence":"frame:1","interior":true,"place_type":"private_office"},"events":[{"t":4035,"kind":"visible","text":"Bailey sits at a desk and speaks to someone off-screen.","evidence":"frame:1"},{"t":4009,"kind":"spoken","text":"Someone says the matter is now a police show.","evidence":"t:66:49"},{"t":4012,"kind":"spoken","text":"Someone asks if Lieutenant Quint is around.","evidence":"t:67:02"},{"t":4013,"kind":"spoken","text":"Bailey is addressed by name.","evidence":"t:67:08"},{"t":4019,"kind":"spoken","text":"Bailey mentions Quint's girlfriend Maisie and warns that Quint will be angry if not contacted.","evidence":"t:67:16"},{"t":4025,"kind":"spoken","text":"Bailey says he throws angles and they toss back curves.","evidence":"t:67:25"},{"t":4028,"kind":"spoken","text":"Bailey says they never heard of Keller or Reno.","evidence":"t:67:28"},{"t":4031,"kind":"spoken","text":"Bailey says he'll see the person next time.","evidence":"t:67:31"},{"t":4038,"kind":"spoken","text":"Someone asks if Bailey said anything, and reports he gave a chip and wanted to see the person, looking mean.","evidence":"t:67:38"}],"people":[{"id":"p1","name":{"value":"Bailey","evidence":"t:67:08"},"presence":["visible","audible"],"appearance":"man, mid-adult, wearing a dark suit, tie, and fedora hat, seated at a desk"},{"id":"p2","name":null,"presence":["audible","mentioned"],"appearance":"unseen, likely standing near the desk, addressed by p1"},{"id":"p3","name":{"value":"Lieutenant Quint","evidence":"t:67:02"},"presence":["mentioned"],"appearance":"unseen, mentioned as Lieutenant Quint"},{"id":"p4","name":{"value":"Maisie","evidence":"t:67:16"},"presence":["mentioned"],"appearance":"unseen, mentioned as Maisie, girlfriend of Quint"}],"period":null,"quotes":[{"t":"66:49","text":"A couple of bags and some clothes.  Well, that's out of my hands from now on.  It's a police show from here on in."},{"t":"67:02","text":"Is Lieutenant Quint around?"},{"t":"67:16","text":"Well, this is his girlfriend, Maisie."},{"t":"67:38","text":"Did he say anything?  He just gave me that chip and said he wanted to see you.  He looked mean."}],"objects":[{"name":"desk","evidence":"frame:1"},{"name":"fedora hat","evidence":"frame:1"},{"name":"suit and tie","evidence":"frame:1"},{"name":"bookshelf or filing cabinet (background)","evidence":"frame:1"}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"tense, procedural","themes":["crime","police procedural","mystery","negotiation"],"style_notes":"black-and-white, medium close-up, studio lighting, static framing"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:41:32Z","flags":[],"checked":{"names":4,"quotes":4,"visible_claimed":1,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:24:58.771322+00:00","id":"I_Love_Trouble_movie:b144:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=4009","transcript_segments":[637,638,639,640,641,642,643,644,645,646,647,648,649,650],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":145,"start_s":4061.3428,"end_s":4083.9866,"first_shot":278,"last_shot":280,"sequence":93,"keyframes":[{"t":4063.3,"shot":278},{"t":4072.0,"shot":279},{"t":4081.4,"shot":280}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.96,"rhythm":0.56,"visual":0.209,"pause_s":6.0},"during_speech":"cut falls inside a spoken line: no pause was available without exceeding the length cap"},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A woman in a dark swimsuit sits by a pool while a man in a white apron stands nearby; the scene shifts to a house porch with outdoor furniture. A voice instructs someone named Eunice to bring a person out.","observations":{"place":{"value":"backyard","evidence":"frame:1, frame:2, frame:3","interior":false,"place_type":"other"},"events":[{"t":4061,"kind":"spoken","text":"A voice says 'All right, Eunice.'","evidence":"t:67:50"},{"t":4062,"kind":"spoken","text":"A voice says 'Bring him out.'","evidence":"t:67:51"},{"t":4063,"kind":"spoken","text":"A voice says 'Come on.'","evidence":"t:67:52"},{"t":4063,"kind":"visible","text":"A woman in a swimsuit sits by a pool, looking off-camera.","evidence":"frame:1"},{"t":4072,"kind":"visible","text":"A man in an apron stands near the pool while the woman remains seated.","evidence":"frame:2"},{"t":4081,"kind":"visible","text":"The scene shows a porch with outdoor furniture and a vine-covered structure.","evidence":"frame:3"}],"people":[{"id":"p1","name":null,"presence":["visible"],"appearance":"blonde woman, wearing dark swimsuit, seated"},{"id":"p2","name":null,"presence":["visible"],"appearance":"man, wearing white apron over dark clothes, standing"},{"id":"p3","name":{"value":"Eunice","evidence":"t:67:50"},"presence":["audible","mentioned"],"appearance":"unseen person"}],"period":null,"quotes":[{"t":"67:50","text":"All right, Eunice."},{"t":"67:51","text":"Bring him out."},{"t":"67:52","text":"Come on."}],"objects":[{"name":"swimsuit","evidence":"frame:1"},{"name":"white apron","evidence":"frame:2"},{"name":"pool","evidence":"frame:2"},{"name":"porch furniture","evidence":"frame:3"},{"name":"vine-covered structure","evidence":"frame:3"}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"tense","themes":["domestic tension","obedience","outdoor leisure"],"style_notes":"black-and-white, medium shots, outdoor daylight setting, static camera"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:41:35Z","flags":[],"checked":{"names":3,"quotes":3,"visible_claimed":3,"visible_sampled":1},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:25:05.865467+00:00","id":"I_Love_Trouble_movie:b145:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=4061","transcript_segments":[651,652,653],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":146,"start_s":4083.9866,"end_s":4087.0725,"first_shot":281,"last_shot":281,"sequence":93,"keyframes":[{"t":4085.5,"shot":281}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.96,"rhythm":0.6,"visual":0.057,"pause_s":6.0}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A single outdoor scene shows a person seated at a table under an umbrella in a garden or patio area with chairs and foliage. No dialogue or on-screen text is present in this beat.","observations":{"place":{"value":"garden patio","evidence":"frame:1","interior":false,"place_type":"other"},"events":[],"people":[{"id":"p1","name":null,"presence":["visible"],"appearance":"person seated, wearing light-colored clothing, visible from a distance"}],"period":null,"quotes":[],"objects":[{"name":"umbrella","evidence":"frame:1"},{"name":"chairs","evidence":"frame:1"},{"name":"table","evidence":"frame:1"},{"name":"foliage","evidence":"frame:1"}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"quiet","themes":[],"style_notes":"wide shot, black-and-white, natural lighting, static framing"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:41:35Z","flags":[],"checked":{"names":1,"quotes":0,"visible_claimed":0,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:25:09.993328+00:00","id":"I_Love_Trouble_movie:b146:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=4083","transcript_segments":[],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":147,"start_s":4087.0725,"end_s":4088.4487,"first_shot":282,"last_shot":282,"sequence":94,"keyframes":[{"t":4087.8,"shot":282}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.96,"rhythm":0.63,"visual":0.105,"pause_s":6.0}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A man in a suit stands outdoors near foliage and a building. No dialogue or action is visible in this single frame.","observations":{"place":{"value":"sidewalk","evidence":"frame:1","interior":false,"place_type":"sidewalk"},"events":[],"people":[{"id":"p1","name":null,"presence":["visible"],"appearance":"man, mid-adult, slim build, wearing a dark suit and tie"}],"period":null,"quotes":[],"objects":[{"name":"suit","evidence":"frame:1"},{"name":"foliage","evidence":"frame:1"},{"name":"building exterior","evidence":"frame:1"}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"neutral","themes":[],"style_notes":"medium shot, black-and-white, high-contrast lighting, static framing"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:41:35Z","flags":[],"checked":{"names":1,"quotes":0,"visible_claimed":0,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:25:20.037198+00:00","id":"I_Love_Trouble_movie:b147:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=4087","transcript_segments":[],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":148,"start_s":4088.4487,"end_s":4090.6172,"first_shot":283,"last_shot":283,"sequence":95,"keyframes":[{"t":4089.5,"shot":283}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.95,"rhythm":0.01,"visual":0.093,"pause_s":6.0}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A man in a dark suit walks on a porch outside a house with ivy-covered walls. No dialogue or on-screen text is present in this beat.","observations":{"place":{"value":"porch","evidence":"frame:1","interior":false,"place_type":"other"},"events":[{"t":4090,"kind":"visible","text":"A man in a suit walks across a porch.","evidence":"frame:1"}],"people":[{"id":"p1","name":null,"presence":["visible"],"appearance":"man in dark suit, medium build, dark hair, walking"}],"period":null,"quotes":[],"objects":[{"name":"folding chair","frame":1},{"name":"ivy-covered house wall","frame":1},{"name":"porch railing","frame":1}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"neutral","themes":[],"style_notes":"medium shot, static camera, high-contrast black-and-white lighting"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:41:37Z","flags":[],"checked":{"names":1,"quotes":0,"visible_claimed":1,"visible_sampled":1},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:25:25.302215+00:00","id":"I_Love_Trouble_movie:b148:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=4088","transcript_segments":[],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":149,"start_s":4090.6172,"end_s":4103.92,"first_shot":284,"last_shot":284,"sequence":96,"keyframes":[{"t":4097.3,"shot":284}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.95,"rhythm":0.05,"visual":0.19,"pause_s":6.0}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A woman reclines by a pool while a man in a suit stands nearby. The dialogue indicates the woman was sunbathing and invites the man to sit.","observations":{"place":{"value":"poolside","evidence":"frame:1","interior":false,"place_type":"other"},"events":[{"t":4097,"kind":"visible","text":"A woman reclines by a pool while a man in a suit stands nearby.","evidence":"frame:1"},{"t":4092,"kind":"spoken","text":"The woman thanks the man for seeing her and mentions she was sunbathing.","evidence":"t:68:12"},{"t":4094,"kind":"spoken","text":"The woman asks not to be interrupted and invites the man to sit.","evidence":"t:68:17"}],"people":[{"id":"p1","name":{"value":"Miss Nester","evidence":"t:68:12"},"presence":["visible","audible"],"appearance":"woman, blonde, reclining, wearing light clothing or towel"},{"id":"p2","name":null,"presence":["visible","audible"],"appearance":"man, wearing dark suit, standing"}],"period":null,"quotes":[{"t":"68:12","text":"Thanks for seeing me, Miss Nester. Thank you."},{"t":"68:14","text":"Please excuse my appearance. I was sunbathing."},{"t":"68:17","text":"Don't let me interrupt."},{"t":"68:19","text":"Sit down."}],"objects":[{"name":"pool","evidence":"frame:1"},{"name":"lounge chair","evidence":"frame:1"},{"name":"towel or light garment","evidence":"frame:1"}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"casual, slightly formal due to the man's suit","themes":["social interaction","leisure","formal visit"],"style_notes":"medium shot, black and white, high contrast lighting, static framing"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:41:37Z","flags":[],"checked":{"names":2,"quotes":4,"visible_claimed":1,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:25:47.461141+00:00","id":"I_Love_Trouble_movie:b149:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=4090","transcript_segments":[654,655,656,657],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":150,"start_s":4103.92,"end_s":4118.807,"first_shot":285,"last_shot":288,"sequence":97,"keyframes":[{"t":4105.6,"shot":285},{"t":4108.1,"shot":286},{"t":4112.4,"shot":287},{"t":4117.4,"shot":288}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.96,"rhythm":0.21,"visual":0.242,"pause_s":4.6}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A man and a woman are in an outdoor setting, having a conversation about money and identity. The man has a bandage on his forehead and the woman appears surprised or concerned during the exchange.","observations":{"place":{"value":"garden","evidence":"frame:1","interior":false,"place_type":"other"},"events":[{"t":4104,"kind":"spoken","text":"The woman asks if the man's name is really Kilroy.","evidence":"t:68:24"},{"t":4109,"kind":"spoken","text":"The man asks how much it will cost to keep his being out there quiet.","evidence":"t:68:29"},{"t":4112,"kind":"spoken","text":"The woman says she can't pay very much at one time.","evidence":"t:68:32"},{"t":4116,"kind":"spoken","text":"The man asks how much she can float for the trip.","evidence":"t:68:36"}],"people":[{"id":"p1","name":null,"presence":["visible"],"appearance":"blonde woman, wearing a dark strapless dress, visible in frames 1, 3"},{"id":"p2","name":null,"presence":["visible"],"appearance":"man with dark hair, wearing a suit and tie, bandage on forehead, visible in frames 2, 4"}],"period":null,"quotes":[{"t":"68:24","text":"Your name isn't really Kilroy, is it?"},{"t":"68:29","text":"How much is it going to cost to keep my being out there quiet?"},{"t":"68:32","text":"I can't pay you very much."},{"t":"68:36","text":"How much can you float this trip?"}],"objects":[{"name":"bandage on forehead","frame":2},{"name":"white car in background","frame":1},{"name":"hedge or foliage background","frame":1}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"tense","themes":["identity","negotiation","money"],"style_notes":"medium close-ups, high-contrast black and white, outdoor natural lighting"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:41:37Z","flags":[],"checked":{"names":2,"quotes":4,"visible_claimed":0,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:25:57.915704+00:00","id":"I_Love_Trouble_movie:b150:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=4103","transcript_segments":[658,659,660,661,662,663],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":151,"start_s":4118.807,"end_s":4139.9917,"first_shot":289,"last_shot":295,"sequence":97,"keyframes":[{"t":4119.6,"shot":289},{"t":4122.2,"shot":291},{"t":4127.3,"shot":293},{"t":4135.8,"shot":295}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.97,"rhythm":0.52,"visual":0.038,"pause_s":1.9}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A woman and a man converse outdoors; the woman reacts with surprise and then smiles as the man accuses her of thinking he had money. The dialogue suggests a playful or confrontational dynamic about blackmail and role-playing.","observations":{"place":{"value":"sidewalk","evidence":"frame:1","interior":false,"place_type":"sidewalk"},"events":[{"t":4120,"kind":"visible","text":"The woman looks at the man with a serious expression.","evidence":"frame:1"},{"t":4122,"kind":"visible","text":"The woman’s expression shifts to surprise as she looks up at the man.","evidence":"frame:2"},{"t":4127,"kind":"visible","text":"The woman’s mouth opens slightly in reaction, still looking up at the man.","evidence":"frame:3"},{"t":4136,"kind":"visible","text":"The woman smiles broadly at the man.","evidence":"frame:4"},{"t":4140,"kind":"spoken","text":"The man accuses the woman of thinking he had the grand.","evidence":"t:68:54"},{"t":4140,"kind":"spoken","text":"The man asks if it was fun.","evidence":"t:68:56"},{"t":4140,"kind":"spoken","text":"The man says the woman got out of character too soon.","evidence":"t:68:57"},{"t":4140,"kind":"spoken","text":"The woman gasps.","evidence":"t:68:53"}],"people":[{"id":"p1","name":null,"presence":["visible","audible"],"appearance":"blonde woman, mid-20s, wearing a light-colored top with dark straps, medium build"},{"id":"p2","name":null,"presence":["visible","audible"],"appearance":"man, seen from behind and side, dark hair, wearing a dark jacket or shirt"}],"period":null,"quotes":[{"t":"68:42","text":"Honey, who lets you play house out here all by yourself?"},{"t":"68:46","text":"Then you are here to blackmail me."},{"t":"68:54","text":"You really thought I had the grand, didn't you?"},{"t":"68:57","text":"You got out of character too soon."}],"objects":[{"name":"tree foliage","evidence":"frame:1"},{"name":"white vehicle (possibly a car)","evidence":"frame:4"},{"name":"outdoor furniture (chairs or tables)","evidence":"frame:1"}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"tense yet playful","themes":["deception","role-playing","romantic tension"],"style_notes":"close-up framing, high-contrast black-and-white lighting, static camera, intimate two-shot composition"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:41:41Z","flags":[],"checked":{"names":2,"quotes":4,"visible_claimed":4,"visible_sampled":1},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:26:40.531978+00:00","id":"I_Love_Trouble_movie:b151:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=4118","transcript_segments":[664,665,666,667,668,669,670,671,672,673],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":152,"start_s":4139.9917,"end_s":4164.1367,"first_shot":296,"last_shot":302,"sequence":97,"keyframes":[{"t":4144.6,"shot":296},{"t":4153.6,"shot":298},{"t":4159.0,"shot":300},{"t":4163.5,"shot":302}],"boundary":{"reason":"topic shift in dialogue","scores":{"ocr":0.0,"topic":0.94,"rhythm":0.05,"visual":0.038,"pause_s":0.5}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A man and a woman sit in a vehicle, conversing; the man mentions being brought in by three men named Sharpie, Herb, and Reno. The setting appears to be outdoors during the day, with foliage and a building visible in the background.","observations":{"place":{"value":"vehicle_interior","evidence":"frame:1","interior":true,"place_type":"vehicle_interior"},"events":[{"t":4140,"kind":"spoken","text":"Woman asks what if she didn't like it when the sweet note turned sour.","evidence":"t:69:00"},{"t":4144,"kind":"spoken","text":"Woman says the item was for when she got bored with the man.","evidence":"t:69:04"},{"t":4147,"kind":"spoken","text":"Woman asks how the man got into the room.","evidence":"t:69:07"},{"t":4149,"kind":"spoken","text":"Woman asks who owns the joint.","evidence":"t:69:09"},{"t":4151,"kind":"spoken","text":"Woman repeats asking how he got in there.","evidence":"t:69:11"},{"t":4154,"kind":"spoken","text":"Man says three goons took him up: Sharpie, Herb, and Reno.","evidence":"t:69:14"},{"t":4160,"kind":"spoken","text":"Man says he's seen Reno around, turned up a couple days ago.","evidence":"t:69:20"},{"t":4162,"kind":"spoken","text":"Woman asks who turned them up.","evidence":"t:69:22"}],"people":[{"id":"p1","name":null,"presence":["visible","audible"],"appearance":"blonde woman, wearing dark dress, visible in vehicle"},{"id":"p2","name":null,"presence":["visible","audible"],"appearance":"man in suit and tie, with bandage on forehead, visible in vehicle"}],"period":null,"quotes":[{"t":"69:00","text":"What if I didn't like it when the sweet note turned sour?"},{"t":"69:04","text":"This was for when I got bored with you."},{"t":"69:14","text":"Three goons took me up. A jug-eared character named Sharpie, another named Herb, and a gorilla named Reno."},{"t":"69:22","text":"Who turned them up?"}],"objects":[{"name":"cigarette","frame":3},{"name":"bandage on forehead","frame":3},{"name":"vehicle interior (seats, dashboard)","frame":1}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"tense, conversational","themes":["confrontation","mystery","crime"],"style_notes":"medium close-ups, black-and-white, high-contrast lighting, static framing"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:41:41Z","flags":[],"checked":{"names":2,"quotes":4,"visible_claimed":0,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:26:50.709240+00:00","id":"I_Love_Trouble_movie:b152:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=4139","transcript_segments":[674,675,676,677,678,679,680,681,682],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":153,"start_s":4164.1367,"end_s":4182.402,"first_shot":303,"last_shot":306,"sequence":97,"keyframes":[{"t":4166.2,"shot":303},{"t":4169.6,"shot":304},{"t":4173.5,"shot":305},{"t":4179.2,"shot":306}],"boundary":{"reason":"topic shift in dialogue","scores":{"ocr":0.0,"topic":0.9,"rhythm":0.32,"visual":0.018,"pause_s":0.8}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A woman and a man converse outdoors; she asks to speak with someone named Keller, implying he has influence. The man, with a bandage on his forehead, listens while holding a cigarette.","observations":{"place":{"value":"garden","reason":null,"evidence":"frame:1","interior":false,"place_type":"other"},"events":[{"t":4166,"kind":"visible","text":"A woman speaks to a man outdoors.","evidence":"frame:1"},{"t":4170,"kind":"visible","text":"The man holds a cigarette and listens, showing a bandage on his forehead.","evidence":"frame:2"},{"t":4174,"kind":"visible","text":"The woman continues speaking, looking directly at the man.","evidence":"frame:3"},{"t":4179,"kind":"visible","text":"The man responds while holding the cigarette.","evidence":"frame:4"},{"t":4164,"kind":"spoken","text":"The woman says she wouldn't know.","evidence":"t:69:24"},{"t":4166,"kind":"spoken","text":"The woman says she thought people just crawled out from under a rock.","evidence":"t:69:26"},{"t":4168,"kind":"spoken","text":"The woman mentions a man named Keller turned the rock over.","evidence":"t:69:28"},{"t":4170,"kind":"spoken","text":"The woman asks if that is right.","evidence":"t:69:30"},{"t":4172,"kind":"spoken","text":"The woman says let's get to the business at hand.","evidence":"t:69:32"},{"t":4174,"kind":"spoken","text":"The woman asks why the man wanted to see her.","evidence":"t:69:34"},{"t":4175,"kind":"spoken","text":"The woman says she has to talk to Keller.","evidence":"t:69:35"},{"t":4177,"kind":"spoken","text":"The woman says she figured if the man was important enough to take over a bedroom whenever he needed it, he might arrange it for her.","evidence":"t:69:37"}],"people":[{"id":"p1","name":{"value":"Keller","evidence":"t:69:28"},"presence":["visible","audible"],"appearance":"blonde woman, mid-20s, wearing a dark strap top, visible in profile and three-quarter view"},{"id":"p2","name":null,"presence":["visible","audible"],"appearance":"man, 30s-40s, dark hair, wearing a suit and tie, with a white bandage on his forehead, holding a cigarette"}],"period":null,"quotes":[{"t":"69:24","text":"I wouldn't know."},{"t":"69:28","text":"But a man named Keller turned the rock over."},{"t":"69:35","text":"I've got to talk to Keller."},{"t":"69:37","text":"Now, I figured if you were important enough to take over a bedroom whenever you needed it, you might arrange it for me."}],"objects":[{"name":"cigarette","evidence":"frame:2"},{"name":"bandage","evidence":"frame:2"},{"name":"suit and tie","evidence":"frame:2"},{"name":"dark strap top","evidence":"frame:1"}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"tense and conversational","themes":["negotiation","power dynamics","personal appeal"],"style_notes":"medium close-ups, high-contrast black-and-white lighting, static framing"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:41:45Z","flags":[],"checked":{"names":2,"quotes":4,"visible_claimed":4,"visible_sampled":2},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:27:43.617674+00:00","id":"I_Love_Trouble_movie:b153:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=4164","transcript_segments":[683,684,685,686,687,688,689,690],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":154,"start_s":4182.402,"end_s":4200.8755,"first_shot":307,"last_shot":310,"sequence":97,"keyframes":[{"t":4185.9,"shot":307},{"t":4191.9,"shot":308},{"t":4197.0,"shot":309},{"t":4200.2,"shot":310}],"boundary":{"reason":"topic shift in dialogue","scores":{"ocr":0.0,"topic":0.86,"rhythm":0.17,"visual":0.044,"pause_s":0.6}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A man and a woman are seated outdoors in conversation, with the woman speaking about a phone number and the man responding about a failed attempt to contact someone. The dialogue suggests a negotiation or persuasion attempt, with the man smiling at the end.","observations":{"place":{"value":"garden","evidence":"frame:1","interior":false,"place_type":"other"},"events":[{"t":4182,"kind":"spoken","text":"The woman says she will give the phone number.","evidence":"t:69:42"},{"t":4183,"kind":"spoken","text":"The woman suggests the man call the place himself.","evidence":"t:69:43"},{"t":4185,"kind":"spoken","text":"The man says he tried calling and they never heard of the person.","evidence":"t:69:45"},{"t":4187,"kind":"spoken","text":"The man says 'That seems to be that, doesn't it?'","evidence":"t:69:47"},{"t":4189,"kind":"spoken","text":"The woman says she has been trying to think of a persuader for him.","evidence":"t:69:49"},{"t":4193,"kind":"spoken","text":"The woman says she is trying to find a way to get to him.","evidence":"t:69:53"},{"t":4194,"kind":"spoken","text":"The woman observes that he seems to have everything he needs.","evidence":"t:69:54"},{"t":4197,"kind":"spoken","text":"The man replies 'I wouldn't be too sure of that.'","evidence":"t:69:57"},{"t":4199,"kind":"spoken","text":"The man makes a non-verbal sound 'Uh-huh.'","evidence":"t:69:59"},{"t":4186,"kind":"visible","text":"The woman is visible speaking to the man.","evidence":"frame:1"},{"t":4192,"kind":"visible","text":"The man is visible speaking, with a bandage on his forehead.","evidence":"frame:2"},{"t":4197,"kind":"visible","text":"The woman is visible speaking again.","evidence":"frame:3"},{"t":4200,"kind":"visible","text":"The man is visible smiling.","evidence":"frame:4"}],"people":[{"id":"p1","name":null,"presence":["visible","audible"],"appearance":"blonde woman, wearing a dark top, mid-20s to 30s, medium build"},{"id":"p2","name":null,"presence":["visible","audible"],"appearance":"man with dark hair, wearing a suit and tie, mid-30s to 40s, medium build, has a bandage on his forehead"}],"period":null,"quotes":[{"t":"69:42","text":"I'll give you the phone number."},{"t":"69:45","text":"I tried that. They never heard of him."},{"t":"69:54","text":"You seem to have everything you need."},{"t":"69:57","text":"I wouldn't be too sure of that."}],"objects":[{"name":"bandage","frame":2,"description":"white bandage on the man's forehead"},{"name":"suit","frame":2,"description":"man wearing a dark suit and tie"},{"name":"dark top","frame":1,"description":"woman wearing a dark top with thin straps"},{"name":"foliage","frame":1,"description":"dense green foliage and trees in the background"}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"tense but controlled","themes":["negotiation","persuasion","hidden vulnerability"],"style_notes":"medium close-ups, high-contrast black-and-white, static camera, focused on facial expressions and dialogue"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:41:49Z","flags":[],"checked":{"names":2,"quotes":4,"visible_claimed":4,"visible_sampled":2},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:27:56.590375+00:00","id":"I_Love_Trouble_movie:b154:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=4182","transcript_segments":[691,692,693,694,695,696,697,698,699],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":155,"start_s":4200.8755,"end_s":4230.901,"first_shot":311,"last_shot":315,"sequence":97,"keyframes":[{"t":4205.4,"shot":311},{"t":4211.6,"shot":312},{"t":4220.4,"shot":314},{"t":4228.0,"shot":315}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.87,"rhythm":0.09,"visual":0.049,"pause_s":2.9}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A man and a woman converse near a swimming pool; the man is dressed in a suit and the woman in a dark top, with dialogue indicating plans to meet later. The setting is outdoors with foliage and a building visible in the background.","observations":{"place":{"value":"private_office","evidence":"frame:1","interior":false,"place_type":"private_office"},"events":[{"t":4203,"kind":"spoken","text":"The man introduces himself as Boots.","evidence":"t:70:03"},{"t":4204,"kind":"spoken","text":"The woman asks where he is going.","evidence":"t:70:04"},{"t":4206,"kind":"spoken","text":"The man mentions the number 733.","evidence":"t:70:06"},{"t":4208,"kind":"spoken","text":"The man says he didn't get enough the first time and is going back.","evidence":"t:70:08"},{"t":4211,"kind":"spoken","text":"The man says he likes a fighter.","evidence":"t:70:11"},{"t":4213,"kind":"spoken","text":"The woman says 'Not me, baby.'","evidence":"t:70:13"},{"t":4214,"kind":"spoken","text":"The woman says 'Soft hands.'","evidence":"t:70:14"},{"t":4215,"kind":"spoken","text":"The woman says 'Well, maybe I just like you.'","evidence":"t:70:15"},{"t":4217,"kind":"spoken","text":"The man says someone didn't want his thousand bucks.","evidence":"t:70:17"},{"t":4220,"kind":"spoken","text":"The man says he is going out at 7:30 tonight.","evidence":"t:70:20"},{"t":4222,"kind":"spoken","text":"The man suggests he might put in a word for her.","evidence":"t:70:22"},{"t":4224,"kind":"spoken","text":"The woman says she will let him know if she thinks of a word.","evidence":"t:70:24"},{"t":4227,"kind":"spoken","text":"The man asks her to tell Keller to be at his apartment at 8 o'clock tonight.","evidence":"t:70:27"}],"people":[{"id":"p1","name":null,"presence":["visible","audible"],"appearance":"blonde woman, wearing a dark sleeveless top, seated near a pool"},{"id":"p2","name":{"value":"Boots","evidence":"t:70:03"},"presence":["visible","audible"],"appearance":"man in dark suit and tie, standing or walking"}],"period":null,"quotes":[{"t":"70:03","text":"The name's Boots."},{"t":"70:04","text":"Where are you going?"},{"t":"70:06","text":"733, I think they call it."},{"t":"70:08","text":"Didn't you get enough the first time?  That's one reason I'm going back."}],"objects":[{"name":"swimming pool","evidence":"frame:1"},{"name":"lounge chairs","evidence":"frame:1"},{"name":"suit","evidence":"frame:2"},{"name":"dark sleeveless top","evidence":"frame:2"},{"name":"hedge or foliage","evidence":"frame:4"}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"light and flirtatious","themes":["romantic banter","planning a meeting","character introduction"],"style_notes":"medium close-ups, outdoor natural lighting, classic 1940s framing with focus on character interaction"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:41:49Z","flags":[],"checked":{"names":2,"quotes":4,"visible_claimed":0,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:28:43.062960+00:00","id":"I_Love_Trouble_movie:b155:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=4200","transcript_segments":[700,701,702,703,704,705,706,707,708,709,710,711,712],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":156,"start_s":4230.901,"end_s":4246.5806,"first_shot":316,"last_shot":319,"sequence":97,"keyframes":[{"t":4233.1,"shot":316},{"t":4236.3,"shot":317},{"t":4239.3,"shot":318},{"t":4244.0,"shot":319}],"boundary":{"reason":"topic shift in dialogue","scores":{"ocr":0.0,"topic":0.91,"rhythm":0.13,"visual":0.042,"pause_s":0.7}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A woman and a man converse outdoors; the man has a bandage on his forehead. The transcript indicates they are discussing an apartment address and a meeting at 8 o'clock.","observations":{"place":{"value":"sidewalk","evidence":"frame:1","interior":false,"place_type":"sidewalk"},"events":[{"t":4231,"kind":"spoken","text":"Woman speaks about not knowing anyone named Keller.","evidence":"t:70:31"},{"t":4233,"kind":"visible","text":"Woman is visible speaking to the man.","evidence":"frame:1"},{"t":4235,"kind":"spoken","text":"Man asks for the location of her apartment.","evidence":"t:70:33"},{"t":4236,"kind":"visible","text":"Man is visible, listening or speaking.","evidence":"frame:2"},{"t":4239,"kind":"visible","text":"Woman is visible again, continuing the conversation.","evidence":"frame:3"},{"t":4244,"kind":"visible","text":"Man is visible, smiling slightly, with a bandage on his forehead.","evidence":"frame:4"},{"t":4247,"kind":"spoken","text":"Man reminds her of the 8 o'clock meeting.","evidence":"t:70:44"}],"people":[{"id":"p1","name":null,"presence":["visible","audible"],"appearance":"blonde woman, mid-20s, wearing dark top, visible in frames 1 and 3"},{"id":"p2","name":null,"presence":["visible","audible"],"appearance":"man, 30s-40s, dark suit, white shirt, tie, bandage on forehead, visible in frames 2 and 4"}],"period":null,"quotes":[{"t":"70:31","text":"Not that I know anyone named Keller."},{"t":"70:33","text":"Where is your apartment?"},{"t":"70:35","text":"His boys know the way.  You better give me the address anyway."},{"t":"70:44","text":"Remember, 8 o'clock."}],"objects":[{"name":"bandage","frame":2,"description":"white bandage on man's forehead"},{"name":"car","frame":1,"description":"white car visible in background"},{"name":"hedge","frame":2,"description":"thick hedge behind the man"}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"tense but controlled","themes":["negotiation","personal safety","scheduled meeting"],"style_notes":"medium close-ups, high-contrast black-and-white lighting, static camera framing"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:41:51Z","flags":[],"checked":{"names":2,"quotes":4,"visible_claimed":4,"visible_sampled":1},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:28:43.065038+00:00","id":"I_Love_Trouble_movie:b156:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=4230","transcript_segments":[713,714,715,716,717],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":157,"start_s":4246.5806,"end_s":4292.2437,"first_shot":320,"last_shot":323,"sequence":97,"keyframes":[{"t":4250.3,"shot":320},{"t":4254.7,"shot":321},{"t":4257.8,"shot":322},{"t":4276.2,"shot":323}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.92,"rhythm":0.77,"visual":0.14,"pause_s":6.0}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A woman speaks on a phone outdoors while a man stands inside a room; another man in a suit and hat appears, and a woman confronts him indoors. The dialogue suggests suspicion and surveillance.","observations":{"place":{"value":"private_office","evidence":"frame:2","interior":true,"place_type":"private_office"},"events":[{"t":4250,"kind":"visible","text":"A woman holds a phone to her ear outdoors.","evidence":"frame:1"},{"t":4255,"kind":"visible","text":"A man stands beside a lamp inside a room.","evidence":"frame:2"},{"t":4258,"kind":"visible","text":"A man in a suit and hat stands in a room with shelves.","evidence":"frame:3"},{"t":4276,"kind":"visible","text":"A woman with arms crossed faces a man indoors.","evidence":"frame:4"},{"t":4253,"kind":"spoken","text":"Someone says, \"Your lock is sprung.\"","evidence":"t:70:53"},{"t":4255,"kind":"spoken","text":"Someone says, \"Yeah, I just noticed.\"","evidence":"t:70:55"},{"t":4258,"kind":"spoken","text":"Someone asks, \"Who cleaned the place up, you?\"","evidence":"t:70:58"},{"t":4260,"kind":"spoken","text":"Someone replies, \"Uh-huh.\"","evidence":"t:71:00"},{"t":4261,"kind":"spoken","text":"Someone says, \"I tried to get her to her office today.\"","evidence":"t:71:01"},{"t":4264,"kind":"spoken","text":"Someone says, \"Bailey Watson.\"","evidence":"t:71:04"},{"t":4266,"kind":"spoken","text":"Someone asks, \"What happened? Was she married?\"","evidence":"t:71:06"},{"t":4268,"kind":"spoken","text":"Someone replies, \"No, but she wanted to be.\"","evidence":"t:71:08"},{"t":4271,"kind":"spoken","text":"Someone asks, \"What's on your mind?\"","evidence":"t:71:11"},{"t":4273,"kind":"spoken","text":"Someone replies, \"several things\"","evidence":"t:71:13"},{"t":4275,"kind":"spoken","text":"Someone says, \"Last night, I somehow got the feeling that you had decided to trust me.\"","evidence":"t:71:15"},{"t":4280,"kind":"spoken","text":"Someone says, \"silly, wasn't it? I don't know. But you're still having me followed. Why? He's not my man, Angel.\"","evidence":"t:71:20"},{"t":4287,"kind":"spoken","text":"Someone says, \"And don't worry about them. It's me they're interested in.\"","evidence":"t:71:27"}],"people":[{"id":"p1","name":null,"presence":["visible"],"appearance":"blonde woman in dark sleeveless dress, outdoors"},{"id":"p2","name":null,"presence":["visible"],"appearance":"man in dark suit and fedora, standing indoors"},{"id":"p3","name":null,"presence":["visible"],"appearance":"woman with dark hair in light blouse, arms crossed, indoors"},{"id":"p4","name":null,"presence":["visible"],"appearance":"man in dark suit, back to camera, indoors"}],"period":null,"quotes":[{"t":"70:53","text":"Your lock is sprung."},{"t":"71:01","text":"I tried to get her to her office today."},{"t":"71:15","text":"Last night, I somehow got the feeling that you had decided to trust me."},{"t":"71:20","text":"silly, wasn't it? I don't know. But you're still having me followed. Why? He's not my man, Angel."}],"objects":[{"name":"telephone","frame":1},{"name":"lamp","frame":2},{"name":"bookshelf","frame":2},{"name":"fedora hat","frame":3},{"name":"shelves with decorative objects","frame":3},{"name":"potted plant","frame":3}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"tense and suspicious","themes":["distrust","surveillance","personal conflict"],"style_notes":"black-and-white, medium shots, high-contrast lighting, static camera"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:41:55Z","flags":[],"checked":{"names":4,"quotes":4,"visible_claimed":4,"visible_sampled":2},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:29:56.472052+00:00","id":"I_Love_Trouble_movie:b157:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=4246","transcript_segments":[718,719,720,721,722,723,724,725,726,727,728,729,730],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":158,"start_s":4292.2437,"end_s":4350.0,"first_shot":324,"last_shot":324,"sequence":98,"keyframes":[{"t":4321.1,"shot":324}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.87,"rhythm":0.41,"visual":0.067,"pause_s":3.9}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A man and a woman are in close proximity in an interior setting; the woman speaks about her sister and suspects the man of dishonesty while referencing a dinner and a rifled apartment. The man is accused of being involved in a clean-up job.","observations":{"place":{"value":"private_office","evidence":"frame:1","interior":true,"place_type":"private_office"},"events":[{"t":4321,"kind":"visible","text":"A man and a woman are shown in close proximity, facing each other.","evidence":"frame:1"},{"t":4321,"kind":"spoken","text":"The woman accuses the man of being involved in a rifled apartment and a clean-up job.","evidence":"t:71:34"},{"t":4321,"kind":"spoken","text":"The woman mentions her sister and expresses suspicion about the man's honesty.","evidence":"t:71:40"},{"t":4321,"kind":"spoken","text":"The man is challenged to explain why he came to the location.","evidence":"t:72:27"}],"people":[{"id":"p1","name":null,"presence":["visible","audible"],"appearance":"man, mid-30s, dark hair, wearing a light-colored shirt"},{"id":"p2","name":null,"presence":["visible","audible"],"appearance":"woman, mid-30s, curly hair, wearing a light-colored top"}],"period":null,"quotes":[{"t":"71:34","text":"You are in trouble, aren't you?"},{"t":"71:40","text":"My sister, of course.  I'd still like to know what's happened to her."},{"t":"71:46","text":"All my instincts tell me there's something phony about you. All except one."},{"t":"72:18","text":"my having dinner with you while my apartment was being rifled."}],"objects":[{"name":"man's shirt","frame":1},{"name":"woman's top","frame":1}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"tense and confrontational","themes":["suspicion","deception","personal conflict"],"style_notes":"close-up framing, high-contrast lighting, black-and-white film stock"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:41:55Z","flags":[],"checked":{"names":2,"quotes":4,"visible_claimed":1,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:29:56.475660+00:00","id":"I_Love_Trouble_movie:b158:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=4292","transcript_segments":[731,732,733,734,735,736,737,738,739,740,741,742,743,744,745],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":159,"start_s":4350.0,"end_s":4389.9917,"first_shot":325,"last_shot":326,"sequence":98,"keyframes":[{"t":4368.1,"shot":325},{"t":4388.1,"shot":326}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.89,"rhythm":0.15,"visual":0.049,"pause_s":6.0},"during_speech":"cut falls inside a spoken line: no pause was available without exceeding the length cap"},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A man and a woman stand facing each other in an interior space; the woman speaks about being burned before and questions the man's authenticity. The man is not heard speaking in the provided transcript.","observations":{"place":{"value":"private_office","evidence":"frame:1","interior":true,"place_type":"private_office"},"events":[{"t":4368,"kind":"visible","text":"A man and a woman stand facing each other in an interior space.","evidence":"frame:1"},{"t":4388,"kind":"visible","text":"The woman looks intently at the man, her expression serious.","evidence":"frame:2"},{"t":4380,"kind":"spoken","text":"The woman says she has been burned before and questions whether the man is phony.","evidence":"t:72:55"},{"t":4384,"kind":"spoken","text":"The woman says it doesn't matter whether the man is phony or her facts are wrong.","evidence":"t:73:04"}],"people":[{"id":"p1","name":null,"presence":["visible"],"appearance":"man in dark suit and tie, mid-adult, average build"},{"id":"p2","name":{"value":"Janie","evidence":"t:72:40"},"presence":["visible","audible"],"appearance":"woman with styled hair, wearing light blouse and dark skirt or dress, mid-adult"}],"period":null,"quotes":[{"t":"72:40","text":"I told you Janie wrote me for Marco Pucco."},{"t":"72:55","text":"Let me go.  Listen, I've been burned before.  I've been given a high-class hot foot with a gold-plated lighter.  Either you're phony or most of my facts are..."},{"t":"73:04","text":"I'm still trying to find out which.  Believe me, it doesn't matter."},{"t":"73:08","text":"Not even a little bit."}],"objects":[{"name":"refrigerator","frame":1},{"name":"suit","frame":1},{"name":"blouse","frame":1}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"tense and skeptical","themes":["distrust","investigation","personal risk"],"style_notes":"medium close-up framing, high-contrast lighting, studio set with minimal props"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:41:55Z","flags":[],"checked":{"names":2,"quotes":4,"visible_claimed":2,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:29:59.414858+00:00","id":"I_Love_Trouble_movie:b159:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=4350","transcript_segments":[746,747,748,749,750,751],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":160,"start_s":4389.9917,"end_s":4425.73,"first_shot":327,"last_shot":329,"sequence":98,"keyframes":[{"t":4394.9,"shot":327},{"t":4403.7,"shot":328},{"t":4416.7,"shot":329}],"boundary":{"reason":"topic shift in dialogue","scores":{"ocr":0.0,"topic":0.93,"rhythm":0.54,"visual":0.089,"pause_s":0.7}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A man with a bandage on his forehead speaks to a woman in a dimly lit room; another shot shows the woman holding an object; a third frame shows the man reading a document while two women stand nearby. No names are spoken, and no time of day or period is established.","observations":{"place":{"value":"private_office","evidence":"frame:3","interior":true,"place_type":"private_office"},"events":[{"t":4395,"kind":"visible","text":"Man with bandage looks at woman off-screen.","evidence":"frame:1"},{"t":4404,"kind":"visible","text":"Woman holds small object and looks upward.","evidence":"frame:2"},{"t":4417,"kind":"visible","text":"Man reads document while two women stand nearby.","evidence":"frame:3"},{"t":4390,"kind":"spoken","text":"Man says: 'It's just the trouble it does matter. More than I'd like to admit.'","evidence":"t:73:10"},{"t":4394,"kind":"spoken","text":"Man says: 'Don't ask me why. If you want me to go away, say so. My hands have tender knuckles. Is it important?'","evidence":"t:73:14"},{"t":4407,"kind":"spoken","text":"Man says: 'All things are relative. I can't answer that. It arrived special delivery.'","evidence":"t:73:27"}],"people":[{"id":"p1","name":null,"presence":["visible","audible"],"appearance":"man, mid-30s to 40s, thin build, wearing suit and tie, bandage on forehead"},{"id":"p2","name":null,"presence":["visible"],"appearance":"woman, mid-20s to 30s, curly hair, wearing coat or jacket, holding small object"},{"id":"p3","name":null,"presence":["visible"],"appearance":"woman, back visible, dark hair, wearing light-colored top"}],"period":null,"quotes":[{"t":"73:10","text":"It's just the trouble it does matter. More than I'd like to admit."},{"t":"73:14","text":"Don't ask me why. If you want me to go away, say so. My hands have tender knuckles. Is it important?"},{"t":"73:27","text":"All things are relative. I can't answer that. It arrived special delivery."}],"objects":[{"name":"bandage on forehead","evidence":"frame:1"},{"name":"document or letter","evidence":"frame:3"},{"name":"small object held by woman","evidence":"frame:2"},{"name":"wood-paneled wall","evidence":"frame:2"},{"name":"framed picture on wall","evidence":"frame:3"}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"tense, unresolved","themes":["conflict","mystery","personal stakes"],"style_notes":"high-contrast black-and-white lighting, medium close-ups and two-shots, static framing"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:41:55Z","flags":[],"checked":{"names":3,"quotes":3,"visible_claimed":3,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:30:48.334209+00:00","id":"I_Love_Trouble_movie:b160:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=4389","transcript_segments":[752,753,754],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":161,"start_s":4425.73,"end_s":4427.6064,"first_shot":330,"last_shot":330,"sequence":99,"keyframes":[{"t":4426.7,"shot":330}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.94,"rhythm":0.2,"visual":0.093,"pause_s":6.0}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A close-up shows a hand holding a revolver wrapped in white cloth. No people, dialogue, or location context is visible in this beat.","observations":{"place":{"value":null,"reason":"No environmental context is visible; only a hand, gun, and cloth are shown.","interior":null,"place_type":null},"events":[{"t":4427,"kind":"visible","text":"A hand holds a revolver wrapped in white cloth.","evidence":"frame:1"}],"people":[{"id":"p1","name":null,"presence":["visible"],"appearance":"Hand visible, holding a gun; no other features discernible"}],"period":null,"quotes":[],"objects":[{"name":"revolver","frame":1,"description":"black, held in hand, partially wrapped in white cloth"},{"name":"white cloth","frame":1,"description":"crumpled, wrapping the revolver"}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"tense","themes":["weapon","concealment"],"style_notes":"close-up, high-contrast black-and-white, focused on object"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:41:55Z","flags":[],"checked":{"names":1,"quotes":0,"visible_claimed":1,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:30:48.336536+00:00","id":"I_Love_Trouble_movie:b161:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=4425","transcript_segments":[],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":162,"start_s":4427.6064,"end_s":4435.113,"first_shot":331,"last_shot":331,"sequence":100,"keyframes":[{"t":4431.4,"shot":331}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.94,"rhythm":0.67,"visual":0.102,"pause_s":6.0}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"Three people stand in an interior room; one man holds a handkerchief to his face while two women look at him. No dialogue or on-screen text is present in this beat.","observations":{"place":{"value":"private_office","evidence":"frame:1","interior":true,"place_type":"private_office"},"events":[],"people":[{"id":"p1","name":null,"presence":["visible"],"appearance":"woman with dark hair, wearing a light blouse with a dark bow and dark skirt"},{"id":"p2","name":null,"presence":["visible"],"appearance":"man with slicked-back hair, wearing a dark suit, holding a handkerchief to his face"},{"id":"p3","name":null,"presence":["visible"],"appearance":"woman with blonde curled hair, wearing a dark jacket"}],"period":null,"quotes":[],"objects":[{"name":"handkerchief","evidence":"frame:1"},{"name":"window with panes","evidence":"frame:1"}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"tense","themes":["confrontation","emotional distress"],"style_notes":"medium shot, high-contrast lighting, static framing"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:41:55Z","flags":[],"checked":{"names":3,"quotes":0,"visible_claimed":0,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:30:48.337998+00:00","id":"I_Love_Trouble_movie:b162:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=4427","transcript_segments":[],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":163,"start_s":4435.113,"end_s":4504.17,"first_shot":332,"last_shot":333,"sequence":101,"keyframes":[{"t":4436.7,"shot":332},{"t":4471.2,"shot":333}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.94,"rhythm":0.62,"visual":0.081,"pause_s":6.0}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A man in a suit stands in a dimly lit room while a package addressed to Mr. Stuart G. Bailey is shown. The transcript reveals he is being framed and is arranging for his lawyer to call him regularly.","observations":{"place":{"value":"private_office","evidence":"frame:1, frame:2","interior":true,"place_type":"private_office"},"events":[{"t":4437,"kind":"visible","text":"A package addressed to Mr. Stuart G. Bailey is shown.","evidence":"frame:1"},{"t":4471,"kind":"visible","text":"A man in a suit stands in a room with a doorway and desk visible.","evidence":"frame:2"},{"t":4435,"kind":"spoken","text":"The man says he is being framed and does not want someone mixed up in it.","evidence":"t:73:55"},{"t":4450,"kind":"spoken","text":"He mentions a gun in a box that arrived about a half hour ago and that one shot was fired.","evidence":"t:73:55"},{"t":4465,"kind":"spoken","text":"He instructs someone to tell his lawyer to call him every two hours until he is in the clear.","evidence":"t:74:25"},{"t":4480,"kind":"spoken","text":"He says someone downtown was having a joke and mentions trying an entrance again.","evidence":"t:74:40"},{"t":4495,"kind":"spoken","text":"He asks if the information is about a Mrs. Ralph.","evidence":"t:74:55"}],"people":[{"id":"p1","name":null,"presence":["visible"],"appearance":"man in dark suit and tie, medium build, standing"}],"period":null,"quotes":[{"t":"73:55","text":"what's the matter  what's wrong things are going to be happening around here i don't want you mixed up in it"},{"t":"73:55","text":"i'm being framed angel now you know as much as i do"},{"t":"74:25","text":"gun in the box that came in over to my lawyer. Tell him to call me every two hours here and at  the office until I tell him I'm in the clear."},{"t":"74:55","text":"Answer your phone"}],"objects":[{"name":"package","evidence":"frame:1","description":"labeled 'SPECIAL DELIVERY' with handwritten address to Mr. Stuart G. Bailey, Room 412, Pacific Building, Los Angeles, Calif."},{"name":"suit","evidence":"frame:2","description":"dark, worn by man standing in room"},{"name":"doorway","evidence":"frame:2","description":"open, visible behind man in frame 2"},{"name":"desk","evidence":"frame:2","description":"partially visible on right side of frame 2"}],"time_of_day":null,"on_screen_text":"SPECIAL DELIVERY\nMR. STUART G. BAILEY\nROOM 412\nPACIFIC BUILDING,\nLOS ANGELES, CALIF."},"interpretations":{"mood":"tense and urgent","themes":["framing","suspicion","legal peril","urban mystery"],"style_notes":"high-contrast black-and-white lighting, medium shot framing, static camera, classic film noir aesthetic"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:41:55Z","flags":[],"checked":{"names":1,"quotes":4,"visible_claimed":2,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:31:29.613269+00:00","id":"I_Love_Trouble_movie:b163:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=4435","transcript_segments":[755,756,757,758],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":164,"start_s":4504.17,"end_s":4540.075,"first_shot":334,"last_shot":334,"sequence":102,"keyframes":[{"t":4522.1,"shot":334}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.91,"rhythm":0.08,"visual":0.109,"pause_s":6.0}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A man in a suit is on the phone in an interior setting; a woman is partially visible. The transcript reveals a conversation about retrieving someone from water under a pier and mentions a death.","observations":{"place":{"value":"private_office","evidence":"frame:1","interior":true,"place_type":"private_office"},"events":[{"t":4522,"kind":"visible","text":"A man in a suit holds a telephone receiver to his ear while looking concerned.","evidence":"frame:1"},{"t":4505,"kind":"spoken","text":"Someone asks if this is their pigeon.","evidence":"t:75:05"},{"t":4522,"kind":"spoken","text":"A voice says to get her out of the water under the pier at Malibu.","evidence":"t:75:22"},{"t":4533,"kind":"spoken","text":"A voice expresses concern that the tide might get her.","evidence":"t:75:33"},{"t":4539,"kind":"spoken","text":"Someone says Mrs. Johnson is the client's wife and that she is dead, her body having fallen on the beach.","evidence":"t:75:39"}],"people":[{"id":"p1","name":null,"presence":["visible","audible"],"appearance":"man, mid-adult, wearing a suit and tie, holding a telephone receiver to his ear"},{"id":"p2","name":null,"presence":["visible"],"appearance":"woman, partially visible, dark hair, wearing a hat or head covering"}],"period":null,"quotes":[{"t":"75:05","text":"Hello is this my pigeon? I"},{"t":"75:22","text":"Only get her out of the water.  We don't like her in the water.  Sure, sure. We'll get her out of the water. Where?  Under the pier at Malibu."},{"t":"75:33","text":"I wouldn't want for the tide to get her."},{"t":"75:39","text":"Mrs. Johnson is my client's wife, Quint. What about her?  You can't raise a call if you let them hang up.  She's dead, Bailey.  Her body fell on the beach about a half hour ago."}],"objects":[{"name":"telephone","evidence":"frame:1","description":"rotary dial telephone mounted on a wall"},{"name":"suit","evidence":"frame:1","description":"dark suit worn by man on phone"},{"name":"hat","evidence":"frame:1","description":"dark hat or head covering worn by woman"}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"tense and urgent","themes":["crime","telephone communication","suspense"],"style_notes":"black-and-white, medium close-up, high-contrast lighting, studio set"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:41:55Z","flags":[],"checked":{"names":2,"quotes":4,"visible_claimed":1,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:31:30.940441+00:00","id":"I_Love_Trouble_movie:b164:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=4504","transcript_segments":[759,760,761,762],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":165,"start_s":4540.075,"end_s":4587.031,"first_shot":335,"last_shot":335,"sequence":103,"keyframes":[{"t":4563.6,"shot":335}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.89,"rhythm":0.03,"visual":0.126,"pause_s":6.0},"during_speech":"cut falls inside a spoken line: no pause was available without exceeding the length cap"},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"Three men in suits and hats interact in an interior space; one hands an object to another while dialogue suggests a shared departure. No names are spoken that identify individuals, and no time of day or period is established.","observations":{"place":{"value":"private_office","evidence":"frame:1","interior":true,"place_type":"private_office"},"events":[{"t":4564,"kind":"visible","text":"A man in a dark suit hands an object to another man in a dark suit.","evidence":"frame:1"},{"t":4554,"kind":"spoken","text":"Someone says, 'You're going down with us.'","evidence":"t:75:54"},{"t":4554,"kind":"spoken","text":"Someone asks, 'Mind if I take my own car?'","evidence":"t:75:54"},{"t":4554,"kind":"spoken","text":"Someone replies, 'Not if you don't mind my riding with you.'","evidence":"t:75:54"},{"t":4554,"kind":"spoken","text":"Someone asks, 'Bailey, been hunting rabbits lately?'","evidence":"t:75:54"},{"t":4554,"kind":"spoken","text":"Someone says, 'Let's see that.'","evidence":"t:75:54"},{"t":4566,"kind":"spoken","text":"Someone says, 'Let's go.'","evidence":"t:76:06"},{"t":4584,"kind":"spoken","text":"Someone says, 'I'm sorry.'","evidence":"t:76:24"}],"people":[{"id":"p1","name":null,"presence":["visible"],"appearance":"man in dark suit and fedora, facing right, handing object"},{"id":"p2","name":null,"presence":["visible"],"appearance":"man in dark suit and fedora, center, facing left, receiving object"},{"id":"p3","name":null,"presence":["visible"],"appearance":"man in light suit and fedora, right, facing left, hands clasped"}],"period":null,"quotes":[{"t":"75:54","text":"You're going down with us."},{"t":"75:54","text":"Mind if I take my own car?"},{"t":"75:54","text":"Not if you don't mind my riding with you."},{"t":"76:24","text":"I'm sorry."}],"objects":[{"name":"fedora hats","evidence":"frame:1"},{"name":"suits","evidence":"frame:1"},{"name":"object being handed (possibly a wallet or small case)","evidence":"frame:1"}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"tense and transactional","themes":["negotiation","departure","unspoken tension"],"style_notes":"medium shot, high-contrast black-and-white lighting, formal attire, static framing"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:41:55Z","flags":[],"checked":{"names":3,"quotes":4,"visible_claimed":1,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:32:14.111352+00:00","id":"I_Love_Trouble_movie:b165:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=4540","transcript_segments":[763,764,765],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":166,"start_s":4587.031,"end_s":4592.4937,"first_shot":336,"last_shot":336,"sequence":104,"keyframes":[{"t":4589.8,"shot":336}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.89,"rhythm":0.26,"visual":0.158,"pause_s":6.0}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A person lies motionless in dark water. The scene is dimly lit and appears to be shot at night or in a dark interior.","observations":{"place":{"value":"other","reason":"The setting is dark and indistinct; water is visible but the surrounding environment cannot be identified from the single frame.","interior":null,"place_type":"other"},"events":[{"t":4590,"kind":"visible","text":"A person is lying motionless in dark water.","evidence":"frame:1"}],"people":[{"id":"p1","name":null,"presence":["visible"],"appearance":"A person with light skin, visible face and upper torso, wearing dark clothing, lying in water."}],"period":null,"quotes":[],"objects":[{"name":"water","evidence":"frame:1"}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"somber","themes":["stillness","isolation"],"style_notes":"low-key lighting, close-up framing, high contrast black-and-white"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:41:58Z","flags":[],"checked":{"names":1,"quotes":0,"visible_claimed":1,"visible_sampled":1},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:32:14.113810+00:00","id":"I_Love_Trouble_movie:b166:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=4587","transcript_segments":[],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":167,"start_s":4592.4937,"end_s":4617.598,"first_shot":337,"last_shot":338,"sequence":105,"keyframes":[{"t":4604.2,"shot":337},{"t":4616.8,"shot":338}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.89,"rhythm":0.12,"visual":0.11,"pause_s":6.0}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"Two men in hats stand in a dimly lit interior; one holds a small object marked 'S.G.B.' A voice asks about a deceased woman and a lieutenant is addressed. The object is presented as evidence found near where she was thrown.","observations":{"place":{"value":"private_office","evidence":"frame:1","interior":true,"place_type":"private_office"},"events":[{"t":4604,"kind":"visible","text":"A man holds up a small object marked 'S.G.B.'","evidence":"frame:2"},{"t":4617,"kind":"spoken","text":"The object is identified as evidence found near where a woman was tossed from.","evidence":"t:76:47"},{"t":4604,"kind":"spoken","text":"A man asks if someone knows Mrs. Ralph Johnson.","evidence":"t:76:34"},{"t":4617,"kind":"spoken","text":"A man addresses a lieutenant and a chief, presenting evidence.","evidence":"t:76:42, t:76:45"}],"people":[{"id":"p1","name":null,"presence":["visible"],"appearance":"man wearing a fedora and suit, visible in profile"},{"id":"p2","name":null,"presence":["visible"],"appearance":"man wearing a hat and dark coat, partially visible behind p1"},{"id":"p3","name":{"value":"Lieutenant","evidence":"t:76:42"},"presence":["audible"],"appearance":"unseen speaker"},{"id":"p4","name":{"value":"Chief","evidence":"t:76:45"},"presence":["audible"],"appearance":"unseen speaker"}],"period":null,"quotes":[{"t":"76:34","text":"You know her?  It's the right party.  Mrs. Ralph Johnson.  I can't say I know her.  How long has she been dead, Doc?  I don't know."},{"t":"76:42","text":"You tell me, Lieutenant."},{"t":"76:45","text":"Something for you, Chief."},{"t":"76:47","text":"Found it up here, just about the spot she was tossed from."}],"objects":[{"name":"small object with engraved letters","frame":2,"description":"black rectangular object with 'S.G.B.' engraved on it"},{"name":"hats","frame":1,"description":"fedora-style hats worn by two men"},{"name":"suit","frame":1,"description":"dark suit worn by man in frame 1"}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"tense and investigative","themes":["crime investigation","evidence presentation","mystery"],"style_notes":"high-contrast black-and-white lighting, tight framing on faces and hands, dramatic shadows"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:41:58Z","flags":[],"checked":{"names":4,"quotes":4,"visible_claimed":1,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:32:25.135245+00:00","id":"I_Love_Trouble_movie:b167:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=4592","transcript_segments":[766,767,768,769,770],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":168,"start_s":4617.598,"end_s":4660.759,"first_shot":339,"last_shot":339,"sequence":106,"keyframes":[{"t":4639.2,"shot":339}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.94,"rhythm":0.76,"visual":0.072,"pause_s":6.0},"during_speech":"cut falls inside a spoken line: no pause was available without exceeding the length cap"},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"Three men in suits and hats stand outdoors at night; one holds an object. Dialogue reveals a murder investigation involving a 32-caliber gun, a bank account, and a suspect named Quinn.","observations":{"place":{"value":"other","reason":"Frame shows three men outdoors at night with a dark sky and distant horizon; no identifiable building or structure. Not enough detail to assign a specific place type.","evidence":"frame:1","interior":false,"place_type":"other"},"events":[{"t":4639,"kind":"visible","text":"Three men stand outdoors at night, one holding an object.","evidence":"frame:1"},{"t":4618,"kind":"spoken","text":"Someone asks Bailey for his middle name, which begins with G.","evidence":"t:76:58"},{"t":4621,"kind":"spoken","text":"The middle name is revealed as Quinton.","evidence":"t:77:01"},{"t":4622,"kind":"spoken","text":"Someone says they will save trouble by revealing it is their pen.","evidence":"t:77:02"},{"t":4628,"kind":"spoken","text":"Someone asks about the caliber of the gun used in a killing; it was a 32.","evidence":"t:77:08"},{"t":4628,"kind":"spoken","text":"It is revealed the gun was sent back by parcel post.","evidence":"t:77:08"},{"t":4640,"kind":"spoken","text":"Someone remarks it is too bad Quinn did not send himself a pen too.","evidence":"t:77:20"},{"t":4643,"kind":"spoken","text":"Someone asks why Quinn killed her.","evidence":"t:77:23"},{"t":4645,"kind":"spoken","text":"Someone mentions a bank book in the victim's purse under a foamy name.","evidence":"t:77:25"},{"t":4651,"kind":"spoken","text":"The account was closed out two days ago.","evidence":"t:77:31"},{"t":4655,"kind":"spoken","text":"Almost 40,000 bucks is noted as motive.","evidence":"t:77:35"},{"t":4655,"kind":"spoken","text":"Someone orders to take Quinn downtown and throw the key away.","evidence":"t:77:35"},{"t":4655,"kind":"spoken","text":"Someone asks about the car and whether they are coming.","evidence":"t:77:35"},{"t":4655,"kind":"spoken","text":"Someone says to take the car, they are tired and going home after a 12-hour shift.","evidence":"t:77:35"},{"t":4655,"kind":"spoken","text":"Someone asks why lock them up.","evidence":"t:77:35"}],"people":[{"id":"p1","name":null,"presence":["visible"],"appearance":"man in dark suit and fedora, visible in frame"},{"id":"p2","name":null,"presence":["visible"],"appearance":"man in light suit and fedora, visible in frame"},{"id":"p3","name":{"value":"Quinn","evidence":"t:77:08"},"presence":["visible"],"appearance":"man in suit and fedora, holding object, visible in frame"}],"period":null,"quotes":[{"t":"76:58","text":"What's your middle name, Bailey?  George..."},{"t":"77:08","text":"Have you any idea what caliber gun she was killed with?  That one I can't answer. 32.  I can save you some trouble there too, Quinn. She was probably killed with that gun.  It was sent back to me this afternoon by parcel post."},{"t":"77:20","text":"It's too bad you didn't send yourself a pen, too."},{"t":"77:35","text":"Mother, take him downtown and throw the key away.  What about the car? Aren't you coming?  No, take his car. I'm tired. I'm going home.  I work an eight-hour shift and I've done 12 already.  Why lock me up?"}],"objects":[{"name":"fedora hats","evidence":"frame:1"},{"name":"suits","evidence":"frame:1"},{"name":"object held by p3","evidence":"frame:1"}],"time_of_day":{"value":"night","evidence":"frame:1"},"on_screen_text":null},"interpretations":{"mood":"tense, noir","themes":["crime investigation","motive","suspicion","exhaustion"],"style_notes":"low-key lighting, high contrast, medium shot, three figures in silhouette against dark sky"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:42:01Z","flags":[],"checked":{"names":3,"quotes":4,"visible_claimed":1,"visible_sampled":1},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:33:22.599670+00:00","id":"I_Love_Trouble_movie:b168:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=4617","transcript_segments":[771,772,773,774,775,776,777,778,779],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":169,"start_s":4660.759,"end_s":4681.4844,"first_shot":340,"last_shot":340,"sequence":106,"keyframes":[{"t":4671.1,"shot":340}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.91,"rhythm":0.7,"visual":0.077,"pause_s":6.0},"during_speech":"cut falls inside a spoken line: no pause was available without exceeding the length cap"},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"Two men in suits and hats face each other in a dimly lit interior. One tells the other to leave, mentioning headquarters and a frame-up.","observations":{"place":{"value":"private_office","evidence":"frame:1","interior":true,"place_type":"private_office"},"events":[{"t":4671,"kind":"visible","text":"Two men stand facing each other in a dim room.","evidence":"frame:1"},{"t":4670,"kind":"spoken","text":"One man tells Muller to get going and calls for Bailey to leave.","evidence":"t:77:50"},{"t":4661,"kind":"spoken","text":"A man says he will be at headquarters in the morning.","evidence":"t:77:48"},{"t":4670,"kind":"spoken","text":"A man accuses someone of not seeing a frame-up even when it is obvious.","evidence":"t:77:50"}],"people":[{"id":"p1","name":null,"presence":["visible"],"appearance":"man in dark suit, white shirt, tie, and fedora, facing right"},{"id":"p2","name":{"value":"Muller","evidence":"t:77:50"},"presence":["visible","audible"],"appearance":"man in lighter suit, white shirt, no tie, fedora, facing left"},{"id":"p3","name":{"value":"Bailey","evidence":"t:77:50"},"presence":["mentioned"],"appearance":"not visible"}],"period":null,"quotes":[{"t":"77:48","text":"I'll be at headquarters in the morning."},{"t":"77:50","text":"Can't you smell a frame up when it's hanging under your nose?  Not when you're the man who's hanging it there.  Go on, Muller, get going.  Let's go, Bailey."}],"objects":[{"name":"fedora hats","evidence":"frame:1"},{"name":"suits","evidence":"frame:1"}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"tense and confrontational","themes":["betrayal","suspicion","authority"],"style_notes":"low-key lighting, tight two-shot, high contrast shadows"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:42:01Z","flags":[],"checked":{"names":3,"quotes":2,"visible_claimed":1,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:33:22.602116+00:00","id":"I_Love_Trouble_movie:b169:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=4660","transcript_segments":[780,781],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":170,"start_s":4681.4844,"end_s":4793.7446,"first_shot":341,"last_shot":341,"sequence":107,"keyframes":[{"t":4737.6,"shot":341}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.95,"rhythm":0.8,"visual":0.131,"pause_s":5.3}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A woman in a vehicle interior speaks assertively while another person is present; dialogue suggests a dispute over being taken somewhere by someone named Liverlip, with accusations of kidnapping and a plan to verify if he is a police officer. The car is described as being in bad shape.","observations":{"place":{"value":"vehicle_interior","evidence":"frame:1","interior":true,"place_type":"vehicle_interior"},"events":[{"t":4681,"kind":"spoken","text":"A woman tells someone to drive and not get cute.","evidence":"t:78:02"},{"t":4738,"kind":"visible","text":"A woman is visible in a vehicle, smiling or speaking assertively.","evidence":"frame:1"},{"t":4738,"kind":"spoken","text":"Someone questions why help is needed.","evidence":"t:78:45"},{"t":4738,"kind":"spoken","text":"Someone asks 'What gives?'","evidence":"t:78:47"},{"t":4738,"kind":"spoken","text":"Someone asks where Liverlip is taking them and suggests it may be kidnapping.","evidence":"t:78:50"},{"t":4738,"kind":"spoken","text":"Someone suggests taking Liverlip to headquarters to verify if he is a cop.","evidence":"t:78:50"},{"t":4738,"kind":"spoken","text":"Someone notes that their wallet was taken.","evidence":"t:78:50"},{"t":4741,"kind":"spoken","text":"Someone urges another to drive like a good boy and estimates an hour to get to headquarters.","evidence":"t:79:21"},{"t":4741,"kind":"spoken","text":"Someone notes the car is in very bad shape.","evidence":"t:79:21"},{"t":4757,"kind":"spoken","text":"Someone urges the driver to come on and drive.","evidence":"t:79:37"}],"people":[{"id":"p1","name":null,"presence":["visible","audible"],"appearance":"woman with light-colored hair, wearing dark coat, visible in vehicle interior"},{"id":"p2","name":null,"presence":["audible","mentioned"],"appearance":"unseen person, presumably driver, addressed as 'you'"},{"id":"p3","name":{"value":"Liverlip","evidence":"t:78:50"},"presence":["mentioned"],"appearance":"unseen person, referred to as 'Liverlip'"},{"id":"p4","name":{"value":"Hazel","evidence":"t:78:50"},"presence":["mentioned"],"appearance":"unseen person, referred to as 'Hazel'"}],"period":null,"quotes":[{"t":"78:02","text":"You drive.  And don't get cute."},{"t":"78:50","text":"Where's Liverlip taking you?  I think it's a case of kidnapping.  Claims he's a cop, but I don't believe it.  In California, that's a very serious offense.  You two ought to keep that in mind.  I think he's right, Hazel. We ought to be sure.  You take him down to headquarters.  If he's a cop, okay.  If he isn't, you can prefer charges.  I can identify...  So you got my wallet, too, eh?  Oh, please. No, not that one."},{"t":"79:21","text":"Come on, come on, come on, like a good boy.  I think it ought to take you about an hour to get him down there, don't you?  The car's in very bad shape.  I'll see what I can do."},{"t":"79:37","text":"Come on, you drive."}],"objects":[{"name":"car interior","evidence":"frame:1"},{"name":"dark coat","evidence":"frame:1"}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"tense and confrontational","themes":["suspicion","authority","gender roles in conflict","mobility and control"],"style_notes":"close-up shot in vehicle interior, high-contrast black-and-white lighting, focused on character expression"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:42:01Z","flags":[],"checked":{"names":4,"quotes":4,"visible_claimed":1,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:33:56.089375+00:00","id":"I_Love_Trouble_movie:b170:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=4681","transcript_segments":[782,783,784,785,786,787],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":171,"start_s":4793.7446,"end_s":5148.457,"first_shot":342,"last_shot":344,"sequence":108,"keyframes":[{"t":4883.1,"shot":342},{"t":5055.9,"shot":343},{"t":5143.9,"shot":344}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.93,"rhythm":0.34,"visual":0.126,"pause_s":6.0},"overrun":"355s: no speech-safe cut earlier"},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A man and a woman are in a dimly lit room where a tense conversation unfolds; another man enters, and the woman is identified as Janie Joy. The dialogue reveals blackmail, a murder, and a past connection between the characters.","observations":{"place":{"value":"private_office","evidence":"frame:1","interior":true,"place_type":"private_office"},"events":[{"t":4883,"kind":"visible","text":"A man sits in a dim room while another stands near a lamp.","evidence":"frame:1"},{"t":5056,"kind":"visible","text":"A man and a woman stand close together in a room, the man’s arm around her.","evidence":"frame:2"},{"t":5144,"kind":"visible","text":"A man enters a room through a doorway while another man and a woman look on.","evidence":"frame:3"},{"t":4800,"kind":"spoken","text":"A character says they need to come back and asks for a pen.","evidence":"t:80:00"},{"t":4813,"kind":"spoken","text":"A character instructs someone to park across the street and use a horn if police arrive.","evidence":"t:80:13"},{"t":5019,"kind":"spoken","text":"A character mentions Jane/Jamie Joy and her time in Brazil.","evidence":"t:81:41"},{"t":5020,"kind":"spoken","text":"A character says James is dead and blames Bailey.","evidence":"t:82:18"},{"t":5033,"kind":"spoken","text":"A character says they received a letter from Janne and will not open it.","evidence":"t:82:33"},{"t":5055,"kind":"spoken","text":"A character identifies another as Janie Joy, bubble dancer.","evidence":"t:84:34"},{"t":5107,"kind":"spoken","text":"A man named Chaney enters and greets another man.","evidence":"t:85:25"}],"people":[{"id":"p1","name":null,"presence":["visible"],"appearance":"man in suit, seated, visible in frame 1"},{"id":"p2","name":{"value":"Janie Joy","evidence":"t:84:34"},"presence":["visible"],"appearance":"woman in dark dress, standing with man in frame 2"},{"id":"p3","name":{"value":"Chaney","evidence":"t:85:25"},"presence":["visible"],"appearance":"man in suit, standing behind woman in frame 2, entering room in frame 3"},{"id":"p4","name":null,"presence":["visible"],"appearance":"man entering doorway in frame 3, partially visible"},{"id":"p5","name":{"value":"Bailey","evidence":"t:82:14"},"presence":["audible"],"appearance":"man speaking on phone, audible only"}],"period":null,"quotes":[{"t":"80:00","text":"I have to come back. I want to help if I can. Thanks, Angel. All I can use now is luck."},{"t":"82:18","text":"Dead. Murdered yeah, I'm holding you accountable Bailey."},{"t":"84:34","text":"I'm saying that you're Janie Joy, bubble dancer. The same girl whose name was Jane Brieger when she left Portland six years ago with Buster Buffer."},{"t":"85:25","text":"Why, Chaney! It's been a long time."}],"objects":[{"name":"lamp","frame":1},{"name":"doorway","frame":3},{"name":"bookshelf","frame":2},{"name":"picture frame","frame":3}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"tense and suspenseful","themes":["identity revelation","blackmail","murder investigation","past secrets"],"style_notes":"black-and-white, low-key lighting, medium shots emphasizing character proximity and tension"},"review_status":"qa-flagged","qa":{"at":"2026-09-06T09:42:06Z","flags":[{"why":"The frames show people standing and looking at each other, not sitting in a dim room.","test":"visible-event-not-seen","detail":"?","checker":"google/gemma-3-27b-it"},{"why":"The frames show people near a doorway, not a man sitting in a dim room.","test":"visible-event-not-seen","detail":"?","checker":"google/gemma-3-27b-it"}],"checked":{"names":5,"quotes":4,"visible_claimed":3,"visible_sampled":1},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:34:21.152146+00:00","id":"I_Love_Trouble_movie:b171:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=4793","transcript_segments":[788,789,790,791,792,793,794,795,796,797,798,799,800,801,802,803,804,805,806,807,808,809,810,811,812,813,814,815,816,817,818,819,820,821,822,823,824,825,826,827,828,829,830,831,832,833,834,835,836,837,838,839,840,841,842,843,844,845,846,847,848,849,850,851,852,853,854,855,856,857,858],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":172,"start_s":5148.457,"end_s":5194.4536,"first_shot":345,"last_shot":346,"sequence":109,"keyframes":[{"t":5150.6,"shot":345},{"t":5173.6,"shot":346}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.92,"rhythm":0.37,"visual":0.119,"pause_s":4.0}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A woman in a coat speaks with concern while a group of four people, including a man in a suit, stand in a room. The transcript indicates a conversation about someone being hired, a chauffeur, and a man named Martin who is nervous.","observations":{"place":{"value":"private_office","evidence":"frame:1","interior":true,"place_type":"private_office"},"events":[{"t":5148,"kind":"spoken","text":"Jamie speaks about being wrong and having nothing to do with hiring someone.","evidence":"t:85:49"},{"t":5151,"kind":"visible","text":"A woman in a coat looks concerned in a close-up.","evidence":"frame:1"},{"t":5174,"kind":"visible","text":"Four people stand in a room, one man in a suit facing three others.","evidence":"frame:2"},{"t":5194,"kind":"mentioned","text":"A man in a chauffeur uniform is mentioned as having sneaked into an apartment.","evidence":"t:85:49"}],"people":[{"id":"p1","name":{"value":"Jamie","evidence":"t:85:49"},"presence":["visible","audible"],"appearance":"woman, mid-20s to 30s, wearing a coat and scarf, dark hair styled in waves"},{"id":"p2","name":null,"presence":["visible"],"appearance":"woman, dark hair, wearing a dark dress or suit"},{"id":"p3","name":null,"presence":["visible"],"appearance":"man, older, balding, wearing a suit and tie"},{"id":"p4","name":null,"presence":["visible"],"appearance":"woman, blonde, wearing a light-colored suit with a bow at the neck"},{"id":"p5","name":null,"presence":["visible"],"appearance":"man, wearing a suit, seen from the side"}],"period":null,"quotes":[{"t":"85:49","text":"Jamie. So it was you who hired him. If I'd wanted to be found, if I'd wanted to see you, I'd have... Jamie, you're wrong. I had nothing to do with it."},{"t":"85:49","text":"Well, I... I am sorry, ladies. You'll have to excuse me. I haven't all night. I don't care some business to transact. What was it, cops? No, it was a man in a chauffeur uniform. He started to come in the apartment, and when he saw this man, he hid."},{"t":"86:12","text":"I saw him sneaking in the back way. Martin's getting nervous. What are his plans? I don't know. He's been gone all day. He's nearly crazy because of the way he handled this. Leave it. You're not really smart."},{"t":"86:32","text":"You're just lucky. Come on in."}],"objects":[{"name":"coat","evidence":"frame:1"},{"name":"suit","evidence":"frame:2"},{"name":"bow tie","evidence":"frame:2"}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"tense and confrontational","themes":["mistrust","deception","nervousness"],"style_notes":"black-and-white, medium close-ups and group shots, studio lighting, classic 1940s framing"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:42:08Z","flags":[],"checked":{"names":5,"quotes":4,"visible_claimed":2,"visible_sampled":1},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:34:47.971776+00:00","id":"I_Love_Trouble_movie:b172:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=5148","transcript_segments":[859,860,861],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":173,"start_s":5194.4536,"end_s":5288.824,"first_shot":347,"last_shot":348,"sequence":109,"keyframes":[{"t":5226.2,"shot":347},{"t":5273.4,"shot":348}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.93,"rhythm":0.26,"visual":0.087,"pause_s":3.5}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"Three people are in a room; one man questions another about a woman named Ellen Ellsworth, who is revealed to be dead. The dialogue suggests a conflict over money and a past relationship, with a mention of Portland as a next destination.","observations":{"place":{"value":"private_office","evidence":"frame:1","interior":true,"place_type":"private_office"},"events":[{"t":5226,"kind":"visible","text":"Three people stand in a room; one man speaks to another while a woman holds a paper.","evidence":"frame:1"},{"t":5273,"kind":"visible","text":"A man stands with arms crossed while a woman in a doorway looks on and another man faces away.","evidence":"frame:2"},{"t":5227,"kind":"spoken","text":"A man asks if they need privacy for their conference.","evidence":"t:86:37"},{"t":5230,"kind":"spoken","text":"A man asks where a woman is and says he will go.","evidence":"t:86:44"},{"t":5231,"kind":"spoken","text":"A man asks who the woman is killing.","evidence":"t:86:47"},{"t":5231,"kind":"spoken","text":"A man asks again where the woman is.","evidence":"t:86:49"},{"t":5233,"kind":"spoken","text":"A man says there is a price on the information.","evidence":"t:86:51"},{"t":5235,"kind":"spoken","text":"A man says 'Name it.'","evidence":"t:86:53"},{"t":5239,"kind":"spoken","text":"A man says the woman worked with him at the carousel.","evidence":"t:86:57"},{"t":5240,"kind":"spoken","text":"A man asks how well the other knew her.","evidence":"t:87:00"},{"t":5241,"kind":"spoken","text":"A man asks what she has to do with them.","evidence":"t:87:01"},{"t":5243,"kind":"spoken","text":"A man says she was using the other's name.","evidence":"t:87:03"},{"t":5245,"kind":"spoken","text":"A man says she was on the run and needed a place to hide.","evidence":"t:87:05"},{"t":5248,"kind":"spoken","text":"A man asks if the other wasn't looking for him at all.","evidence":"t:87:08"},{"t":5250,"kind":"spoken","text":"A man asks who she is.","evidence":"t:87:10"},{"t":5252,"kind":"spoken","text":"A man says her name is Ellen Ellsworth.","evidence":"t:87:12"},{"t":5255,"kind":"spoken","text":"A man says she married him.","evidence":"t:87:15"},{"t":5257,"kind":"spoken","text":"A man says she is his wife.","evidence":"t:87:17"},{"t":5261,"kind":"spoken","text":"A man says she ran out on him about a year ago.","evidence":"t:87:21"},{"t":5264,"kind":"spoken","text":"A man asks Keller if he wants his wife or his 40 grand.","evidence":"t:87:26"},{"t":5267,"kind":"spoken","text":"A man says he'll settle for the 40 grand.","evidence":"t:87:26"},{"t":5271,"kind":"spoken","text":"A man asks where she is.","evidence":"t:87:31"},{"t":5272,"kind":"spoken","text":"A man says she is dead.","evidence":"t:87:32"},{"t":5273,"kind":"spoken","text":"A man says she was murdered sometime this afternoon.","evidence":"t:87:33"},{"t":5277,"kind":"spoken","text":"A man asks who killed her.","evidence":"t:87:37"},{"t":5282,"kind":"spoken","text":"A man says he thought maybe the other did it.","evidence":"t:87:42"},{"t":5284,"kind":"spoken","text":"A man says that's what he taught the other to do.","evidence":"t:87:44"},{"t":5286,"kind":"spoken","text":"A man asks if the cops are outside.","evidence":"t:87:46"},{"t":5289,"kind":"spoken","text":"A man says if they are, they're looking for him.","evidence":"t:87:49"},{"t":5293,"kind":"spoken","text":"A man asks what the next step is.","evidence":"t:87:53"},{"t":5296,"kind":"spoken","text":"A man says Portland.","evidence":"t:87:56"},{"t":5297,"kind":"spoken","text":"A man says his plane leaves in an hour.","evidence":"t:87:57"}],"people":[{"id":"p1","name":null,"presence":["visible"],"appearance":"woman, dark hair, wearing a dark jacket and light blouse, holding a paper"},{"id":"p2","name":null,"presence":["visible"],"appearance":"man, dark hair, wearing a dark suit and tie, standing behind p1"},{"id":"p3","name":{"value":"Keller","evidence":"t:87:24"},"presence":["visible","audible"],"appearance":"man, dark hair, wearing a light suit and tie, facing p1 and p2"},{"id":"p4","name":null,"presence":["visible"],"appearance":"man, light hair, wearing a light suit, standing with arms crossed"},{"id":"p5","name":null,"presence":["visible"],"appearance":"woman, dark hair, wearing a light blouse and dark skirt, standing in doorway"}],"period":null,"quotes":[{"t":"86:37","text":"This place is getting a little bit crowded for our conference, isn't it, Bailey?  Do we need privacy? Not at all."},{"t":"87:12","text":"Ellen Ellsworth."},{"t":"87:26","text":"Is it your wife you want or your 40 grand?  I'll settle for the 40 grand."},{"t":"87:33","text":"Murdered.  Sometime this afternoon."}],"objects":[{"name":"paper","evidence":"frame:1"},{"name":"suit","evidence":"frame:1"},{"name":"jacket","evidence":"frame:1"},{"name":"doorway","evidence":"frame:2"},{"name":"curtain","evidence":"frame:2"}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"tense and confrontational","themes":["betrayal","money vs. love","murder mystery"],"style_notes":"medium shots, high contrast lighting, static camera, dialogue-driven"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:42:08Z","flags":[],"checked":{"names":5,"quotes":4,"visible_claimed":2,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:36:25.860899+00:00","id":"I_Love_Trouble_movie:b173:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=5194","transcript_segments":[862,863,864,865,866,867,868,869,870,871,872,873,874,875,876,877,878,879,880,881,882,883,884,885,886,887,888,889,890,891],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":174,"start_s":5288.824,"end_s":5380.2334,"first_shot":349,"last_shot":349,"sequence":109,"keyframes":[{"t":5334.5,"shot":349}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.89,"rhythm":0.06,"visual":0.075,"pause_s":6.0},"during_speech":"cut falls inside a spoken line: no pause was available without exceeding the length cap"},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A woman confronts a man about her husband’s knowledge of her past and the death of Janie Joy, while another man, Johnson, enters and accuses her of killing his wife. The scene ends with the woman claiming she was trying to arrest him and that witnesses will contradict his version.","observations":{"place":{"value":"private_office","evidence":"frame:1","interior":true,"place_type":"private_office"},"events":[{"t":5334,"kind":"visible","text":"A woman speaks urgently to a man off-screen about her husband and Janie Joy.","evidence":"frame:1"},{"t":5334,"kind":"spoken","text":"The woman admits she paid off people to keep her husband from finding out about her past.","evidence":"t:88:51"},{"t":5334,"kind":"spoken","text":"The woman claims she didn’t know the dead woman was using her name.","evidence":"t:89:12"},{"t":5334,"kind":"mentioned","text":"Johnson enters and accuses the woman of killing his wife.","evidence":"t:89:29"},{"t":5334,"kind":"spoken","text":"The woman claims she was trying to arrest Johnson and that witnesses will contradict his story.","evidence":"t:89:39"}],"people":[{"id":"p1","name":null,"presence":["visible","audible"],"appearance":"woman, mid-30s, dark hair styled in waves, wearing a dark top"},{"id":"p2","name":null,"presence":["visible","audible"],"appearance":"man, partially visible, wearing a suit"},{"id":"p3","name":{"value":"Johnson","evidence":"t:89:29"},"presence":["audible","mentioned"],"appearance":"man, not visible in frame, mentioned in dialogue"}],"period":null,"quotes":[{"t":"88:51","text":"That's why I didn't keep in touch with my sister."},{"t":"89:12","text":"I didn't know she was using my name."},{"t":"89:16","text":"Murder is far-fetched too, Janie."},{"t":"89:39","text":"I didn't kill your wife. I was trying to arrest you."}],"objects":[{"name":"dark top","evidence":"frame:1"},{"name":"suit","evidence":"frame:1"}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"tense and confrontational","themes":["deception","confrontation","identity","legal peril"],"style_notes":"close-up framing, high-contrast lighting, dramatic shadows"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:42:10Z","flags":[],"checked":{"names":3,"quotes":4,"visible_claimed":1,"visible_sampled":1},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:36:25.864453+00:00","id":"I_Love_Trouble_movie:b174:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=5288","transcript_segments":[892,893,894,895,896,897,898,899,900,901,902,903,904,905,906,907,908,909,910],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":175,"start_s":5380.2334,"end_s":5395.5796,"first_shot":350,"last_shot":350,"sequence":110,"keyframes":[{"t":5387.9,"shot":350}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.89,"rhythm":0.41,"visual":0.117,"pause_s":6.0},"during_speech":"cut falls inside a spoken line: no pause was available without exceeding the length cap"},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A man in a fedora and suit confronts another man in a dark interior, holding a gun and claiming he was trying to arrest him. The transcript reveals the confrontation involves a claim of killing the other man's wife and mentions witnesses who will contradict the story.","observations":{"place":{"value":"private_office","evidence":"frame:1","interior":true,"place_type":"private_office"},"events":[{"t":5388,"kind":"visible","text":"Man in fedora holds a gun and confronts another man.","evidence":"frame:1"},{"t":89.39,"kind":"spoken","text":"Johnson is told his wife was killed and that the shooter claims he was arresting him.","evidence":"t:89:39"},{"t":89.39,"kind":"spoken","text":"The shooter says there are witnesses who will contradict his story.","evidence":"t:89:39"}],"people":[{"id":"p1","name":null,"presence":["visible","audible"],"appearance":"man wearing fedora, suit, tie, holding a gun"},{"id":"p2","name":{"value":"Johnson","evidence":"t:89:39"},"presence":["visible","audible"],"appearance":"man in dark suit, seen from back and side"}],"period":null,"quotes":[{"t":"89:39","text":"Killed my wife.  The police just told me and I'm going to kill you."},{"t":"89:39","text":"Take it easy, Johnson.  I didn't kill your wife.  I was trying to arrest you."},{"t":"89:39","text":"You resisted and I shot you.  There's one hitch.  There are witnesses that'll tell it differently."},{"t":"89:39","text":"Get over there."}],"objects":[{"name":"fedora","frame":1},{"name":"suit","frame":1},{"name":"gun","frame":1},{"name":"tie","frame":1}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"tense, confrontational","themes":["justice","revenge","conflict"],"style_notes":"tight two-shot, high-contrast lighting, noir-style framing"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:42:10Z","flags":[],"checked":{"names":2,"quotes":4,"visible_claimed":1,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:36:25.866353+00:00","id":"I_Love_Trouble_movie:b175:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=5380","transcript_segments":[910],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":176,"start_s":5395.5796,"end_s":5433.278,"first_shot":351,"last_shot":351,"sequence":110,"keyframes":[{"t":5414.4,"shot":351}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.83,"rhythm":0.35,"visual":0.103,"pause_s":3.4}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"Two men confront each other in a room; one holds a gun and accuses the other of murder while referencing a letter. The transcript reveals a tense standoff where the gun is claimed to be unloaded.","observations":{"place":{"name":"private_office","evidence":"frame:1","interior":true,"place_type":"private_office"},"events":[{"t":5414,"kind":"visible","text":"Bailey holds a gun and confronts Johnson.","evidence":"frame:1"},{"t":5400,"kind":"spoken","text":"Bailey accuses Johnson of killing his wife for money.","evidence":"t:90:00"},{"t":5408,"kind":"spoken","text":"Bailey claims the gun is Johnson's and unloaded.","evidence":"t:90:08"},{"t":5408,"kind":"spoken","text":"Bailey mentions a letter from Jane addressed to him.","evidence":"t:90:08"}],"people":[{"id":"p1","name":{"value":"Johnson","evidence":"t:90:00"},"presence":["visible","audible"],"appearance":"man in dark suit, clean-shaven, mid-adult, average build, standing"},{"id":"p2","name":{"value":"Bailey","evidence":"t:90:08"},"presence":["visible","audible"],"appearance":"man in suit and fedora, holding a gun, mid-adult, average build"}],"period":null,"quotes":[{"t":"90:00","text":"Killed my wife for a few thousand dirty dollars.  No jury on earth will convict me for shooting.  They'll do more than convict you, Johnson."},{"t":"90:08","text":"You killed your wife.  You're smart, Bailey.  In front of witnesses, you accuse me of murder.  Now I don't dare pull this trigger.  Let's call in the police.  I'm afraid that won't help.  But this might be.  That's Jane's letter.  That's for the police to open.  It's addressed to me.  Not that I expect much from it.  Don't look at that.  I wouldn't do that, Johnson.  You've got a gun.  Brother, use it.  That gun in his hand is mine, and it isn't loaded.  He's kidding you, Johnson."}],"objects":[{"name":"gun","frame":1},{"name":"fedora hat","frame":1},{"name":"suit","frame":1},{"name":"chair","frame":1}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"tense and confrontational","themes":["betrayal","legal jeopardy","moral ambiguity"],"style_notes":"medium two-shot, high-contrast lighting, static framing, classic noir composition"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:42:10Z","flags":[],"checked":{"names":2,"quotes":2,"visible_claimed":1,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:36:59.364251+00:00","id":"I_Love_Trouble_movie:b176:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=5395","transcript_segments":[911,912,913],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":177,"start_s":5433.278,"end_s":5452.2935,"first_shot":352,"last_shot":352,"sequence":110,"keyframes":[{"t":5442.8,"shot":352}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.85,"rhythm":0.46,"visual":0.131,"pause_s":6.0},"during_speech":"cut falls inside a spoken line: no pause was available without exceeding the length cap"},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A man in a suit holds a letter while a woman in a hat gestures toward him; another woman stands nearby. The scene takes place indoors, and a line is spoken demanding the letter.","observations":{"place":{"value":"private_office","evidence":"frame:1","interior":true,"place_type":"private_office"},"events":[{"t":5443,"kind":"visible","text":"A woman in a hat gestures toward a man holding a letter.","evidence":"frame:1"},{"t":5441,"kind":"spoken","text":"A voice demands the letter from Bailey.","evidence":"t:90:41"}],"people":[{"id":"p1","name":null,"presence":["visible"],"appearance":"woman wearing a hat and suit, gesturing with her right hand"},{"id":"p2","name":{"value":"Bailey","evidence":"t:90:41"},"presence":["visible"],"appearance":"man in a suit holding a letter, standing upright"},{"id":"p3","name":null,"presence":["visible"],"appearance":"woman in a coat, standing to the left of p1"},{"id":"p4","name":null,"presence":["visible"],"appearance":"man seen from behind, right side of frame"}],"period":null,"quotes":[{"t":"90:41","text":"I'll take that letter now, Bailey.  Get over there."}],"objects":[{"name":"letter","evidence":"frame:1"},{"name":"hat","evidence":"frame:1"},{"name":"suit","evidence":"frame:1"},{"name":"door","evidence":"frame:1"},{"name":"picture frame on wall","evidence":"frame:1"}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"tense","themes":["confrontation","authority","possession"],"style_notes":"medium shot, studio lighting, black-and-white, formal attire, static framing"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:42:12Z","flags":[],"checked":{"names":4,"quotes":1,"visible_claimed":1,"visible_sampled":1},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:37:01.900451+00:00","id":"I_Love_Trouble_movie:b177:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=5433","transcript_segments":[914],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":178,"start_s":5452.2935,"end_s":5482.11,"first_shot":353,"last_shot":354,"sequence":111,"keyframes":[{"t":5455.4,"shot":353},{"t":5470.3,"shot":354}],"boundary":{"reason":"pause in speech","scores":{"ocr":1.0,"topic":0.9,"rhythm":0.44,"visual":0.147,"pause_s":6.0}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A man in a suit speaks to another man wearing a hat in a dimly lit interior; a letter addressed to Mr. Stuart O. Bailey is shown. The dialogue reveals a deception involving a wife and a body under a pier.","observations":{"place":{"value":"private_office","evidence":"frame:2","interior":true,"place_type":"private_office"},"events":[{"t":5452,"kind":"visible","text":"A letter addressed to Mr. Stuart O. Bailey is shown on screen.","evidence":"frame:1"},{"t":5453,"kind":"visible","text":"A man in a suit confronts another man wearing a hat.","evidence":"frame:2"},{"t":5453,"kind":"spoken","text":"The man in the suit says he used a letter from Johnson's wife as bait to lure him.","evidence":"t:90:53"},{"t":5460,"kind":"spoken","text":"The man in the suit accuses Johnson of outsmarting himself by making a phone call and orders him to get Janie Joy out from under the pier.","evidence":"t:91:00"},{"t":5468,"kind":"spoken","text":"The man in the suit reveals that the body under the pier was not Janie Joy and that Johnson's wife was not Janie Joy.","evidence":"t:91:08"}],"people":[{"id":"p1","name":{"value":"Johnson","evidence":"t:90:53"},"presence":["visible","audible"],"appearance":"man in dark suit and tie, thin build, mid-adult, clean-shaven"},{"id":"p2","name":null,"presence":["visible","audible"],"appearance":"man wearing a fedora, seen from behind, wearing a coat"}],"period":null,"quotes":[{"t":"90:53","text":"I just used it as bait to bring you up here, Johnson. I knew a letter from your wife would get you on the prowl for sure."},{"t":"91:00","text":"You see, you outsmarted yourself when you made that phone call. Get Janie Joy out from under the pier."},{"t":"91:08","text":"weren't talking, Johnson. That was you trying to establish your wife had been killed by somebody out of her dusty past. It was a good idea, except for one thing. It wasn't Janie Joy under the pier. You get that, Johnson? Your wife wasn't Janie Joy. And everyone in this rat race knew that, except you and me."},{"t":"91:20","text":"What are you talking about? I told you it took a real name to get into a"}],"objects":[{"name":"letter","evidence":"frame:1","description":"typed letter addressed to Mr. Stuart O. Bailey, signed by American Society of Private Detectives"},{"name":"fedora","evidence":"frame:2","description":"dark hat worn by man facing away from camera"},{"name":"suit","evidence":"frame:2","description":"dark suit and tie worn by man facing camera"}],"time_of_day":null,"on_screen_text":"Loe Your for are of"},"interpretations":{"mood":"tense and confrontational","themes":["deception","identity","betrayal","detective work"],"style_notes":"black-and-white, medium close-up shots, high-contrast lighting, classic film noir framing"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:42:14Z","flags":[],"checked":{"names":2,"quotes":4,"visible_claimed":2,"visible_sampled":1},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:37:53.277117+00:00","id":"I_Love_Trouble_movie:b178:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=5452","transcript_segments":[915,916,917],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":179,"start_s":5482.11,"end_s":5515.93,"first_shot":355,"last_shot":355,"sequence":112,"keyframes":[{"t":5499.0,"shot":355}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.92,"rhythm":0.04,"visual":0.151,"pause_s":6.0},"during_speech":"cut falls inside a spoken line: no pause was available without exceeding the length cap"},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A man in a suit is shown in a close-up; dialogue reveals a confession about writing blackmail notes. The setting appears to be an interior space with a window visible behind him.","observations":{"place":{"value":"private_office","evidence":"frame:1","interior":true,"place_type":"private_office"},"events":[{"t":5499,"kind":"spoken","text":"Johnson confesses to writing the blackmail note.","evidence":"t:91:38"},{"t":5499,"kind":"mentioned","text":"Johnson is accused of forcing Jane Breger into a position where she had to kill.","evidence":"t:91:38"}],"people":[{"id":"p1","name":{"value":"Johnson","evidence":"t:91:38"},"presence":["visible","audible"],"appearance":"man, middle-aged, wearing a dark suit and tie, with a bandage on his forehead"},{"id":"p2","name":{"value":"Bailey","evidence":"t:91:38"},"presence":["audible","mentioned"],"appearance":"unseen, but addressed as 'Bailey'"}],"period":null,"quotes":[{"t":"91:38","text":"the name of a friend Jane Breger. And that's your case? Only part of it. The gun in your hands another part. And that box my gun came back in. The printing's the same as on those phony blackmail notes. Why did you write those notes Johnson? To scare her into admitting something? Well you forced her into the open where she had to kill. Only because of you. All right Bailey. I wrote the note. Well that's better."}],"objects":[{"name":"bandage","frame":1,"description":"white adhesive bandage on forehead"},{"name":"window","frame":1,"description":"visible behind the man, with panes and frame"}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"tense, confrontational","themes":["confession","blackmail","culpability"],"style_notes":"close-up framing, high-contrast lighting, studio set with visible window, black-and-white film"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:42:14Z","flags":[],"checked":{"names":2,"quotes":1,"visible_claimed":0,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:37:53.279693+00:00","id":"I_Love_Trouble_movie:b179:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=5482","transcript_segments":[918],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":180,"start_s":5515.93,"end_s":5546.622,"first_shot":356,"last_shot":358,"sequence":112,"keyframes":[{"t":5522.1,"shot":356},{"t":5530.4,"shot":357},{"t":5539.6,"shot":358}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.9,"rhythm":0.2,"visual":0.089,"pause_s":6.0},"during_speech":"cut falls inside a spoken line: no pause was available without exceeding the length cap"},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"Two men are shown in close-up during a dialogue about a murder; one is accused of killing a woman he loved, and the other confronts him with motives involving money and emotional betrayal. No location or time of day is established beyond the interior setting.","observations":{"place":{"value":"private_office","evidence":"frame:1","interior":true,"place_type":"private_office"},"events":[{"t":92.05,"kind":"spoken","text":"A man named Johnson is accused of killing a woman he loved, not for her money but because she made him believe in things again.","evidence":"t:92:05"},{"t":92.05,"kind":"spoken","text":"The accuser claims Johnson got the woman's $40,000 and killed her when the truth came out.","evidence":"t:92:05"}],"people":[{"id":"p1","name":{"value":"Johnson","evidence":"t:92:05"},"presence":["visible","audible"],"appearance":"man in dark suit and tie, bandage on forehead, mid-30s to 40s, thin build"},{"id":"p2","name":null,"presence":["visible","audible"],"appearance":"man in fedora and patterned suit, mid-40s to 50s, heavier build"}],"period":null,"quotes":[{"t":"92:05","text":"We're coming near the truth now, aren't we? But I didn't kill her. I was crazy about her."},{"t":"92:05","text":"Maybe you were crazy about her $40,000. Yeah, and you got her money, Johnson."},{"t":"92:05","text":"But that isn't really why you killed her. You killed her because you were crazy about her."},{"t":"92:05","text":"She had a way of making a twisted guy like you believe in things again. Isn't that right, Johnson? And she loved you. You thought, until the truth came out."}],"objects":[{"name":"bandage on forehead","frame":1},{"name":"fedora hat","frame":2},{"name":"dark suit and tie","frame":1},{"name":"patterned suit jacket","frame":2}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"tense and accusatory","themes":["guilt","betrayal","moral ambiguity"],"style_notes":"tight close-ups, high-contrast lighting, static camera, classic noir framing"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:42:14Z","flags":[],"checked":{"names":2,"quotes":4,"visible_claimed":0,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:38:18.545555+00:00","id":"I_Love_Trouble_movie:b180:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=5515","transcript_segments":[919],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":181,"start_s":5546.622,"end_s":5575.98,"first_shot":359,"last_shot":359,"sequence":112,"keyframes":[{"t":5561.3,"shot":359}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.87,"rhythm":0.24,"visual":0.108,"pause_s":6.0},"during_speech":"cut falls inside a spoken line: no pause was available without exceeding the length cap"},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A man in a suit speaks urgently in an interior setting, referencing betrayal and a wife who was a killer. The scene is framed as a dramatic confrontation with no visible audience or setting details beyond a dark background and a shelf.","observations":{"place":{"value":"private_office","evidence":"frame:1","interior":true,"place_type":"private_office"},"events":[{"t":5561,"kind":"visible","text":"A man speaks with urgency, accusing someone of being played for a sucker and referencing a wife who was a killer.","evidence":"frame:1"},{"t":5561,"kind":"spoken","text":"The man says 'Stop it! Turn around, all of you!' and 'No, use your head, Johnson. You're licked. But your wife was a killer, too.'","evidence":"t:92:35"}],"people":[{"id":"p1","name":null,"presence":["visible","audible"],"appearance":"man in dark suit and tie, mid-adult, medium build, with a bandage on his forehead"}],"period":null,"quotes":[{"t":"92:35","text":"You found out she was a liar and a thief. And now you know she was a bigamist."},{"t":"92:35","text":"But worse than that, she hadn't ever really loved you. You were a hideout. That's all you ever meant to her."},{"t":"92:35","text":"She was playing you for a sucker. And you let her crawl right into your heart. And then she cut the heart right out of you."},{"t":"92:35","text":"Stop it! Turn around, all of you! No, use your head, Johnson. You're licked. But your wife was a killer, too."}],"objects":[{"name":"bandage on forehead","frame":1},{"name":"dark suit and tie","frame":1},{"name":"shelf or cabinet in background","frame":1}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"tense and accusatory","themes":["betrayal","emotional manipulation","confrontation"],"style_notes":"close-up framing, high-contrast lighting, studio-bound interior, dramatic shadows"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:42:14Z","flags":[],"checked":{"names":1,"quotes":4,"visible_claimed":1,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:38:28.820529+00:00","id":"I_Love_Trouble_movie:b181:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=5546","transcript_segments":[920],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":182,"start_s":5575.98,"end_s":5596.4556,"first_shot":360,"last_shot":360,"sequence":113,"keyframes":[{"t":5586.2,"shot":360}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.87,"rhythm":0.21,"visual":0.206,"pause_s":6.0},"during_speech":"cut falls inside a spoken line: no pause was available without exceeding the length cap"},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A man in a suit and fedora stands indoors, holding an object, as a voice commands him to turn around. The transcript indicates ongoing speech and accusation.","observations":{"place":{"value":"private_office","evidence":"frame:1","interior":true,"place_type":"private_office"},"events":[{"t":5586,"kind":"visible","text":"A man stands holding an object, looking off-camera.","evidence":"frame:1"},{"t":5586,"kind":"spoken","text":"A voice says 'Turn around. Turn around.'","evidence":"t:93:05"},{"t":5586,"kind":"spoken","text":"The voice accuses someone of still talking and lying.","evidence":"t:93:05"}],"people":[{"id":"p1","name":null,"presence":["visible","audible"],"appearance":"man, middle-aged, wearing a suit, patterned tie, fedora, and white pocket square"}],"period":null,"quotes":[{"t":"93:05","text":"talking if you want to. She did.  Still talking. Still lying.  Turn around.  Turn around."}],"objects":[{"name":"fedora","frame":1},{"name":"suit","frame":1},{"name":"patterned tie","frame":1},{"name":"white pocket square","frame":1},{"name":"object held in hand (possibly a gun)","frame":1}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"tense","themes":["confrontation","deception"],"style_notes":"medium close-up, high-contrast lighting, classic noir framing"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:42:14Z","flags":[],"checked":{"names":1,"quotes":1,"visible_claimed":1,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:38:44.843695+00:00","id":"I_Love_Trouble_movie:b182:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=5575","transcript_segments":[921],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":183,"start_s":5596.4556,"end_s":5615.304,"first_shot":361,"last_shot":361,"sequence":114,"keyframes":[{"t":5605.9,"shot":361}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.94,"rhythm":0.35,"visual":0.273,"pause_s":6.0}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A man in a suit sits on the floor while another man in a hat stands over him; a third man enters through a doorway. A voice accuses someone of delaying and announces a visit to the district attorney.","observations":{"place":{"value":"private_office","evidence":"frame:1","interior":true,"place_type":"private_office"},"events":[{"t":5606,"kind":"visible","text":"A man in a hat stands over a man sitting on the floor while another man enters through a doorway.","evidence":"frame:1"},{"t":5601,"kind":"spoken","text":"A voice says, 'You certainly took your time about getting here. I've been here. You didn't have a case until a few seconds ago.'","evidence":"t:93:21"},{"t":5609,"kind":"spoken","text":"A voice says, 'Let's go, Johnson. We're paying a visit to an old friend of yours, the district attorney.'","evidence":"t:93:29"}],"people":[{"id":"p1","name":null,"presence":["visible"],"appearance":"man in suit, sitting on floor"},{"id":"p2","name":{"value":"Johnson","evidence":"t:93:29"},"presence":["visible"],"appearance":"man in hat and coat, standing"},{"id":"p3","name":null,"presence":["visible"],"appearance":"man in suit, entering through doorway"}],"period":null,"quotes":[{"t":"93:21","text":"You certainly took your time about getting here.  I've been here.  You didn't have a case until a few seconds ago."},{"t":"93:29","text":"Let's go, Johnson. We're paying a visit to an old friend of yours, the district attorney."}],"objects":[{"name":"bookshelf","evidence":"frame:1"},{"name":"doorway","evidence":"frame:1"},{"name":"hat","evidence":"frame:1"}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"tense","themes":["confrontation","authority","legal consequence"],"style_notes":"medium shot, high-contrast lighting, static framing"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:42:14Z","flags":[],"checked":{"names":3,"quotes":2,"visible_claimed":1,"visible_sampled":0},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:39:01.790460+00:00","id":"I_Love_Trouble_movie:b183:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=5596","transcript_segments":[922,923],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"},{"idx":184,"start_s":5615.304,"end_s":5661.3013,"first_shot":362,"last_shot":362,"sequence":114,"keyframes":[{"t":5638.3,"shot":362}],"boundary":{"reason":"pause in speech","scores":{"ocr":0.0,"topic":0.91,"rhythm":0.48,"visual":0.265,"pause_s":2.8}},"cutter_version":"beats-0.2","annotation_version":1,"model":"Qwen/Qwen3-VL-235B-A22B-Instruct","prompt_version":"beats-0.2","summary":"A man and a woman embrace while two other people observe; dialogue suggests a case has ended in murder and financial loss. The scene concludes with a character declaring it is 'the end of the line.'","observations":{"place":{"name":"private_office","evidence":"frame:1","interior":true,"place_type":"private_office"},"events":[{"t":5615,"kind":"visible","text":"A man and a woman embrace while two others watch.","evidence":"frame:1"},{"t":5615,"kind":"spoken","text":"A character speaks about admitting being a 'dope' and another going for such a person.","evidence":"t:93:36"},{"t":5615,"kind":"spoken","text":"A character mentions seeing Quint with a client on a leash and asks what gives.","evidence":"t:93:36"},{"t":5615,"kind":"spoken","text":"A character says 'Murder.' in response to the previous question.","evidence":"t:93:36"},{"t":5615,"kind":"spoken","text":"A character questions whether they lose money on the case.","evidence":"t:93:36"},{"t":5615,"kind":"spoken","text":"A character says the loss won't be total.","evidence":"t:93:36"},{"t":5636,"kind":"spoken","text":"A character says 'Well, well.'","evidence":"t:93:56"},{"t":5640,"kind":"spoken","text":"A character says they didn't think there'd be a lie.","evidence":"t:94:00"},{"t":5643,"kind":"spoken","text":"A character says 'This is the end of the line.'","evidence":"t:94:03"}],"people":[{"id":"p1","name":null,"presence":["visible"],"appearance":"man in dark suit, visible from waist up, embracing a woman"},{"id":"p2","name":null,"presence":["visible"],"appearance":"woman in dark dress, visible from waist up, embracing a man"},{"id":"p3","name":null,"presence":["visible"],"appearance":"woman in light-colored coat, standing, observing"},{"id":"p4","name":null,"presence":["visible"],"appearance":"man in dark coat, standing, observing"}],"period":null,"quotes":[{"t":"93:36","text":"You know, I'm the kind of a guy who can admit he's been a dope.  And I'm the kind of a gal that can go for a dope like you.  Hey, hey, I just saw Quint with your client on a short leash. What gives?  Murder.  Him? You mean we lose money on the case?  Well, just so it won't be a total loss."},{"t":"93:56","text":"Well, well."},{"t":"94:00","text":"I didn't think there'd be a lie."},{"t":"94:03","text":"I've got news for you, dear.  This is the end of the line."}],"objects":[{"name":"dark suit","evidence":"frame:1"},{"name":"dark dress","evidence":"frame:1"},{"name":"light-colored coat","evidence":"frame:1"},{"name":"dark coat","evidence":"frame:1"}],"time_of_day":null,"on_screen_text":null},"interpretations":{"mood":"resigned, conclusive","themes":["closure","romantic reconciliation","professional failure"],"style_notes":"medium shot, black-and-white, high-contrast lighting, static framing"},"review_status":"qa-passed","qa":{"at":"2026-09-06T09:42:15Z","flags":[],"checked":{"names":4,"quotes":4,"visible_claimed":1,"visible_sampled":1},"checker":"google/gemma-3-27b-it"},"created_at":"2026-09-06 09:39:46.568825+00:00","id":"I_Love_Trouble_movie:b184:beats-0.2","archive_url":"https://archive.org/details/I_Love_Trouble_movie?start=5615","transcript_segments":[924,925,926,927],"status_note":"machine annotation; observations carry evidence references (frame:n, t:m:ss); interpretations are model opinion"}]}